'Real ID se aao Salman Khan': Ravi Kishan's gym pictures go viral as netizens can't unsee Salman Khan in them
Actor
Ravi Kishan
has grabbed eyeballs with his recent gym pictures, and now social media users are comparing his physique with
Salman Khan
'
s, as they initially could not differentiate between the two.
Check out the post here:
View this post on Instagram
A post shared by Ravi Kishan (@ravikishann)
In the recently shared pictures and videos on Instagram, Ravi Kishan is seen flaunting his biceps and toned body with pride. He is wearing a black T-shirt in the gym pictures, and fans could not unsee Salman Khan due to the impeccable similarity.
Salman Khan Buys Delhi Team in ISPL | Joins Cricket's Biggest Celebrity League!
Social media reaction to Ravi Kishan's gym look
Many social media users widely shared the pictures on Reddit and drew comparisons. One user wrote, 'Confused Salman ya Ravi Kishan.'
Another reacted, 'Ravi bhaiya, aap to Salman Khan jaise dikh rahe ho — same to same body bhi aur face bhi ❤️.' One Instagram user had a funny take, saying, 'Real ID se aao Salman Khan.' The Laapataa Ladies actor shared the videos with the caption, 'Meditative state 💪.'
Ravi Kishan's work front
On the work front, Kishan is gearing up for the second season of his popular courtroom comedy Maamla Legal Hai. The series stars Anant V Joshi, Nidhi Bisht, Naila Grewal, Tanvi Azmi, and Yashpal Sharma alongside him.
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
Investigadora argentina revela hallazgos sobre el magnesio
Salud Esencial
Leer más
Undo
He is also currently preparing for Son of Sardaar 2, which is set to hit theatres on July 25. Directed by Vijay Kumar Arora, the film is a spiritual successor to the 2012 action-comedy Son of Sardaar. It will feature Ajay Devgn, Mrunal Thakur, and Sanjay Mishra in key roles, while Deepak Dobriyal, Chunky Panday, Neeru Bajwa, Kubbra Sait, Vindu Dara Singh, and Mukul Dev will also play significant parts.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
39 minutes ago
- Time of India
The silence of the reels: Why Hindi cinema never faced the Emergency
Power games: The few filmmakers who did deal with the subject, either directly or indirectly, faced bans and attacks For an industry that prides itself on chronicling the nation's struggles, Hindi cinema's silence about the Emergency is more revealing than any film could ever be. The 21 months between June 1975 and March 1977, when Indira Gandhi suspended civil liberties, censored the press, and jailed thousands without trial, were arguably the most consequential in India's modern political history. Yet, in the decades since, Hindi cinema—the self-appointed mirror of Indian society—has barely mustered a smudge to reflect it. This conspicuous absence did not arise from creative oversight or timidity alone. In the early decades of Independence, popular cinema was never truly free. Nehruvian socialism shaped public policy and the ideological contours of the industry. The so-called golden triumvirate—Dilip Kumar, Raj Kapoor, Dev Anand—crafted personas that echoed Pandit Nehru's vision of the self-sacrificing, morally upright everyman. Dilip Kumar's dialogue seemed like leftovers from Nehru's speeches, Dev Anand's rebellious charm served the establishment's romantic socialism, and Raj Kapoor's everyman heroes peddled idealism to the masses. Such intimacy with power set the template. The state could inspire cinema, but never the other way around. When that same state turned authoritarian, the industry found itself unprepared and unwilling to challenge it. In the Emergency years, the machinery of coercion extended directly into the corridors of Bombay. V C Shukla, Indira's information & broadcasting minister, became infamous for exerting his influence over the film industry. Wielding the Maintenance of Internal Security Act like a scythe through the industry, the political establishment wasn't breaking new ground—it was merely weaponising an existing dependency. Kishore Kumar, the mercurial genius whose voice had soundtracked a generation's dreams, was banned from All India Radio and Doordarshan for refusing to perform at a Youth Congress rally. Dev Anand, tricked into attending a Sanjay Gandhi event and asked to praise his 'dynamism', found his films blacklisted when he refused to comply. When he sought an explanation from the I&B Minister, he was told with chilling matter-of-factness that it was 'a good thing to speak for the govt in power.' Shatrughan Sinha , then one of cinema's busiest stars, saw his films banned for the cardinal sin of supporting Jayaprakash Narayan. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like The Most Unwelcoming Countries in the World, Ranked BigGlobalTravel Undo Gulzar's 'Aandhi', merely suspected of drawing inspiration from Indira Gandhi's life, while most argued it'd taken a few chapters from the life of Tarkeshwari Sinha, was banned for the duration of the Emergency, releasing only after the Janata victory restored a semblance of democratic normalcy. 