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Weekend for the arts: Pangrok Sulap exhibition, KL Sing Song returns

Weekend for the arts: Pangrok Sulap exhibition, KL Sing Song returns

The Star16 hours ago

EXHIBITION: PANGROK SULAP's 'THE SOUND OF SALIENCE'
Venue: Tali Art Gallery, Petaling Jaya
Date: June 28 to July 20
Fans of renowned Sabahan art collective Pangrok Sulap, rejoice - Tali Art Gallery in Petaling Jaya is set to host an exhibition celebrating the group's bold and distinctive woodcut aesthetic, opening this Saturday.
Titled The Sound Of Salience , the exhibition - featuring a mix of past and new works - highlights Pangrok Sulap's signature blend of richly textured visuals and participatory printmaking. It will feature eight main works alongside a selection of assorted prints.
Renowned for using art as a vehicle for social commentary, the collective's works serve as a bridge between communities and pressing issues like climate change, land rights, cultural identity, and sovereignty.
It's been increasingly difficult to catch the group's work in the Klang Valley, as Pangrok Sulap has been actively involved in residencies and exhibitions around the world - most recently with a strong showing at the University of Tennessee in the United States in March, and a community art festival in Patani, southern Thailand earlier this month.
Formed in 2010, Pangrok Sulap - which roughly translates to 'Punk Rock Hut' - is made up of artists, musicians, printmakers, and activists. Internationally recognised for its socially engaged practice, the group advocates for self-sufficient community development through collaboration, dialogue, and shared creativity.
The exhibition's official opening takes place on Sunday (June 29) from 4pm onwards. Admission is free.
More info here.
MUSIC: KL SING SONG 20th ANNIVERSARY SERIES #1
Venue: Merderkarya, Petaling Jaya
Date: June 28, 9pm
The Troubadours collective - comprising Azmyl Yunor, Tan Sei Hon, and Jerome Kugan - is picking up the thread it last wove in 2009, reviving the long-dormant KL Sing Song series with renewed purpose. With the backing of indie haven Merdekarya, this revival isn't just a nostalgic return - it's a timely reawakening of a movement that once championed the raw, unvarnished voice of the Malaysian singer-songwriter.
This weekend's show reunites founding members Azmyl, Tan, and Kugan, joined by Karen Nunis, Mei Chern, and Bihzhu, for a grand evening of folk, blues, pop, and electronica.
KL Sing Song was never just a gig series - it was a gathering of outsiders and kindred spirits, a space where musicians, writers, poets and artists collided to create something larger than themselves. This revival signals more than a reunion; it's a reassertion of the value of independent voices in a scene that has grown but often lost its footing. In a world saturated with noise, KL Sing Song remains committed to authenticity, craft, and the quiet power of a song well sung.
More KL Sing Song nights will be announced soon - but for now, this Saturday marks a wonderful comeback.
More info here.
An eye-catching trio (from left) - Sofia Jane, Nabila Huda, and Nadia Aqilah - lead a fresh revival of the late Jit Murad's 'Visits', a dark comedy centred on mental health. Photo: DramaLab
THEATRE: JITFEST 2025 PRESENTS 'VISITS'
Venue: Nero, PJPAC, Petaling Jaya
Date: ends June 29
The late Jit Murad's Visits has returned to the stage after 22 years - and with rave reviews pouring in, it's wise to book your ticket soon. Directed by Ida Nerina and starring Sofia Jane, Nadia Aqilah, and Nabila Huda, this new production breathes fresh life into one of the theatre legend's most poignant works.
First staged in 2002, Visits is a sharply observed, darkly funny play that brings together three women at a high-end mental health retreat.
A patient, her sister-in-law, and an enigmatic nurse find themselves in a surreal space where memory, identity, and power slowly unravel.
This new staging at PJPAC is part of JitFest 2025, organised by DramaLab—a timely revival that balances humour and heartbreak with stunning clarity.
