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Kinda Pregnant review – Amy Schumer's Netflix comedy is kinda disappointing

Kinda Pregnant review – Amy Schumer's Netflix comedy is kinda disappointing

The Guardian05-02-2025

Let me be clear: I am always rooting for Amy Schumer, though sometimes she makes it difficult. When she is good, she is great – and, for the most part, that was on Inside Amy Schumer, her zeitgeist-y Comedy Central sketch show that ran from 2013-2016. Schumer's brand of comedy – bawdy, self-deprecating, pointing to overarching sexism while skewering certain types of white women – was both native to and critical of the pop feminist era, your oversharing best friend during the personal essay boom.
For better and, at least on the big screen, for worse, Schumer's sensibility has remained there. Kinda Pregnant, her new film at Netflix, plays the hits Schumer is known for – shameless physical comedy, frank discussion of bodies, brash refusal to play good girl – but feels stuck in the past, unable to generate new sparks. Written by Schumer and Julie Paiva and directed by Tyler Spindel, Kinda Pregnant continues a string of underwhelming Hollywood vehicles since 2015's Trainwrecked that have hamstrung Schumer's talent with sub-par writing (2018's I Feel Pretty) or plotting (2017's Snatched).
This time, the issue is more existential: though it tries – there's pratfall and physical gags aplenty – there's just not that much funny to be found here. If the 2022 reboot of Inside Amy Schumer showed the limits of its topical comedy post-Trump, then Kinda Pregnant evinces the dead end of this particular style of comic fuck-up. It doesn't help that the 100-minute film has the stale flavor of Netflix content: overlit, undercooked, checking off boxes by sticking a bunch of funny people together and hoping for the best.
The setup should be, um, fertile ground for Schumer, pregnancy and childbirth being states that warp the female body – the site of her most ruthless and revealing jokes – freighted with the cultural scripts she loves to flout. Schumer herself is no stranger to pregnancy fare, having documented her own arduous pregnancy in the 2020 docuseries Expecting Amy and mined its ribald absurdities for the 2019 standup special Growing.
Here, she plays the other side of child-free/parent friend divide (a rich topic!) as Lainy, an uncensored and increasingly unhinged Brooklyn schoolteacher in an oddly affordable Williamsburg who has long been desperate to start a family. In her early 40s and four years deep in a relationship with Dave (Damon Wayans Jr), details unknown besides being a cad, she believes she's on the precipice of an engagement and thus her dreams. It all blows up spectacularly and, for the viewer, tiresomely – I appreciate an attempt to revive the old studio comedy but, again, pratfall too aplenty – at an inopportune time. A day after being so desperate for a ring she digs for it in a cake, Lainy learns her forever best friend Kate (Jillian Bell) is pregnant.
Besieged by jealousy – Schumer, as usual, is adept at playing a woman barging through the 'I'm so excited for you' script while not really meaning it – Lainy entertains a flight of fancy: what if she just pretended she was pregnant with a fake bump? The world becomes an Elf-esque oyster, all cooing and congratulations and gifted seats on the subway. And because this movie entertains a fluid sense of magical realism and Brooklyn-as-small town, a friendship with the actually pregnant Megan (Brianne Howey), a young mom desperate to connect over the horrors and loneliness of the endeavor, whose brother just so happens to be the guy Lainy flirted with at the coffee shop (Will Forte).
Hijinks ensue with a strenuous physical edge – Kinda Pregnant derives a good bulk of its humor from Schumer stuffing a variety of objects under her shirt when caught unawares, or hiding the ruse from various parties. There are intriguing nuggets here: the way society patronizes pregnant women (and now criminalizes, though that's smartly not mentioned; implication is enough), the crazy-making insecurities of falling behind one's friends, how jealousy commingles with joy. Bell is particularly good as the film's voice of reason, though still one throwing a joint baby shower with the worst parody of gen Z New Jerseyans I have seen in Shirley (Lizze Broadway) and her backwards-hat bro husband Rawn (Alex Moffat).
Ironically for a comedy so bent on the outrageous, as epitomized by Kiwi comedian Urzila Carlson's vaping school counsellor, Kinda Pregnant finds its groove in the more grounded and honest. The tiptoeing around big changes in one's best friendship, the tension between joy and dread, the role of a friend when another is going through something irrevocable all get mentions that hint at something sharper and stickier. But what texture exists gets steamrolled by the loud and extreme. Schumer's style – force and exaggeration, pushing boundaries to sometimes hilarious ends – may have reached its limit.
Kinda Pregnant is now available on Netflix

