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Paramount gets green light for $8 billion merger. But what is the psychic cost for company?

Paramount gets green light for $8 billion merger. But what is the psychic cost for company?

With this week's FCC approval, the merger between Paramount Global and Skydance Media is expected to be completed in the coming weeks at a value of $8 billion. The question for the new company is whether the psychic cost is much higher.
It has been a particularly rough few months at Paramount-owned CBS, where the settlement of a lawsuit regarding '60 Minutes' and announced end of Stephen Colbert's late-night show has led critics to suggest corporate leaders were bowing to President Donald Trump.
Following the Federal Communications Commission approval Thursday, one of the triumvirate of current Paramount leaders, Chris McCarthy, said that he would be leaving the company. McCarthy has been in charge of fading cable properties like MTV, Comedy Central and Nickelodeon, expected to bear the brunt of an estimated $2 billion in cost cuts identified by Skydance leaders.
Skydance head David Ellison is expected to head the new company, and he has identified former NBC Universal executive Jeff Shell as the incoming president.
CBS News' trajectory will be scrutinized
After the merger's Aug. 7 closing date, the new leaders will be watched most closely for how they deal with CBS News, particularly given the $16 million paid in a settlement of Trump's complaint that last fall's '60 Minutes' interview was edited to make opponent Kamala Harris look good. Two news executives — News CEO Wendy McMahon and '60 Minutes' executive producer Bill Owens — resigned due to their opposition to the deal.
The appointment of respected insider Tanya Simon to replace Owens this week was seen as a positive sign by people at '60 Minutes.'
Days before the FCC's vote, Paramount agreed to hire an ombudsman at CBS News with the mission of investigating complaints of political bias. 'In all respects, Skydance will ensure that CBS's reporting is fair, unbiased, and fact-based,' Skydance said in a letter to FCC Chairman Brendan Carr.
The role of an ombudsman, or public editor, who examines a news outlet's work is often positive — if they are given independence, said Kelly McBride, an ethics expert who has had that role at NPR for five years. 'You really want the person to have loyalty only to their own judgment and the journalistic mission of the organization,' she said.
Having the sole mission of examining bias could be problematic, however. To be fair, a journalist's work should be closely studied before making that determination, not judged on the basis of one report or passage, she said.
Carr, in an interview with CNBC on Friday, said the role 'should go a long way toward restoring America's trust in media.' Anna Gomez, an FCC commissioner who voted to reject the deal on Thursday, interpreted the arrangement as a way for the government to control journalists.
'They want the news media to report on them in a positive light or in the light that they want,' Gomez told MSNBC. 'So they don't want the media to do their job, which is to hold government to account without fear or favor.'
How the merger could ripple out across Paramount properties
Colbert's slow-motion firing — he'll work until the end of his contract next May — was described by CBS as a financial decision given late-night television's collapsing economics. Colbert's relentless lampooning of Trump, and his criticism of the '60 Minutes' settlement, led to suspicion of those motives.
'Was this really financial?' comic Jon Stewart wondered. "Or maybe the path of least resistance for your $8 billion merger was killing a show that you know rankled a fragile and vengeful president?'
Stewart's profane criticism on his own Paramount-owned show may provide its own test for Skydance. 'The Daily Show' is one of the few original programs left on Comedy Central, and his contract ends later this year.
In an odd way, Comedy Central's 'South Park' buttresses CBS' claim that the Colbert decision was financial, not political. Creators Trey Parker and Matt Stone delivered an episode this week that depicted a naked Trump in bed with the devil. Paramount just signed Parker and Stone to a new $1.5 billion deal that Skydance executives surely cleared; it makes the entire 'South Park' library available for streaming on Paramount+. a platform where Colbert's show doesn't do nearly as well.
Figuring out what to do with others at Paramount's cable networks, or even the networks as a whole, will be an early decision for Ellison, son of multibillionaire and Oracle co-founder Larry Ellison.
'There is a clear opportunity to improve Paramount's growth profile by letting those assets go,' analyst Doug Creutz of TD Securities told investors Friday. 'On the other hand, we suspect the Ellisons did not purchase Paramount in order to break it up for parts.'
The merger also brings together the Paramount movie studio with one of its most regular partners. David Ellison has been one of the industry's top investors and producers since founding Skydance in 2006.
Ellison has a challenge here, too: Years of uncertainty over its future and modest investment in its movie pipeline has shrunk Paramount's market share to last among the major studios. The Paramount+ streaming service has been a money-loser.
To revive Paramount, Ellison will look to revamp its streaming operations, leverage its franchises and try to bolster family content.
how much of a psychic cost has been extracted.
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Hamilton Spectator

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  • Hamilton Spectator

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Ed Sullivan, an unsung civil rights champion
Ed Sullivan, an unsung civil rights champion

