
Tiffany & Co CEO Anthony Ledru on staying ‘anti-trend' and embracing the brand's legacy
Tiffany has always been a symbol of timeless luxury. How do you reinterpret that legacy for a new generation of clients?
At the heart of our jewellery brand is a rich heritage we cherish. In 2027, we will celebrate our 190th anniversary—a milestone that distinguishes us! Unlike many brands still searching for their roots, we draw inspiration from our extensive historical archives, making our designs meaningful.
A prime example is the beloved 'Bird on the Rock,' which has captivated Southeast Asian audiences for decades. This year marks its 60th anniversary, and we seized the opportunity to refresh this classic design three years ago. Though it featured the iconic Tiffany Diamond from 1995, it needed a new look to soar.
Our mission was to help the bird retake flight. We created our 'rainbow birds' by experimenting with emeralds, yellow, and white diamonds, transforming them into pendants, earrings, necklaces and rings.
This revitalisation is crucial for our brand to remain dynamic and relevant. We believe that innovation and tradition can coexist beautifully. While being showcased in a museum is an honour, we strive to be an exciting contributor to the jewellery world for years to come.
Since joining LVMH, Tiffany has taken a more fashion-forward turn. What inspired that creative pivot? How do you measure its impact, and what have been the results of this pivot?
When LVMH acquired Tiffany, we recognised the need to revitalise the brand, which had a rich heritage but felt dormant. Our initial campaigns with Beyoncé were surprising and aimed at refreshing Tiffany's image. We showcased the Tiffany diamond during the holiday season, highlighting its iconic status.
Today, our direction is clear: We focus on jewellery while celebrating our values of joy, inventiveness, and craftsmanship. Our approach is about 80 per cent heritage and 20 per cent modernity, a shift from our earlier strategy.
Inspired by Schlumberger, our recent campaign features some of our most timeless designs, following our motto, 'With love since 1837.' We aim to maintain a distinct identity by embracing the uniqueness of the past decades. We are anti-trend, creating modern designs that remain deeply rooted in our heritage.
Above Greta Lee wears Tiffany & Co jewellery from the Urchin chapter of Blue Book 2025
High jewellery is becoming increasingly central to Tiffany's identity. How are you enhancing this segment while preserving the legacy, and what do you think has contributed to the significant rise in high jewellery purchases?
Tiffany is a leader in the jewellery industry, celebrated worldwide and proudly American.
Three key aspects distinguish Tiffany. First, our inspiration comes from the extraordinary world of Schlumberger, capturing the essence of nature, wildlife, and the iconic bird, which reflects our brand.
Second, we take pride in the exceptional quality of our stones. Our collection features unique legacy stones, including Tsavorite, Tanzanite, Kunzite and Morganite. We acquired 32 rare stones from the Argyle mine, showcasing our commitment to exclusivity.
Finally, the Tiffany & Co Museum exhibits our finest craftsmanship, including exclusive 10-carat stones. This unique creativity fosters client loyalty, ensuring they return to us.
Above Tiffany & Co Seahorse blue zircon brooch
We're sitting in the reimagined 5th Avenue flagship. What does this space say about the future of Tiffany retail?
Tiffany is committed to creating unique and exciting stores that showcase exquisite jewellery and cultural items. Like the Basquiat piece in New York, our landmarks offer a distinctive experience.
Our recent store in Milan, which opened two weeks ago, exemplifies remarkable localisation. It offers views of iconic Milanese sites, Pistoritos in Tiffany's colours and archives from Liza Minnelli. Each store is modern, energetic, and has exclusive artistic touches.
We are also expanding in Asia and the Middle East. This July, we'll open our largest flagship in Japan, covering 2,200 square metres of exceptional jewellery, art and hospitality. In Europe, we're renovating spaces in Paris, opening new locations in London, Vienna, Zurich and Munich, and strengthening our presence in the US.
Brazil is an excellent example of localisation. In December, we opened a duplex store at Iguatemi, featuring local architecture and design.
Sustainability is crucial to us, and we lead the way in responsible sourcing. Our engagement rings come with a complete diamond journey, ensuring transparency from mine to market. As a founding member of the Gemstone Council, we actively support conservation efforts through the Tiffany Foundation.
We have ongoing programs for ocean protection in the Philippines and recently engaged in coral reef protection initiatives in Southeast Asia.
