Kristin Davis reveals which ‘SATC' co-star accused her of having ‘body dysmorphia'
On the latest episode of her 'Are You A Charlotte?' podcast, Kristin Davis claimed that Sarah Jessica Parker confronted her about her body image issues when the two were filming 'Sex and the City.'
'There were times when Sarah Jessica would be like, 'You have body dysmorphia,'' Davis, 60, told guest Benito Skinner.
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8 Kristin Davis in 'Sex and the City.'
'I'd be like, 'I don't think I do,' because the world is literally telling me daily that I am pear-shaped,' Davis continued. 'So much to the point where you can't think straight.'
The 'And Just Like That' star added that the talk about her body at the time led to her having 'disordered eating.'
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8 Kim Cattrall, Cynthia Nixon, Sarah Jessica Parker and Kristin Davis in 'Sex and the City' Season 5.
8 The cast of 'Sex and the City.'
'You're starving yourself. I remember fainting in a parking lot one time, because I was on some crazy diet,' she recalled.
Davis also explained how her interactions with fans further complicated her body image struggles.
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8 Kristin Davis steps out in Paris on May 29, 2025.
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'There was a good number of years when we were on the old school, in your televisions, HBO proper, and when people would see me on the street here or in New York, they would say, 'Oh, but you're not fat,'' Davis shared.
'I know they didn't mean anything bad. They mean it as a compliment,' she told Skinner. 'But it's because I'm standing next to Sarah Jessica.'
8 Kristin Davis as Charlotte York.
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The Post has reached out to Parker's rep for comment.
Davis and Parker, 60, starred on 'Sex and the City' with Cynthia Nixon and Kim Cattrall from 1998 to 2004. The stars, except Cattrall, returned for the sequel series 'And Just Like That' which is ending on Thursday after three seasons.
8 Cynthia Nixon, Sarah Jessica Parker, Kim Cattrall and Kristin Davis in the second 'Sex and the City' movie.
New Line Cinema/Hbo/Village Roadshow/Kobal/Shutterstock
8 Cynthia Nixon, Kristin Davis and Sarah Jessica Parker on the set of 'And Just Like That' in September 2021.
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Before 'SATC,' Davis played Brooke Armstrong on 'Melrose Place' and similarly dealt with body image issues during that time.
In Feb., Davis revealed that she was told not to gain weight when she was on the Fox soap opera.
8 Kristin Davis in 'Sex and the City.'
'There was a general vibe on the set though, that was difficult, about the thinness situation,' she told People, adding, 'Every single person was gorgeous and super skinny. So I was like, 'This is what I have to do.''
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Davis said that she hired a running coach and did back-to-back 90-minute spin classes to look a certain way.
'I was frustrated. I was trying to do the thing,' she shared. 'Of course, I'm sure I wasn't eating, I have no idea. I don't remember the eating part.'
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Associated Press
a few seconds ago
- Associated Press
USA Network is bringing back scripted TV. First up? John Grisham's 'The Rainmaker'
Since 2021, the USA Network had stacked its lineup with reality shows and sports, entirely forgoing original, scripted programming. Fans of 'Suits', 'White Collar' and 'Monk' were left with only memories of those shows' case-of-the-week storytelling. But on Friday, the network returns to scripted TV with the legal thriller 'The Rainmaker.' If the title sounds familiar, it's because it's based on the 1995 novel by John Grisham, which was first adapted into the 1997 Matt Damon-starring film directed by Francis Ford Coppola. In this 'Rainmaker,' British actor Milo Callaghan plays Rudy Baylor. It's the first leading role for Callaghan, who had previously played recurring characters in shows like HBO's 'Dune: Prophecy' and Starz's 'The Spanish Princess.' Baylor is fresh out of law school and about to start working at the largest law firm in the state, run by Leo F. Drummond (John Slattery). On his first day, Baylor gets fired after challenging Drummond in a meeting. Desperate for work, he takes a job at a small ambulance-chasing firm that works out of a former taco joint. His boss is Jocelyn 'Bruiser' Stone (Lana Parrilla, in a gender swap from the film where Mickey Rourke had the role). She's smart, confident and not afraid to use her sex appeal to get what she wants. Rudy's first big case pits him against the big, fancy law firm that let him go — and his girlfriend