Griff Rhys Jones declares Not The Nine O'Clock News deserves more respect
Griff Rhys Jones believes his iconic comedy series 'Not The Nine O'Clock News' has been erased from history by the BBC.
The satirical sketch show was broadcast on BBC Two from 1979 to 1982 and starred Griff, Rowan Atkinson, Pamela Stephenson and Griff's late comedy partner Mel Smith, who died from a heart attack in July 2013 at the age of 60.
At its peak it was attracting up to 18 million viewers an episode, but it is never repeated by the BBC and Griff says it's because the corporation doesn't want to pay him and the writers.
Appearing on the 'Who's Tom and Dick' podcast, he said: 'The funny thing is it's not repeated. I don't think it's so topical that's it not.
'I think the reason is that it's written by a lot of people. The BBC finds it easy to repeat things like 'The Young Ones' now and the history of comedy is slightly being re-written as a result of that.
'People say, 'Oh Griff, you're amazing, you were in 'The Young Ones' playing Bambi, you know Bamber Gascoigne.' I go, 'Yeah, I think that's was an afternoon of my life, I don't remember much about it.'
'The thing is we were in a show that was 10 times the size of 'The Young Ones' at the time, absolutely massive, but it was written by so many people that the BBC have now sort of wiped it. They don't want to get involved in paying the rights of all those people.
'In fact, they went through the Millennium or some sort of thing of BBC Two and they didn't even mention it, it's just crazy because it was huge. It was like 18 million people watching at one point and that was with a difficult, edgy show. You're not talking about just a family favourite, you're talking about the one that kids said, 'Mummy, daddy, I want to stay up and watch it.' 'No, you can't, it's not for you.'
'It was a huge thing and lasted in people's memory for a long time but it was so long ago.'
And Griff doesn't believe that 'Not The Nine O'Clock News' is snubbed from the repeat schedule because it is politically incorrect.
The comedian - who went on to create 'Alas Smith and Jones' with Mel after 'Not the Nine O'Clock News' - said: 'Going back we laughed at gays, not offensively, but it was a sort a thing. We dressed up as women, but everyone did. They're all coming on dressed as women, Dick Emery, Les Dawson, every single sketch they were dressed as a woman.
'When we didn't have enough women I was dressed up as a woman, so I was the other singer in ABBA, but we had Pamela so it wasn't very often. But it was a bit more trans, I was expected to be a convincing woman, not a Les Dawson woman, or a Monty Python woman or even a Dick Emery woman.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Bruce Springsteen's European tour comes with a warning about the battle for America's soul
They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. In another sign of a seismic shift in British politics last week, Reform came a close third in an unprecedented result in a parliamentary by-election in a one-time industrial heartland outside Glasgow. Scotland has so far been immune to the populist wave – but the times are changing. Still, there's not much evidence Trump or his populist cousins in the UK will meaningfully solve heartland pain. They've always been better at exploiting vulnerability than fixing it. And Trump's 'big, beautiful bill' would hurt the poor by cutting access to Medicaid and nutrition help while handing the wealthy big tax cuts. 'When conditions in a country are ripe for a demagogue, you can bet one will show up,' Springsteen told the crowd in Liverpool, introducing 'Rainmaker' a song about a conman who tells drought-afflicted farmers that 'white's black and black is white.' As the E Street Band struck up, Springsteen said: 'This is for America's dear leader.' Springsteen has his 'Land of Hope and Dreams.' But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. The contrast would be driven home more sharply to Americans if he tours on US soil at this, the most overtly politicized phase of a half-century-long career. Perhaps in America's 250th birthday year in 2026?