'Maha Chor' starring Rajesh Khanna casually inserted a 'Vote for Congress' graffiti into a musical sequence. Most telling was the fate of Amrit Nahata's 'Kissa Kursi Ka', a political satire that dared to mock the Emergency's absurdities. All prints of the film were destroyed allegedly by Sanjay Gandhi at a factory in Gurgaon. This was not subtext—it was brazen collusion between art and authority. Yet what happened after the Emergency lifted reveals the true depths of the industry's moral bankruptcy. When the time came to reckon with the period—its absurdities, its tragedies, its moral squalor—Hindi cinema fell silent. There was an almost immediate return to sycophantic normalcy. Feroz Khan's 'Qurbani' (1980), the biggest hit of the year when Indira Gandhi returned, opened with a short film eulogising Sanjay Gandhi, narrated by Khan himself as he dedicated his film to the memory of the 'Prince' and bowed in reverence to the 'Mother'. If films between 1977 and 1980 did not address the Emergency, to expect that to happen after Indira Gandhi returned would perhaps be hoping for a miracle. This wasn't just political calculation—it was the instinctive reaction of an industry that had learned to worship power. Some filmmakers attempted to address the Emergency but it was often through the refuge of allegory—Hrishikesh Mukherjee's 'Kotwal Saab' and 'Khubsoorat' chose not to cast a direct look; the latter managed to justify the Emergency as a necessary evil. Mukherjee's 'Naram Garam' gave Hindi cinema's smartest comment on the era in the form of a nervous joke — Om Prakash, told to hurry because of some emergency, haplessly comments, 'Phir se?' While not Hindi cinema, Satyajit Ray's 'Hirak Rajar Deshe' and Jabbar Patel's 'Jait Re Jait', used the same route. Parallel cinema, too, largely skirted the challenge and despite their social conscience, filmmakers preferred the microcosm to the macro. Over the years, some films such as 'Ghashiram Kotwal' based on a Vijay Tendulkar play and directed by K. Hariharan, Mani Kaul, Kamal Swaroop, Saeed Mirza were cited as a film about the Emergency. However, it was written in 1972 as a response to the rise of a local political party in Maharashtra. There are structural reasons for this reticence. Hindi cinema has always struggled with ambiguity, preferring neat endings where heroes redeem all. The Emergency, by contrast, offered no catharsis—only a nation capitulating to authoritarianism without resistance. The definitive Emergency film still eludes the screen even as we enter the fiftieth year of the Emergency. The exceptions remain sparse: Sudhir Mishra's 'Hazaaron Khwaishein Aisi' would not arrive until 2005, nearly three decades later. Even then, it couched its indictment within the personal journeys of three idealistic young people, careful not to indict the broader complicity of society. Even today the few who try to confront the past are harassed —Madhur Bhandarkar's 'Indu Sarkar' provoked shrill attacks and legal threats simply for attempting a fictionalised retelling. The Emergency may have ended in 1977, but its most lasting victory was psychological: the creation of a cultural establishment that polices itself more effectively than any censor ever could. Perhaps it was simpler to pretend nothing happened. After all, if cinema cannot process a trauma, maybe the nation never really did. (Chintamani is a film historian and author)
India Today
an hour ago
- India Today
WWE Night Of Champions results: Cena retains with Rollins' help, new champion crowned
John Cena was able to retain his WWE Championship thanks to some help from Seth Rollins, while we saw the debut of a new member of the roster at Night Of Champions on Saturday, June 28. The new King and Queen Of The Ring were crowned while we got a new US Champion in the form of Solo Sikoa. The main event was the WWE title match between Cena and CM Punk, an epic rivalry that was reignited over the past few months. The match was advertised as Cena's last hurrah as a WWE Superstar in Riyadh and the contest delivered. The crowd inside the Kingdom Arena was hot for both men, who started the match with some classic offence. advertisementTop 5 WWE Superstars with most wins in 2025 At one point, it was about who would hit their finisher first, with Cena getting the upper hand in this aspect. He delivered a total of three AAs but Punk was able to kick out on each occasion, much to the surprise of Cena and the fans. During one of the hard-hitting sequences, the referee got taken out and Punk got the GTS in. His call for a new ref was answered by Seth Rollins, who along with Paul Heyman, Bron Breakker and Bronson Reed came to the ring and took out Punk. View this post on Instagram A post shared by WWE (@wwe)Cena came in the nick of time to prevent a cash-in from Rollins as Penta and Sami Zayn took care of Breakker. In the closing moments, it seemed like Cena and Punk had gained mutual respect once again but the WWE Champion tried to pull off a cheap shot which his rival was able to counter. advertisementHowever, Rollins came in again and took out Punk with the MITB briefcase and a Stomp, which Cena used to get the pin and leave Riyadh with the title. WWE Night Of Champions: Other resultsThe night started with the King Of The Ring final as Cody Rhodes faced off with Randy Orton. Both men had a lot of history going into the fight as they were stablemates some time ago and Orton had the upper hand over Rhodes in head-to-head stats. The match started with both men exchanging offence before Orton hurt his back with a superplex. The Viper was favouring his back for most of the match as Rhodes targeted the injured area. Orton continued to struggle with the injury and Rhodes made the most of it, delivering a Cody Cutter and an avalanche version of it, but the Viper continued to fight on. Orton got some offence in and delivered a RKO for a close call. Orton had the chance to put the