who still works there. Callaghan told The Associated Press about learning legalese while doing a Memphis accent and familiarizing himself with the source material. Answers are edited for clarity and brevity. AP: Did you watch 'The Rainmaker' film? CALLAGHAN: I watched it when I got cast. Matt Damon is somebody that every young actor would look up to. I wanted to be aware of the work that he did. I mean, it was a Coppola movie as well, so I was excited to see it. And then I gave it maybe like 20 minutes' thought and focused on the script because it is different and I think we have 10 hours of television to explore this character. We go on a windier road than the movie. AP: Did you read the novel as well and did that help to find your version of Rudy? CALLAGHAN: Yes. It's a slow-paced thriller, really, but fantastic. And there's this chunk, it must be about 100 pages, of him just preparing for this case for months and months and months. So I never wanted it to feel like it was off-the-hand genius. It felt like this is a situation that has to be honored to a certain extent. Like, you can be a fantastic lawyer, but you don't get there without grinding and grafting. We had great scenes where we were working late into the night. AP: Did learning your lines to play a lawyer also have you working late? CALLAGHAN: You prep a court scene, and it's eight pages, and it is a deposition. And you know it and you've worked on it and you're ready to go to sleep, and it's quarter to midnight, and you have an email saying, 'We've rewritten this scene and we're shooting it at 8 a.m.' And you're like, 'Not only am I relearning all this, but I have to go back through the dialect to make sure that this is airtight.' It was definitely an extra component that I probably lost a bit of sleep over. AP: You're also British and Rudy Baylor is from Tennessee. How did you lose your accent and master a Southern one? CALLAGHAN: Consistent work with a great dialogue coach. I remember I got there on my first day and I was running lines with P.J. Byrne, who plays Deck, and he's kind of looking at me funny. He's like, 'Why are you talking like that?' I was like, 'What do you mean? Because we start filming in three days.' I was pronouncing everything phonetically because that was the way I learned. I had to really work on paring it back into a place that felt so natural. For a movie, you might get away with it, but for 10 hours of television, it just has to be light, it has to be quick, it has to be at your fingertips. AP: Was there a word that gave you trouble? CALLAGHAN: 'North City Hospital.' It was the hardest thing. I was like, 'Why did you call it this?' I got all this legalese down and then 'North City Hospital' would shoot me in the foot every time. AP: There are also differences between U.K. and American law. Did you study U.S. law? CALLAGHAN: I went through major trials, like the whole O.J. Simpson murder trial and the Gwyneth Paltrow trial. And also obscure trials. I studied attorneys and their patterns of speech and the way they address the court. We don't really have the same kind of pop star element to the legal system of like, 'That's the guy who represented this person and that person.' Studying that is fascinating.
a few seconds ago
USA Network is bringing back scripted TV. First up? John Grisham's 'The Rainmaker'
Since 2021, the USA Network had stacked its lineup with reality shows and sports, entirely forgoing original, scripted programming. Fans of "Suits', 'White Collar' and 'Monk' were left with only memories of those shows' case-of-the-week storytelling. But on Friday, the network returns to scripted TV with the legal thriller 'The Rainmaker.' If the title sounds familiar, it's because it's based on the 1995 novel by John Grisham, which was first adapted into the 1997 Matt Damon-starring film directed by Francis Ford Coppola. In this 'Rainmaker,' British actor Milo Callaghan plays Rudy Baylor. It's the first leading role for Callaghan, who had previously played recurring characters in shows like HBO's 'Dune: Prophecy" and Starz's 'The Spanish Princess.' Baylor is fresh out of law school and about to start working at the largest law firm in the state, run by Leo F. Drummond (John Slattery). On his first day, Baylor gets fired after challenging Drummond in a meeting. Desperate for work, he takes a job at a small ambulance-chasing firm that works out of a former taco joint. His boss is Jocelyn 'Bruiser' Stone (Lana Parrilla, in a gender swap from the film where Mickey Rourke had the role). She's smart, confident and not afraid to use her sex appeal to get what she wants. Rudy's first big case pits him against the big, fancy law firm that let him go — and his girlfriend who still works there. Callaghan told The Associated