
MCD to sell 2.5m tickets in 2025 on back of Oasis and Robbie Williams shows
Mr Desmond said that business for MCD in 2025 'is very solid' and he said that the gross ticket sales from the 2.5 million tickets would be between €212 million to €225 million based on average ticket prices of €85 to €90 per ticket.
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The bumper ticket sales for 2025 follows trade industry journal, Pollstar reporting that MCD last year sold a record €238.5 million in ticket sales.
Mr Desmond said that the 2.5 million tickets this year follows MCD's busiest year in its 45 year history last year which was boosted by sell out shows by Taylor Swift and Coldplay.
He said that ticket sales for 2025 'are very good' and said that upcoming gigs by Dua Lipa and Olivia Rodrigo are sold out adding that Croke Park shows by Oasis and Robbie Williams along with Electric Picnic are also sell outs.
Mr Desmond said that MCD will sell slightly less tickets in 2025 than 2024 due to a reduced number of shows compared to last year.
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Beyonce has just finished a six date sold out run at Tottenham Hotspur football stadium in London and Mr Desmond said that Beyonce would have come to perform in Dublin but was unable to do so due to stadium unavailability in the capital.
In an interview, Mr Desmond said: 'Beyonce is only touring Europe in June and Croke Park is not available until August because of the games being played. She would have come to Dublin otherwise. The economics of big shows at the moment means multiple dates at the same venue and there was nowhere available.'
He said that Beyonce played Croke Park eight years ago 'and I'm sure she will come back here again to perform in three or four years time'.
Mr Desmond said that a series of gigs at St Anne's Park in Dublin have been very successful this summer while gigs for Fairview Park - where Kneecap performed last week - 'are also doing very well'.
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Mr Desmond said that ticket sales for the 2025 string of gigs for Virgin Media Park in Cork have performed well for the likes of Macklemore, The Corrs, Snow Patrol earlier this month and Duran Duran next week.
He said: 'We are in the third year of staging concerts at Thomond Park in Limerick and we have the Wolfe Tones and The Script there next month so business overall is very good.'
MCD Productions is owned by LN Gaiety Holdings Ltd which is a joint venture between Mr Desmond's Gaiety Investments and Live Nation.
Mr Desmnond said: 'There is nothing better than a live show. You might have 10,000-20,000 people at a gig and they are all at one as they are all there for the person or people on the stage. You feel it and you come away from there, dare I say it, feeling alive.'
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Mr Desmond said that the patrons coming to gigs are now inter-generational. He said: 'Rock n roll is over 60 years old now and you have parents with kids, grand-parents with their grand-kids."
Mr Desmond questioned why the likes of sporting events such as the upcoming US College and NFL football games receive State subsidy but live entertainment doesn't.
He said: 'Live entertainment events generate a huge return for the exchequer in terms of the spend on restaurants, transport and hotel bednights.'
Mr Desmond made his comments when asked to comment on new accounts for MCD Productions Ltd which show that it made a post tax profit of €3.53 million in 2022.
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Times
an hour ago
- Times
Taylor Swift v Donald Trump: the enemies compared in charts
President Trump has billed himself as a peacemaker, but there is one war between entrenched armies that he is determined to wage — his feud with Taylor Swift. This month Trump declared, in block capitals, that Swift was 'no longer hot'. The pop superstar did not respond directly, but a rebuke of sorts came two weeks later as she announced her new album, The Life of a Showgirl. Swift's appearance on the New Heights podcast alongside her boyfriend, Travis Kelce, to promote the album beat her rival's viewership record: 1.3 million watched the opening 60 minutes, against 800,000 who tuned in for the first hour of Trump's appearance on The Joe Rogan Experience before last year's election. Kelce and Swift on the New Heights podcast BACKGRID Trump's conversation with Joe Rogan covered UFOs, murder plots and claims of electoral fraud JOE ROGAN EXPERIENCE Trump and Swift both have a claim to being defining figures of 21st-century America. How else do they match up head to head? Swift has built a vast business empire from her wildly popular music. Thanks to the value of her back catalogue and record-breaking Eras tour, Forbes estimates she is worth $1.6 billion. Trump, however, has real estate all over the world, as well as stocks and cryptocurrency holdings. Taken together, he is worth about $5.1 billion. Trump's use of social media has fuelled his political rise and he revels in upending the news agenda with a single post. Yet even in this domain, Swift comes out on top for sheer numbers. Across all platforms — Instagram, Facebook, X, TikTok, YouTube and Trump's own Truth Social — Swift has about 747 million followers. Trump has 229 million. When it comes to 'likes' on Instagram, Swift wins comprehensively. She averages 6.6 million per post, while Trump's account draws 195,000. Swift has beaten Trump in Google search interest only 17 times in the past decade. For much of that time the president has been far ahead, largely thanks to his never being out of the news. Occasions when Swift has been more searched include November 2021, when she released the 'Taylor's Version' of her Red album. Trump generally garners more interest on Wikipedia, too. Trump flies on Air Force One for official business but also has 'Trump Force One', a custom Boeing 747. Swift has a Dassault Falcon 7X. This is how they measure up: Swift could splash $250 million on a 747 if she wished, though given controversy about her carbon footprint as a result of private-jet usage, she is probably happy to concede this one to Trump.


