Sigrid Thornton strips away the glamour in sweeping tragicomic vision
Mother Play: a play in five evictions ★★★★
Southbank Theatre, until August 2
Fresh from a Broadway run featuring Jessica Lange, the Australian premiere of Paula Vogel's three-hander Mother Play stars Sigrid Thornton as the latest mother with queer children to haunt the canon of American drama.
Phyllis Herman is a real piece of work. A chain-smoking, immaculately coiffed glamour-puss abandoned by her husband, she's been left to raise two kids alone in Washington, DC, in the 1960s.
As young Carl (Ash Flanders) and Martha (Yael Stone) dutifully unpack boxes in their down-at-heel rental apartment, Phyllis reclines in fur coat and sunglasses, as if looking like a movie star can somehow magic away the bitterness of life below the poverty line.
Phyllis's situation – and the aspect of her character that's obsessively bound up in her physical attractiveness – might remind you of the smothering Amanda Wingfield from Tennessee Williams' The Glass Menagerie, though this work melds the claustrophobia and emotional brutality of domestic drama with a sweeping tragicomic vision that spans decades and delivers us swords drawn onto the social battlefield covered by Tony Kushner's Angels in America.
Thornton isn't afraid to be unsympathetic. Phyllis is a victim, an unwilling mother who reluctantly chose giving birth over the risks of a backyard abortion, but Thornton doesn't hold back on the cruelties inflicted on her children. Parentification (parent-child role reversal), binge-drinking, psychological and emotional abuse, and deeply ingrained bigotry will blight the childhoods of Carl and Martha, whose bond with each other deepens as they make their escape.
The foreshadowing of their queerness is about as subtle as a drag queen's make-up, yet Flanders and Stone bring vitality and aching nuance to siblings compelled to discover what real love feels like in the absence of a healthy example of it. Flanders' gift for camp comedy can make the audience cheer or howl with laughter. As the narrator figure in this memory play, Stone's depth of feeling and implacable quest for emotional truth carve out a sharp elegiac frame.
Both actors sketch the maturation of their characters in the face of maternal betrayal with grace and nimble economy.
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Sydney Morning Herald
21 minutes ago
- Sydney Morning Herald
IMDb founder on how a 14-day Alien bender gave birth to an internet monster
Col Needham greets me with a big smile and an outstretched hand and slides me his business card. 'Founder and executive chair of IMDb', it says on one side, and on the other, 'all of life's riddles are answered in the movies'. The line comes from Grand Canyon, the 1991 ensemble drama from Big Chill writer-director Lawrence Kasdan, and is spoken in the film by Steve Martin as a bearded Hollywood producer. 'It's a movie quote about movie quotes,' says Needham, chuckling merrily. Of course it is. Needham is in Australia for the first time, and over the past month he has snorkelled on the Great Barrier Reef, lived it up in Sydney and the Blue Mountains, and soaked up the sites of the Great Ocean Road. But the real reason he's schlepped across the world from his home in Bristol, England, is to serve on the jury of the Melbourne International Film Festival, alongside Aftersun director Charlotte Wells, as chair, and American indie darling Alex Ross Perry, among others. On Saturday, they will reveal the winners of the Bright Horizons Prize for a first- or second-time director – at $140,000, it is one of the richest on the planet – and the Black Magic Design award for an Australian filmmaker, worth $40,000. Judging those prizes requires him to see 13 feature films, but Needham arrived here with a hit list of 91 he intended to catch. 'I've now seen 52 of them,' he says. If he doesn't tick them all off, no problem. 'There's always a carry-forward column.' Loading Columns, lists and movies are the essential ingredients of Needham's life. 'I've been tracking every movie that I've seen since the first of January, 1980,' he tells me. The 58-year-old Mancunian began his working life as a computer engineer at Hewlett-Packard, and owes his career and his fortune to two other pieces of technology: VCRs and the internet. But it all started in his bedroom, as a 14-year-old, with a simple notebook and pen. It was 1981, and his family had just leapt on the latest thing in home technology – a video cassette machine. A 25-minute walk away was a store that sold and rented the machines, and had a small stash of movies on VHS to demonstrate what this marvellous new device could do. And Needham was able to borrow them for two weeks at a time. 