Above Anya Taylor-Joy wears Tiffany & Co jewellery from Wave chapter of Blue Book 2025
How do you nurture and sustain that vital emotional connection in a world progressively dominated by social media and digital interactions?
There's an overwhelming amount of information today. By organising Blue Book events, we'll create a unique experience that differs from a Zoom call. Blue Book events facilitate meaningful connections among clients, the press, celebrities, and other stakeholders involved with the brand.
While I can show you pictures of jewellery, the absolute joy comes from wearing it. The live experience is vital—it's emotional and engaging. Yes, it requires a long trip and can be costly, but this reflects the essence of the brand.
Meeting in person creates a lasting impression that a Zoom call cannot match. The concept of luxury is evolving, and the Blue Book plays a vital role in this transformation.
See more: 9 celebrity jewellery looks that made a statement
Above Tiffany & Co Sea Turtle diamond pendant
As we look towards 2025, what does modern luxury signify for Tiffany & Co?
Modern luxury is about genuine experiences and personal connections. It's shifting away from traditional luxury standards and embracing tangible interactions. While digital platforms are valuable for their reach and educational aspects, they can't replace genuine human connection.
I believe in personal interactions, like handing you my business card and remembering our conversation. You may come to Tiffany for the brand, but I hope you return because of the relationship we build. In 2025, there is a growing desire for authenticity, which is often lacking online.
Everyone's talking about the softness of luxury retail at the moment. What are your thoughts?
Recently, LVMH released its earnings, which have shown resilience. However, there's notable uncertainty today—perhaps the highest since last year. We've been fortunate to see a positive trend over the past six months due to our focus on authenticity, but uncertainty is the only certainty right now.
While we wait for developments, the world stands still. This is why we create 'bubbles' for people to enjoy life.
The brand's transformation excites me most about Tiffany's next chapter. Aligning our goals has taken time, and we are committed to presenting timeless design through iconic elements, such as 'A Bird on a Rock' and Tiffany hardware. Being different is essential for relevance, and Tiffany truly understands its significance.
Our communication focuses on timeless design, heritage, and love—concepts we've celebrated for nearly 200 years. This narrative comes to life in our flagship stores, called 'lighthouses.' They illuminate the cities they inhabit and showcase our brand's potential.
Opening a store in Milan was a game-changer, and these landmark locations will allow Tiffany to shine more brightly.
Above Guests attend Tiffany & Co's Blue Book Gala at The Metropolitan Museum of Art's American Wing
What message would you like to convey to the Southeast Asia region? What would you like to share with them?
I have a deep appreciation for this region, as my experiences with Louis Vuitton allowed me to explore it frequently. Southeast Asia captivates me with its remarkable diversity and youthful population, which holds tremendous potential for the future. The love for unique gemstones and the vibrant spirit of celebration make it a thriving jewellery market. For instance, Singapore boasts a well-established high jewellery scene, while Thailand is bursting with excitement, and the Philippines stands out with one of the highest birth rates in the world.
I've had the pleasure of visiting the Philippines several times, and the energy in places like Greenbelt is simply infectious! My first visit left me struck by the warmth and friendliness of the people; it truly felt like friendship is woven into the fabric of daily life. The vibrant culture and the rhythm of life there reminded me of South America.
This beautiful archipelago is a treasure trove of culture and diversity, and I find immense joy in it. I believe embracing life's experiences is key to a fulfilling journey. Thank you all for being part of this adventure together—let's continue to learn, grow and celebrate the beauty of our shared journey!
