Mango Medley: A celebrations of all things aam and summer
During the event, Chef Shiv Parvesh, executive chef at Novotel Hyderabad Convention Centre, shared some insights into the philosophy behind this unique experience, saying, 'For another month, the entire menu is centred around mango. You can enjoy everything from mango cappuccinos and shakes to mango risotto, biryani, and even mango sushi. The best part is that all the mangoes are plucked directly from the mango trees on our property,' he underscored.
The goal was to take everyone back to the basics. Chef Shiv reminisced, 'We all have our favourite trees from childhood — the ones we watered and cared for. As chefs, we see every ingredient as part of an emotional connection. For us, the mango tree represents a shared memory, and we want to bring that emotion to the table, presenting it through food.'
The 'Mango Medley' event didn't just stop at the hands-on pickle making. The evening featured a high tea with a mango-themed menu that tantalised the senses. And that isn't all! After the event, we were given a thoughtful takeaway gift — a mango-themed hamper filled with freshly made mango pickle, mango marmalade, and other fruity delights. For now, the 'Mango Medley' will remain a standout experience — one that celebrates the simplicity and beauty of the mango, and the joy of sharing special moments.
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New Indian Express
24-05-2025
- New Indian Express
Mango Medley: A celebrations of all things aam and summer
During the event, Chef Shiv Parvesh, executive chef at Novotel Hyderabad Convention Centre, shared some insights into the philosophy behind this unique experience, saying, 'For another month, the entire menu is centred around mango. You can enjoy everything from mango cappuccinos and shakes to mango risotto, biryani, and even mango sushi. The best part is that all the mangoes are plucked directly from the mango trees on our property,' he underscored. The goal was to take everyone back to the basics. Chef Shiv reminisced, 'We all have our favourite trees from childhood — the ones we watered and cared for. As chefs, we see every ingredient as part of an emotional connection. For us, the mango tree represents a shared memory, and we want to bring that emotion to the table, presenting it through food.' The 'Mango Medley' event didn't just stop at the hands-on pickle making. The evening featured a high tea with a mango-themed menu that tantalised the senses. And that isn't all! After the event, we were given a thoughtful takeaway gift — a mango-themed hamper filled with freshly made mango pickle, mango marmalade, and other fruity delights. For now, the 'Mango Medley' will remain a standout experience — one that celebrates the simplicity and beauty of the mango, and the joy of sharing special moments.
Indian Express
23-05-2025
- Indian Express
Kesari Veer movie review: Sooraj Pancholi, Suniel Shetty film marred by weak plot, over-the-top performances and garish visual effects
What is worse than filmmakers latching on to a trend? The answer: Willfully undermining the audience's intelligence for the sake of making mass entertainers. How else does one explain a prolonged battle scene in Kesari Veer in which a beheaded warrior with a sword in each hand, goes on slicing his opponents before sending one of the weapons flying at an evil guy standing afar and killing him. This sequence, perhaps, would have worked in a bizzare video game. But 'Kesari Veer' is based on tragic historical events. Set in the late 14th century, the movie narrates the story of Hamirji Gohil, a brave warrior who fought against the Tughlaq empire to protect the Somnath temple. The film draws from the widely-known historical accounts that Somnath temple, located on the coastline of Saurashtra, faced multiple attacks by invaders and rulers. The temple was demolished as well as rebuilt several times in the past. The present-day Somnath temple was reconstructed following the directions of India's first Deputy Prime Minister Vallabhbhai Patel and its consecration ceremony was held in May 1951. As an homage to Hamirji Gohil, his statue was installed near the temple in 2009. Driven by the aim of piggybacking on the current trend of infusing nationalistic fervour in a cinematic narrative, Kesari Veer tries to position itself as an entertainer by weaving some historical facts, legends and myths around the Somnath temple into the screenplay. Yet, it will be futile to look for historical accuracy in this fictionalised narrative. Instead of attention to detail, the film banks heavily on gimmicks as well as tries to arouse patriotic feelings. It also relentlessly talks about veerata (bravery), which is mainly defined by masculine aggression. Small wonder Hamir (Sooraj Pancholi), who is constantly hailed for his 'veerata', is made to look fierce. He rarely gets to relax his facial muscles. The overdose of valour also indicates that a section of filmmakers are still nursing