'My obsession began, really, with Ridley Scott's Alien,' he says. 'I watched it every single day for the two weeks that we had it – 14 times in 14 days.' He was fascinated by credits, too, reading them to the end long before post-credit sequences became a staple. And he soon started spotting patterns. 'I'm not sure if I understood what a cinematographer was when I was 14, but I knew they were in the opening credits, and then and I'd start to notice that this director often works with this DoP, or this producer is often producing things by this writer.' Loading As his viewing racked up, he began to lose track of what he'd seen. So he started jotting it down in a notebook, which he'd pop in his pocket as he headed off to the video store for his latest batch of three tapes. (As an aside, Needham tells me that by 1982 or 1983, some entrepreneurial character had started doing the rounds of his neighbourhood with a stash of VHS tapes in his car. 'The doorbell would ring, 'Oh, hey, video man'. He'd pop the boot open, and you'd be like, 'Oh, yeah, heard of that one'. It was an entirely different kind of streaming.' ) The first inklings of IMDb would soon emerge, as he transferred his jottings to his home computer. 'It was a Sharp MZ80k,' he recalls. 'It was 48KB [of RAM], and a cassette hard drive.' Needham spent his summer pausing and rewinding videotapes and typing credits into his database. He backdated his entries to January 1, 1980, though he admits some of those entries, which are still on IMDb today, might be a bit sketchy. 'I've been meaning to go back ...' For years it was a solitary pursuit, but in 1985, he discovered online bulletin boards, where members could dial a number, get online, sign up for a mailing list, and message other members. 'You'd probably be mailing, like, 100 fellow movie fans,' he says. 'But that's when I discovered there were other people like me. I was not the only crazy one.' Loading In the early days, it could take a couple of days for someone to respond. But by the late '80s, things were picking up pace. 'You might get a response the same day – shock, horror,' he jokes. He was sharing his database with anyone who was interested, and others shared their own lists: one kept tabs on actresses, but only those still alive; another tracked directors. In September 1990, someone – their name is lost to the mists of time, so no credit there – suggested collating all those separate lists into a single database. 'And so, on October 17, 1990 the first version of IMDb was published onto the public internet,' he says. It was 1993, though, before this hobby pursued by a few film nerds really crossed the Rubicon. Someone at Cardiff University emailed to say he'd downloaded the movie database software and thought it was amazing. 'And he said, 'have you heard of this World Wide Web thing, because I think it might be quite big'.' It was the early days of the internet, so early that a site called What's New on the Web published a daily list of new sites, typically just a couple each day. And Needham was all over it. 'I'd done the web,' he says, laughing. 'I'd been to every website that existed.' Fast forward to late 1997, and Needham received a call from someone at Amazon to say Jeff Bezos would be in England in January and would like to meet. 'We thought we were going to talk about an ad deal,' he says. 'But Jeff had other plans.' On April 24, 1998, IMDb became an Amazon company, and Needham and everyone who'd been working on it swapped their shares in their start-up for cash and shares in Amazon. 'In retrospect, I should have taken all shares,' he says. He's done all right, though. Needham now gets to indulge his nerdy passion as much as he likes, all over the world. He's done jury duty at around 20 festivals, he thinks, including alongside Taika Waititi at Sundance in 2015. 'This is not my first rodeo,' he says of MIFF. His favourite film? Alfred Hitchcock's Vertigo, which he estimates he has seen about 50 times. His most-watched? Not Alien, but its sequel, Aliens, which he has seen 63 times. And the running tally? 'It's 16,446, plus the 13 jury films,' he says. He'll add those to the total once the deliberations are complete. There's always a carry-forward column.
