Croatian Australian Model Lucy Markovic Dies at 27
SYDNEY — The fashion industry is mourning the death of 27-year-old Croatian Australian model Lucy Markovic, who died Friday following complications of a brain arteriovenous malformation.
A serious condition where abnormal blood vessels in the brain become tangled, AVM can potentially cause bleeding or brain damage. Last month — in a since deleted, but widely reported Instagram post — Markovic told her social media audience that she required surgery on April 2 for an AVM 'the size of a golf ball.'
More from WWD
Australian Designer Perri Cutten Dies at 73
New York Fashion Designer Kenny Bonavitacola Dies at 71
Buzzy Women's Brand With Jéan Signs Deal for First Store
Markovic had a brief career, first rising to prominence in Australia in 2015 as a 17-year-old from Queensland's Gold Coast who placed runner-up in the ninth season of reality TV show 'Australia's Next Top Model.' In May 2016 she made her Australian Fashion Week debut at the resort 2017 collections showcase.
She made her international debut at the spring 2023 shows, booking exclusives for Versace and Givenchy, in later seasons walking for, among others, Dolce & Gabbana, Bally, Brandon Maxwell and Dion Lee. Her advertising campaigns included Versace, Victoria Beckham Holiday and Emporio Armani.
She was a particular favorite of the Armani group, walking in six of its shows including for Emporio Armani, Giorgio Armani and Armani Privé. Editorial work included Italy's Grey magazine; Vogue Hong Kong, Singapore and Korea; W; Vanity Fair Italia; Harper's Bazaar Arabia: Numéro Netherlands, and Australia's Side-Note.
Donatella Versace lead the tributes to Markovic on her Instagram Stories, posting photos of her in Versace's fall 2023 show and the Versace spring 2023 campaign. Versace added, 'I am so sorry to hear the news about @lucymarkovicc. Rest in peace beautiful girl.'
'Today, we lost a star,' posted Markovic's Australian mother agency Kult Australia. 'We are deeply saddened by the passing of Lucy. She was radiant, warm and a beautiful soul. We will cherish being part of her journey.'
Elite Model Management in New York posted a three-tile tribute. 'Modeling was one of Lucy's dreams, and we are deeply honored to have been part of that journey with her,' the agency wrote. 'She brought elegance, strength, and beauty to her work. But more than that, she brought herself — her warmth, her laughter, her light.'
Markovic is also being mourned by the Australian sporting community, the Gold Coast Knights Football Club joining in the tributes on its Instagram and Facebook pages by posting a photo of a teenage Markovic in club uniform surrounded by her former teammates.
'It is with the deepest and most profound sadness that we share with the Knights family the passing of Lucy Markovic, a former junior player of the club and much loved member of the Gold Coast Croatian community,' the club wrote.
The club said its senior men's and women's teams would mark a minute of silence for Markovic this weekend.
Best of WWD
Bottega Veneta Through the Years
Chanel's Ambassadors Over The Years
Ranking Fashion's Longest-serving Creative Directors
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
38 minutes ago
- Yahoo
Prince William Joins Unexpected Family Member for Royal Outing in Rare Appearance Together
Prince William Joins Unexpected Family Member for Royal Outing in Rare Appearance Together originally appeared on Parade. Prince William was joined by his Aunt Sophie, the Duchess of Edinburgh, for his latest outing on Friday. The two attended The Royal Cornwall Show, an agricultural event in Wadebridge, Cornwall, which both royals are formal supporters of. In batches of photos shared to Sophie's official Instagram account the two were seen tasting local favorites and interacting with the crowd. "Both are in high spirits as they laugh and enjoy trying gin and local cider during a visit to the Food and Farming Pavilion, which showcases dozens of the best artisan food and drink producers from across Cornwall," her social media caption read. The Duchess who is married to King Charles' brother, Prince Edward, is vice president of the The Royal Cornwall Agricultural Association and William, who regularly attends events with wife Kate Middleton, is also a patron. According to People, the aunt and nephew duo are typically not paired for royal outings, as they attend events with their spouses and have their own patronages and causes they appearance comes a day after William stepped in for King Charles in a formal capacity as he made his first visit to 4 Regiment Army Air Corps at Wattisham as Colonel-in-Chief of the Army Air Corps on Wednesday. Members of the royal family have continued to attend events in the monarch's place following his February cancer diagnosis. 🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬 Prince William Joins Unexpected Family Member for Royal Outing in Rare Appearance Together first appeared on Parade on Jun 6, 2025 This story was originally reported by Parade on Jun 6, 2025, where it first appeared.
