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40 People Who Were So Wrong But So Confident When They Posted Something On The Internet

40 People Who Were So Wrong But So Confident When They Posted Something On The Internet

Yahoo20 hours ago
1.This person who didn't know where Spain was:
2.This person who attempted to sell their dryer:
3.This person who was proud of their flowers:
4.This person who tried to correct the Merriam-Webster dictionary:
5.This person who couldn't do elementary school math:
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6.This person who misunderstood some important geography:
7.This person who tried to make an argument that the earth is flat:
8.This person who misspelled a word and doubled down with an explanation:
9.This person who was trying to get to know someone:
10.This person who had a message for baristas:
11.This person who didn't understand what "theory" meant:
12.This person who didn't know how time worked:
13.This person who wanted people to remember their worth:
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14.This parent who needed to get back to school themself:
15.This person's answer to a Hinge prompt:
16.This person explaining a game:
17.This person who realized what "news" meant:
18.This person trying to find their son's glasses:
19.This person opening up about their insecurities:
20.This person who told someone what they were having for breakfast:
Related:
21.This person who was trying to be sexy:
22.This person who didn't know what the sun was:
23.This person who didn't understand simple fractions:
24.This person who stan'ed Big Dairy:
25.This person who left a review about how fresh a restaurant's food was:
26.This person who shared their goal for graduating:
27.This person whose grammar rules made no sense:
28.This person's message about actors:
29.This person who corrected someone and still made a mistake:
30.This person's passionate rant about cats' diets:
Related:
31.This person who just needed to sort out their stomach issues:
32.This person who found Washington very scenic:
33.This person who was protecting their food:
34.This person who thought someone misspelled a word:
35.This person who insisted that space was fake:
36.This person who planned to travel outside of the US based on the election outcome:
37.This person who said blood was blue:
38.This person who had a hot take about certain wings:
39.This person who was describing someone's boyfriend:
40.And finally, thisi person who gave financial advice:
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Alien: Earth creator Noah Hawley knows the tables are stacked against him. He knows the Alien franchise is a tough one to crack and that the idea of bringing it to televsion might elicit groans from certain fans. But Hawley is also really good at his job. He somehow turned Fargo into a TV show worthy of the incredible film. He made Legion one of the best comic book shows in recent memory. And he knows he'll never be able to remake or recapture the terror you felt watching the Ridley Scott original, or the exhilaration created by James Cameron's sequel. Instead, he's figured out a way to draw inspiration from those things, but also make it his own. The hope is that it'll create something that's 100% recognizable as Alien, but will also stand on its own as a way to totally flip the franchise on its head. Starting August 12, Alien: Earth tells a story set three years before the events of the first movie. However, while that was in space, this takes place—you guessed it—on Earth. 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And so this idea about humanity and the terrible things that we do to each other, it really opened my mind as to the types of horror that would populate the show, not just body horror or creature horror, but also the moral horror of what people do. And the question is, if you take a girl and you put her into this synthetic body, is she going to choose human or other? And so it becomes about the push-pull between 'Well, why be human if this is what humans do to each other?' But there's such a beauty to the human experience, etc. So that's the tension, I feel like, that elevates it above just who lives and who dies.' Hawley's story is set in the world of Alien, with names and companies you'll recognize, but that wasn't the most important thing to him. 'I've said before but, if I have a skill at reinventing classic movies, it's understanding what the original made me feel and why, and then recreating those feelings in you by telling you a new story,' he said. That new story had to fit visually in the world of Alien. 'I was very adamant that technology-wise we embrace the retrofuturism of the franchise,' Hawley said. 'That is the visual definition for me. There are three classic sci-fi brands. There's Star Wars, Star Trek, and Alien. And none of them look like the other one. You would never confuse one for the other. And so if we want to make Alien, something's got to be dripping. Something's got to be rusty. You have to have those sorts of aesthetics to it. And then the challenge was, well, we're not even focused on the Weyland-Yutani Corporation, and we're on Earth. And so how, from an aesthetic standpoint, do you make sure that it feels like Alien to the audience when, obviously, if we're not on a ship, it's just not going to look like that. So that was a long, long process.' Yes, there are other creatures. No, it won't be focused on the life cycle of the xenomorph. But the xenos are in there, crucial to the show, and in a way you've never seen them before. 'We never really see these creatures within an ecosystem, right?' Hawley said. 