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Three rare-to-find endangered macaques born at Trentham monkey forest in Staffordshire

Three rare-to-find endangered macaques born at Trentham monkey forest in Staffordshire

Time of India2 days ago

According to a BBC report, a trio of Barbary macaques which is an endangered primate species with fewer than 8,000 left in the wild has been born at Trentham Monkey Forest in Staffordshire.
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The staff has described the arrival as a joyful surprise that was discovered early in the morning by head guide Anna Smith during feeding rounds. The infants were born overnight and were nestled high in the treetops. Smith called the experience of finding newborns "wonderful," adding that watching them grow is an "absolute privilege" for the team. The wide-eyed newborns are part of the dwindling global population of only 8,000 Barbary macaques that is a species currently classified as endangered.
New Barbary macaque births boost hopes for endangered species
The 60-acre sanctuary, which houses 140 Barbary macaques, had anticipated the births for several months. The sanctuary said newborn Barbary macaques have soft pink faces and black fur and are typically seen holding tightly to their mothers for warmth and reassurance during their first hours of life. Their births are considered a significant milestone for conservationists working to increase the Barbary macaque population.
Expert views on the birth of endangered macaques
Park Director Matt Lovatt explained that the sanctuary is now entering its "baby season" with six to ten births typically expected each year. He noted that the newborns will be cared for by their wider group and will begin learning the unique behaviors of Barbary macaques from day one. "We're excited to see which little one will be next," he added, "as we anticipate more arrivals in the near future."
Trentham monkey forest efforts
Trentham Monkey Forest partners with organizations dedicated to safeguarding wild Barbary macaques in Morocco and Algeria.
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The sanctuary said its mission includes raising awareness about the species' endangered status.
Barbary macaques adorable images captured
Charming images capture three endangered baby Barbary macaques snuggling close to their mothers after being born high in the treetops at a UK monkey sanctuary. These adorable African primates are believed to be just a few days old when they were born at Trentham Monkey Forest in Staffordshire which is the largest primate habitat in the UK.
Source: BBC
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When Valmik Thapar threw a punch for tigers
When Valmik Thapar threw a punch for tigers

Indian Express

time19 hours ago

  • Indian Express

When Valmik Thapar threw a punch for tigers

Valmik Thapar — Valu, as many of us knew him — was the fiercest voice for the tiger. His gruff, deep voice often resembled a tiger's growl. As an emerging wildlife conservation filmmaker in the 1990s, I knew about him and his tigers of Ranthambore. Even before I began, his first book, With Tigers in the Wild, co-authored with his guru Fateh Singh Rathore and his brother-in-law Tejbir Singh, adorned my bookshelf. After Indira Gandhi, who established Project Tiger to protect the rapidly vanishing animal in 1973, and its first director, Kailash Sankhala, I would place Valmik Thapar as the person who most contributed to the cause of tigers. I attended a talk he gave about his journey and the conservation of the Indian tiger at the Royal Geographic Society in London. His booming voice and the rare behavioural images of tigers, primarily captured by him, kept the audience on the edge of their seats. The evening ended with a standing ovation. 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160-year-old historic gold watch discovered from Lake Michigan returns to its hometown in England
160-year-old historic gold watch discovered from Lake Michigan returns to its hometown in England

Time of India

time20 hours ago

  • Time of India

160-year-old historic gold watch discovered from Lake Michigan returns to its hometown in England

Source: BBC A touching relic from one of the most fatal maritime disasters on Lake Michigan has finally made its way back home. The gold pocket watch of Herbert Ingram, a well-known British journalist and politician, went missing when the steamship Lady Elgin sank in 1860. It has been brought back to Ingram's hometown in England after spending over a century and a half at the bottom of the lake's cold waters, linking history, tragedy, and legacy. Beyond being a mere timepiece, the gold pocket watch symbolises the endurance of memory and the bridging of continents through shared history. Source: BBC Herbert Ingram's gold pocket watch went missing in 1860s On September 8, 1860, the Lady Elgin, a steamship with hundreds of passengers aboard, sailed into a violent storm close to Winnetka, Illinois. During the tempest, it rammed into a schooner, and the ship went down quickly in the icy waters of Lake Michigan. More than 300 people died in the disaster, among them Herbert Ingram and his son, who both lost their lives before they could be rescued. The disaster is still one of the worst maritime tragedies in the region's history. Herbert Ingram was not a typical passenger, but he was a historical figure of prominence. As the creator of the London Illustrated News, Ingram transformed journalism by adding pictures to words, establishing the world's first pictorial newspaper. He was also a Member of Parliament, thus being a powerful voice in British politics and media during the 19th century. His work earned him a renowned name in his birthplace, Boston, Lincolnshire, where a statue honors his memory. Gold pocket watch discovered and brought back to his hometown The gold pocket watch was discovered in 1992 by scuba divers surveying the strewn wreckage of the Lady Elgin, which rests out on a mile-long stretch of lake bottom. Valerie Van Heest, a maritime historian and founder of the Michigan Shipwreck Research Association, called the watch an 'extraordinary find'. Strangely, the cold and oxygen-starved environment of Lake Michigan also kept the watch's sensitive mechanisms and case intact for more than 160 years, rendering it an irreplaceable piece of history. Source: BBC Although the watch was discovered in the United States, it had been inaccessible to the public for decades before being transferred to a historian in May 2025 for research. John Van Fleet, realizing the historical and emotional significance of the watch, bought and donated the watch to the Boston Guildhall Museum. This gift was well-timed, as the museum was in the process of preparing an exhibit in honor of Herbert Ingram. The watch gave a physical link to Ingram's existence and the devastating sinking, adding depth to the exhibit with an intimate artifact. According to New York Post reports, the watch's return was commemorated by the people of Boston on May 24, 2025, through activities celebrating Ingram's life and legacy. Councilor Sarah Sharpe called the event "special and important," given the emotional and historical importance of the repatriation of the watch. The museum honour took the form of ceremonies at the graveside and at the memorial statue of Ingram, and storytelling sessions that celebrated his accomplishments and the human toll of the Lady Elgin disaster. Also Read | 8 beautiful snakes you can spot in California's wildlands