CNN
an hour ago
- CNN
Analysis: Bruce Springsteen and the battle for America's soul
They know all about glory days on the Kop – the fabled terrace that is the spiritual home of fans of Liverpool – England's Premier League champions. But they're more used to legends like Kenny Dalglish or Mohamed Salah banging in goals than political cries for help. So, it was surreal to watch alongside thousands of middle-aged Brits as Bruce Springsteen bemoaned America's democracy crisis on hallowed footballing ground. 'The America that I love … a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent and treasonous' administration, Springsteen said at Anfield Stadium on Wednesday night. The Boss's latest warnings of authoritarianism on his European tour were impassioned and drew large cheers. But they did seem to go over the heads of some fans who don't live in the whirl of tension constantly rattling America's national psyche. Liverpudlians waited for decades for Springsteen to play the hometown of The Beatles, whose 'I Wanna Hold Your Hand' set his life's course when he heard it on the radio as a youngster in New Jersey. Most had a H-H-H-Hungry heart for a party. They got a hell of a show. But also, a lesson on US civics. 'Tonight, we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring!' Springsteen said. His European odyssey is unfolding as Western democracies are being shaken again by right-wing populism. So, his determination to engage with searing commentary therefore raises several questions. What is the role of artists in what Springsteen calls 'dangerous times?' Can they make a difference, or should stars of entertainment and sports avoid politics and stick to what they know? Fox News polemicist Laura Ingraham once told basketball icon LeBron James, for instance, that he should just 'shut up and dribble.' Springsteen's gritty paeans to steel towns and down-on-their-luck cities made him a working-class balladeer. But as blue-collar voters stampede to the right, does he really speak for them now? Then there's this issue that Springsteen emphatically tried to answer in Liverpool this week: Does the rough but noble America he's been mythologizing for 50 years even exist anymore? Trump certainly wants to bring the arts to heel – given his social media threats to 'highly overrated' Springsteen, Taylor Swift and other superstars and his takeover of the Kennedy Center in Washington. Any center of liberal and free thought from pop music to Ivy League universities is vulnerable to authoritarian impulses. But it's also true that celebrities often bore with their trendy political views, especially preaching at Hollywood awards ceremonies. Springsteen, however, has been penning social commentary for decades. And what's the point of rock 'n' roll if not rebellion? Rockers usually revolt in their wild-haired youth, rather than in their mid-70s, but desperate times call for desperate measures. Oddly, given their transatlantic dialogue of recent weeks, Trump and Springsteen mine the same political terrain – globalization's economic and spiritual hollowing of industrial heartlands. 'Now Main Street's whitewashed windows, And vacant stores, Seems like there ain't nobody, Wants to come down here no more,' Springsteen sang in 1984 in 'My Hometown' long before Trump set his sights on the Oval Office. The White House sometimes hits similar notes, though neither the Boss nor Trump would welcome the comparison. 'The main street in my small town, looks a heck of a lot worse than it probably did decades ago before I was alive,' Trump's press secretary Karoline Leavitt said rather less poetically in March. Political fault lines are also shifting. In the US and Europe, the working class is rejecting the politics of hope and optimism in dark times. And the Democratic politicians that Springsteen supported – like defeated 2004 nominee John Kerry, who borrowed Springsteen's 'No Surrender' as his campaign anthem, and former President Barack Obama – failed to mend industrial blight that acted as a catalyst to Trumpism. There are warning signs in England too. The Boss's UK tours often coincided with political hinge moments. In the 1970s he found synergy with the smoky industrial cities of the North. In his 'Born in the USA' period, he sided with miners clashing with Prime Minister Margaret Thatcher. A new BBC documentary revealed this week he gave $20,000 in the 1980s to a strikers' support group. Liverpool, a soulful, earthy city right out of the Springsteen oeuvre is a longtime Labour Party heartland. But in a recent by-election, Nigel Farage's populist, pro-Trump, Reform Party overturned a Labour majority of nearly 15,000 in Runcorn, a decayed industrial town, 15 miles upstream from Liverpool on the River Mersey. This stunner showed Labour's working class 'red wall' is in deep peril and could follow US states like Ohio in shifting to the right as workers reject progressives. Labour Cabinet Minister Lisa Nandy, whose Wigan constituency is nearby, warned in an interview with the New Statesman magazine this month that political tensions were reaching a breaking point in the North. 'People have watched their town centers falling apart, their life has got harder over the last decade and a half … I don't remember a time when people worked this hard and had so little to show for it,' Nandy said, painting a picture that will be familiar to many Americans. In another sign of a seismic shift in British politics last week, Reform came a close third in an unprecedented result in a parliamentary by-election in a one-time industrial heartland outside Glasgow. Scotland has so far been immune to the populist wave – but the times are changing. Still, there's not much evidence Trump or his populist cousins in the UK will meaningfully solve heartland pain. They've always been better at exploiting vulnerability than fixing it. And Trump's 'big, beautiful bill' would hurt the poor by cutting access to Medicaid and nutrition help while handing the wealthy big tax cuts. 'When conditions in a country are ripe for a demagogue, you can bet one will show up,' Springsteen told the crowd in Liverpool, introducing 'Rainmaker' a song about a conman who tells drought-afflicted farmers that 'white's black and black is white.' As the E Street Band struck up, Springsteen said: 'This is for America's dear leader.' Springsteen has his 'Land of Hope and Dreams.' But Trump has his new 'Golden Age.' He claims he can 'Make America Great Again' by attacking perceived bastions of liberal power like elite universities and the press, with mass deportations of undocumented immigrants and by challenging due process. Springsteen implicitly rejected this as un-American while in Liverpool, infusing extra meaning into the lyrics of 'Long Walk Home,' a song that predates Trump's first election win by a decade: 'Your flag flyin' over the courthouse, Means certain things are set in stone. Who we are, what we'll do and what we won't.' Sending fans into a cool summer night, the Boss pleaded with them not to give up on his country. 'The America I've sung to you about for 50 years now is real, and regardless of its many faults, is a great country with a great people and we will survive this moment,' he said. But his fight with Trump for America's soul will go on. The contrast would be driven home more sharply to Americans if he tours on US soil at this, the most overtly politicized phase of a half-century-long career. Perhaps in America's 250th birthday year in 2026?