Telegraph
2 hours ago
- Telegraph
The millionaire Marxist who became a political problem for the BBC
Sally Rooney once argued that writers have more influence than they deserve. 'Novelists are given too much cultural prominence,' she said in an interview with The New Yorker in 2018. 'I know you could point out they're really not given a lot of prominence but… it's still too much.' And yet, surely, a prominent voice and an outsized cultural heft were exactly what Rooney was banking on when she wrote a piece in The Irish Times last weekend saying that she would be using funds generated by the sale of her books and their BBC adaptations to support Palestine Action, which has been proscribed as a terrorist group in the UK. 'If the British state considers this 'terrorism', then perhaps it should investigate the shady organisations that continue to promote my work and fund my activities, such as WHSmith and the BBC,' was one of the 34-year-old's many controversial lines. A self-proclaimed Marxist, Rooney has frequently been outspoken on abortion rights, housing reform and climate change. But it is her stance on Palestine that has garnered the most coverage. In 2021 she made headlines around the world after rejecting an offer from an Israeli publisher to translate her third book, Beautiful World, Where Are You, into Hebrew (despite the company already having translated her first two) owing to her views on the Israel-Palestine conflict. Until now, the Ireland-based author's interventions have not hindered her career. But given the immediate backlash to her most recent pronouncement – which means she could now face legal proceedings should she travel to the UK – has she finally overstepped the mark? Some certainly appear to think so. The Campaign Against Antisemitism has denounced Rooney's actions as 'utterly indefensible', accusing her of clearly stating her intent to channel money 'towards a group that… terrorised the Jewish community'. 'Platforms and publishers profiting from her work must urgently review their relationship with her, as they now risk enabling the flow of funds to a terrorist organisation,' the group said in a statement earlier this week, adding that it intended to pursue private prosecution if the pro-Palestinian writer travels to Britain and authorities fail to take action of their own. For those connected to her work, Rooney's stance clearly presents something of a conundrum. On the one hand, she is one of the most revered and most profitable novelists of her generation, and the darling of the Left-leaning publishing scene – on the other, alienating a significant proportion of the market is rarely a move any finance department favours. One publishing insider says Rooney's agents' 'hearts will be sinking'. A top London literary agent goes further still: 'If an author wrote a piece saying they were planning to fund Hamas, we would be appalled. This is a ridiculous state of affairs. I have had authors who have turned down prizes because they disagree with the sponsors, but I have never heard of a situation where someone is actively supporting an illegal organisation – she's implicating a lot of people without realising it.' The agent believes Rooney's British publishing house, Faber & Faber, will be forced to make a statement. 'I imagine they will want to take an agnostic view on this, as it is a no-win for them. If they support this, there may be legal issues, but if they say nothing, they are allowing it to be unchallenged that they are taking money… and giving it to someone funding an outlawed organisation.' Rooney's net worth is reported to total at least £10m, owing to her runaway success in recent years. At just 24 – then a Trinity College Dublin graduate and European champion debater – she was taken on by the prestigious Wylie Agency and over the past decade she has been lauded with a string of awards. In the UK and Ireland alone she has sold more than six million copies of her four novels, Conversations with Friends, Normal People, Beautiful World, Where Are You and Intermezzo, which have been translated into 40 languages and adapted into some of the 2020s' most beloved television shows. In other words:Rooney may be a Marxist, but she is also thought to be one of the richest young writers in the world. Today she still lives in the west of Ireland, a few miles from where she grew up, and remains close to her parents. Both are committed socialists, and Rooney has spoken about how she worries that her own dazzling career borders on the frivolous. 'There is a part of me that will never be happy knowing that I am just writing entertainment, making decorative aesthetic objects at a time of historical crisis,' she once told the Irish Independent. 'But I am not good at anything else.' Perhaps that sense of concern has motivated her forays into hot-button issues. Whatever her motivations, at home, Rooney's stance on the Israel-Palestine conflict is a popular one: Ireland is – by and large – very pro-Palestine (and has not proscribed Palestine Action). But in the UK and the US, where her major publishing houses are based, she is causing problems not only for herself but for people associated with her work. This includes editors and producers, and may yet see A-list actors such as Paul Mescal and Daisy Edgar-Jones, who had break-out roles in the BBC adaption of Normal People, drawn into the controversy. Like Emma Watson and Daniel Radcliffe from the Harry Potter franchise – who stood against JK Rowling and her stance on the trans debate – they can be expected to face uncomfortable questions about where they themselves stand on this subject in the days to come. As for her relationships within the industry, Rooney will receive a lot of support in part because of her sales record. 'If Sally Rooney were a failure then the question would be different,' says literary agent David Godwin. 'But publishing houses, like all businesses, are always tinged with self-interest – they're shameless in many ways, and she sells so many copies. I can't imagine a situation where they wouldn't publish her. That gives her a lot of freedom.' Still, he agrees that most executives would prefer her not to be quite so open about her beliefs. ' When it comes to Palestine, publishers are much more frightened these days,' he says, 'and they are more inclined to stay far away from controversy. Publishing was once very individualistic and authors were left to say what they wanted, but things are more corporate now and people are conscious of what could create a backlash.' Equally, others note that Rooney isn't the most profitable writer on the circuit – and that she can't always expect unwavering support from publishers. 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Jessa Crispin, a US-based author and the editor-in-chief of the literary webzine Bookslut, says Rooney may ultimately emerge unscathed. 'Sally Rooney is one of the few writers who sells enough worldwide to have a real power to make a stand within publishing,' she says. 'She makes her publisher a lot of money, it seems, so if she doesn't want to be published in Israel or translated into Hebrew, they will want to go along with that to keep her happy.' And luckily for Rooney, the publishing industry on both sides of the Atlantic tends to be far more Left-leaning than the general public. 'I think her readership is probably with her,' says Christian Lorentzen, a US-based writer and critic. 'I think she's brave and admirable and righteous on this question, and it might even increase her sales, but I do not think at all that she's acting cynically. She's an idealist and it's to her credit.' Television and film, however, is a different story. 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Rooney may yet ride out this storm – but at 34 she has a long career ahead of her and, by taking such a controversial stance, has made herself more vulnerable. 'She will have made some enemies by doing this,' says one agent. 'Let's just say that this is not the time to put out a bad book.'