The Age
21 minutes ago
- The Age
IMDb founder on how a 14-day Alien bender gave birth to an internet monster
Col Needham greets me with a big smile and an outstretched hand and slides me his business card. 'Founder and executive chair of IMDb', it says on one side, and on the other, 'all of life's riddles are answered in the movies'. The line comes from Grand Canyon, the 1991 ensemble drama from Big Chill writer-director Lawrence Kasdan, and is spoken in the film by Steve Martin as a bearded Hollywood producer. 'It's a movie quote about movie quotes,' says Needham, chuckling merrily. Of course it is. Needham is in Australia for the first time, and over the past month he has snorkelled on the Great Barrier Reef, lived it up in Sydney and the Blue Mountains, and soaked up the sites of the Great Ocean Road. But the real reason he's schlepped across the world from his home in Bristol, England, is to serve on the jury of the Melbourne International Film Festival, alongside Aftersun director Charlotte Wells, as chair, and American indie darling Alex Ross Perry, among others. On Saturday, they will reveal the winners of the Bright Horizons Prize for a first- or second-time director – at $140,000, it is one of the richest on the planet – and the Black Magic Design award for an Australian filmmaker, worth $40,000. Judging those prizes requires him to see 13 feature films, but Needham arrived here with a hit list of 91 he intended to catch. 'I've now seen 52 of them,' he says. If he doesn't tick them all off, no problem. 'There's always a carry-forward column.' Loading Columns, lists and movies are the essential ingredients of Needham's life. 'I've been tracking every movie that I've seen since the first of January, 1980,' he tells me. The 58-year-old Mancunian began his working life as a computer engineer at Hewlett-Packard, and owes his career and his fortune to two other pieces of technology: VCRs and the internet. But it all started in his bedroom, as a 14-year-old, with a simple notebook and pen. It was 1981, and his family had just leapt on the latest thing in home technology – a video cassette machine. A 25-minute walk away was a store that sold and rented the machines, and had a small stash of movies on VHS to demonstrate what this marvellous new device could do. And Needham was able to borrow them for two weeks at a time. 'My obsession began, really, with Ridley Scott's Alien,' he says. 'I watched it every single day for the two weeks that we had it – 14 times in 14 days.' He was fascinated by credits, too, reading them to the end long before post-credit sequences became a staple. And he soon started spotting patterns. 'I'm not sure if I understood what a cinematographer was when I was 14, but I knew they were in the opening credits, and then and I'd start to notice that this director often works with this DoP, or this producer is often producing things by this writer.' Loading As his viewing racked up, he began to lose track of what he'd seen. So he started jotting it down in a notebook, which he'd pop in his pocket as he headed off to the video store for his latest batch of three tapes. (As an aside, Needham tells me that by 1982 or 1983, some entrepreneurial character had started doing the rounds of his neighbourhood with a stash of VHS tapes in his car. 'The doorbell would ring, 'Oh, hey, video man'. He'd pop the boot open, and you'd be like, 'Oh, yeah, heard of that one'. It was an entirely different kind of streaming.' ) The first inklings of IMDb would soon emerge, as he transferred his jottings to his home computer. 'It was a Sharp MZ80k,' he recalls. 'It was 48KB [of RAM], and a cassette hard drive.' Needham spent his summer pausing and rewinding videotapes and typing credits into his database. He backdated his entries to January 1, 1980, though he admits some of those entries, which are still on IMDb today, might be a bit sketchy. 'I've been meaning to go back ...' For years it was a solitary pursuit, but in 1985, he discovered online bulletin boards, where members could dial a number, get online, sign up for a mailing list, and message other members. 'You'd probably be mailing, like, 100 fellow movie fans,' he says. 'But that's when I discovered there were other people like me. I was not the only crazy one.' Loading In the early days, it could take a couple of days for someone to respond. But by the late '80s, things were picking up pace. 