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Tatler Asia
16-07-2025
- Tatler Asia
Malaysia and Singapore's Art Deco legacy: Buildings that tell stories
Above The former Singapore Civil Aerodrome (Kallang Airport, 1937) blends a streamline moderne exterior with various art deco details (Photo: Darren Soh) However, architectural photographer Darren Soh, who has documented Singapore's buildings for decades, notes an important distinction. 'The main differences between art deco and streamline moderne buildings lie mainly in the level of ornamentation,' he says. 'Art Deco buildings tend to be more elaborate, whereas streamline moderne buildings are sleeker, with fewer embellishments.' What emerged in British Malaya wasn't a carbon copy of Miami Beach or Manhattan Deco. Here, the style became something that was uniquely Southeast Asian—adapted for torrential downpours and the equatorial heat. Buildings featured deep overhangs, generous louvred windows for ventilation, and five-foot walkways that were already a set element of local architecture. Don't miss: David Rockwell on 40 years of global restaurant design: From Nobu to W Hotels and beyond Singapore: Preservation as national policy Photo 1 of 2 21 Carpenter by Woha Architects in Singapore (Photo: Darren Soh) Photo 2 of 2 The sleek interiors of 21 Carpenter by Woha Architects in Singapore (Photo: Darren Soh) On a narrow street in Singapore's Chinatown, 21 Carpenter Street exemplifies how careful restoration can breathe new life into art deco buildings. Four 1930s shophouses were amalgamated and transformed by Woha Architects into a modern hotel, while preserving the structures' distinctive features. Singapore's Urban Redevelopment Authority (URA) has taken a systematic approach to conservation, with entire neighbourhoods such as the Tiong Bahru estate gazetted as conservation areas. 'For streamline moderne buildings, the way the lines flow on these buildings' facades makes them very visually attractive—like the lines on the facades of 78 Moh Guan Terrace and 81 Tiong Poh Road in Tiong Bahru, for example,' said Soh, pointing to buildings constructed in 1937. Read more: Mid-Century Danish Rattan: How iconic designs became Southeast Asia's everyday furniture Above 78 Moh Guan Terrace, also in Tiong Bahru, was built by Singapore Improvement Trust in 1937 and showcases the same architectural approach with its flowing horizontal lines and curved corners (Photo: Darren Soh) But Singapore's preservation record isn't unblemished. The Cathay Building, once Southeast Asia's tallest skyscraper and first air-conditioned cinema when completed in 1939, now exists only as a 'husk of a facade', according to Soh. 'In the 1990s, Singapore approached conservation in a very unsophisticated manner that unfortunately led to many cases of 'facadism', where only the old building's facade was kept and everything else behind it demolished,' he explains. Sometimes, the most remarkable buildings aren't the famous landmarks. Soh points to The Great Madras hotel in Little India, which was adaptively reused by Singapore design studio Farm from a former Singapore Improvement Trust 1940 residential building, as 'actually more visually interesting to photograph' than the more celebrated Cathay Building. See also: 9 greenest skyscrapers in Asia Malaysia: An uneven fight for preservation Photo 1 of 4 Recently restored as a restaurant called Peninsula House by Wunderwall Design, India House on Church Street Ghaut in Penang features classic Art Deco elements, including a curved corner entrance and decorative parapets (Photo: TWJPTO) Photo 2 of 4 Original window details and structural elements are complemented by a restrained material palette of whitewashed timber, patinated wood, and stone (Photo: TWJPTO) Photo 3 of 4 A key feature of Peninsula House was how the original metal framework was preserved with thoughtfully updated glass panels (Photo: TWJPTO) Photo 4 of 4 A repurposed jewellery desk finds new life as Peninsula House's bar beneath the loft-like ceiling space (Photo: TWJPTO) Cross the Causeway into Malaysia and the architectural heritage story becomes more complex, with preservation battles being fought block by block, often against daunting odds. The Odeon Cinema in Kuala Lumpur, with its dramatic vertical fins and stepped outline, recently escaped demolition and is being converted into a Citadines hotel. Yet the Rex Cinema in Penang wasn't so lucky; it was slated for demolition in 2023 despite local protests. 'The loss of the Rex Cinema is devastating,' declares Lim. 'BWM considers it highly irresponsible and ultimately short-sighted to permit the destruction of these heritage gems, when there must be viable alternatives.' Don't miss: Biophilic luxury: 7 stunning nature-integrated resorts Above Bangunan Sulaiman (1933) blends Art Deco with neoclassical elements through its symmetrical facade and geometric detailing, adapted for the tropical climate (Photo: iStock) In the heart of Kuala Lumpur, Bangunan Sulaiman's elegant four-storey facade still commands a fair amount of admiration and attention. Built in 1933 across from what is now the Majestic Hotel, its symmetrical composition showcases how Art Deco principles were successfully adapted to local contexts. 