Press about learning legalese while doing a Memphis accent and familiarizing himself with the source material. Answers are edited for clarity and brevity. CALLAGHAN: I watched it when I got cast. Matt Damon is somebody that every young actor would look up to. I wanted to be aware of the work that he did. I mean, it was a Coppola movie as well, so I was excited to see it. And then I gave it maybe like 20 minutes' thought and focused on the script because it is different and I think we have 10 hours of television to explore this character. We go on a windier road than the movie. CALLAGHAN: Yes. It's a slow-paced thriller, really, but fantastic. And there's this chunk, it must be about 100 pages, of him just preparing for this case for months and months and months. So I never wanted it to feel like it was off-the-hand genius. It felt like this is a situation that has to be honored to a certain extent. Like, you can be a fantastic lawyer, but you don't get there without grinding and grafting. We had great scenes where we were working late into the night. CALLAGHAN: You prep a court scene, and it's eight pages, and it is a deposition. And you know it and you've worked on it and you're ready to go to sleep, and it's quarter to midnight, and you have an email saying, 'We've rewritten this scene and we're shooting it at 8 a.m.' And you're like, 'Not only am I relearning all this, but I have to go back through the dialect to make sure that this is airtight.' It was definitely an extra component that I probably lost a bit of sleep over. CALLAGHAN: Consistent work with a great dialogue coach. I remember I got there on my first day and I was running lines with P.J. Byrne, who plays Deck, and he's kind of looking at me funny. He's like, 'Why are you talking like that?' I was like, "What do you mean? Because we start filming in three days." I was pronouncing everything phonetically because that was the way I learned. I had to really work on paring it back into a place that felt so natural. For a movie, you might get away with it, but for 10 hours of television, it just has to be light, it has to be quick, it has to be at your fingertips. CALLAGHAN: 'North City Hospital.' It was the hardest thing. I was like, 'Why did you call it this?" I got all this legalese down and then 'North City Hospital' would shoot me in the foot every time. CALLAGHAN: I went through major trials, like the whole O.J. Simpson murder trial and the Gwyneth Paltrow trial. And also obscure trials. I studied attorneys and their patterns of speech and the way they address the court. We don't really have the same kind of pop star element to the legal system of like, 'That's the guy who represented this person and that person.' Studying that is fascinating.
CNN
13 minutes ago
- CNN
The highs and lows of ‘And Just Like That'
As we arrive at the conclusion of this latest chapter in the almost three-decade-long story of Carrie Bradshaw (Sarah Jessica Parker) and her friends, we couldn't help but wonder: How did we get here? And why was the road sometimes so bumpy and other times so sweet? Looking back on the legacy of original series 'Sex and the City,' followed by the pair of often-panned feature-length films, 'And Just Like That' – the continuation series that on Thursday comes to an end after three seasons – was almost destined to be polarizing. (HBO Max is owned by CNN's parent company, Warner Bros. Discovery.) Indeed, the show has been subject to a fair share of collective complaining. At its best, the zany new show, which brought back three of the four female leads and added a host of new characters, managed to manifest a similar spark-filled energy to the flagship series truly felt like a chef's (or lover's) kiss. Then there was…the other stuff. Here's a collection of some of the most orgasmic highs and the dismal lows of 'And Just Like That': Low While shocking twists and surprise deaths are to be expected on TV, the decision to suddenly kill off the arguable love of Carrie's life Mr. Big (Chris Noth) in the sequel series pilot ended up being a bit of a straw that broke the clotheshorse's back. It unfolded in the shadow of a trifecta of bleakness: Noth's real-life struggles, the marked absence of Samantha (Kim Cattrall) – one quarter of the fabulous foursome who made 'Sex and the City' tick, due to years-long strife – and worst of all, the offscreen death of Willie Garson, a legacy cast member who was back for the new show. In a continuation series meant to at least feel somewhat familiar, these absences were deeply felt, and while some of it couldn't be helped, the writers' continuous teasing of communication between Carrie and Samantha made the latter's no-show status all the more difficult to digest. By midseason, when Carrie was seen hobbling up