Fox News

time24 minutes ago

  • Fox News

Ed Sullivan, an unsung civil rights champion

When I think of Ed Sullivan, what flashes first to my mind is Feb. 9, 1964, as I sat watching with my parents on a large black-and-white TV – as we all did in those days – and he gave a wave to introduce the Beatles. I even scribbled it down in my journal, with a small sketch of a long-haired dude singing "I Wanna Hold Your Hand." But it turns out that the host – who drew as many as 50 million viewers on Sunday nights, which will never be repeated – did something far, far more important than launch John, Paul, George and Ringo in America. The Daily News columnist was a civil rights leader, and an aggressive one at that. This was no secret to those who closely followed Sullivan, and especially in the Black community. But a new Netflix documentary, "Sunday Best," filled with riveting archival footage, makes clear how many backstage battles Sullivan had to fight, including with his own network, and how CBS acted shamefully. Even the sainted Edward R. Murrow praised Sullivan in an interview for his celebrity show. Black Americans in those years rarely appeared on television, except in small, buffoonish roles, leaving aside Amos 'n Andy in blackface. That didn't change until 1965, when a pre-scandal Bill Cosby co-starred in "I Spy." CBS suits were right that Sullivan could lose viewers in the South, which was then a hotbed of racism. The KKK marched openly. It was a Ku Klux Klan organizer who wrote George Wallace's infamous line, "Segregation now, segregation tomorrow, segregation forever!" Sure, we know all about Rosa Parks, who wouldn't give up her seat on the bus, the use of firehoses against Black protesters, the brutal beatings on Bloody Sunday in Selma. But seeing it from this perspective is a heart-stopping reminder of how much stark bigotry stained the country. Sullivan, who grew up poor in Harlem when it was largely Italian and Jewish, was covering a football game as sports editor of the New York Evening Graphic in 1929. It was NYU versus the University of Georgia, to be played in New York. And the Georgians had a demand. "I was sickened to read NYU's agreement to bench a Negro player for the entire game…If a New York university allows the Mason Dixon Line to be erected in the center of its playing field," Sullivan wrote, "then that university should disband its football season for all time." So after launching his show in 1948, at the dawn of television, what was Sullivan's great sin? He put Black entertainers on the air. We're talking Harry Belafonte, Nat King Cole, James Brown, Gladys Knight, Bill "Bojangles" Robinson, Diana Ross, Bo Diddley, a child prodigy named Stevie Wonder – the superstars of their era. Behind the scenes, CBS's conduct was pathetic. Executives urged Sullivan not to shake hands with the Black entertainers, not to put his arm around them, to keep his distance. He basically ignored them. He took heat from Ford Lincoln dealers for kissing Pearl Bailey on the cheek. The host was a powerful guy. He had been on the cover of Time in 1955. After Sullivan announced an upcoming appearance by Belafonte, CBS canceled him because of his pro-Communist views. Sullivan met with the left-wing activist and got him put back on. As the biggest star on television, he could get away with such defiance. As noted, Diahann Carroll, who appeared on the show nine times, said: "For those of us who were actors, he introduced us to each other. I don't think he understood what he was doing as exceptional, he was simply doing what was in his heart." Sullivan also took on one of the most racist politicians in our post-Civil War history, Herman Talmadge, the governor of Georgia. "We intend to maintain segregation one way or another," Talmadge declared. In pushing an advertising boycott, Talmadge said: "I know that I shall not contribute money by purchasing a product from any man who is contributing to the integration and degradation and the mongrelization of the white race." Sullivan responded in his column – there's a screenshot – that "the statements of Gov Talmadge that Negro performers should be barred from TV shows on which White performers appear is both stupid and vicious." Talmadge was later elected to the Senate and was embraced by the Washington establishment. It was said that he modified his views on race. What he actually did was try to politically escape the shameful conduct that the Democratic Party could no longer defend. He had company: Strom Thurmond was a staunch segregationist who filibustered the 1957 Civil Rights Act for more than 24 hours; he too later "modified" his views. In the late 1950s, at a meeting of CBS affiliates, several managers of Southern stations complained that the host was booking too many Black performers. An angry Sullivan said the stations were under no obligation to carry his show. No one canceled. CBS canceled Sullivan's show in 1971 because his ratings were declining and his audience was skewing older. On that last show, the guest was Gladys Knight and the Pips. He was so angry that he either refused to do a farewell show or was barred by CBS for doing so, depending on the account. It was the longest-running program on television. Look, Sullivan's career was framed in the best possible light. The producer is Margo Precht Speciale, his granddaughter. So we should take that into account before nominating him for sainthood. But it's fair to say the truth was hidden in plain sight. Ed Sullivan was a genuine civil rights hero. And that was news to me. A little aside: The year after the Beatles debut, a friend's parents took us to what is now the Ed Sullivan Theater to see a top-rated rock group, Freddie and the Dreamers, perform their hit "I'm Telling You Now," complete with a weird stiff-legged dance. Hey, I didn't mind sitting through all the variety acts for that.

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