'Bangunan Sulaiman features a blend of art deco and neoclassical elements,' explains Widodo. 'Local architects adapted Art Deco by incorporating local materials and motifs, blending traditional elements together with modern design principles.' Widodo highlights other significant Malaysian examples: 'The Coliseum Theatre in Kuala Lumpur, Sultan Sulaiman Mosque in Klang and the Penang Masonic Temple are some notable examples of art deco buildings in Malaysia that demonstrate how this international style was interpreted through a local lens.' Read more: Home tour: Grand English-inspired mansion maximises stunning mountain views in Malaysia The economics of heritage Above The restored Art Deco building known as Toffee in Kuala Lumpur, designed by architect Tan Loke Mun, now houses the Ur-Mu art gallery (Photo: Lin Ho) Sitting in a beautifully preserved art deco building by Dr TanLM Architect now housing the Ur-Mu art gallery in Kuala Lumpur, a structure known colloquially as 'Toffee', it's easy to see the appeal of these architectural gems. But economics often dictate their fate. Most Art Deco buildings occupy prime locations in city centres, where land values make preservation financially challenging. Without robust heritage protection and enforcement, commercial interests often prevail. BWM advocates for a balanced approach. 'We do not believe in creating museums out of every heritage building, but in incorporating our heritage assets into the fabric of our modern built environment,' Lim explains. 'This necessarily means restoring the heritage infrastructure and adapting it for new uses.' See also: Home tour: A modern tropical Kuala Lumpur home with sculptural staircases and a four-storey climbing wall Above Hotel 81 Rochor on Jalan Besar, originally the White House Hotel (1941), preserves its streamline moderne design (Photo: Darren Soh) In both countries, successful adaptation requires finding the right balance. 'A good fit has to be found for any building that will be adaptive-reused,' notes Soh. He cites Hotel 81 on Jalan Besar as exemplary—originally built in the 1940s as the White House Hotel, it's still operating as it was intended. Widodo adds that the preservation challenges reflect broader regional issues. 'The challenges of preserving Art Seco heritage in Singapore and Malaysia reflect broader issues such as rapid urbanisation and economic growth, limited understanding and funding for conservation, and the need to balance development with heritage preservation. Both countries face pressures to modernise, while retaining their historical identity.' Don't miss: Malayan shophouses: The architectural heritage of Singapore and Malaysia The way forward Above The former Tanjong Pagar Railway Station (1932) stands out with its art deco ornamentation (Photo: Darren Soh) As developers continue to reshape Southeast Asian cities, the fate of these architectural treasures depends on finding innovative ways to balance economic viability with cultural conservation. Lim proposes a comprehensive solution. 'There needs to be a detailed National Register of Malaysia's Heritage Buildings, including their state of repair, which would assist Jabatan Warisan Negara in taking a necessarily more proactive approach.' Widodo emphasises that 'conservation is the management of change; it is not freezing the past, but maintaining its relevance to the present and future.' He further advocates for sustainable approaches. 'Successful conservation must prioritise sustainability and carbon neutrality. This involves using eco-friendly materials and methods to reduce environmental impact, implementing policies to achieve carbon neutrality through renewable energy sources, and providing financial incentives like tax credits and grants to encourage conservation efforts.' Read more: 7 designer dining chairs that you'll recognise from restaurants and dining rooms Above The old Asia Insurance Building (1955), now Ascott Raffles Place, features a distinctive three-tiered stainless-steel crown (Photo: Darren Soh) Meanwhile, Singapore is expanding its preservation focus beyond the colonial era. 'It is important that Singapore is starting to recognise more post-war architecture as important and worthy of conservation,' says Soh. 'If we do not start looking at conserving these 'newer' buildings sooner rather than later, there may not be many of them left.' As the morning light shifts across Central Market's blue facade, these buildings continue to tell a story of when Southeast Asia embraced modernity while making it uniquely its own. The shadows they cast today may grow longer, but with proper care, they won't disappear entirely. NOW READ Bill Bensley: Eco-luxury hotels' design rebel Private islands and wealth: How 6 tech and business leaders built their secluded domains Home tour: Penang bungalow transformation creates resort-inspired living Best of Tatler Asia video highlights Featured videos from around Tatler Asia: Get exclusive behind-the-scenes look at the interviews we do, the events we attend, the shoots we produce, and the incredibly important people who are part of our community