match away with the Punt kick, but he hesitated for a long time and Rhodes was able to put him in a Figure Four. Orton got another RKO but Rhodes kicked out at two once again. The turning point of the match occurred towards the end, as Orton's ploy to distract the referee with a steel chair and remove the turnbuckle cover. But Rhodes drove Orton into the exposed turnbuckle and hit the Cross Rhodes for the win. advertisementRhea Ripley and Raquel Rodriguez delivered a great street fight as the crowd cheered on both women. Raquel had the advantage in the earlygoings of the match before Ripley was able to turn the tide. Roxanne Perez was able to help Raquel for a bit but Ripley took her out and then hit an avalanche Riptide to get the win. Karrion Kross and Sami Zayn finallly got their match in front of the strong crowd and both men delivered. Kross was in control for most of the contest as Zayn was able to mount a comeback. Both men traded some big moves before Kross had the Kross Jacket on and it seemed like Zayn was fading away. But he bounced back and Kross' overconfidence got the better him as Zayn delivered a helluva kick and got the win. The US Championship match wa grudge match between Jacob Fatu and Solo Sikoa. It seemed like Solo was in control before Fatu turned things around. The match saw a big return as Tonga Loa tried to help Solo but Fatu was able to counter it. advertisementThis is when the big debut happened as Hikuleo came in to take out Fatu and deliver him to Solo, who hit the Samoan Spike and became the new US Champion. The Queen Of The Ring final co-main evented the night and it was a crowning moment for Jade Cargill, who got the biggest win of her WWE career. Asuka delivered a big fight to Cargill as both women stole the show. Asuka seemed to be heading for the win when Cargill capitalised to secure the pin. WWE Night Of Champions 2025: Full resultsJohn Cena defeats CM Punk (WWE Championship match)Jade Cargill defeats Asuka (Queen Of The Ring Final)Sami Zayn defeats Karrion KrossSolo Sikoa defeats Jacob Fatu (US Championship match)Rhea Ripley defeats Raquel Rodriguez (Street fight)Cody Rhodes defeats Randy Orton (King Of The Ring Final)- Ends
India Gazette
2 hours ago
- India Gazette
Shefali Jariwala cremated in Mumbai, husband Parag Tyagi breaks down in tears while bidding final goodbye
Mumbai (Maharashtra) [India], June 28 (ANI): Actor Shefali Jariwala, who passed away on June 27, was cremated on Saturday evening. The cremation took place at the Oshiwara Crematorium. Her husband, actor Parag Tyagi, broke down in tears as he performed the last rites. Family, close friends, and fellow television stars gathered to pay their last respects. Aarti Singh, Mahira Sharma, and Rashami Desai were seen at her home earlier in the day, where her body was kept before being taken for the final rites. Singer Sunidhi Chauhan, who also visited Jariwala's residence, was seen emotional. Paras Chhabra, Hindustani Bhau, Shehnaaz Gill, and Vikas Gupta were also spotted. Harry Anand, who worked with Shefali on Kaanta Laga, remembered her fondly. 'Shefali was a happy-go-lucky girl. I vividly remember the time I spent with her during the Kaanta Laga shoot and other songs. She was extremely sweet, and she always greeted me with a smile on her face. I am in shock. It's hard to believe that Shefali is no more,' he said. 'Shefali was a happy-go-lucky girl. I vividly remember the time I spent with her during the Kaanta Laga shoot and other songs. She was extremely sweet, and she always greeted me with a smile on her face. I am in shock. It's hard to believe that Shefali is no more,' Harry grieved. 'Woh apne saath Kaanta Laga song ko humesha ke liye amar bana gayi. There will not be another Kaanta Laga song, and there will not be another Kaanta Laga girl. She will be greatly missed. May God give strength to her family and friends,' Harry said. Earlier, Shefali's ex-husband, singer Harmeet Singh of the Meet Bros duo, shared a heartfelt post on Instagram, remembering her. He expressed grief over the news and also shared his regret at not being able to attend her funeral, as he is currently in Europe. Calling it 'one of the most shocking moments' of his life, Harmeet said he was 'absolutely shattered and in disbelief.' Along with an old picture of Shefali, he wrote an emotional message: 'One of the most shocking moments of my life. I'm absolutely shattered and in disbelief after hearing about Shefali's sudden and untimely demise. We shared a few beautiful years together a long time ago--memories I'll always hold close to my heart. My deepest condolences to her parents, Satish ji and Sunita ji, her husband Parag, and her sister Shivani. Being away in Europe right now, it's painful for me not to be there for the last rites. Gone far too soon. I pray to the Almighty for her soul to rest in peace and for strength to her family during this unimaginable time. Jai Shree Krishna.' Shefali Jariwala, whose career skyrocketed after her appearance in the hit 2002 music video Kaanta Laga, was rushed to Bellevue Multispeciality Hospital in Mumbai on June 27, where she was declared dead upon arrival. She was 42. Shefali was also featured in the 2004 film Mujhse Shaadi Karogi, alongside Salman Khan and Akshay Kumar. Additionally, she gained recognition on television with appearances in popular reality shows, including Bigg Boss 13 (2019) and Nach Baliye (seasons 5 and 7), where she participated alongside her husband, actor Parag Tyagi. (ANI)