Yahoo
an hour ago
- Yahoo
Addison Rae just released her debut studio album, solidifying her status as pop music's latest ‘it' girl
Addison Rae is ready to reintroduce herself. Since amassing more than 88 million followers on TikTok, the 24-year-old has effectively pivoted her career from social media influencer to full-blown pop girl — and her self-titled, debut studio album, Addison, released on June 6, is proof of that. Rae, a former cheerleader from Louisiana, is living out her nostalgic "noughties" dream — and she's making music that captures that feeling. On Addison, Rae serves up her now signature trip-hop meets synth-pop sound. 'Diet Pepsi,' Rae's first release since 2021's 'Obsessed,' marked a turning point in the young star's career: It showcased Rae's artistry at its most sophisticated. Addison's 12-song tracklist, through its exploration of fantasy, fearlessness and doing what feels good and right for you, solidifies Rae as both a student of pop divas past and the genre's latest 'it' girl. ''Addison' is out now and alive everywhere in the universe for you to receiveeeeeee!!! This is my most personal and intimate possession,' she captioned an Instagram post. 'Making music is vulnerable, energetically sensitive, electric, gratifying, challenging…… pure magic. I am unbelievably proud.' At midnight on album release day, Rae debuted her sixth single along with the song's accompanying music video. Showcasing Rae at her most vulnerable, 'Times Like These,' which delves into her past and current tribulations, sounds like something you'd hear in a Josh Schwartz teen drama from the 2000s. Hours before Addison hit streamers, Rae performed a private show at the Box in New York City, where she played the album's singles and previewed some previously unreleased tracks. She then stopped by a Matchaful to unveil her limited edition 'Summer Forever' drink with the café. Early listeners have spoken: The album is filled with bangers. 'The very fact that addison rae just released a skipless debut album and managed to carve out a signature sound and artistic niche for herself in the oversaturated climate of today's music market,' one fan named Vidya wrote on X. 'Imagine I just told you that there was a female pop album that just dropped, that talks about familial love, the general angst and confusion you feel in your twenties and radical acceptance, and did it in a way that was really artistically intelligent,' a TikTok user named Sam said. 'Now, imagine I just told you that was Addison Rae.' Another X user raved about Rae's song 'New York,' writing, 'obsessed with everything about this track. her starting her debut album with the phrase 'take a bite of the big apple,' not only referencing new york but also adam and eve and the beginning of human civilization.. like there's LAYERSSS. addison rae you are a genius.' In an interview with Zane Lowe for Apple Music 1, Rae discussed how precious Addison is to her, and how she wants to give the album its moment. 'I think I'm in the space right now where I'm just really anticipating it coming out, and I'm like, trying to hit all the stops,' she said ahead of its debut. 'And even with posting and feeling like, 'Okay, well, I really want to make sure I give this the credit and the energy that it deserves.' I think sometimes I shy away from that because I'll be like … 'Is it going to be too much if I'm just like, 'Alright, everybody! The album's this many days away' … Sometimes I get onto myself about that and I'll be like, 'No, it deserves that.'' Focusing on her passions was more of a risk than a given. 'I just had this really strong intuition and gut feeling that, as unrealistic as it seemed, I needed to do it — there's no time like now to try and chase those dreams,' she told Elle earlier this year of her decision to pursue music. The pursuit of those dreams seems to have paid off. Long before she was lauded as a pop princess, Rae was a mainstay on the video-sharing platform, TikTok. The Louisiana native first joined the app in July 2019, where she posted a slew of content that ranged from TikTok challenges to dancing and lip-synching videos. She racked up a million followers within a matter of months and made the decision to leave Louisiana State University shortly after. The rest, as they say, is history. Rae made her film debut with 2021's He's All That, the same year she released 'Obsessed.' She starred in the horror flick Thanksgiving in 2023, three months after dropping her EP AR, which features the Charli XCX-assisted track '2 Die 4.' The release of Addison comes a year after Rae famously collaborated with Charli on the 'Von Dutch' remix. From there, she went on to garner widespread acclaim with the debut of her first major single 'Diet Pepsi,' a hypnotic, synth-pop track about young lust, in August 2024. The song's release was accompanied by a black-and-white video conceptualized by Rae herself. 