logo
Click That Brick! Santoki LEGO Home Goods

Click That Brick! Santoki LEGO Home Goods

Geek Dad5 days ago
I've been reviewing LEGO sets for awhile now, most recently with the Icons Sherlock Holmes: Book Nook. And if you're a LEGO lover like myself, you may enjoy having other LEGO-related items around the house. Back in the day when we still had house phones, I even owned a LEGO touch-tone phone.
With the global growth of LEGO, a company named Santoki became the exclusive U.S. distributor of LEGO LED Light and LEGO Stationery products. They offer a LEGO licensed portfolio for fans of all ages with unique lifestyle products, home goods, and stationery.
Santoki recently sent me a sampling of their products to take a look at. Everything Santoki sent over. Image by Paul Benson. LEGO Minifigures Hot Dog Man, Banana Guy, Darth Vader, and Stormtrooper. Image by Paul Benson.
Yes, the LEGO Minifigures from Santoki look like the regular Minifigure keychains you can get directly from LEGO. But these have been given a glowup! Not only have they been supersized to 3″, but when you squeeze the chests of the minifigures, you have a suprisingly powerful flashlight in their feet. A look at the light. Image by Paul Benson.
While I wouldn't personally want to carry a Minifigure this big in my pocket, it's definitely great for clipping onto a bag. The LEGO Minifigures come in way more styles than just the ones Santoki sent over, and each retail for $16.99. You can purchase them from the Santoki store on Amazon, or directly from Santoki. Lightsabers you can write with! Image by Paul Benson.
These may look like oversized LEGO lightsabers, but they're really gel pens, with the lightsaber hilt acting as the cap to the pen. The ink of each of the pens matches the lightsaber color: red, green, blue, and purple. A set of 4 gel pens is priced at $15.99, and can be purchased on Amazon or directly from Santoki. LEGO Markers 10-Pack The 10-pack of LEGO markers. Image by Paul Benson.
This 10 pack of markers includes one each of violet, red, orange, yellow, lime, green, light blue, blue, lavender & black. They also have LEGO plates at the ends of the markers, so that you can stick them to each other, or to other LEGO pieces. A look at the LEGO plates on the markers. Image by Paul Benson.
There's a nice variety of colors in the set, and the tips are a great size for coloring books. The set is $32.50, and can be purchased on Amazon or from the Santoki store. A box of sticky notes. Image by Paul Benson.
The final item that Santoki sent over was a box of sticky notes in the LEGO 'space' theme. The box contains 4 pads of 25 sticky notes each. The notes themselves are a decent size, measuring 3″ x 5.7″. The 4 pads of sticky notes. Image by Paul Benson.
The paper on the pads is thick enough so that you can color them with the LEGO markers without ink bleeding through, and the notes stick comparably to Post-It Notes. A box of sticky notes retails for $14.99, and are available on Amazon or at the Santoki store. There are also other themes available, such as Star Wars or Batman. Santoki LEGO Home Goods – Final Thoughts
Everything Santoki sent over to me was of the highest quality, and definitely up to usual LEGO standards. If your child is a LEGO fan, these are great products that are both useful and also celebrate everything LEGO. And of course, they're just as delightful for the adult fan, too!
These products also just scratch the surface of everything that Santoki carries. So if you're looking to bring a little more LEGO into your life, check out some Santoki LEGO Home Goods.
For more information, head over to the Santoki website.
Santoki sent these products for evaluation but had no input into this review. As an Amazon affiliate, I may earn a small commission on qualified purchases. A LEGO sticky note at work. Image by Paul Benson. Liked it? Take a second to support GeekDad and GeekMom on Patreon!
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Superman' aims to save flagging film franchise, not just humanity
‘Superman' aims to save flagging film franchise, not just humanity