'You might get a response the same day – shock, horror,' he jokes. He was sharing his database with anyone who was interested, and others shared their own lists: one kept tabs on actresses, but only those still alive; another tracked directors. In September 1990, someone – their name is lost to the mists of time, so no credit there – suggested collating all those separate lists into a single database. 'And so, on October 17, 1990 the first version of IMDb was published onto the public internet,' he says. It was 1993, though, before this hobby pursued by a few film nerds really crossed the Rubicon. Someone at Cardiff University emailed to say he'd downloaded the movie database software and thought it was amazing. 'And he said, 'have you heard of this World Wide Web thing, because I think it might be quite big'.' It was the early days of the internet, so early that a site called What's New on the Web published a daily list of new sites, typically just a couple each day. And Needham was all over it. 'I'd done the web,' he says, laughing. 'I'd been to every website that existed.' Fast forward to late 1997, and Needham received a call from someone at Amazon to say Jeff Bezos would be in England in January and would like to meet. 'We thought we were going to talk about an ad deal,' he says. 'But Jeff had other plans.' On April 24, 1998, IMDb became an Amazon company, and Needham and everyone who'd been working on it swapped their shares in their start-up for cash and shares in Amazon. 'In retrospect, I should have taken all shares,' he says. He's done all right, though. Needham now gets to indulge his nerdy passion as much as he likes, all over the world. He's done jury duty at around 20 festivals, he thinks, including alongside Taika Waititi at Sundance in 2015. 'This is not my first rodeo,' he says of MIFF. His favourite film? Alfred Hitchcock's Vertigo, which he estimates he has seen about 50 times. His most-watched? Not Alien, but its sequel, Aliens, which he has seen 63 times. And the running tally? 'It's 16,446, plus the 13 jury films,' he says. He'll add those to the total once the deliberations are complete. There's always a carry-forward column.
The Advertiser
2 hours ago
- The Advertiser
Eight new books to add to your bedside table pile this week
Grant Dooley. Affirm Press. $36.99. Grant Dooley and his wife, Kristan, had barely settled into their diplomatic posting to Indonesia in 2004 when a bomb exploded outside the Australian embassy compound in Jakarta, killing 11 people. Dooley was one of the first responders. Two-and-a-half years later he was on the scene when Garuda flight 200 crashed in Yogyakarta, killing 20 people - five of them Australians. Dooley's description of running to the burning aircraft, hoping desperately to find friends and colleagues on board, is one of the most powerful scenes in a memoir that captures the emotional and psychological toll of his tumultuous time in Indonesia. Nicole Madigan. Pantera Press. $36.99. Investigative journalist Nicole Madigan's second work of non-fiction is an intimate exploration of why people choose to stay in toxic relationships and what drives them to leave. It tells the stories of four women who fought devastatingly hard for relationships that were tarnished by betrayal, hurt, lies and behaviours that fractured the foundation on which they were built. This is an impressive follow-up to 2023's Obsession: A journalist and victim-survivor's investigation into stalking. If you liked Three Women by Lisa Taddeo, Torn offers insights into the complexities of love, infidelity, addiction and grief. Tim Booth. Macmillan Australia. $36.99. Stories about the bizarre stuff medical professionals face in their daily lives are a rich seam well mined by doctors, nurses and paramedics. The latest collection comes from Tim Booth, who was a motoring journalist before he handed in his road-testing keys and became an intensive care paramedic. From the woman who called 000 because she had run out of milk to a dairy-related crisis of a more adult kind involving the illegal drug GHB and copious amounts of custard, Booth takes readers behind the scenes in the world of emergency medicine, with generous lashings of absurdity and dark humour. Stuart Mullins & Bill Hayes. Simon & Schuster. $36.99. It was a crime that changed post-war Australia. On Australia Day 1966 three children - Jane, Arnna and Grant Beaumont - went missing from Glenelg Beach in South Australia. They were never seen again. It was a story at least as seismic for generations of parents as the disappearance of