Tatler Asia
16-07-2025
- Tatler Asia
Jonathan Anderson: When creative thinking becomes a sustainable luxury business strategy
Rather than simply designing seasonal collections, Anderson understood that a luxury brand must possess an enduring asset, a design language that transcends trends and translates across disciplines. Hence, the Puzzle bag is more than a hit accessory. It has become a cultural reference, spotted in contexts ranging from art installations to interior design. In an industry increasingly driven by speed and churn, Anderson pursued the opposite: a brand built to endure, where customers are drawn not by impulse but by a lasting aesthetic ethos. Luxury comes from craftsmanship Among luxury houses in the LVMH group, the common pursuit is scale. Anderson, however, chose another direction. He did not chase rapid expansion or quarterly spikes, but rather aimed to position Loewe as a discerning, almost elusive brand rooted in craftsmanship and admired by a refined clientele. A defining feature of Anderson's approach was embedding craftsmanship at the heart of the brand, not simply treating it as a talking point. The Loewe Craft Prize, for instance, is not a one-off campaign but a sustained initiative to build meaningful identity. Through such efforts, Loewe has distinguished itself and helped recast the narrative of modern luxury: no longer about rarity in material, but rarity in skill. Sustainable luxury strategy: An unconventional business model Instead of short-lived commercial pushes, Jonathan Anderson focused on constructing a creative architecture robust enough to outlast his tenure. This commitment is reflected in three core principles: Creating products with lasting value: Beyond the Puzzle bag, collections such as the Gate, Hammock, and ready-to-wear lines are designed with longevity in mind, rather than being discarded with each passing season. Connecting with contemporary culture: Anderson positioned Loewe not as a follower of trends, but as a contributor to wider cultural dialogue, engaging with art, architecture and sculpture, and earning a place among cultural connoisseurs. Prioritising quality over quantity: As many brands pursue broader appeal through mass-market ranges, Anderson maintained a focused, tightly curated strategy ensuring craftsmanship and customer experience remained paramount. Anderson's legacy: A creative model that can continue to evolve The question in the wake of Anderson's exit is not simply who will take the reins, but whether the distinctive strategy he has embedded will endure. In a luxury landscape often dictated by volume and immediacy, Anderson's work at Loewe offers a blueprint that few houses can follow—an approach driven by patience, intellect, and originality. NOW READ Micro time, macro impact: How microbrands are rewriting luxury watchmaking rules Anti-design: When ugliness becomes a manifesto of creatives defying traditional beauty The Shape of Memory: Humberto Campana's Dreamwork with Louis Vuitton


Tatler Asia
20-06-2025
- Tatler Asia
Wind back to Bvlgari's outstanding debut at Watches and Wonders 2025
Bvlgari's inaugural showing at Watches and Wonders 2025 was a declaration of disruptive intent and prowess. Within a fair increasingly dominated by legacy and nostalgia, it brought something bold and entirely new It was about time. After seasons spent exhibiting just outside the Palexpo convention complex, the annual site of Watches and Wonders Geneva (WWG), Bvlgari finally debuted at the most important horological fair on the calendar in a manner that felt both overdue and undeniably fitting. WWG set the perfect backdrop to showcase a journey that started in 2014—the evolution of the Roman jeweller into a Swiss watchmaker, since adorned with ten world records, 13 revolutionary movements and a veritable lineup of groundbreaking novelties. Also fortuitous that this year would see Bvlgari CEO Jean-Christophe Babin's appointment to the helm of LVMH Watches, succeeding Frédéric Arnault. Such a move affirms the brand's place at the forefront of the market, propelled by its distinctive DNA that blends Swiss innovation with Italian creativity. More from Tatler: The Arnault effect: how LVMH defines global luxury, indulgence and desire This inherent duality is profoundly expressed in its headline pieces at Geneva: a compelling study in contrast and harmony. Babin remarks, 'With the Octo Finissimo and Serpenti watches, we continue to explore new territories, to push the boundaries of design and fine watchmaking, and open new perspectives in horology.' Above Each watch reveals the prowess of watchmakers and engineers at Bvlgari (Photo: Courtesy of Bvlgari) Above The Serpenti is transformed once more (Photo: Courtesy of Bvlgari) Breaking a new record was simply inevitable for a Maison so devoted since 2014, when it launched its quest towards extreme thinness with the Octo Finissimo Tourbillon. With a hand-wound movement at 1.95mm thick—the world's slimmest flying tourbillon at the time—this piece propelled the collection that would become Bvlgari's calling card in modern timekeeping. With a slew of world records, the line has consistently fused minimalist design with micro- mechanical wizardry. 