
Deaf artist breaks barriers with solo debut in Jeddah
JEDDAH: 'It's never too late to follow your dream,' says Elham Abu Talib, who has held her first solo exhibition in Jeddah after 38 years.
The Saudi artist is no stranger to the local art scene, having taken part in exhibitions across the Kingdom and overcome the barriers accompanying being severely deaf.
And at the Saudi Arabian Society of Culture and Arts in Jeddah on Sunday, Abu Talib showcased more than 40 paintings to leading artists and lovers of the genre.
Titled 'Inspiration,' the exhibition marked a milestone, presenting her work to the public while highlighting her artistic journey amid years of persistence.
Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity.
Her passion began in childhood, when natural talent blossomed into fine art shaped by a beautiful dream. She lost her hearing as a child and faced speech difficulties, but met her challenges with patience, courage, and ambition.
Determined to express herself, she used a brush and colors as her voice — turning her childhood dreams into vivid reality.
She shared that hearing loss kept her from entering university, but her late father convinced her it did not mean giving up her ambitions.
Inspired by his words, she began participating in exhibitions while raising her children and fulfilling her duties as a mother.
She believes her disability has sharpened her visual perception — a gift she channels into her art.
'I'm so happy that, after 38 years, my dream has come true with this solo exhibition,' she said. 'I thank the Saudi Arabian Society of Culture and Arts in Jeddah for giving me this opportunity.'
Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity.
Maha Abdulhalim Radwi, secretary-general of the Radwi Art Prize, said the artist had finally achieved a major milestone, adding: 'This event allowed her to showcase her unique perspective and creative talent to a wider audience, proving that art transcends communication barriers.'
Mohammed Al-Subaih, the director general of the SASCA, said Abu Talib had dreamed of a solo exhibition for nearly four decades — and was now finally living that dream.
He added: 'She's participated with us in many workshops and group exhibitions; now it's time to celebrate her first solo show.
'She deserves all the support and encouragement.'
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Arab News
10 hours ago
- Arab News
Deaf artist breaks barriers with solo debut in Jeddah
JEDDAH: 'It's never too late to follow your dream,' says Elham Abu Talib, who has held her first solo exhibition in Jeddah after 38 years. The Saudi artist is no stranger to the local art scene, having taken part in exhibitions across the Kingdom and overcome the barriers accompanying being severely deaf. And at the Saudi Arabian Society of Culture and Arts in Jeddah on Sunday, Abu Talib showcased more than 40 paintings to leading artists and lovers of the genre. Titled 'Inspiration,' the exhibition marked a milestone, presenting her work to the public while highlighting her artistic journey amid years of persistence. Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity. Her passion began in childhood, when natural talent blossomed into fine art shaped by a beautiful dream. She lost her hearing as a child and faced speech difficulties, but met her challenges with patience, courage, and ambition. Determined to express herself, she used a brush and colors as her voice — turning her childhood dreams into vivid reality. She shared that hearing loss kept her from entering university, but her late father convinced her it did not mean giving up her ambitions. Inspired by his words, she began participating in exhibitions while raising her children and fulfilling her duties as a mother. She believes her disability has sharpened her visual perception — a gift she channels into her art. 'I'm so happy that, after 38 years, my dream has come true with this solo exhibition,' she said. 'I thank the Saudi Arabian Society of Culture and Arts in Jeddah for giving me this opportunity.' Abu Talib hopes to represent the Kingdom in international competitions. She also hopes the arts society will continue supporting disabled and female artists by providing platforms for their creativity. Maha Abdulhalim Radwi, secretary-general of the Radwi Art Prize, said the artist had finally achieved a major milestone, adding: 'This event allowed her to showcase her unique perspective and creative talent to a wider audience, proving that art transcends communication barriers.' Mohammed Al-Subaih, the director general of the SASCA, said Abu Talib had dreamed of a solo exhibition for nearly four decades — and was now finally living that dream. He added: 'She's participated with us in many workshops and group exhibitions; now it's time to celebrate her first solo show. 'She deserves all the support and encouragement.'