Madeleine McCann in Portugal in 2007. The authors, one a writer and the other a former police detective, have years of experience with the case. They name the prime suspect in the mystery as a businessman who was considered a pillar of Adelaide society, but who in reality was a serial predator. Natalia Figueroa Barroso. UQP. $34.99. Uruguayan-Australian Natalia Figueroa Barroso's debut novel spans two continents and three generations of women. The stories of Gaciela, daughter Rita and aunt Chula explore the different perspectives of a family's migrant past through identity, nostalgia for one's origins and buried secrets. Taking place in Western Sydney, 1970s Uruguay and present-day Montevideo, the novel shows that though trauma can be generational, there are often ways to heal. The author attributes her writing inspiration for her novel to The Color Purple by Alice Walker, Dirt Poor Islanders by Winnie Dunn and Family Lore by Elizabeth Acevedo. Sophie Green. Hachette. $34.99. Sophie Green's latest novel is a cozy read that will make you want to curl up on the couch with the crew at the Seaside Salon, Trudy, Anna, Evie and Josie. The four women either work or are clients at the salon in a classic coastal town. We follow them in the winter months of the 1980s as they find love and friendship, sometimes in unexpected places. Green's characterisation brings you quickly onside while the insights into a hairdresser's careful negotiation with their clients makes you smile. Oceanforged: The Wicked Ship Amelia Mellor. Affirm Press. $16.99. This is the first instalment of a promised five-book fantasy adventure series from the author of historical fantasy trilogy The Grandest Bookshop in the World. Recommended for readers aged 8 to 12, Oceanforged follows 13-year-old Cori, who is fighting for her life aboard the pirate ship Harridan skippered by the fearsome Captain Scrimshaw. When a powerful gauntlet from an ancient magical suit of armour fuses itself to her arm, plucky Cori thinks it's her ticket to freedom but first she must learn about courage and resilience, helped by her new friends, Tarn and Jem, who have amazing skills of their own. Suzanne Do. Macmillan Australia. $34.99. Lili Berry's life in the charming coastal village of Swanning is upended by the death of her twin sister, Honey. Fuelled by grief, Lili strives to uncover the truth. Pete, who is haunted by the disappearance of his son 15 years ago, is the one who found Honey's body. He and Lili plunge headfirst into the dark secrets and lies of their not always close-knit community. This is the debut novel of former lawyer Suzanne Do, who with husband Anh Do co-wrote The Little Refugee, a children's version of his bestselling memoir, The Happiest Refugee, and the feature film Footy Legends. Grant Dooley. Affirm Press. $36.99. Grant Dooley and his wife, Kristan, had barely settled into their diplomatic posting to Indonesia in 2004 when a bomb exploded outside the Australian embassy compound in Jakarta, killing 11 people. Dooley was one of the first responders. Two-and-a-half years later he was on the scene when Garuda flight 200 crashed in Yogyakarta, killing 20 people - five of them Australians. Dooley's description of running to the burning aircraft, hoping desperately to find friends and colleagues on board, is one of the most powerful scenes in a memoir that captures the emotional and psychological toll of his tumultuous time in Indonesia. Nicole Madigan. Pantera Press. $36.99. Investigative journalist Nicole Madigan's second work of non-fiction is an intimate exploration of why people choose to stay in toxic relationships and what drives them to leave. It tells the stories of four women who fought devastatingly hard for relationships that were tarnished by betrayal, hurt, lies and behaviours that fractured the foundation on which they were built. This is an impressive follow-up to 2023's Obsession: A journalist and victim-survivor's investigation into stalking. If you liked Three Women by Lisa Taddeo, Torn offers insights into the complexities of love, infidelity, addiction and grief. Tim Booth. Macmillan Australia. $36.99. Stories about the bizarre stuff medical professionals face in their daily lives are a rich seam well mined by doctors, nurses and paramedics. The latest collection comes from Tim Booth, who was a motoring journalist before he handed in his road-testing keys and became an intensive care paramedic. From the woman who called 000 because she had run out of milk