CTV News

time8 hours ago

  • CTV News

‘Superman' aims to save flagging film franchise, not just humanity

Nathan Fillion dons a movie prop ring on the red carpet of the world premiere of the new Superman movie in Los Angeles on Monday. (Etalk) LOS ANGELES — Superman is often called upon to save the world from evildoers, but in his latest big-screen incarnation, he's also being asked to swoop in and save a franchise. James Gunn's 'Superman,' which opened in theaters worldwide this week, is a reboot aimed at relaunching the so-called DC Universe of comic book-based superhero movies, which also features Wonder Woman and Batman. The celluloid efforts of Warner Bros. and DC Studios have been widely eclipsed by Disney's Marvel Cinematic Universe -- the world of Iron Man, Thor, Black Panther and the Fantastic Four, who are getting their own reboot later this month. 'Warner Bros. has invested a lot of energy and money in trying to refocus and renew DC Studios, and this is going to be the big release from that,' analyst David A. Gross from Franchise Entertainment Research told AFP. The heavy task falls on the shoulders of Gunn, the writer-director who won praise from fans of the genre with Marvel's 'Guardians of the Galaxy' trilogy. The movie's rollout has already encountered several headwinds, including a right-wing backlash to Gunn's comments on Superman's role as an immigrant, and skepticism from fans of the previous Superman films helmed by director Zack Snyder. Gunn has shrugged off the high stakes surrounding the movie's box office success. 'Is there something riding on it? Yeah, but it's not as big as people make it out to be,' he told GQ Magazine. 'They hear these numbers that the movie's only going to be successful if it makes $700 million or something and it's just complete and utter nonsense.' The hype around the movie is real -- the White House even superimposed U.S. President Donald Trump onto one of the movie's official posters with the caption 'THE SYMBOL OF HOPE. TRUTH. JUSTICE. THE AMERICAN WAY. SUPERMAN TRUMP.' 'A diminished genre' Warner Bros. hopes the DC Universe can catch up with Marvel which -- after years of huge successes with the 'Avengers' movies -- has seen more muted box office returns with the recent 'Thunderbolts' and 'Captain America: Brave New World.' Gross explained that superhero films hit a peak right before the Covid-19 pandemic, with box office earnings and audience enthusiasm waning ever since that time. 'It's really a diminished genre,' Gross said. However, the analyst said early buzz for 'Superman' was 'really good.' The film stars up-and-comer David Corenswet as the new Superman/Clark Kent, with 'The Marvelous Mrs. Maisel' star Rachel Brosnahan playing love interest Lois Lane and Nicholas Hoult as arch-villain Lex Luthor. The story follows the Man of Steel coming to terms with his alien identity as he finds his place in the human world. The supporting cast boasts a selection of other DC Comics characters, from the peacekeeping Green Lantern (Nathan Fillion) -- who is scheduled to reprise the role in upcoming TV series 'Lanterns' -- to the mace-wielding Hawkgirl. Gross noted that July 'is the top moviegoing month of the year,' leading tracking estimates to forecast a total of more than US$100 million for the film's opening weekend in North America. 'The story of America' DC Studios however must shake off a reputation for producing mediocre films that did not score well with audiences. The last round of 'DC Extended Universe' films included the well-liked 'Wonder Woman' (2017) starring Gal Gadot -- but also box office flops like 'Shazam! Fury of the Gods' (2023) and the under-performing 'Aquaman' sequel with Jason Momoa. 'The success was mixed, and they were spending a lot of money on some of the new spinoff characters who were not working particularly well,' Gross said, pointing at 2021's 'The Suicide Squad' -- directed by Gunn -- as an example. The last films featuring Superman, starring Henry Cavill and directed by Snyder, were relatively successful for Warner Bros. until 'Justice League' -- DC's effort at recreating the 'Avengers' vibe -- which lost millions of dollars. Fans of Snyder have stirred up negative buzz for the new 'Superman' movie, voicing hope online that the reboot fails out of a sense of loyalty to the previous films. The backlash was further widened after right-wing pundits groaned about Superman's specific characterization as an immigrant, lamenting the superhero had become 'woke.' Gunn addressed the criticism, telling The Times newspaper that 'Superman is the story of America,' with the character reflecting those who 'came from other places and populated the country.' 'I'm telling a story about a guy who is uniquely good, and that feels needed now,' he added. Ultimately, time will soon tell if Corenswet's chiseled looks and Gunn's directorial vision will be the superpowers that DC Studios need -- or prove to be its Kryptonite.

Why everyone's so excited about the new Clipse album, Let God Sort Em Out
Why everyone's so excited about the new Clipse album, Let God Sort Em Out