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The warehouse powering Edinburgh's new era of screen success
The warehouse powering Edinburgh's new era of screen success

The Herald Scotland

time33 minutes ago

  • The Herald Scotland

The warehouse powering Edinburgh's new era of screen success

But a new era of screen success for the city is now being propelled behind closed doors on the edge of the city's docklands – in a former wave power plant, which was originally built 25 years ago by an engineering company. Matthew Goode and Alexej Manvelov star in the new Edinburgh-set thriller Dept Q. (Image: Netflix) Launched by former record company film producer Bob Last and actor director Jason Connery, son of the Edinburgh-born screen legend Sean Connery, FirstStage is now said to be generating tens of millions of pounds for the economy every year and allowing the city to capitalise on the streaming platform boom. New Netflix series Dept. Q, which stars Leah Byrne, Matthew Goode and Alexej Manvelov, was shot at FirstStage Studios in Leith. (Image: Netflix - Department Q) The conversion of the vast blue warehouse complex into a long-awaited permanent film studio for the city got underway just as the global screen industry was being put into lockdown by the pandemic - and hosted its first major production as soon as Covid restrictions were lifted across the UK. Five years later, FirstStage Studios has played host to some of the biggest players in the lucrative world of 'streamers,' including Amazon, Netflix and Sony, and transformed Edinburgh's ability to play host to productions. Two seasons of the supernatural thriller series The Rig were shot at FirstStage Studios in Leith. (Image: FirstStage Studios) These include two seasons of the supernatural thriller The Rig, which were set in the North Sea and the Arctic Circle, the feature film The Outrun, for scenes set in London's nightclub scene and the time travel fantasy saga Outlander, for a final series expected to be set during the American Revolution. But its most recent production is being seen as another game-changer for the city's screen industry – with FirstStage used for the first time for a new nine-part thriller set in modern-day Edinburgh which is hoped to become a long-running series. The feature film The Outrun was partly shot at FirstStage Studios in Leith. (Image: Bob Last/FirstStage Studios) Locations across the Scottish capital were deployed for the latest Netflix thriller Dept. Q, which focuses on a new cold case unit set up in the heart of a police headquarters in the city. Although detective Carl Morck and his team appear to be based in the shadow of Edinburgh Castle, the inside of the atmospheric HQ and its grimy basement were created from scratch at FirstStage, along with other elaborate sets that feature in the show. A pit that can be used for underwater filming sequences is one of the key assets at FirstStage Studios in Leith. (Image: FirstStage Studios) The Downton Abbey and Crown actor Matthew Goode and a host of Scottish screen stars, including Shirley Henderson, Kate Dickie, Mark Bonnar, Jamie Sives and Leah Byrne, spent around six months making Dept. Q in Edinburgh – with around half of the film done inside the Leith studio. Eagle-eyed viewers may also be able to spot locations as varied as the City Chambers, the Signet Library, Greyfriars Bobby's Bar, Mortonhall Crematorium, Wester Hailes, the Edinburgh International Climbing Arena near Ratho and the Codebase building, on Castle Terrace, which stands in for the exterior of the police HQ. Launching the show in Edinburgh, writer-director Scott Frank, creator of the hit Netflix series the Queen's Gambit, described the extensive shoot on Dept. Q - which is based on Danish writer Jussi Adler-Olsen's novels - as 'the happiest experience' of his career. He said: 'You have great crews, you have great people and everything about shooting here is easy. 'The weather is interesting. It's the only place I've ever been where you can all four seasons in one day. 'The studio was wonderful. We had some pretty big sets and, partially because of the weather, we shot around half the show there. It was terrific. I loved working there.' Successive generations of Scottish screen industry leaders had lobbied for years for the country to create its own studio facilities. But the long-held dream did not become a reality until the Scottish Government and its screen agency agreed to help support Sony and Starz to find a home for its new show Outlander, which began filming in 2013 in a warehouse complex beside the M80 motorway in Cumbernauld. Four years later, the Leith Docks site, which was lying empty after a wave power company had gone into administration, was used for the first time by Marvel Studios while they spent around seven weeks shooting scenes for the blockbuster Avengers: Infinity War in the city's Old Town. Within months of the superhero being released, the Scottish Government and its Screen Scotland agency had launched a bid to create a permanent studio facility there, with Bob Last and Jason Connery announced as the successful team to take the project forward in March 2020. Bob Last said: 'When I was an independent film producer there was a lot of talk about studios, but I wouldn't have been able to afford to use one if it had been there on the budget of an independent film. 'There wasn't really enough demand for a studio until the streamers started making the level of content that they did. I saw that they were completely changing the way that people consumed content. 