Asharq Al-Awsat
13 hours ago
- Asharq Al-Awsat
Louvre Museum Shuts Down, Sounding the Alarm on Overtourism
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The spontaneous strike erupted during a routine internal meeting, as gallery attendants, ticket agents and security personnel refused to take up their posts in protest over unmanageable crowds, chronic understaffing and what one union called "untenable" working conditions. It's rare for the Louvre to close its doors. It has happened during war, during the pandemic, and in a handful of strikes, including spontaneous walkouts over overcrowding in 2019 and safety fears in 2013. But seldom has it happened so suddenly, without warning, and in full view of the crowds. What's more, the disruption comes just months after President Emmanuel Macron unveiled a sweeping decade-long plan to rescue the Louvre from precisely the problems now boiling over - water leaks, dangerous temperature swings, outdated infrastructure, and foot traffic far beyond what the museum can handle. But for workers on the ground, that promised future feels distant. "We can't wait six years for help," said Sarah Sefian of the CGT-Culture union. "Our teams are under pressure now. It's not just about the art; it's about the people protecting it." The Mona Lisa's daily mob At the center of it all is the Mona Lisa, a 16th-century portrait that draws modern-day crowds more akin to a celebrity meet-and-greet than an art experience. Roughly 20,000 people a day squeeze into the Salle des États, the museum's largest room, just to snap a selfie with Leonardo da Vinci's enigmatic woman behind protective glass. The scene is often noisy, jostling, and so dense that many barely glance at the masterpieces flanking her. Works by Titian and Veronese that go largely ignored. "You don't see a painting," said Ji-Hyun Park, 28, who flew from Seoul to Paris. "You see phones. You see elbows. You feel heat. And then, you're pushed out." Macron's renovation blueprint, dubbed the "Louvre New Renaissance," promises a remedy. The Mona Lisa will finally get her own dedicated room, accessible through a timed-entry ticket. A new entrance near the Seine River is also planned by 2031 to relieve pressure from the overwhelmed pyramid hub. "Conditions of display, explanation and presentation will be up to what the Mona Lisa deserves," Macron said in January. But Louvre workers call Macron hypocritical and say the €700–800 million renovation plan masks a deeper crisis. While Macron is investing in new entrances and exhibition space, the Louvre's annual operating subsidies from the French state have shrunk by more than 20% over the past decade, even as visitor numbers soared. "We take it very badly that Monsieur Le President makes his speeches here in our museum," Sefian said, "but when you scratch the surface, the financial investment of the state is getting worse with each passing year." While many striking staff plan to remain off duty all day, Sefian said some workers may return temporarily to open a limited "masterpiece route" for a couple of hours, allowing access to select highlights including the Mona Lisa and the Venus de Milo. The full museum might reopen as normal on Wednesday, and some tourists with time-sensitive tickets for Monday may be allowed to reuse them then. On Tuesday the Louvre is closed. A museum in limbo The Louvre welcomed 8.7 million visitors last year, more than double what its infrastructure was designed to accommodate. Even with a daily cap of 30,000, staff say the experience has become a daily test of endurance, with too few rest areas, limited bathrooms, and summer heat magnified by the pyramid's greenhouse effect. In a leaked memo, Louvre President Laurence des Cars warned that parts of the building are "no longer watertight," that temperature fluctuations endanger priceless art, and that even basic visitor needs, such as food, restrooms, signage, fall far below international standards. She described the experience simply as "a physical ordeal." "What began as a scheduled monthly information session turned into a mass expression of exasperation," Sefian said. Talks between workers and management began at 10:30 a.m. and continued into the afternoon. The full renovation plan is expected to be financed through ticket revenue, private donations, state funds, and licensing fees from the Louvre's Abu Dhabi branch. Ticket prices for non-EU tourists are expected to rise later this year. But workers say their needs are more urgent than any 10-year plan. Unlike other major sites in Paris, such as Notre Dame cathedral or the Centre Pompidou museum, both of which are undergoing government-backed restorations, the Louvre remains stuck in limbo — neither fully funded nor fully functional. President Macron, who delivered his 2017 election victory speech at the Louvre and showcased it during the 2024 Paris Olympics, has promised a safer, more modern museum by the end of the decade. Until then, France's greatest cultural treasure and the millions who flock to see it remain caught between the cracks.


Arab News
17 hours ago
- Arab News
Razane Jammal authors children's book
DUBAI: British Lebanese actress Razane Jammal is set to release a children's book titled 'Lulu & Blu.' For the latest updates, follow us on Instagram @ The actress, famous for her roles in Netflix series 'The Sandman' and 'Paranormal,' took to social media on Sunday to share the news, writing: 'What started as a little story I wrote seven years ago turned into a book for your little ones. I've poured my (heart) into this and I'm thrilled to invite you all to our first launch in Beirut.' The launch event is scheduled to take place on June 25 at community space Minus 1 in the Lebanese capital. The actress will perform a reading of the children's story, which tells the tale of a 'vegetarian lioness, a friendly fish and their most unusual friendship,' according to the author. Published by Turning Point Books, the story was illustrated by Sasha Haddad, a Lebanese illustrator who graduated from Cambridge School of Arts in 2014. In the role that arguably shot her to stardom, Jammal played Lyta Hall in 2022's 'The Sandman,' based on the legendary graphic novels. Her character dreams of her dead husband each night, slowly realizing that he is not a figment of her imagination but is hiding out in the dream world. It is a part that Jammal managed to play truthfully with subtlety — a subtlety for which she credited her mother in a previous interview with Arab News. 'I've always been extra, and my mom was far more subtle than I am. I had to fine-tune myself to vibrate on her frequency, a frequency that was very sweet and very raw, and vulnerable and nurturing. I took that from her. 'I grew up having a simple, community-based life in a place where you have 500 mothers and everyone feeds you and you feel safe — even if it's not safe at all. At the same time we went through so many traumas, from civil wars to assassinations to losing all our money in another financial crisis.'