'Each record has been a stepping about redefining what's possible in mechanical watchmaking,' Babin comments. 'With each challenge, we've had to rethink not only traditional techniques but also how watches are designed and developed.' The latest chapter to this saga has now arrived with the new Octo Finissimo Ultra Tourbillon. Measuring 40mm in diameter and just 1.85mm in thickness, it is the thinnest piece there's ever been with the desirable complication, and a fitting 'full circle' moment to the watch that started it all. Above The Octo collection has consistently broken world records (Photo: Courtesy of Bvlgari) The heart of this feat is the manual-wound BVF 900 tourbillon movement with a 42-hour power reserve. The degree of precision in the skeletonisation is integral and deliberate; with light expertly diffused throughout, nothing is hidden, and the margin for error is razor-thin. Exacting craftsmanship is not just expected but essential—a testament to Bvlgari's engineering prowess. Fabrizio Buonamassa Stigliani, product creation executive director for the Maison, explains, 'Every detail, from the indexes to the tourbillon skeleton, bears witness to our commitment to excellence.' This is evident in the novelty's interplay of innovative materials. The calibre is housed within a tungsten carbide main plate, while the bezel, case middle and lugs are crafted from microbead-frosted titanium. Also in titanium, the seamlessly integrated bracelet is engineered to just 1.5mm in thickness, including the folding clasp, to ensure the ultra-thin profile remains uncompromised. Read more: Watches and Wonders 2025: 3 record-breaking timepieces Above Octo Finissimo Ultra Tourbillon at just 1.85mm thick (Photo: Courtesy of Bvlgari) Above Key designer Fabrizio Buonamassa Stigliani (Photo: Courtesy of Bvlgari) The two planar crowns, subtly integrated into the case at 8 o'clock for winding and 3 o'clock for time-setting, are fashioned from circular-grained stainless steel; as is the ratchet, which features intricate geometric engraving that adds visual and tactile depth. For optimal legibility, rhodium-plated hands sweep over the sandblasted brass base in DLC anthracite coating, a matt finish that sharpens clarity while reinforcing the modern, high-performance aesthetic. Unlike its regulator-style predecessors, the Octo Finissimo Ultra and Ultra COSC, this execution unifies time display on a single dial, elevating both function and form. With this harmonious mix, Bvlgari delivers a watch that embodies mechanical complexity and minimalist sophistication in equal measure. Pure Elegance And what of its other release? Bvlgari continues to speak in the precise language of modernism, but also reveals its ancient tongue of seduction and perpetual rebirth. Serpenti Aeterna sees the Maison's iconic motif undergo its most daring transformation yet, distilled to its purest form. Above Serpenti Aeterna in rose gold (Photo: Courtesy of Bvlgari) No eyes, no scales, no artifice—only the serpent's most elemental form remains, in exquisite high jewellery. It's certainly a bold move for the Maison, while affirming its determination to always bring something new to the table. With the Aeterna, Bvlgari shows the world its glorious dance between yesterday and tomorrow, capturing the rich Roman heritage that precedes it and skillfully projects it into the future. 'I like to design in a pure, contemporary style, with few decorative elements—to draw lines that speak the language of eternity,' muses Stigliani. 'Octo Finissimo is a perfect expression of this quest for the absolute through form, which now transforms Serpenti.' Embracing the wrist in a single gesture, the Aeterna's fluidity is like a second skin with even greater sophistication. See also: Watches and Wonders 2025: Best jewellery watches from Chanel, Cartier, Van Cleef & Arpels and more Above Serpenti Aeterna in white gold, a fully pavé model with green hands (Photo: Courtesy of Bvlgari) No detail slips past the brand's visionary modernity. The ingenious clasp mechanism, which demanded two years of development, achieves perfect aesthetic integration and comfort. Invisible from the outside, the iconic hexagonal scales are subtly etched into the inner contour of both variants: one in rose gold, kissed by a spattering of diamonds, and the other fully pavé-set in white gold. Precious gemstones illuminate the snow-set dial, extending along the spine to the very tip of the tail. The name 'Aeterna' evokes timelessness, a fitting moniker for this era when horological connections are more emotional than empirical. In the years ahead, the question won't be whether Bvlgari belongs in Geneva—it's how the rest of the industry keeps up. NOW READ World Watch Day: Horology celebrates global recognition on October 10, 2025 MB&F reimagines Bvlgari's iconic Serpenti LVMH Watch Week 2025: The best new watches