her staircase with an injured hip, we couldn't help but wonder what show we were watching. High When Carrie and Aidan (John Corbett) found themselves breaking up this season for a third time – and yet again, on the street, no less – it brought home the reality of how some relationships always come back to the same insurmountable problems, no matter how much love there might be as well. Their sad trilogy of breakups essentially punctuate the franchise – Carrie cheating on Aidan with Big way back in Season 3 of 'Sex and the City' taught us that yes, even series leads can be human, flawed and sometimes pretty awful, and the trust issues they suffer as a couple from that point on end up doing them in… two more times. Low From the very beginning of 'And Just Like That,' it was clear the writers went overboard in terms of quantity, crowding episodes with far too many characters that made it hard to focus in on the all-important interpersonal relationships between the women on screen. It was a problem that was slowly being rectified as the show continued, with the shuttling of chaotic Che Diaz (Sara Ramirez) and the unfortunately superfluous-feeling Nya Wallace (Karen Pittman). High Season 3 being the end of the series is all the sadder since the show was finally feeling sharpened, with fewer and more fleshed-out characters, especially with regard to two beautiful new friendships – the most satisfying being that between Charlotte (Kristin Davis) and Lisa Todd Wexley (Ari Nicole Parker), affectionately known as LTW. Well-heeled Charlotte finally met her match in LTW, an equally posh Type A powerhouse of a woman who had a similarly light-as-a-feather touch. A scene in a swimming pool in the middle of this season featured a touching exchange between the pair, when LTW comforted Charlotte as she struggled under the weight of Harry's (Evan Handler) cancer diagnosis, but couldn't tell anyone about it. It was a small yet powerful moment that demonstrated their meaningful connection. More than deserving an honorable mention is realtor extraordinaire Seema Patel (Sarita Choudhury), who ultimately differentiated herself from the cacophony of the first two seasons to become a true confidante to Carrie… much in the same way Samantha was before her. Low We get it – it's supremely difficult to navigate the shocking death of a cast member in real life, and no one wants to be tasked with how to address that character's sudden disappearance in the story. But the way Stanford Blatch – Carrie's gay bestie, who lest we forget was part of the 'Sex and the City' universe from the very beginning, in the 1998 pilot – was unceremoniously written off the show via some cockamamie story about becoming a monk in Japan (?!) was too much to take. Considering his history on the show, 'Stannie' deserved a more emotional and resonant sendoff – but considering the aforementioned bleakness of the first season of 'And Just Like That,' it's pretty evident why the creators were between a rock and a hard place. High While we're by no means rooting for a knight in shining armor to come sweep Carrie off her feet, we can't help but hope just a little that this suave, handsome and charming curmudgeon of a downstairs neighbor might be 'the one' that our star-crossed heroine finally ends up with. Played by the appropriately-named actor Jonathan Cake, Duncan is delectable in how he comes to win Carrie over, at first barely able to tolerate her but soon warming to her via a shared and profound connection – over their shared passion for writing. Plus, their meet-cute – when Duncan yells at Carrie about walking around her palatial townhouse in heels – gave us ample opportunity to ogle Carrie's famous footwear and also prompt one of the funniest lines of the show: 'This is New York City. There's noise.' Low While it's been fascinating to watch Miranda's (Cynthia Nixon) evolution from the first series into who she's become at the conclusion of 'And Just Like That,' the show has done someone very dirty in the process: Steve Brady (David Eigenberg), Miranda's ex and father to her son. While viewers have had to accompany Carrie on her doomed efforts to rekindle with ex Aidan, and watch Charlotte manage health issues with her husband Harry, Steve all but left the picture in the new show, appearing in a total of only 2 episodes in the final season . It's an unfortunate missed opportunity, considering how electric Miranda and Steve's connection always was. There appears to be somewhat of a reunion in the finale, judging from the preview, but the show's impending end means that any hopes of seeing them as co-grandparents and hopefully as friends are gone…just like that. The series finale of 'And Just Like That' streams Thursday night at 9 p.m. ET/6 p.m. PT on HBO Max.
