logo
Ishaan Khatter opens up about intimate scenes with Tabu in A Suitable Boy: ‘It was like a conversation with our eyes'

Ishaan Khatter opens up about intimate scenes with Tabu in A Suitable Boy: ‘It was like a conversation with our eyes'

Hindustan Times26-05-2025

Ishaan Khatter has been steadily cementing his place as one of the most promising young talents in Indian cinema. But before The Royals, it was his layered and emotionally charged role in A Suitable Boy that truly showcased his range, especially opposite an industry veteran like Tabu.
In a recent interview with Zoom, Ishaan opened up about what it was like to share screen space — and some of his first intimate scenes — with Tabu in the adaptation of Vikram Seth's novel. And while the age-gap pairing raised eyebrows when first announced, Ishaan shared that the on-screen chemistry was not only authentic but incredibly natural, thanks in large part to Tabu's presence.
'I think a lot of it is in the writing,' Ishaan explained. 'If you were to put Tabu and I in another story, in another piece of writing, where we overlooked the age gap or that we didn't address it, it might have looked out of place,' he said. 'But it was the point written into the story in that way, and the text supported what we were doing."
Their characters — the young Maan Kapoor and the enigmatic courtesan Saeeda Bai — share a tender, forbidden connection. And for Ishaan, filming their emotionally intimate scenes was an experience grounded not in discomfort, but in trust.
'And with an actress like Tabu, honestly, it's like, you don't have to talk about it,' he said. 'I have to say, and this sounds, I don't know, this might sound off or something, but I was not freaked out, absolutely not. In fact, I felt safer, because I was playing off of an actor who I knew would not only understand what I'm doing, but like, take it somewhere else, and I think, that's the beauty of it with Tabu, we never had to speak about what we're doing in a scene,' he continued.
The intimacy, he said, didn't just come from the script — it came from a kind of silent, instinctive collaboration that unfolded naturally on set. 'She would be talking about random things, like, what do you want for lunch or something, or like, usko dekha kaise aankhe banara tha... She is very naughty, she's like a child on set. She could be making a joke, and then suddenly, she could be like this character, so like, I think it was fun, just so much fun working with her because so much of what we do is, of course, you bring the words to life, but so much of what we do is, how do you make a moment dense? How do you make it come alive? How do you communicate more without saying anything? And it just happened, like, seamlessly with Tabu, you know, it was just like a conversation with our eyes,' he said.
A Suitable Boy, set in post-partition India, remains a landmark in Indian television storytelling — not just for its ambitious scope, but for its bold casting choices. With a 24-year age gap between Ishaan and Tabu, the show challenged traditional on-screen norms while delivering a relationship that felt emotionally grounded and artistically fearless.
Up next, Tabu will appear in Bhooth Bangla, a Priyadarshan-directed horror-comedy also starring Akshay Kumar and Paresh Rawal, scheduled to hit theatres in 2026. Ishaan, fresh off his acclaimed turn in The Royals, continues to prove that he's not just a rising star — he's one willing to take risks.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