to a dairy-related crisis of a more adult kind involving the illegal drug GHB and copious amounts of custard, Booth takes readers behind the scenes in the world of emergency medicine, with generous lashings of absurdity and dark humour. Stuart Mullins & Bill Hayes. Simon & Schuster. $36.99. It was a crime that changed post-war Australia. On Australia Day 1966 three children - Jane, Arnna and Grant Beaumont - went missing from Glenelg Beach in South Australia. They were never seen again. It was a story at least as seismic for generations of parents as the disappearance of Madeleine McCann in Portugal in 2007. The authors, one a writer and the other a former police detective, have years of experience with the case. They name the prime suspect in the mystery as a businessman who was considered a pillar of Adelaide society, but who in reality was a serial predator. Natalia Figueroa Barroso. UQP. $34.99. Uruguayan-Australian Natalia Figueroa Barroso's debut novel spans two continents and three generations of women. The stories of Gaciela, daughter Rita and aunt Chula explore the different perspectives of a family's migrant past through identity, nostalgia for one's origins and buried secrets. Taking place in Western Sydney, 1970s Uruguay and present-day Montevideo, the novel shows that though trauma can be generational, there are often ways to heal. The author attributes her writing inspiration for her novel to The Color Purple by Alice Walker, Dirt Poor Islanders by Winnie Dunn and Family Lore by Elizabeth Acevedo. Sophie Green. Hachette. $34.99. Sophie Green's latest novel is a cozy read that will make you want to curl up on the couch with the crew at the Seaside Salon, Trudy, Anna, Evie and Josie. The four women either work or are clients at the salon in a classic coastal town. We follow them in the winter months of the 1980s as they find love and friendship, sometimes in unexpected places. Green's characterisation brings you quickly onside while the insights into a hairdresser's careful negotiation with their clients makes you smile. Oceanforged: The Wicked Ship Amelia Mellor. Affirm Press. $16.99. This is the first instalment of a promised five-book fantasy adventure series from the author of historical fantasy trilogy The Grandest Bookshop in the World. Recommended for readers aged 8 to 12, Oceanforged follows 13-year-old Cori, who is fighting for her life aboard the pirate ship Harridan skippered by the fearsome Captain Scrimshaw. When a powerful gauntlet from an ancient magical suit of armour fuses itself to her arm, plucky Cori thinks it's her ticket to freedom but first she must learn about courage and resilience, helped by her new friends, Tarn and Jem, who have amazing skills of their own. Suzanne Do. Macmillan Australia. $34.99. Lili Berry's life in the charming coastal village of Swanning is upended by the death of her twin sister, Honey. Fuelled by grief, Lili strives to uncover the truth. Pete, who is haunted by the disappearance of his son 15 years ago, is the one who found Honey's body. He and Lili plunge headfirst into the dark secrets and lies of their not always close-knit community. This is the debut novel of former lawyer Suzanne Do, who with husband Anh Do co-wrote The Little Refugee, a children's version of his bestselling memoir, The Happiest Refugee, and the feature film Footy Legends. Grant Dooley. Affirm Press. $36.99. Grant Dooley and his wife, Kristan, had barely settled into their diplomatic posting to Indonesia in 2004 when a bomb exploded outside the Australian embassy compound in Jakarta, killing 11 people. Dooley was one of the first responders. Two-and-a-half years later he was on the scene when Garuda flight 200 crashed in Yogyakarta, killing 20 people - five of them Australians. Dooley's description of running to the burning aircraft, hoping desperately to find friends and colleagues on board, is one of the most powerful scenes in a memoir that captures the emotional and psychological toll of his tumultuous time in Indonesia. Nicole Madigan. Pantera Press. $36.99. Investigative journalist Nicole Madigan's second work of non-fiction is an intimate exploration of why people choose to stay in toxic relationships and what drives them to leave. It tells the stories of four women who fought devastatingly hard for relationships that were tarnished by betrayal, hurt, lies and behaviours that fractured the foundation on which they were built. This is an impressive follow-up to 2023's Obsession: A journalist