More info here.
In his new show at Harta Space, Bayu unveils 16 large-scale, emotionally charged paintings of contorted, anonymous male figures, blurring the lines between abstract and figurative. Photo: The Star/Glenn Guan
EXHIBITION: BAYU UTOMO RADJIKIN'S 'RESONANCE OF SOULS'
Venue: Harta Space, Ampang, Selangor
Date: ends July 6
Bayu's Resonance of Souls signals a striking new chapter in the veteran artist's journey - so it's no surprise the exhibition has been extended to July 6.
Known for expressive intensity, the Sabah-born artist creates intense drama at the Harta Space gallery, presenting 16 large-scale paintings of anonymous male figures – raw, contorted, and emotionally charged.
These haunting forms, stripped of identity, evoke universal themes of struggle and resilience.
With brooding tones and visceral textures, the works signal a bold evolution in the 56-year old artist's practice, blending abstraction and figuration. After more than 30 years in the field, the Matahati and Hom Art Trans co-founder shows he's still pushing forward.
More info here.
A view of artist Binti's debut solo exhibition 'Sesuatu Yang Something' at Cult Gallery in Kuala Lumpur. Photo: The Star/Glenn Guan
EXHIBITION: BINTI'S 'SESUATU YANG SOMETHING'
Venue: Cult Gallery, Taman Tunku, Kuala Lumpur
Date: ends July 14
Step into the vibrant, emotionally rich world of Binti, a 27-year-old multidisciplinary artist making her much-anticipated solo debut. This appointment-only exhibition presents seven distinct series that weave together text, photography, collage, drawing, and even AI-generated imagery.
Binti's work is rooted in deeply personal themes - self-acceptance, emotional honesty, and the challenges of navigating life as a young creative today. Her sharp writing, inventive compositions, and fearless use of materials give each piece a distinct voice and presence.
Drawing from family histories, layered language, and a disarming sense of humour, Binti creates a space where vulnerability meets protest, and joy shares the stage with reflection. This exhibition isn't just a viewing - it's an invitation to connect with her world. Admission is free.
More info here.
DANCE/THEATRE: 'WILL YOU BE MY WITNESS?'
Venue: Black Box, DPAC, Empire Damansara, Selangor
Date: June 26-29
Theatre collective lowercase laboratories returns with 'will you be my witness?' a bold new performance that blends contemporary dance and theatre in an emotional, thought-provoking journey about what it means to be truly seen.
Directed by Low Yee Choy and choreographed by Kenny Shim (of Kenny Shim Dance Collective), the show follows six performers - James Kan, Amirah Redza, Si Jin, Alisya Razman, Wen Chin, and Xue Li - through everyday routines like brushing teeth and scrolling on phones, before diving into themes of digital overload, identity, and emotional disconnection.
The performance uses movement, stillness, and powerful imagery to explore our deep need for connection in a world where everything is shared but not always understood. It's surreal, intimate, and at times haunting, inviting audiences to slow down, reflect, and witness each other more fully.
If you're looking for something raw, moving, and beautifully staged, this is a performance worth witnessing.
More info here.
Ain's 'Melangkaui Pagar' (ash and pigment on paper, 2025). Photo: The Back Room
EXHIBITION: AIN's 'ATAS PAGAR'
Venue: The Back Room, Zhongshan building, KL
Date: June 28 to July 20
This weekend, the Back Room is launching Atas Pagar , the second solo exhibition by emerging Malaysian artist Ain. After collaborating with her for its presentation at S.E.A. Focus 2025 in Singapore, the independent gallery is now set to host her first formal solo in its Kuala Lumpur space.
Atas Pagar is a quiet, contemplative show shaped by the remnants of memory.
It features a new series of delicate ash paintings - intimate works made from ceramic ash and pigments. Their fragile, transient quality speaks to Ain's ongoing exploration of memory, loss, and family history, where each piece holds the quiet possibility of disintegration.
More info here.