A life of defiance: the celebrated Kenyan author's views were not without controversy but he inspired generations of African writers
A life of defiance: the celebrated Kenyan author's views were not without controversy but he inspired generations of African writers

The Hindu

timea day ago

  • The Hindu

A life of defiance: the celebrated Kenyan author's views were not without controversy but he inspired generations of African writers

In 1962, a group of young men and women met at Makerere University in Kampala, Uganda, at the Conference of African Writers of English Expression. Decolonisation was in the air. Nigeria — represented by Chinua Achebe and Wole Soyinka — had gained independence two years earlier. Uganda — the host country — would become independent just a few months later. And Kenya — represented, among others, by Rebecca Njau and one James Ngugi — was one year away from its own transfer of power. The debates at Makerere included, among other things, the question of what constituted African literature, and whether literature in non-African languages (including English) could ever be truly African. The controversy exerted a formative influence over the youthful James Ngugi, who'd used the occasion of the conference to hand over to Achebe manuscripts of his first two novels, Weep Not, Child and The River Between. The novels were published in 1964 and 1965, respectively, but James Ngugi would keep neither his name, nor the language in which he wrote. By 1970, convinced that the English language was a tool of colonisation, and that real decolonisation was impossible without decolonising the mind (including the language), James Ngugi had changed his name to Ngũgĩ wa Thiong'o. Henceforth, Ngũgĩ would write in the language of his birth, Gikuyu. Ngũgĩ, who passed away on May 28 at the age of 87, has left behind a rich, varied, and sometimes complex legacy. Taught at the jewel of Kenya Colony's educational system, the Alliance High School, Ngũgĩ was trained to become either a member of the colonial elite, or of the neo-colonial comprador bourgeoisie that would take over Kenya after the transfer of power. Neither of these two things happened. Ngũgĩ was jerked out of his comfortable boarding school education when, at the height of the Mau Mau war for independence, his village was depopulated by the British as a form of collective punishment, his brother sent to a concentration camp, and Ngũgĩ himself briefly imprisoned before a fortuitous set of circumstances saw him freed. In his memoir, In the House of the Interpreter (2012), Ngũgĩ would paint a memorable — and at times, tragic — portrait of the English-speaking Kenyan intellectual elite, caught between two worlds, as the struggle for freedom intensified. Argument against English In the initial years after independence, this internal struggle continued, as Ngũgĩ achieved prominence as an African writer, writing in English, about distinctively African themes. The River Between, for example, examined the impact of colonialism on so-called 'traditional' practices, and the social havoc that that wreaks — in the mould of Achebe's Things Fall Apart(1958). However, after 1970, when Ngũgĩ resolved this struggle in his own mind, he faced a different — external — struggle. Writing in his native language, and with his explicitly left-wing and anti-colonial attitude, he soon drew the attention of President Jomo Kenyatta and his authoritarian regime. When Ngũgĩ staged a play called I Will Marry When I Want in 1977, he was arrested and imprisoned. In prison — in an act that has since become a part of legend — Ngũgĩ wrote his next novel, Devil on the Cross, in Gikuyu, and on toilet paper. Upon his release, Ngũgĩ went into exile, eventually settling into a teaching career in the United States. It was there that he developed his philosophy in greater detail, through books such as Decolonising the Mind (1986). Building upon arguments that had first been made in Makerere more than two-and-a-half decades ago, Decolonising the Mind made the case for abandoning English in order to achieve true decolonisation. Three decades later, in Secure the Base (2016), Ngũgĩ would develop this argument further, noting that 'each language, no matter how small, carries its memory of the world'. Suppressing language, thus, meant suppressing memory. However, in this, Ngũgĩ's views were not without controversy. His Kenyan compatriot, Binyavanga Wainaina, made gentle fun of Ngũgĩ puritanism in his own memoir, One Day I Will Write About This Place (2011). The Zimbabwean writer, Dambudzo Marechera, whose own decision to write was inspired by Ngũgĩ, clashed bitterly with him over the question of writing in English. Ngũgĩ's views about decolonisation were powerful — but they were never uncontested. Troubled legacy Ngũgĩ's suffering at the hands of both the colonial and the post-colonial Kenyan regimes came together in what many people (including this writer) believe to be his masterpiece, Wizard of the Crow (2006). Set in an unnamed African country, the novel takes an unsparing, sarcastic, and darkly humorous scalpel to the cruelties, banalities, and venalities of the 'Independence' government, which masks its own failures and justifies its repression by blaming both colonialism and neo-colonialism — even as that same government is economically and militarily propped up by Western powers as a front against communism. To read Wizard of the Crow is to rage, to laugh, and to weep, all at the same time — a testament not just to Ngũgĩ's mastery as a writer, but to the life he lived and which informed his work, a life of defiance. In the twilight of his life, Ngũgĩ's legacy was marred by allegations of domestic abuse. In a context in which towering literary figures are often treated as moral authorities — and Ngũgĩ certainly was — an obituary would be incomplete without acknowledging this, and noting the culture of silence that surrounds debates on literary legacy. For an honest assessment, we must hold these contradictions in balance, even as we celebrate the rich corpus of work that Ngũgĩ has left to us. The writer and reviewer is an author, most recently of 'The Sentence'.

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