Yahoo
an hour ago
- Yahoo
Robert De Niro, Ben Stiller Reunite for ‘Meet the Parents' 25th Anniversary, Tease Fourth Film With Ariana Grande: ‘The Script Is Really Good'
It's a Focker-Byrnes reunion! Ben Stiller, Robert De Niro, Teri Polo and director Jay Roach gathered for the 25th anniversary of 'Meet the Parents,' a comedy of errors about male nurse Greg Focker (Stiller) who endures a lot of painfully awkward hijinx while visiting his girlfriend's parents for the first time. De Niro plays Polo's character's father Greg Byrnes, a cat-loving retired CIA agent who rules with a well meaning (maybe?) but iron fist. They reunited at Manhattan's Tribeca Performing Arts Center as part of this year's Tribeca Festival, which was co-founded by De Niro and Jane Rosenthal in 2002. More from Variety ADVERTISEMENT 'It's so much fun to hear laughter in a theater with comedy that's 25 years old,' Stiller said during the Q&A after the screening. 'It still works.' Though a quarter century has passed since 'Meet the Parents,' Stiller finds that audiences continue to associate him with Greg Focker. He admits that he doesn't always love when people in the wild address him by his character's name. 'When someone yells 'Focker!' on the street, it doesn't necessarily feel respectful,' Stiller said with a laugh. 'Whenever I'm treated by a male nurse,' he added, 'I feel a connection.' On stage, Roach reminded Stiller that he was almost never in the movie. Steven Spielberg was in talks to direct the film with Jim Carrey as the lead role. When the duo chose to depart the project, Roach was hired as the filmmaker and Stiller as the star. '[Jim Carrey] was going to be me?' Stiller said. 'Shit. I totally forgot that part.' ADVERTISEMENT Meanwhile, Polo joined the cast as the better half of Stiller's fiancée-to-be at the last minute. 'It was really late in the casting process, a few days before we started shooting,' Roach recalled. 'She was thrown into it with these heavyweights.' Polo joked that she spent the entire shoot 'just sitting there, listening and reacting' to the ensemble around her. She remembers De Niro telling her that he doesn't approach comedy any differently than he would a drama. 'He said, 'It's the same thing, It's the honestly in which you say the line. You're not trying to be funny. You say it and really mean it,'' Polo said. 'Meet the Parents' was a commercial hit, grossing more than $330 million worldwide against a $55 million budget. The foursome returned for 2004's sequel 'Meet the Fockers,' which introduced Greg's parents (Barbra Streisand and Dustin Hoffman) who memorably taught audiences of the family's bathroom policy: 'If it's yellow, let it mellow; if it's brown, flush it down.' A third movie, 2010's 'Little Fockers,' was critically panned but managed to earned $310 million at the box office. Now, the 'Meet the Parents' universe is expanding again. A fourth movie is in development with Ariana Grande among the new cast members. Stiller teased the fourquel, saying they needed an 'organic reason' to revisit these characters. ADVERTISEMENT 'What spurred the idea is that I'm the age that Bob was when we did the first movie,' Stiller said. 'It felt like a mirror to the first film, where one of my kids is thinking about introducing his person to the family.' Though they didn't share any plot details, De Niro revealed he's read the screenplay. 'The script is really fun,' he shared. 'I'm looking forward to it.' In fact, De Niro claims he's been pushing for another sequel for years now. 'When we filmed the last one,' he said, 'I was sitting with Ben and [screenwriter] John Hamburg. I said, 'Let's start writing the next one now. And they were just humoring me. Now we are finally doing the next one.' Best of Variety Sign up for Variety's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.