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Weekend for the arts: Pangrok Sulap exhibition, KL Sing Song returns
Weekend for the arts: Pangrok Sulap exhibition, KL Sing Song returns

The Star

time16 hours ago

  • The Star

Weekend for the arts: Pangrok Sulap exhibition, KL Sing Song returns

EXHIBITION: PANGROK SULAP's 'THE SOUND OF SALIENCE' Venue: Tali Art Gallery, Petaling Jaya Date: June 28 to July 20 Fans of renowned Sabahan art collective Pangrok Sulap, rejoice - Tali Art Gallery in Petaling Jaya is set to host an exhibition celebrating the group's bold and distinctive woodcut aesthetic, opening this Saturday. Titled The Sound Of Salience , the exhibition - featuring a mix of past and new works - highlights Pangrok Sulap's signature blend of richly textured visuals and participatory printmaking. It will feature eight main works alongside a selection of assorted prints. Renowned for using art as a vehicle for social commentary, the collective's works serve as a bridge between communities and pressing issues like climate change, land rights, cultural identity, and sovereignty. It's been increasingly difficult to catch the group's work in the Klang Valley, as Pangrok Sulap has been actively involved in residencies and exhibitions around the world - most recently with a strong showing at the University of Tennessee in the United States in March, and a community art festival in Patani, southern Thailand earlier this month. Formed in 2010, Pangrok Sulap - which roughly translates to 'Punk Rock Hut' - is made up of artists, musicians, printmakers, and activists. Internationally recognised for its socially engaged practice, the group advocates for self-sufficient community development through collaboration, dialogue, and shared creativity. The exhibition's official opening takes place on Sunday (June 29) from 4pm onwards. Admission is free. More info here. MUSIC: KL SING SONG 20th ANNIVERSARY SERIES #1 Venue: Merderkarya, Petaling Jaya Date: June 28, 9pm The Troubadours collective - comprising Azmyl Yunor, Tan Sei Hon, and Jerome Kugan - is picking up the thread it last wove in 2009, reviving the long-dormant KL Sing Song series with renewed purpose. With the backing of indie haven Merdekarya, this revival isn't just a nostalgic return - it's a timely reawakening of a movement that once championed the raw, unvarnished voice of the Malaysian singer-songwriter. This weekend's show reunites founding members Azmyl, Tan, and Kugan, joined by Karen Nunis, Mei Chern, and Bihzhu, for a grand evening of folk, blues, pop, and electronica. KL Sing Song was never just a gig series - it was a gathering of outsiders and kindred spirits, a space where musicians, writers, poets and artists collided to create something larger than themselves. This revival signals more than a reunion; it's a reassertion of the value of independent voices in a scene that has grown but often lost its footing. In a world saturated with noise, KL Sing Song remains committed to authenticity, craft, and the quiet power of a song well sung. More KL Sing Song nights will be announced soon - but for now, this Saturday marks a wonderful comeback. More info here. An eye-catching trio (from left) - Sofia Jane, Nabila Huda, and Nadia Aqilah - lead a fresh revival of the late Jit Murad's 'Visits', a dark comedy centred on mental health. Photo: DramaLab THEATRE: JITFEST 2025 PRESENTS 'VISITS' Venue: Nero, PJPAC, Petaling Jaya Date: ends June 29 The late Jit Murad's Visits has returned to the stage after 22 years - and with rave reviews pouring in, it's wise to book your ticket soon. Directed by Ida Nerina and starring Sofia Jane, Nadia Aqilah, and Nabila Huda, this new production breathes fresh life into one of the theatre legend's most poignant works. First staged in 2002, Visits is a sharply observed, darkly funny play that brings together three women at a high-end mental health retreat. A patient, her sister-in-law, and an enigmatic nurse find themselves in a surreal space where memory, identity, and power slowly unravel. This new staging at PJPAC is part of JitFest 2025, organised by DramaLab—a timely revival that balances humour and heartbreak with stunning clarity. More info here. In his new show at Harta Space, Bayu unveils 16 large-scale, emotionally charged paintings of contorted, anonymous male figures, blurring the lines between abstract and figurative. Photo: The Star/Glenn Guan EXHIBITION: BAYU UTOMO RADJIKIN'S 'RESONANCE OF SOULS' Venue: Harta Space, Ampang, Selangor Date: ends July 6 Bayu's Resonance of Souls signals a striking new chapter in the veteran artist's journey - so it's no surprise the exhibition has been extended to July 6. Known for expressive intensity, the Sabah-born artist creates intense drama at the Harta Space gallery, presenting 16 large-scale paintings of anonymous male figures – raw, contorted, and emotionally charged. These haunting forms, stripped of identity, evoke universal themes of struggle and resilience. With brooding tones and visceral textures, the works signal a bold evolution in the 56-year old artist's practice, blending abstraction and figuration. After more than 30 years in the field, the Matahati and Hom Art Trans co-founder shows he's still pushing forward. More info here. A view of artist Binti's debut solo exhibition 'Sesuatu Yang Something' at Cult Gallery in Kuala Lumpur. Photo: The Star/Glenn Guan EXHIBITION: BINTI'S 'SESUATU YANG SOMETHING' Venue: Cult Gallery, Taman Tunku, Kuala Lumpur Date: ends July 14 Step into the vibrant, emotionally rich world of Binti, a 27-year-old multidisciplinary artist making her much-anticipated solo debut. This appointment-only exhibition presents seven distinct series that weave together text, photography, collage, drawing, and even AI-generated imagery. Binti's work is rooted in deeply personal themes - self-acceptance, emotional honesty, and the challenges of navigating life as a young creative today. Her sharp writing, inventive compositions, and fearless use of materials give each piece a distinct voice and presence. Drawing from family histories, layered language, and a disarming sense of humour, Binti creates a space where vulnerability meets protest, and joy shares the stage with reflection. This exhibition isn't just a viewing - it's an invitation to connect with her world. Admission is free. More info here. DANCE/THEATRE: 'WILL YOU BE MY WITNESS?' Venue: Black Box, DPAC, Empire Damansara, Selangor Date: June 26-29 Theatre collective lowercase laboratories returns with 'will you be my witness?' a bold new performance that blends contemporary dance and theatre in an emotional, thought-provoking journey about what it means to be truly seen. Directed by Low Yee Choy and choreographed by Kenny Shim (of Kenny Shim Dance Collective), the show follows six performers - James Kan, Amirah Redza, Si Jin, Alisya Razman, Wen Chin, and Xue Li - through everyday routines like brushing teeth and scrolling on phones, before diving into themes of digital overload, identity, and emotional disconnection. The performance uses movement, stillness, and powerful imagery to explore our deep need for connection in a world where everything is shared but not always understood. It's surreal, intimate, and at times haunting, inviting audiences to slow down, reflect, and witness each other more fully. If you're looking for something raw, moving, and beautifully staged, this is a performance worth witnessing. More info here. Ain's 'Melangkaui Pagar' (ash and pigment on paper, 2025). Photo: The Back Room EXHIBITION: AIN's 'ATAS PAGAR' Venue: The Back Room, Zhongshan building, KL Date: June 28 to July 20 This weekend, the Back Room is launching Atas Pagar , the second solo exhibition by emerging Malaysian artist Ain. After collaborating with her for its presentation at S.E.A. Focus 2025 in Singapore, the independent gallery is now set to host her first formal solo in its Kuala Lumpur space. Atas Pagar is a quiet, contemplative show shaped by the remnants of memory. It features a new series of delicate ash paintings - intimate works made from ceramic ash and pigments. Their fragile, transient quality speaks to Ain's ongoing exploration of memory, loss, and family history, where each piece holds the quiet possibility of disintegration. More info here.

