Netflix dethrones You Season 5 from top spot as fans brand ending 'worst in TV history'
Netflix released the fifth and final season of You last week and fans have been left wildly disappointed with the ending of the programme.
You season 5 dropped on Netflix last week and is the final part of the intense thriller series starring frontman Penn Badgley who plays serial killer stalker Joe Goldberg in the show. However, after just a few days at the top, You was briefly dethroned by a show that tends to consecutively blow up the Netflix top 10 list every weekend.
That show is WWE RAW, which seems to bag the top spot 80% of the time, especially with WWE popularity levels increasing in recent months due to its arrival on the streaming platform earlier this year. The live programme was previously only available to watch on its own channel, WWE Network, but can now be streamed every Monday on Netflix.
You season 5 has proven to be a somewhat disappointment with viewers with fans not being given the ultra-satisfying ending they had been hoping for. With an 81% score from critics, it comes in at the lowest rating of the series with an even worse 56% from fans themselves.
The final episode itself has a 5.8/10 score on IDMB, again the worst score of the entire series by two points. The 10-part season was released on April 24, with the show making its debut back in 2018.
In the fifth and final season, Joe returns to New York to enjoy his happily ever after until his perfect life is threatened by ghosts from his past and his own dark longing.
The show picks up three years after season four and is now the loyal husband of Kate Lockwood, played by Charlotte Ritchie, who is a British heiress with a dirty secret.
However, its not long before the old Joe returns and his sick desire for stalking and murdering women returns with his latest prey being Bronte, played by Madeline Brewer.
Bronte enters Joe's life as a catfish hoping to prove that he killed her old pal Beck, but ends up falling for him.
The show ends with Joe believing he has drowned Bronte in a lake after she phoned the police on him. However, his attempt and in the final scenes, he is shot by Bronte and escorted away in handcuffs.
Many fans were left disappointed by the ending and took to social media to vent their frustration after years of watching the show.
One wrote "Season 5 of You might unironically go down as one of the worst seasons of television in history. Whoever came up with it must agree with me that the show should've ended 3 seasons ago."
Another fuming viewer agreed: "I finally watched the finale season of 'You' and if that's how the show was going to end this show should have been 1-2 seasons MAX. Did we really need 5 seasons for it to end like that"
A third disgruntled fan added: "YOU season 5 was great (horrible ending) felt almost rushed things they missed and should of added: Kate and joe should of died together they both killed innocent ppl and she sent joe to kill her uncle to protect her."
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Scotsman
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Daily Mirror
an hour ago
- Daily Mirror
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Though now a bestselling author of over 20 cookbooks and a household name, his own school experience was shaped by struggles, shame and silence. As a child, Jamie was placed in special needs classes for five years. 'I really struggled to read in primary school,' he says, 'I read my first [book] when I was about 33.' Leaving education behind was a relief. 'When I left school, it was, 'good riddance to you,'' he admits. 'The memories of no books, spelling errors, crosses repeated. I expected very little of myself because success in school is built on things a dyslexic brain isn't good at.' Now 50, Jamie still grapples with challenges most take for granted. 'My inner voice isn't as confident when I'm reading,' he says. 'My eyes aren't really tracking well. I'm used to it. Some days are better than others. I'm better when I'm less tired.' Despite the hurdles, Jamie has built a wildly successful career and a happy personal haven. 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The Herald Scotland
an hour ago
- The Herald Scotland
A Scottish legend says cancel culture is over. Yeah right
He is not alone in his view. The comedian Ricky Gervais was getting his star on the walk of fame the other day and said something similar to Mr Millar. 'We've had a few weird years of cancel culture, people telling you what you can and can't laugh at or talk about,' he said. 'But we pushed back, and we won. I'd love to claim that it was due to my unrivalled genius, but truth be told, it's a cocktail of luck, persistence and a little bit of pushing against the tide.' So that's two big figures in popular culture telling us it's all over. But let's take a minute shall we. For a start, it's significant who's talking here. As I say, Mr Millar sold his empire to Netflix for £25m and Mr Gervais is also someone who's not short of a bob or two. Same thing with another public figure who's spoken out against cancel culture: JK Rowling. The mob did bay for her, and some people did stop speaking to her, and there were calls for her to be ejected from Harry Potter, her own creation. But in the end, like Gervais and Millar, money is a shield and Rowling was too rich to cancel. It's a