'When I was introduced to this building it was the first time that I felt there was a viable way of providing the scale that these huge shows needed. If we were going to attract shows to Scotland it was all going to be about competitive cost. "There used to be a lot of talk about building new studios from scratch in Scotland. But the cost of that would have meant that any such studio would have priced itself out of the market. 'We've been extremely busy since we opened pretty much on the first day of lockdown. We've had Amazon, Sony and Netlix shows in now, and have also been doing a rolling programme of work on the building, which has all sorts of unique and extraordinary elements. 'The pit that we use as a tank is one of the most interesting assets we have. If you were building a studio from scratch it would be insanely expensive to build, but it has turned out to be extremely useful. 'We also have 60 tonne and 20 tonne cranes, which have also been used by productions. You would never install them in a studio.' Chloe Pirrie is one of the stars of the new Netflix series Dept. Q, which is set in Edinburgh. (Image: free)The Scottish Government's film and TV agency Screen Scotland describes FirstStage Studios as a 'unique proposition' due to its size and facilities. The complex, which covers 8.9 acres, boasts 115,000 sq ft of shooting space up to 82 ft high, as well as offices, workshops and on-site parking for more than 200 vehicles. A spokesperson said: 'FirstStage has a number of key advantages. "It is one of very few UK-based studios to host a tank for underwater shooting, which has been used in productions including The Rig and The Outrun. 'Because of its height, FirstStage also has the capacity for very large set builds, and the large backlot as well as production offices and ancillary buildings on site. 'On its opening in 2020, once Covid restrictions were lifted it immediately became home to The Rig, Amazon's first UK drama commission. Created by Portobello-based writer David Macpherson, it perfectly highlighted the versatility and quality of the studio. An incredibly ambitious project, it was shot entirely in Scotland, and largely inside the FirstStage studio and surrounding lot. "Dept. Q from Netflix has built further on the potential first realised by The Rig and has again shown that FirstStage can deliver against the expectations and requirements of large-scale international productions.' Bob Last said: "If we knew the budgets of our customers we wouldn't be able to talk about them. "When a big show comes in here they will spend a lot of money in the city. We can have 200 people working here at the same time. "We are certainly anchoring tens of millions of pounds in direct spending ever year." Rosie Ellison, film commissioner at Film Edinburgh, the city's long-running film office, highlighted the transformation of the screen industry since the advent of the Leith studio. 'Edinburgh used to pick up a couple of days of or maybe a week or two of filming on productions. 'A production based at FirstStage might be here for a full six months of filming, plus another two or three months of preparation, plus another month or so winding down the production. 'The economic impact of a production and the opportunities it creates are very different to what they were before we had the studio. Productions are spending a lot when they are here, they are hiring local services and creating jobs for our young people to get involved in the industry. 'Dept Q was based at FirstStage, but they were also out and about every month, making use of our urban, rural and coastal locations, different kinds of architecture and office spaces. All sorts of landscapes will appear in that show, including places that people have never been seen on screen before." FirstStage Studios in Leith has been up and running for more than five years. (Image: FirstStage Studios)Hugh Gourlay, supervising location manager on Dept. Q said: "We filmed in something like 13 of the city's 17 council wards. 'There's such a variance in the architecture in Edinburgh: you've got the New Town, the medieval parts, the narrow closes, the wide streets, and the high-rise flats of parts of the city." For Bob Last, the city itself is a major selling point to help attract big-budget productions to FirstStage. 'Ware now on that global map because of the shows that have been here. When people are sitting in LA going down a list of studios we are on that list. That's where we need to be. "For us, Edinburgh as a city for someone to come and live and work in for six months is a massively important asset. There are five stars hotels near the studio and Michelin-starred restaurants literally walking distance away. 'These kind of shows are bringing people in from a global talent pool. If you're going to live and work somewhere for six months Edinburgh is a pretty cool place to do that.' Speaking at the Dept Q premiere in Edinburgh, showrunner Scott Frank said: 'When I came to Edinburgh I immediately knew we had to shoot here. I felt instantly inspired. 'It made me want to work even more in terms of the story to make it work more for Edinburgh. It was a really easy decision to film here. 'I loved living here and it was very easy to work here. I found Edinburgh very inspiring. 'I would love to come back. We'd all love to come back. We really enjoyed ourselves and I think we all got very close. I think we have a really good way of doing the second season. I hope people watch the show and we get to do it again.'