KL Sing Song celebrates 20 years with reunion at Merdekarya
KL Sing Song celebrates 20 years with reunion at Merdekarya

The Star

time16 hours ago

  • The Star

KL Sing Song celebrates 20 years with reunion at Merdekarya

Almost every year of the KL Sing Song series marked a breakthrough for the singer-songwriter scene in the Klang Valley. From its debut as an ambitious regional gathering of kindred spirits to its leap onto the KLPac stage (then a newly opened venue), the independent series left a lasting mark - propelling the late folk singer-songwriter Meor Yusof Aziddin, better known as Meor, into wider recognition and giving a young Yuna one of her earliest platforms. Held annually from 2005 to 2009, KL Sing Song was the brainchild of the Troubadours Enterprise trio – Azmyl Yunor, Tan Sei Hon, and Jerome Kugan – who joined forces to give 'outsider voices' a space to shine. They came from different backgrounds – art, writing, teaching – but it was music that connected them. The second KL Sing Song in 2006 also brought the release of Voices From Next Door, a double CD compilation featuring 24 tracks from a wide-ranging line-up including Azmyl, Meor, Nightlife Camera, Fathulistiwa Soundscapes, Mei Chern, Reza Salleh and Jasemaine Gan. What set KL Sing Song apart was its willingness to curate beyond the norm – bringing together singer-songwriters in English, Bahasa Malaysia, and Mandarin on the same stage. It wasn't unusual to see scene veterans like the late Hassan Peter Brown and Markiza celebrated, while Boh Cameronian Arts Award winners such as Kugan and Shanon Shah shared the spotlight with AIM winner Pete Teo. At the same time, newcomers like Liyana Fizi (then with Estrella), Mia Palencia, and Reza Salleh added fresh voices to the mix. In this 2005 photo, the KL Sing Song founding trio (from left) - Tan Sei Hon, Azmyl Yunor, and Jerome Kugan - came together under Troubadours Enterprise to give 'outsider voices' a space to shine. Photo: Filepic/The Star In its five-year run, KL Sing Song did what few others could – it collapsed boundaries and drew diverse scenes closer together. Alongside the main event were offshoots like Troubadours (at various venues), Troubaganger (with Doppelganger, a female singer-songwriter/poet collective), and Troubadours Open Doors (at KLPac). But as John Lennon once sang, 'Life is what happens to you while you're busy making other plans.' In time, KL Sing Song and other Troubadours activities slowed down, as the founders took on new commitments and moved in different directions. 'I couldn't commit anymore - I had started working full-time at the National Art Gallery in 2008. I'd stopped performing and writing new songs, and had shifted my focus to the visual arts scene. We also felt we'd tapped most of the local talent pool, and by then, some had gone on to create their own platforms to support like-minded artists,' says Tan, who stepped back from the scene but continued to find opportunities to feature indie singer-songwriters at art gallery events. Back on stage Somehow, music loops you back to your roots – softly, insistently. Marking 20 years since KL Sing Song first took root, Azmyl – still active on the local and regional gig circuit – floated the idea of a special series of shows to celebrate the milestone and see where it might lead. His Troubadours partners didn't hesistate to jump back in. The first event kicks off tonight at 9pm (June 28) with a reunion show at Merdekarya, Petaling Jaya, featuring Azmyl, Tan, and Kugan back on stage alongside Karen Nunis, Mei Chern, and Bihzhu. The line-up carries a strong lineage to the KL Sing Song story – Mei Chern was a quietly powerful presence on stage in the 2006 edition, while Nunis and Bihzhu bring seasoned voices that reflect the movement's spirit and evolution, blending folk blues and jazzy pop. 'We were outsiders because singer-songwriters, I think, tend to transcend and bypass music subcultures, scenes, and genres. There was nothing particularly 'cool' or trendy about it – just your songs and how you performed them. We also sidestepped the tribalism and cliques that usually come with music scenes. And since we were all individuals, it made things easier – no band politics, no egos to manage. Setting up gigs was simple: all you needed was a PA, a space, and your own instruments,' says Azmyl, reflecting on how naturally the Troubadours trio slipped back into rhythm – and how open Merdekarya was to welcoming them. 