'I think even going [and] watching old movies, and appreciating them for what they are, and how strongly you had to communicate through a black-and-white video, for people to take their time and watch it,' Rae told Lowe of making the video. 'And I think the song deserves that treatment of like, 'I get it. You're gonna have to focus really hard on it,' but I want you to have to focus really hard on it to get it.' Suddenly, after 'Diet Pepsi,' it felt as though Rae was inescapable. She joined Charli onstage during her 'Sweat Tour' stop at New York City's Madison Square Garden that September before dropping 'Aquamarine,' her single about transformation and rebirth, in October, followed by its remix 'Aquamarine/Arcamarine' in November. Rae ushered in the new year with the release of her third single off the album 'High Fashion' in February 2025. On the track, Rae sees no appeal in embarking on a drug-fueled bender and instead opts for the finer things in life: a closet full of couture. She sings, with her soft, atmospheric vocals atop a darker, synthier sound, 'I don't need your drugs/I'd rather get high fashion.' After gracing the cover of Vogue France, the singer dropped her fourth single in April 2025. With 'Headphones On,' Rae gives listeners a peek into how she relies on music as an escape from crisis and reality. The 24-year-old singer then reunited with Charli XCX at Coachella, where she performed the 'Von Dutch' remix. 'Fame Is a Gun,' Rae's fifth and final single — and music video — ahead of album release day, hit streaming platforms in May 2025. The track's artwork is a photo of a young Rae posing with sunglasses indoors, likely a nod to the fact that Rae has always been drawn to living a glamorous life. Rae's album, more than anything, is about arrival. 'It's arrival to who I feel like I've become,' she told Lowe. 'I've experienced all these trials and ups and downs, and great high moments to land here.' Whether you're a fan of Rae or a fan of music in general, Addison reflects an undeniable truth: We're watching an artist come into her own before our eyes.
Los Angeles Times
an hour ago
- Los Angeles Times
Back in shark-laden waters, ‘Dangerous Animals' is a horror film with tired blood
Sean Byrne knows how to show an audience a bad time. Sixteen years ago, the Australian filmmaker launched onto the scene with 'The Loved Ones,' his proudly grisly debut about a misfit teenager who gets gruesome revenge on the boy who refused to go to prom with her. Part expert torture porn, part exploration of adolescent romantic anxieties, the film was an instant midnight-madness cult item that took Byrne six years to follow up. When he did, he went in a different tonal direction with 'The Devil's Candy,' a surprisingly emotional psychological thriller about a heavy-metal-loving painter who moves his family to a beautifully rustic home, only to lose his mind. Working in recognizable horror subgenres, Byrne entices you with a familiar premise and then slowly teases apart the tropes, leaving you unsettled but also invigorated by his inventiveness. It has now been a decade since that distinctive riff on 'The Shining,' and for Byrne's third feature, he once again pillages from indelible sources. 'Dangerous Animals' draws from both the serial-killer thriller and Hollywood's penchant for survival stories about hungry sharks feasting on human flesh. But unlike in the past, Byrne's new movie never waylays you with a surprise narrative wrinkle or unexpected thematic depth. He hasn't lost his knack for generating bad vibes, but this time he hasn't brought anything else to the party. The movie stars Hassie Harrison as Zephyr, a solitary surfer who explains in on-the-nose dialogue that she prefers the danger of open water to the unhappiness of life on land. An American in Australia who grew up in foster homes and who lives in a beat-up old van, Zephyr encounters Moses (Josh Heuston), a straitlaced nice guy whom she hooks up with. Not that