a Baahubali hangover. Hamir's love interest Rajal (Akanksha Sharma) too is presented as a 'veer' and her love language is putting a dagger on his throat when the latter is going away. The cast features Suniel Shetty, who appears as an ardent Shiv-bhakt with dreadlocks and rudraksh, and Vivek Oberoi as a ruthless Mughal attacker, who is seen holding a wine glass when not killing people. Kesari Veer movie trailer: Kesari Veer (which literally translates into 'saffron-hued warrior') is clearly influenced by the recent spate of patriotic and nationalistic tales. It tries to accentuate the nationalistic feel through dialogues when our land is referred to as 'kesariya Bharat'; by giving a saffron tint to a battle scene; or, making the Hindu warriors wear saffron-hued pagdis. The makers, however, appear lax when it comes to working on the film's entertainment quotient. The plot is wafer-thin; storytelling flat; and the performances are unnecessarily over-the-top. The film dishes out one gory action sequence after another with some family scenes or romantic encounters briefly breaking the monotony. This limits the scope of the narrative to develop the characters or add depth to them. As the storytelling remains firmly focussed on 'good versus evil' without leaving any room for nuance, the scenes become repetitive and, even, illogical. If the absence of logic does not leave the audience banging their head in frustration, then the overuse of CGI would. It almost gives the impression of certain scenes being made using AI tools. With a runtime of 161 minutes, the film becomes tiresome. Kesari Veer movie director: Prince Dhiman Kesari Veer movie cast: Suniel Shetty, Sooraj Pancholi, Vivek Oberoi, Akanksha Sharma, Barkha Bisht, Kiran Kumar, Aruna Irani Kesari Veer movie rating: 1.5 stars
Time of India
23-05-2025
- Time of India
Kesari Veer Movie Review: Grand in scope, but struggles with storytelling
: Based on true events, the film tells the historical tale of Hamirji Gohil (Sooraj Pancholi), a warrior who valiantly stood against an army of the Tughlaq Empire to defend Saurashtra's Somnath Temple.: Director Prince Dhiman's historical drama is an addition to the slew of movies that bring to light the story of an unsung hero, capturing a lesser-known chapter of India's rich past. The first Jyotirling, Somnath, is believed to have been destroyed 17 times by various invaders and rulers. This film revisits one such episode, when the dreaded marauder of the Tughlaq Empire, Zafar Khan (Vivek Anand Oberoi), attacked the temple to plunder its gold. Hamirji Gohil, the prince of Arthila, vowed to protect the temple and fought the battle with unwavering courage.A parallel track follows the fierce Shiv-worshipping Bhil community, led by their king, Vegda (Suniel Shetty). Part of the narrative focuses on how Hamir mobilises his troops and the Bhils to confront the formidable enemy. While the battle to protect the temple remains central, Kanubhai Chauhan's story and Shitiz Srivastava's screenplay take several detours before reaching the climax. The romantic arc between Hamir and Rajal (Akanksha Sharma) plays out at random intervals, detracting from the movie's main narrative. Song and dance sequences further disrupt the flow. Hamir's interaction with the Bhil community—where he grows closer to Rajal and bonds with the villagers—also stretches the runtime and slows the film's film's treatment—with Vikas Joshi's cinematography and action choreography by Kevin Kumar and Anand Shetty—leans heavily into stylised realism, hyper-real action aesthetics, speed ramping, and other visual techniques typical of war and battle epics. While overdoing these elements, the film also features gimmicky animation and VFX, which become glaring in scenes like Rajal protecting a lioness from poachers, cannons obliterating a forest during the climactic war, and many the film states that certain elements have been dramatised, it often stretches believability too far, such as a beheaded Hamirji continuing to fight in an extended sequence or Vegda balancing a monumental Shiv Ling on two lances to prevent it from falling to the ground. There are several inconsistencies, like Hamir and Rajal's elaborate wedding sequence right before the battle, and Zafar's army inexplicably appearing in implausibly large numbers. While the climactic battle is visually appealing, its excessive length dilutes the overall Pancholi handles action sequences well in an otherwise passable performance. Suniel Shetty, as the Shiv-bhakt Bhil leader, delivers a grounded performance, though his look feels unconvincing. Debutant Akanksha Sharma looks ethereal on screen but remains visibly raw in her craft. Vivek Oberoi as the ruthless Zafar Khan often slips into a few flashes of visual appeal,falters due to inconsistencies, length, uneven storytelling, and overdramatisation. This lesser-known tale of an unsung hero had a promising premise, but the lack of narrative conviction prevents it from taking a flight.