good thing that Gervais and Millar have spoken out against cancel culture, but their relative immunity to its effects perhaps makes them a little too prone to declaring that it's over before it actually is. Because it isn't, not really. You may have seen the story about the comic Andrew Lawrence who's had shows cancelled after making a joke about the horrible incident at the Liverpool football parade. This is a sensitive area, and the joke was crass and in my view not funny. But I've been in many audiences where the comic has touched on sensitive areas and made jokes that are crass and in my view not funny, and people laughed. And if we cancel comedians for doing jokes some of us don't like, we risk ending up in a place that is, to use Mark Millar's words, safe and benign. Yes, it's awkward to defend someone like Andrew Lawrence but that's how freedom of expression works: it's awkward but important. There are other problems with the idea that cancel culture is over. One of the most high-profile casualties of it all was the comedy writer Graham Linehan, whose career was effectively ended because of his opinions on trans issues. I spoke to Graham about what happened and the effects were absolutely real: jobs fell away, virtually no-one in the media would return his calls, and his plans for a musical version of Father Ted ended when the producers asked him to stop talking about the trans issue and he refused. What's remarkable now is that we can see his opinions were not unusual and are shared by the majority of the population and yet they ended his career and there's still no prospect of Graham working again in British comedy. So if cancel culture is over, it isn't over for Graham. Read more Britain is Scottish: a truth from history that's still true today A Pride hate crime on Arran? No, just a sign of where we are now The best building in Glasgow, and what we can learn from its tragedy But even if we accept the premise that cases such as Graham's are becoming rarer, or will no longer happen, that doesn't mean cancel culture is finished because its effects do not always operate openly. I was speaking to a friend of mine last week who's working on a play that's about to tour the country and he was telling me about the pressures he's been under over script, casting and production, specifically on sex, gender and race. It's clear that anything that strays from the progressive viewpoint sometimes called 'woke' is out of the question and might jeopardise the future of his project and so he finds himself self-censoring to ensure he keeps his job. It's happening in theatre, and it's happening in movies and telly too. And the result? Safe and benign. Perhaps the phrase we should use to describe the phenomenon here is self-cancel culture although it amounts to the same thing as cancel culture because most people don't have as much money as Mr Millar or Mr Gervais or Ms Rowling and worry about losing their job, or the chances of promotion. You see it in academia too, where there have been plenty of examples of overt cancel culture, with speakers de-platformed or forced to withdraw because of protests and so forth. But equally insidious is the self-cancel culture that goes on, the self-censorship. One of the academics I've spoken to about this, Neil Thin, honorary research fellow at Edinburgh, told me how it works. What happens in practice, he said, is that because of overt, aggressive or denunciatory attacks on individuals, people at universities start to monitor and edit their own behaviour. They see what's happened to other people and think 'I don't want that, I'll avoid that topic'. And so freedom of speech is affected and damaged. As I say: self-cancel culture. Doctor Who (Image: PA) It's all of this kind of stuff, plus more recent and more overt cases such as Andrew Lawrence, that make me very wary of accepting Mark Millar's argument that cancel culture is over. What may help his case a bit is that the sort of people who've toed the line are starting to struggle. I'm thinking of the recent Snow White movie, which was heavy with cancel-proof progressive messages and bombed spectacularly at the box office. Same with the recent series of Doctor Who: on message certainly but also on course for the worst viewing figures in the programme's history. And it has now, probably, been rested. Or to use a better word: cancelled. The point is that the situation is probably a lot more uncertain than Mark Millar thinks it is. He may be right that the world is more relaxed again and we're about to see more dangerous stuff on screen and in print. But then again, someone who was working on a television drama being made in Glasgow was telling me last year about their Christmas party and how they'd been issued with a list of do's and don'ts including 'no swearing' and 'no sexual advances'. Relaxed is hardly the word I would use. But let's end by being hopeful shall we. The cultural moments that linger in my mind aren't the cosy ones, they're the crazy ones. The moments where I've been appalled or amused (or both at the same time). The best and most exciting television, movies and books are also much more likely to emerge from a culture of freedom than they are from a culture of fear. So let's hope Mark Millar is right. Let's hope cancel culture is over and writers have indeed regained their freedom to produce edgy material. Let's hope.