'Jerome, Sei Hon, and I came from different backgrounds – Jerome as a writer and poet, Sei Hon as a visual artist and educator, and myself from the underground and experimental circuit. That mix helped us tap into diverse networks, which gave the collective a distinct identity for that moment in time. It felt like a new wave movement, shaped by the media and political climate – we had a new Prime Minister after decades of Mahathirism, and cultural spaces for expression were opening up. 'At the time, solo singer-songwriters weren't being invited to gigs - most shows were still band-based - so we became that platform, building on the pioneering work of Markiza and Hassan's 'Acoustic Jam', and Joe Kidd's 'Unclogged' series. We played anywhere: art galleries, exhibition openings, readings - you name it. We were mobile, and we bypassed the mainstream idea of what 'playing music' looked like. Our collaboration with Jasmine Low's Doppelganger for the Troubaganger gigs at Tengkat Tong Shin in KL further expanded the mix of voices and backgrounds involved,' he adds. When the stars align The Troubadours weren't the only singer-songwriter gig organisers in town, but they knew how to connect – keeping the pioneers involved while giving new talent a stage to grow. 'I remember how exciting it was to see all these homegrown talents singing their own songs. And there was such a diversity of styles and approaches that it seemed like a movement. Which is why Azmyl, Sei Hon, and I started KL Sing Song. We just wanted to do an event that captured that singer-songwriter scene. I'm not sure how the bands felt about it though,' recalls Kugan. In this 2006 photo, Mei Chern lights up the KL Sing Song stage at KLPac with her performance. Photo: The Star/Filepic The Kota Kinabalu-based Kugan, who has long straddled the arts, literary and music scenes, has also seen movements, venues, and trends come and go during his time living in Kuala Lumpur. For context, both KL Sing Song and Readings KL began in 2005. Two decades on, it's clear that music in Malaysia has had a harder time sustaining that kind of grassroots momentum compared to the literary scene. 'Yes, music always has it harder. The spatial and technical demands of live performance are just more complicated than for readings. Most venues aren't built with music in mind – the stage is often an afterthought. I once performed at a place where the toilet was right next to the stage. So not only were people constantly milling about in front of me, I also had to compete with the sound of flushing toilets throughout the set,' he says. Keeping independent music alive in Malaysia may always be a challenge, but Kugan is happy to give KL Sing Song a new lease of life. An evening to reconnect with old friends and meet new ones is always a good place to start. But tonight's show at Merdekarya is more spontaneous gathering than long-planned affair. 'I'm not sure how much support we'll get. The scene's different now - the new generation is so polished and all over social media. We're not trying to make any big statements, we just want to tap into that KL Sing Song spirit - a space for people to share a common love for music," says Tan. The weight of legacy is also best avoided. 'I don't know if this counts as a legacy - we didn't start a 'movement'. We just picked up on what was already there and added our own generational spirit to it. The (early) 2000s felt like a zeitgeist moment for Malaysia, a time when solo singer-songwriters were becoming part of the fabric. Globally and locally, that sound was rising, and things happened organically,' says Azmyl. 'This 20th anniversary show came together because the timing was right. Jerome, who's now based in Kota Kinabalu, happened to be back in KL for his art exhibition, and I'd recently reconnected with Sei Hon. "It felt like a now-or-never moment – same instinct we had back when we started Troubadours and launched KL Sing Song. Karen and Mei Chern said yes right away, and so did the rest of the alumni,' he concludes. The next KL Sing Song series dates will be announced soon, with performers such as Melina William, Reza Salleh, Panda Head Curry?, Amrita Soon, Umar Akmal, Ray Cheong, Bumi Liar, Otam, Markiza, and Kien Lim already pencilled in.