5 Indian LGBTQ+ books to add to your Pride Month reading
5 Indian LGBTQ+ books to add to your Pride Month reading

Indian Express

time34 minutes ago

  • Indian Express

5 Indian LGBTQ+ books to add to your Pride Month reading

This Pride Month, dive into the vibrant landscape of Indian LGBTQ+ literature. These five books – spanning memoir, fiction and activism – offer powerful perspectives on queer identity, resilience and joy. Whether you're exploring queer narratives for the first time or seeking fresh voices, these works by Indian writers illuminate the personal and political dimensions of being LGBTQ+ in contemporary India and beyond. 1. Walk Like a Girl – Prabal Gurung (2025) This memoir from the Nepali-American fashion designer traces his extraordinary journey from Kathmandu to the pinnacle of New York's fashion world. Gurung's narrative shines brightest when detailing his complex relationship with his mother Durga Rana – a former Miss Nepal whose progressive parenting clashed with traditional Nepali society. The book offers unprecedented access to the glittering yet cutthroat fashion industry, revealing how Gurung navigated racism, homophobia, and class barriers while dressing icons such as Michelle Obama and Oprah. Particularly powerful are his accounts of being told his designs were 'too ethnic' early in his career, and how he transformed this prejudice into his signature aesthetic blending Eastern and Western influences. The memoir doubles as a love letter to femininity, with Gurung arguing that his queer perspective allowed him to celebrate womanhood in ways straight designers often can't. Publishers describe it as 'The Devil Wears Prada' meets 'Call Me By Your Name', offering both juicy industry gossip and profound meditations on identity. 2. Over The Rainbow: India's Queer Heroes – Aditya Tiwari (2023) This meticulously researched anthology fills a crucial gap in Indian LGBTQ+ history by profiling 19 pioneers who fought for equality when homosexuality was still criminalised. Tiwari organises the book thematically, with sections on activists (Anjali Gopalan), artists (Sonal Giani), and unlikely allies (journalist Manvendra Singh Gohil). Each profile combines biographical details with historical context – like how Ashok Row Kavi founded India's first gay magazine in 1990 using underground distribution networks. The chapter on Grace Banu provides particularly vital insights into the intersection of caste and queer identity, detailing how she established South India's first transgender engineering college. Tiwari includes fascinating archival material, including reproductions of early protest banners and personal letters between activists during the darkest days of the AIDS crisis. While celebratory, the book doesn't shy away from controversies within the movement, like debates about prioritising marriage equality over more urgent concerns like housing discrimination. The final chapter looks to the future, profiling young activists using TikTok and Instagram to advance the cause. Pattanaik's genre-defying novel reimagines lesser-known characters from the Mahabharata through a queer feminist lens. The central story follows King Yuvanashva, who accidentally becomes pregnant after drinking a magic potion meant for his wives. Pattanaik expands this brief mythological reference into a profound exploration of gestational masculinity, with the king experiencing both the social privilege of fatherhood and the physical trials of motherhood. Interwoven subplots feature other gender-nonconforming characters: Shikhandi (born female but living as a male warrior), Arjuna (forced to live as a eunuch), and Ila (a deity who changes genders with the lunar cycle). The author's background as a mythologist shines through in the extensive appendices, which compare these stories to global gender-fluid traditions from Native American two-spirit people to Hijra communities. Some critics argue the novel's pacing suffers under its academic ambitions, but most praise its revolutionary portrayal of ancient India's sophisticated understanding of gender as spectrum rather than binary. The book has become particularly influential in contemporary queer Hindu movements. Shahani's work combines corporate case studies, memoir, and policy manifesto into a compelling argument for LGBTQ+ workplace inclusion. As head of Godrej's diversity council, Shahani documents their decade-long transformation into India's most queer-friendly company – from gender-neutral bathrooms to sponsoring Pride floats. The book analyses successful initiatives such as Tata Steel's transgender hiring program and The Lalit Hotels' sensitivity training, while also examining failures lsuch as Infosys' early resistance to domestic partner benefits. Shahani's personal anecdotes such as coming out to his conservative Gujarati family or navigating corporate parties as a gay man make the data relatable. Particularly innovative is his 'Rainbow Capitalism' chapter, which questions whether corporate allyship is truly progressive or just profit-driven, citing examples of brands that remove rainbow merch after Pride month. The appendix includes practical tools: sample non-discrimination policies, workshop templates, and a glossary explaining terms like 'pansexual' to HR departments. Updated editions now cover post-377 developments and remote work inclusivity challenges. This candid memoir by the National Award-winning filmmaker traces his journey from a Bhutanese childhood to becoming Bollywood's most openly gay director. Onir (born Anirban Dhar) reveals shocking details about industry homophobia – being told 'we don't fund gay films' after My Brother Nikhil's success, and A-list actors refusing roles once they learned his sexuality. The book alternates between professional struggles (crowdfunding his films) and personal triumphs (adopting twins with his partner). Particularly moving are passages about his late sister Irene, who helped him navigate both creative and coming-out challenges. Film buffs will appreciate behind-the-scenes stories, like how he shot the iconic rain sequence in Bas Ek Pal with just 25% of the planned budget. The final chapters address contemporary issues – his advocacy for marriage equality and criticism of tokenistic queer representation in recent Bollywood hits. What sets this apart from typical celebrity memoirs is its raw vulnerability, including unflinchingly honest accounts of depression and financial ruin. The writing style mirrors Onir's filmmaking – intimate, political, and relentlessly hopeful.

Kareena Kapoor-Saif Ali Khan's ‘mundane' day and routine is too surprising for glam world
Kareena Kapoor-Saif Ali Khan's ‘mundane' day and routine is too surprising for glam world

Pink Villa

timean hour ago

  • Pink Villa

Kareena Kapoor-Saif Ali Khan's ‘mundane' day and routine is too surprising for glam world