she wants him developing feelings for her: She takes off in the middle of the night so she can catch some waves. Unfortunately, Zephyr is the one who gets caught — by Tucker (Jai Courtney), a deceptively gregarious boat captain who kidnaps her. Next thing she knows, she's chained up inside his vessel out at sea, alongside another female victim, Heather (Ella Newton). Like many a movie serial killer, Tucker isn't just interested in murdering his prey — he wants to make something artistic out of his butchery. And so he ties Heather to a crane and dangles her in the water like a giant lure, pulling out a camcorder to record her final moments as sharks devour her. Watching his victims struggle to stay alive is cinema to this twisted soul and Zephyr will be his next unwitting protagonist. Working from a script by visual artist Nick Lepard, Byrne (who wrote his two previous features) digs into the story's B-movie appeal. Tucker may use old-fashioned technology to record his kills, but 'Dangerous Animals' is set in the present, even if its trashy, drive-in essence would have made it better suited to come out 50 years ago as counterprogramming to 'Jaws.' With Zephyr's tough-girl demeanor and Tucker's creepy vibe, Byrne knowingly plays into genre clichés, setting up the inevitable showdown between the beauty and the beast. But despite that juicy setup, 'Dangerous Animals' is a disappointingly straightforward and ultimately underwhelming horror movie, offering little of the grim poetry of Byrne's previous work and far too much of the narrative predictability that in the past he astutely sidestepped. There are still subversive ideas — for one thing, this is a shark film with precious few sharks — but Byrne's sneaky smarts have largely abandoned him. Rather than transcending expectations, 'Dangerous Animals' surrenders to them. One can't fault Harrison, whose Zephyr spends much of the movie in a battle of wills with her captor. Because 'Dangerous Animals' limits the amount of sharks we see, digitally inserting footage of the deadly creatures into scenes, the story's central tension comes from Zephyr trying to free herself or get help before Tucker prepares his next nautical snuff film. Harrison projects a ferocious determination that's paired with an intense loathing for this condescending, demented misogynist. It's bad enough that Tucker wants to murder her — beforehand, he wants to bore her with shark trivia, dully advocating for these misunderstood animals. It's an underdeveloped joke: 'Dangerous Animals' is a nightmare about meeting the mansplainer from hell. Alas, Courtney's conception of the film's true dangerous animal is where the story truly runs aground. The actor's handsome, vaguely blank countenance is meant to suggest a burly, hunky everyman — the sort of person you'd never suspect or look twice at, which makes Tucker well-positioned to leave a trail of corpses in his path. But neither Byrne nor Courtney entirely gets their arms around this conventionally unhinged horror villain. 'Dangerous Animals' overly underlines its point that we shouldn't be afraid of sharks — it's the Tuckers who ought to keep us up at night — but Courtney never captures the unfathomable malice beneath the facial scruff. We root for Zephyr to escape Tucker's clutches not because he's evil but because he's a bit of a stiff. Even with those deficiencies, the film boasts a level of craft that keeps the story fleet, with Byrne relying on the dependable tension of a victim trapped at sea with her pursuer, sharks waiting in the waters surrounding her. Michael Yezerski's winkingly emphatic score juices every scare as the gore keeps ratcheting up — particularly during a moment when Zephyr finds an unexpected way to break out of handcuffs. But Byrne can't redeem the script's boneheaded plot twists, nor can he elevate the most potentially intriguing idea at its core. As Tucker peers into his viewfinder, getting off on his victims' screams as sharks sink their jaws into them, 'Dangerous Animals' hints at the fixation horror directors such as Byrne have for presenting us with unspeakable terrors, insisting we love the bloodshed as much as they do. Tucker tries to convince Zephyr that they're not all that different — they're both sharks, you see — but in truth, Byrne may be suggesting an uncomfortable kinship with his serial killer. But instead of provocatively pursuing that unholy bond, the director only finds chum.