Netflix's Adolescence is now second biggest English-language show on streaming platform
Netflix's Adolescence is now second biggest English-language show on streaming platform

Daily Record

timean hour ago

  • Daily Record

Netflix's Adolescence is now second biggest English-language show on streaming platform

Netflix's Adolescence has hit a huge new milestone, surpassing Stranger Things, as the second most watched English-language TV series, but which show holds the top spot? Netflix's Adolescence has officially became the streamer's second most-watched English-language TV series, surpassing Stranger Things, which previously held the crime drama mini-series, co-created and starring Stephen Graham, arrived on the streaming platform on March 13 and recently reached a huge milestone of 141.2M total views, putting it above the fourth season of Stranger Things, which initially held the title at 140.7M views. It follows the dramatic aftermath of a 13-year-old boy Jamie, portrayed by Owen Cooper, who is arrested for murdering a classmate. Each episode is remarkably shot in one take. In first place is the debut season of the platform's Addams Family spin-off, Wednesday, starring Jenna Ortega, which racked in a jaw dropping 252.1M total views within its first 91 days. ‌ In comparison, season one of the streamer's popular Korean psychological thriller Squid Game is Netflix's most watched non-English language TV series, bringing in a whopping 265.2M views in its first three months. Adolescence, which is likely to land several Emmy nominations next month, recently swept at the 2025 Gotham TV Awards. ‌ It was awarded the prize for Breakthrough Limited Series, as well as two acting awards for Graham and young newcomer Owen Cooper for Outstanding Lead Performance in a Limited Series and Outstanding Supporting Performance in a Limited Series, respectively. In his acceptance speech, Graham said: 'We're overwhelmed for you to embrace us the way you have. "This was a small colloquial piece that was made with love, respect, humility and dignity, and we treated the subject with a lot of passion, but a lot of care.' Speaking to The Independent in March about the struggles of shooting each episode in one go, director Philip Barantini admitted: 'It was quite difficult, but it was fun as well. It was meticulously planned. '[Tech rehearsals] would be an opportunity for the sound team to put the booms where they needed to be. ‌ "And, we had all the support and the runners and ADs all dressed in police uniforms in the first episode and teachers in the second episode so they could be on camera and cueing things. 'It was technically challenging, but a huge collaboration.' ‌ It comes after 15-year-old Owen from Cheshire in England recently appeared on the Tonight Show with Jimmy Fallon and boldly revealed "one thing he hates about America". Host Jimmy had asked the teenager what he didn't like about America as Owen spent some time there promoting the Netflix drama which is now in talks for a second series. The young actor replied: "One thing I hate about America - the chocolate and the sweets, everything is just terrible. It's just Cheetos and all that nonsense. Honestly, I hate it." ‌ Whilst slating US confectionery, he even brought out some classic British snacks to prove his point that they are better. Owen lifted up a basket of snacks to reveal his favourite treats to Jimmy, which included the classic Maltesers. He asked the host: "Have you ever had a Malteser? Right - I'll bring the whole basket up. So this is what I brought [Monster Munch, Maltesers and Fruit Pastilles]"