The Independent
3 hours ago
- The Independent
‘They are turning him into a hero': Kneecap solidarity gig held in Dublin
Hundreds of people have attended a music session in Dublin city in solidarity with Kneecap rapper Liam Og O hAnnaidh after he appeared in court on Wednesday. Kneecap flags and logos hung from the windows in Connolly Books, which dubs itself Ireland's oldest radical bookshop, in solidarity with O hAnnaidh, Kneecap, and the people of Palestine. Pro-Palestine supporters criticised the decision by British authorities to bring a charge against the performer instead of focusing on the Israeli government's actions against the Palestinian people. O hAnnaidh, 27, who performs under the stage name Mo Chara, is accused of displaying a flag in support of Hezbollah at a gig in November last year. Hundreds of Kneecap supporters greeted O hAnnaidh as he arrived at Westminster Magistrates' Court in London on Wednesday morning, alongside fellow Kneecap rappers Naoise O Caireallain and JJ O Dochartaigh. During the hearing, his defence team argued the case should be thrown out, citing a technical error in the way the charge against him was brought. The case has been adjourned until September 26, when the judge will rule on whether he has the jurisdiction to try the case. At the protest session at Connolly Books on Wednesday afternoon, several artists played Irish traditional music in solidarity with the rappers and Palestine. Musician Ru O'Shea, who performed at the demonstration, said charging O hAnnaidh had turned him into 'a hero'. 'I think it's been a huge misstep by the powers that be to go after him in the first place,' he told the PA news agency. 'I reckon that they don't have a thing on him, and I think they are turning him into a hero, and I think we need a hero. 'What's happening in Palestine right now, it's gotten to such an extreme that it's waking a lot of people up, including the British who might not have ever seen it otherwise and stayed in that bubble forever.' O'Shea's friend John Feehan said: 'I think people are maybe starting to look up a little bit in Britain, and I think things like what's happening with Kneecap is a catalyst for people to be like 'Oh, wait a minute, what's actually happening here?'. So I hope there's momentum, but I really don't know.' Dubliner Aoife Powell, 19, said she came out to protest because she is 'angry' at the decision to charge an artist rather than focus on what is happening to the people of Gaza. 'I'm here because it just worries me that the fact that governments are focused on artists expressing themselves rather than the actual problem, which is obviously the genocide in Gaza,' she told PA. 'It's a little bit disheartening to see there's so much pressure being put on these artists to stop saying what they truly think and to stop standing on the right side of history. 'I feel like it's a distraction from what's actually happening. 'When a government tries to silence people, they should learn that they can never silence people. I feel like the public would get more angry at that.' Sean O'Grady is from Coleraine in Northern Ireland but has lived in Dublin for almost 70 years. 'I'm delighted with them (Kneecap), that they've done what they're doing, and they're getting plenty of publicity. 'The British government are crazy, I mean, what are they at? 'They're supplying a lot of the bombs, and a lot of the arms and ammunition to Israel to do what they're doing. So they should be ashamed of themselves instead of bringing in these people (to court) for stupid reasons. 'It's getting good publicity over there for the cause of the Palestinians.' Dubliner Dermot Nolan said he attended his first Palestine protest in 1967, and while he remembers horrific events such as the Vietnam War, the scale of death and injuries in Gaza is the worst he has ever lived through. 'I'm here because it's important to for two reasons – first of all, to show our intolerance of the genocide and slaughter that's being carried out by the US, Nato and Israel. 'The second reason is the question of civil rights. We're protesting about the indictment of a member of the Irish group Kneecap. 'It is a sign of creeping authoritarianism which is happening in all the western countries and most clearly in Britain.'