High demand for traditional dances
High demand for traditional dances

The Star

time5 days ago

  • The Star

High demand for traditional dances

Energetic show: A file photo showing a lion dance performance by the Nam Wah Kangkar Pulai Lion and Dragon Dance Troupe. JOHOR BARU: Traditional dance groups are expecting an increase in demand for cultural performances next year in conjunction with Visit Malaysia 2026. Persatuan Anak Seni Sarawak founder and president Rosalind Kamis said interest in Sarawakian and Sabahan culture has been growing in Peninsular Malaysia. 'For now, we have not received any confirmed bookings for next year, but I believe they will start coming in as we get closer to Gawai next year. 'Usually, the demand for cultural performances from Sabah and Sarawak sees a spike from the end of May until the middle of July. 'I think it will be the same next year, but perhaps the numbers may be higher as more cultural events are expected to be held in conjunction with Visit Malaysia 2026,' she said. She said though Gawai falls on June 1 and 2, and Kaamatan on May 30 and 31, the festivals in Sarawak and Sabah respectively are typically celebrated throughout the month. Rosalind, a Lun Bawang from Limbang, Sarawak, who lives in Kuala Lumpur, said she has noticed growing interest among people from the peninsula to learn traditional dances. 'In the past, the majority of those attending our workshops (with Persatuan Anak Seni Sarawak) were Sarawakians or Sabahans residing in Peninsular Malaysia. 'But now, many people from the peninsula have also joined in,' said the traditional dance performer, who is also a fashion designer. Meanwhile, Nam Wah Kangkar Pulai Lion and Dragon Dance Troupe president Datuk Teoh Booi Fooi said they were also anticipating more bookings next year. 'Even this year, we are already seeing an increase in requests for performances during cultural events and officiating ceremonies. The demand comes not only from the Chinese community, but also from others who want to include cultural elements in their functions,' he said. Teoh said he expects to start receiving bookings for 2026 after this year's Mid-Autumn Festival, which is expected to fall in September. 'For now, we have yet to receive bookings for Chinese New Year, but they usually start after the Mid-Autumn Festival. 'We expect the same for cultural events in conjunction with Visit Malaysia 2026, and are prepared to welcome them. 'Even now, outside the festive season, we are receiving an average of about eight bookings every month,' he added.

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