Spider-Man 4 filming to take over Glasgow this summer
Spider-Man 4 filming to take over Glasgow this summer

The Herald Scotland

time2 hours ago

  • The Herald Scotland

Spider-Man 4 filming to take over Glasgow this summer

Production crews will take over the city centre to shoot scenes for the next instalment in the Spider-Man franchise. Spider-Man 4, officially titled Spider-Man: Brand New Day, will see Tom Holland reprise his role as Spider-Man. Slated for a July 2026, the long-anticipated movie will be helmed by Shang-Chi director Destin Daniel Cretton, with reports suggesting that Stranger Things actress Sadie Sink has been cast opposite Holland. READ MORE: Baby Reindeer star to film new drama on Glasgow streets Film crews descend on Glasgow Cathedral for Netflix Frankenstein reboot Major update on Highlander reboot ahead of Scotland filming Plot details remain under wraps, but long-time Spider-Man franchise producer Amy Pascal, while appearing on Deadline's Behind the Lens podcast in December last year, teased what we can expect from the story. She said: 'We have to deal with the fact that he decided he was going to give up being Peter Parker [in No Way Home], and that he was going to focus on being Spider-Man because being Peter Parker was too hard.' The most recent Spider-Man film, 2021's No Way Home, was a huge box office success, grossing $1.9bn worldwide - making it the sixth highest-grossing movie in history. Tom Holland revealed that Spider-Man: Brand New Day will begin filming in the summer of 2025 during an appearance on The Tonight Show Starring Jimmy Fallon back in October 2024. Now The Herald can reveal that production crews are set to descend on Glasgow to shoot scenes for the forthcoming blockbuster in mid-August. Spider-Man: No Way Home grossed approximately $1.9 billion globally Filming notification engagement letters for the production - which has the working title 'Blue Oasis' - went out to residents in Glasgow city centre earlier this week. The letters note that production crews are "working towards" filming on Bothwell Street, St Vincent Street, Waterloo Street and Oak Street through Richmond Street. According to the letters, some of the scenes being shot will "involve vehicles in the road, with production crews anticipating that Bothwell Street will be closed to vehicles (between Pitt Street and Hope Street) for approximately one week to accommodate filming. The news that Spider-Man: Brand New Day will be shooting in Glasgow this summer comes as Scotland's biggest city gears up to play host to another bid-budget Hollywood production. The Herald understands that filming for JJ Abrams' next movie is set to take over Glasgow City Chambers and nearby Cochrane Street over a number of days next week. The still-untitled feature - Abrams' first since 2019's Star Wars: The Rise of Skywalker - brings together an all-star cast, with Samuel L. Jackson tapped to play a key role alongside Glen Powell (Twisters/Top Gun: Maverick​), Jenna Ortega (Beetlejuice Beetlejuice) and Emma Mackey (Sex Education/Barbie). Reports suggest it will be a fantasy film inspired by the 1984 movie The Last Starfighter, a space opera about a video game player recruited to fight an interstellar war against aliens. Hollywood star Glen Powell was recently in Glasgow to shoot Edgar Wright's reboot of 1987 action flick The Running Man. A number of sites in the city were used to emulate the streets of New York, with filming taking place across the city centre, the West End and the SEC Armadillo. Approached by The Herald, a spokesman for Glasgow City Council said: 'While we cannot comment on individual productions, the council's Glasgow Film Office is in constant dialogue with film, broadcast and advertising productions of all sizes who are interested in filming in the city to establish how we can support them. "These productions bring a significant economic benefit to Glasgow, and have helped to steadily grow the capacity of our film and broadcast sector in recent years, as seen in new facilities such as the Kelvin Hall studio.'

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