CBC

time8 hours ago

  • CBC

Why everyone's so excited about the new Clipse album, Let God Sort Em Out

After 16 years, rappers and brothers Gene "Malice" and Terrence "Pusha T" Thornton have reunited to give fans Clipse's fourth studio album. Titled Let God Sort Em Out, it features artists like John Legend, Kendrick Lamar, Nas, Pharrell Williams and Tyler, The Creator. Today on Commotion, culture critics Pablo The Don, Huda Hassan and Matt Amha join host Elamin Abdelmahmoud to talk about the return of the cult-favourite rap duo. We've included some highlights below, edited for length and clarity. For the full discussion, including coverage of Drake's latest single and Kanye West's upcoming performance in China, listen and follow Commotion with Elamin Abdelmahmoud on your favourite podcast player. WATCH | Today's episode on YouTube: Elamin: Pablo, maybe we should set the scene here and just remind people why this drop is a big deal. Pablo: I mean, for me, Clipse's Grindin' alone is, like, the most-played beat at a lunch table in every school in America. I think everybody was trying to recreate the Grindin' beat on a lunch table. So for me, this Clipse reunion is huge. It's been 16 years since they've been together. Pusha T was the president of G.O.O.D. Music for a time. Malice found God randomly. And then Pusha had a very solid career. WATCH | Official video for Grindin' by Clipse: I know a lot of younger people probably know him best from the Drake beef, but in general Pusha T has had such a solid solo career, that I think rivals a lot of different people that are in the rap game right now. I think this reunion is for people my age, and people who are younger should really get invested and really go back and learn about Clipse — and then listen to this project, too. Elamin: But usually when an album comes out, there's a nice little rollout. You get all of these interviews. But there's been some great shade thrown at people like Travis Scott. Matt, let's talk about the origins, let's say, of Pusha [and] Malice. Because their original sound was sort of known as coke rap — mostly drug boasts, right, over incredible beats, and just having a great time on the streets…. How do you compare where Clipse are now, to where we first met them? Matt: When it comes to the Clipse, I think of them as being uniquely Virginian. They have a uniquely Virginian sound. And I think when we think of Virginia, we think of The Neptunes, but we need to think of Clipse too. They're just as indelible to that. And I think that the whole coke rap thing has become a pejorative in some way. It's become a marginalizing way to think about these guys. It's like calling Scorsese "a mob filmmaker," you know? These are guys that are using the sale of drugs, the use of drugs, the production of them, to tell this grander story about the "inner city," about America, and I think they do it to great effect, frankly. But this record, for me, is adult contemporary rap, and I think we don't see enough of it. I think they're in some ways among the first non-superstars — not Jay Z, not Snoop, not LL Cool J — to add their names to this tradition in a viable and lucrative way. I think this is evidence of a genre that is maturing. People forget that rap is still in its nascent years in a lot of ways. So this example is actually really important. And contrasted with the likes of André 3000, who goes on interviews and says, "Well, I'm old now and I don't have anything to talk about" — which for me is such a loss, because it's a beautiful thing to be able to watch the stories of these men and women from the time that they are young and figuring things out, to the time they are entering their 50s and are now comfortable in life, you know? I think it's an example that particularly younger fans of the culture, people that have a pejorative view of the culture, need to see more. Elamin: I want to pick up on the idea that calling it coke rap is pejorative. I think that is true for certain audiences. I certainly don't think that's true if you follow hip-hop, right? Which is to say that these are the colours that you paint with. What you paint can be Starry Night. What you paint can be the grandest thing in the world. I do think that they're particularly attracted to these colours in terms of painting them, and they're better at it than everybody else. You can listen to the full discussion from today's show on CBC Listen or on our podcast, Commotion with Elamin Abdelmahmoud, available wherever you get your podcasts. Panel produced by Amanda Burt.

Bentley Kyle Evans Calls for More Family-Driven Creativity in TV Industry
Bentley Kyle Evans Calls for More Family-Driven Creativity in TV Industry

Globe and Mail

time9 hours ago

  • Globe and Mail

Bentley Kyle Evans Calls for More Family-Driven Creativity in TV Industry

Bentley Kyle Evans, Henderson, NV, USA. Veteran Writer and Producer Urges Aspiring Creators to Build Opportunities from Within Acclaimed television creator Bentley Kyle Evans, known for his iconic work on Martin, The Jamie Foxx Show, and Family Time, is calling for more family-based collaboration and self-driven creativity in Hollywood. In a newly released interview, Evans shares his personal journey from actor to writer-producer, using his experience to inspire others to take control of their creative futures. 'I've seen the industry from every angle,' Evans says in the interview. 'What I've learned is that building with your family or trusted people around you isn't just possible—it's powerful.' Evans, who runs a thriving family-centred production company, highlights how his wife, children, sister, and nephew all contribute as writers, producers, and creatives on his projects. 'We keep each other honest and focused,' he says. 'It's not about egos—it's about doing great work together.' A Growing Need for Representation and Ownership Evans' message comes at a time when diversity and ownership in entertainment are more urgent than ever. A 2024 UCLA Hollywood Diversity Report found that minorities still own less than 6% of production companies in the U.S., despite making up nearly 40% of the population. 'Ownership matters,' Evans stresses. 'When we own the content, we own the narrative. That's how real change happens.' Throughout the interview, Evans shares lessons from his long career, encouraging others to start small but think long term. 'Don't wait for the gatekeepers,' he advises. 'Start creating with what you have, with the people you trust.' Advice Rooted in Experience With more than three decades in television, Evans knows the importance of perseverance. His upcoming book, The Hollywood Blueprint, also dives into the highs and lows of his career and serves as a roadmap for aspiring creators. 'The industry is tough,' Evans says. 'You're going to hear 'no' a lot. But if you're consistent, if you stay humble and keep learning, you can build something that lasts.' An Invitation to Take Action Evans' call to action isn't about relying on industry shifts—it's about personal initiative. 'I want people to look at their circles—friends, family, neighbours—and ask, 'What can we build together?'' he says. 'That's where it starts.' He urges aspiring writers, producers, and directors to: 'Legacy isn't just about awards,' Evans concludes. 'It's about leaving a path others can follow.' To read the full interview, visit the website here. About Bentley Kyle Evans: Bentley Kyle Evans is a writer, producer, and director known for his work on Martin, The Jamie Foxx Show, Family Time, Love That Girl!, and many more. He has received multiple award nominations and is recognised as a leader in Black television. Contact: Media Contact Contact Person: Bentley Kyle Evans Email: Send Email Country: United States Website:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store