'They're always sort of an apex predator existing in a space with no other wildlife, really. And I was interested in that idea of, if you're going to bring these creatures to a terrestrial environment, how are they going to change it? And how are other creatures, bugs, any of it, going to interact with them? So some of that we address, some of that is still percolating for future stories.' 'I think just the idea of seeing these creatures in a landscape, an Earth landscape, is such a profoundly unsettling and kind of exhilarating thing when we get to that moment,' he added. 'It really felt like such a gift after, at that time, six movies, to be doing something new, right? To have that opportunity.' Hawley knows that it will be hard, if not impossible, to top the H.R. Giger design of the original Alien. But he also knows he has to make sure these new creatures can stand up against them. So lots of care has, and continues to be, taken in their designs. 'I will be adjusting the design until they tell me I absolutely can't do it anymore,' he said. 'Every element of it, from the skin texture to sound design, it all goes to the 'Get into your nightmares' part of it. And mostly my hope is that people who watch the show will never do anything comfortably again.' So, yes, this is a new story with new threads and perspectives, but it fits in with the original movies in some fun ways. That's especially driven by the fact this show isn't on a spaceship or an alien planet. It's on Earth, which is something the original films have almost wholly avoided. 'It's the first time we're coming to Earth,' Hawley said. 'I mean, there's a little on Earth in Prometheus, but with no sort of expansion on who rules the Earth, what are the politics, how does that work throughout the galaxy, etc. And so it was a gift to get a franchise this big with very little mythology to it.' 'So that I could say, 'All right, well, what do we know about the next hundred years?' Hawley continued. 'It's going to get hotter. It's going to get wetter. I'm not betting against capitalism so I think the corporations, that power is going to aggregate. And all we really know about Aliens is that there's this corporation called Weyland-Yutani. And for me, I just think that story, that Weyland-Yutani story, is really interesting, but I like the idea also of introducing that there's still a competition. And I also thought, in terms of the moment on Earth. I thought about the moment at the turn of the 20th century where you had Edison and Tesla and Westinghouse, and you weren't sure who was going to control electricity. So I thought if we had that kind of moment in which it's a contest between the sort of cybernetic enhancements and AI and transhumanism—and, like any technology race, you know, you don't remember who the competitor to Xerox was, right? And so that was exciting to me to explore that.' In addition to the opportunity of exploring what's happening on Earth, Hawley loved that the movies gave him a lot of open space to add to the story. 'If you remember the movie, they just get sent to this planet,' he said. 'I mean, clearly somebody knows about these creatures, right? They knew enough to send them there, but their knowledge of these creatures [is a mystery]. Now, of course, [the crew of the Nostromo] has been in cryosleep for, I don't know how many decades or years or whatever. So that's the interesting thing about the lack of mythology is these people who find those first eggs have been out of contact with Earth for who knows how long. And so there is a gray area that we could play in and try to create something with as big a scale as possible to justify the title while still making it credible for the rest of the canon.' 'I've had some conversations with [the filmmakers],' Hawley admitted. '[But], you know, this is not a Kevin Feige Marvel Universe moment. I'm not saying that that in success that that we shouldn't be coordinating or thinking big picture about that. The show [just] has to be a hit before you can really have those conversations.' Hawley doesn't know how far the show will go along but, he has thought about potential links between the show and films. 'I haven't literally calendared it out,' he said, 'But we know that Ripley ends up in an escape pod and is found 57 years later. So we really have no idea what they know on Earth about what happened on the Nostromo. And so is my challenge really figuring what happens in those three years or in the 60 years before she comes back? So those are all active questions that were that we're discussing.' 'Well, it's not up to me,' Hawley said. But, in his mind it's a recurring series that could go on for more seasons. 'We created it as a recurring series, and I have great plans and ambitions for it as such.' For this one, we'll turn it over to David Zucker, the chief creative officer for Scott Free, Ridley Scott's production company. 'In all candor, we were approached many times [about making Alien shows] and there was no interest on our behalf,' Zucker said. 'And frankly, I don't think one could even conceive of delivering something of this kind of equivalency of what one can do [as] feature TV in this sort of modern era. But I think the thing that that also didn't exist before John [Landgraf, chairman of FX] and Noah had this conversation is somebody who could have this kind of vision, this kind of originality. Ridley was really, I think, enthralled by being able to relaunch the franchise. And he's excited about the extension of it, but it really required somebody who could take the essence, as Noah's talked about, and find a way to take viewers in an entirely different experience. And that that was just something we had never encountered before and couldn't have have imagined that that opportunity would exist. So the planets align, as they say.' The planets will further align on August 12 when Alien: Earth debuts on FX. Check back for more soon. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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