logo
Theatre: 6 must-see plays to see in Vancouver in May

Theatre: 6 must-see plays to see in Vancouver in May

Vancouver Sun01-05-2025
Article content
May marks the end of the season for many of the Lower Mainland's professional theatre companies. This month's best bets feature a couple of new Canadian plays, a pair of classic musicals, a recent smash musical, and work from one of the best playwrights in the English language. They also show the strength of several Vancouver companies outside the professional mainstream.
Article content
Article content
Where: Firehall Arts Centre, 280 E. Cordova St.
Article content
Zahida Rahemtulla has written a timely new comic drama set on the chaotic frontlines of the 2016 Syrian refugee crisis. Can three Vancouver hotel employees find homes for displaced Syrian families in a city with almost no rental vacancies? Derek Chan directs this joint production of the Firehall, Blackout Art Society and Vancouver Asian Canadian Theatre. The Frontliners also plays at Coquitlam's Evergreen Cultural Centre, May 13-17.
Article content
When: May 8-24
Article content
Where: Granville Island Stage, 1585 Johnston St.
Article content
Local indie company CTORA Theatre presents the best Broadway musical of all time (Leonard Bernstein! Stephen Sondheim!) in what looks like a mammoth production. Sayer Roberts and Cassandra Consiglio as Tony and Maria lead a high-powered cast of 27. Chris Adams directs, Kevin Woo conducts the 14-piece orchestra and Susan Ouellette recreates Jerome Robbins' original choreography on Brian Ball's expansive set.
Article content
Article content
Article content
When: May 8-25
Article content
Where: PAL Studio Theatre, 581 Cardero St.
Article content
Along with Tom Stoppard, Caryl Churchill is Britain's greatest living playwright and perhaps its most challenging. Director Kathryn Bracht describes Churchill's 45-minute exploration of the art of dying as 'a surrealist meditation wrapped up in her crafty, clever dialogue.' London's Time Out called it 'a gaze into the face of death that will polarize the hell out of audiences.' A Western Gold production starring six of Vancouver's best veteran actors.
Article content
When: May 9-June 8
Article content
Where: Metro Theatre, 1370 Marine Dr. SW
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jockey John Velazquez guides She Feels Pretty to $750K prize at E.P. Taylor
Jockey John Velazquez guides She Feels Pretty to $750K prize at E.P. Taylor

Toronto Sun

time13 hours ago

  • Toronto Sun

Jockey John Velazquez guides She Feels Pretty to $750K prize at E.P. Taylor

John Velazquez rides She Feels Pretty at the Breeders' Cup Juvenile Fillies Turf horse race on Friday, Nov. 3, 2023 at Santa Anita Park in Arcadia, Calif. Photo by Ashley Landis / AP Photo She Feels Pretty was last at Woodbine two years ago, winning the Natalma Stakes. Since then, she has become one of the top turf mares in North America. She returned to Toronto on Saturday and bagged another big prize, the $750,000 E.P. Taylor Stakes. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account But it was not easy for the four-year-old filly. Ridden by John Velazquez, She Feels Pretty sat a third for the early part of the 1 ¼ mile race, but she was slightly hit by another horse, causing her a brief discomfort. She moved up nicely around the turn and took command in the stretch. Nearly catching her, however, was English invader Diamond Rain, who, despite being slow out of the gate, charged very quickly in the stretch and lost by just a head at the wire. Trainer Cherie DeVaux decided to bring She Feels Pretty to Woodbine to try and get a guaranteed spot in the Breeders' Cup Filly and Mare Turf rather than wait for the Flower Bowl at Saratoga on Aug. 30. 'It was a natural progression from the Diana (at Saratoga, where she finished a close second),' she said. 'The last couple of weeks, she's been training so well. It made sense to come here now rather than wait a couple of weeks for the Flower Bowl.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. She Feels Pretty was sent off at 2-5 and is now eight-for-12 lifetime. CARRYING MOMENTUM: Kevin Attard's trips to the winner's circle didn't end after the King's Plate as he swept the final two stakes on Woodbine's lucrative Saturday card. The veteran trainer sent out Gas Me Up to win the $200,000 King Edward Stakes. Ridden by Flavien Prat, Gas Me Up sat well back early in the one-mile turf race as a speed duel ensued. He had 15 lengths to make up in the final half mile but was able to eat that up quickly, grabbing command in mid-stretch and holding off a closing Wyoming Bill to win by a length. It was the fourth win in eight starts for the five-year-old gelding. Then in the $150,000 Soaring Free Stakes for two-year-olds, Two Out Hero scored as the 6-5 favourite. Ridden by Rafael Hernandez, Two Out Hero sat right behind pacesetter Casson early in the 6 ½-furlong race. He stayed right at the rail and in the stretch, he found a seam and took command en route to a 1 ½-length win. This advertisement has not loaded yet, but your article continues below. Attard indicated Two Out Hero would likely start in the Summer Stakes on Sept. 13, a Breeders' Cup Juvenile Turf qualifier. Hernandez also rode Simcoe to a dominant win in the $150,000 Bold Venture Stakes. Simcoe grabbed command early in the 6 ½-furlong race and held a comfortable margin the rest of the way, winning in the end by five lengths. A five-year-old gelding, Simcoe is now six-for-18 and has won four of his past five for trainer Katerina Vassilieva. In the $150,000 Catch A Glimpse Stakes for the fillies, Corsia Veloce had a good tracking spot early and grinded her way to an 11-1 score with Fraser Aebly aboard. The daughter of Practical Joke is now two-for-two for trainer Josie Carroll. The race is the main prep for the Natalma Stakes on Sept. 13. And at Saratoga, trainer Mark Casse enjoyed one of his biggest wins, capturing the $600,000 Alabama Stakes with Nitrogen, who just held off a fast-closing Good Cheer. It was Nitrogen's fourth stakes win this season. Columnists Sunshine Girls CFL Sunshine Girls Toronto & GTA

With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice

Winnipeg Free Press

time19 hours ago

  • Winnipeg Free Press

With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice

BAYEUX, France (AP) — For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. A homecoming for the tapestry Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. A trip not without risks Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' A renovated museum During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' ___ Leicester reported from Paris.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store