Everything about Kareena Kapoor and Saif Ali Khan is phenomenal. The ardent fans of the royal couple are always interested in getting insights about their lifestyle. In a new interview, the Daayra actress opened up about her routine and what their 'mundane' day looks like. Her answer is bound to surprise you as it is not something you might have expected. In a recent interview with Nod Magazine, Kareena Kapoor stated that the pandemic taught her the joy of doing things together, slowing down, and finding joy in the mundane. She called her brick-stone kitchen 'the happiest part of the house.' Reflecting on a 'mundane' day, Bebo shared that she and her husband, Saif Ali Khan, love cooking together as a family. 'Saif, the kids, me—we're all in the kitchen,' she says. In fact, the royal couple blends spices and cultures well. Kareena revealed that Saif Ali Khan is 'obsessed' with Kerala cuisine and that he is always trying out new recipes, including idiyappams, coconut-based stews, and everything. She, on the other hand, needs a proper Indian meal a day, which is a 'non-negotiable' for her. Growing personally and professionally, Bebo's choices have also evolved over the years. She is now focusing on a routine that is more monastic. She revealed that she has her dinner by 6 pm, goes to sleep by 9:30 pm, and works out early in the morning 'before the world wakes up.' The 44-year-old mentioned, 'My friends know not to expect me at parties. And they respect that,' further adding on a lighter note that they know she would be watching Schitt's Creek on low volume. In addition to this, the actress expressed happiness that she has moved past the stage of constantly running from one thing to the next. According to her, she realized the importance of fitness post-COVID, not for vanity, but for one's overall well-being. The actress is often seen sharing her fitness goals through yoga sessions and strength training videos, which she says are her 'mood stabilizer.' Workwise, Bebo has also dabbled in the digital space with projects like The Buckingham Murders and Jaane Jaan, striking a balance with commercial films like Crew and Singham Again. To this, the actress reasons that it is no longer about quantity for her, but about choosing the right roles, which challenge and excite her. 'I want to preserve my energy, my talent, myself,' she said. Last seen in Singham Again, Kareena will next be seen in Daayra, which will be directed by Meghna Gulzar, known for movies like Raazi and Sam Bahadur. The film, backed by Junglee Pictures, also features Prithviraj Sukumaran in a key role. The upcoming crime-drama film addresses the topical and diabolical realities unfolding in society today. Co-written by Yash and Sima alongside Meghna, the film is currently in pre-production. In addition to this, she will also be seen in Netflix's reality drama show, Dining With The Kapoors. The show will feature the entire Kapoor clan, including Neetu Kapoor, Ranbir Kapoor, Riddhima Kapoor Sahni, Randhir Kapoor, and Karisma Kapoor, among others, who will share their filmy memories and personal experiences in the upcoming show. The show was announced earlier this year, along with a special slate of movie and web show announcements by the streaming giant. 'A seat at the table with one of the oldest and grandest Bollywood families,' the streaming giant had written with the official announcement.

'Not for money anymore': Why Pankaj Tripathi stepped away from spotlight
'Not for money anymore': Why Pankaj Tripathi stepped away from spotlight

Business Standard

timean hour ago

  • Business Standard

'Not for money anymore': Why Pankaj Tripathi stepped away from spotlight

Pankaj Tripathi, widely regarded as one of the finest actors in Hindi cinema, has finally opened up about his low profile over the past year. While fans speculated about his absence from red carpets and public events, the actor – last seen in Criminal Justice: A Family Matter on JioCinema – revealed it wasn't due to controversy or setbacks. Instead, it was a personal and reflective journey that reignited his love for the craft of acting. Tripathi disclosed that he did not sign a single film in the previous year and took a one-year break from acting. The actor revealed that he took a deliberate pause and went on an introspective journey, even if he did not disclose it. He also said that he needed the time to improve himself and recover both emotionally and physically. Pankaj Tripathi on his one-year break from acting Indian actor Pankaj Tripathi opened up in an interview with The Hollywood Reporter saying he took a year-long break from acting after the death of his father, which had a significant impact on him. He said, 'I took time off to work on myself and heal, physically and mentally,' he revealed. 'That's why I've lost weight. I work out for three hours a day, six days a week. I also travelled — trips that I've been putting off for a long time". This break was intended to help with both physical recovery and a break from the never-ending cycle of the entertainment business. Tripathi made the deliberate decision to avoid the limelight by saying, 'I kept telling everyone that I don't have time. But actually, that time was reserved for introspection.' Why did Pankaj Tripathi take a year-long break from acting? He stated, 'I'm at a point where I'm no longer working for the money. I need to do work that gives me something to look forward to,' he said. Reflecting on his past approach to work, he confessed, 'There was a time when I was counting days on projects, just waiting for them to end. And I thought — this can't be right. I love the profession so much. I've made so many sacrifices to get here, and if I'm spending my days just waiting for shoots to wrap, then something's wrong. That's why I took a break.' In August 2023, Pandit Banaras Tiwari, Pankaj Tripathi's father, passed away. He was 99 years old. In remembrance of his father, Pankaj Tripathi constructed a library at his village high school and dedicated his significant National Award victory to him after his passing. Pankaj Tripathi's upcoming projects Actor Pankaj Tripathi's upcoming film is "Metro… In Dino," a sequel to the 2007 drama "Life… In A Metro." Aditya Roy Kapur, Sara Ali Khan, Fatima Sana Shaikh, Ali Fazal, Konkona Sen Sharma, Anupam Kher, Neena Gupta, and Saswat Chatterjee are among the other cast members in the Anurag Basu-directorial movie. On July 2, 2025, the movie is set to hit big screens.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store