and victim-survivor's investigation into stalking. If you liked Three Women by Lisa Taddeo, Torn offers insights into the complexities of love, infidelity, addiction and grief. Tim Booth. Macmillan Australia. $36.99. Stories about the bizarre stuff medical professionals face in their daily lives are a rich seam well mined by doctors, nurses and paramedics. The latest collection comes from Tim Booth, who was a motoring journalist before he handed in his road-testing keys and became an intensive care paramedic. From the woman who called 000 because she had run out of milk to a dairy-related crisis of a more adult kind involving the illegal drug GHB and copious amounts of custard, Booth takes readers behind the scenes in the world of emergency medicine, with generous lashings of absurdity and dark humour. Stuart Mullins & Bill Hayes. Simon & Schuster. $36.99. It was a crime that changed post-war Australia. On Australia Day 1966 three children - Jane, Arnna and Grant Beaumont - went missing from Glenelg Beach in South Australia. They were never seen again. It was a story at least as seismic for generations of parents as the disappearance of Madeleine McCann in Portugal in 2007. The authors, one a writer and the other a former police detective, have years of experience with the case. They name the prime suspect in the mystery as a businessman who was considered a pillar of Adelaide society, but who in reality was a serial predator. Natalia Figueroa Barroso. UQP. $34.99. Uruguayan-Australian Natalia Figueroa Barroso's debut novel spans two continents and three generations of women. The stories of Gaciela, daughter Rita and aunt Chula explore the different perspectives of a family's migrant past through identity, nostalgia for one's origins and buried secrets. Taking place in Western Sydney, 1970s Uruguay and present-day Montevideo, the novel shows that though trauma can be generational, there are often ways to heal. The author attributes her writing inspiration for her novel to The Color Purple by Alice Walker, Dirt Poor Islanders by Winnie Dunn and Family Lore by Elizabeth Acevedo. Sophie Green. Hachette. $34.99. Sophie Green's latest novel is a cozy read that will make you want to curl up on the couch with the crew at the Seaside Salon, Trudy, Anna, Evie and Josie. The four women either work or are clients at the salon in a classic coastal town. We follow them in the winter months of the 1980s as they find love and friendship, sometimes in unexpected places. Green's characterisation brings you quickly onside while the insights into a hairdresser's careful negotiation with their clients makes you smile. Oceanforged: The Wicked Ship Amelia Mellor. Affirm Press. $16.99. This is the first instalment of a promised five-book fantasy adventure series from the author of historical fantasy trilogy The Grandest Bookshop in the World. Recommended for readers aged 8 to 12, Oceanforged follows 13-year-old Cori, who is fighting for her life aboard the pirate ship Harridan skippered by the fearsome Captain Scrimshaw. When a powerful gauntlet from an ancient magical suit of armour fuses itself to her arm, plucky Cori thinks it's her ticket to freedom but first she must learn about courage and resilience, helped by her new friends, Tarn and Jem, who have amazing skills of their own. Suzanne Do. Macmillan Australia. $34.99. Lili Berry's life in the charming coastal village of Swanning is upended by the death of her twin sister, Honey. Fuelled by grief, Lili strives to uncover the truth. Pete, who is haunted by the disappearance of his son 15 years ago, is the one who found Honey's body. He and Lili plunge headfirst into the dark secrets and lies of their not always close-knit community. This is the debut novel of former lawyer Suzanne Do, who with husband Anh Do co-wrote The Little Refugee, a children's version of his bestselling memoir, The Happiest Refugee, and the feature film Footy Legends. Grant Dooley. Affirm Press. $36.99. Grant Dooley and his wife, Kristan, had barely settled into their diplomatic posting to Indonesia in 2004 when a bomb exploded outside the Australian embassy compound in Jakarta, killing 11 people. Dooley was one of the first responders. Two-and-a-half years later he was on the scene when Garuda flight 200 crashed in Yogyakarta, killing 20 people - five of them Australians. Dooley's description of running to the burning aircraft, hoping desperately to find friends and colleagues on board, is one of the most powerful scenes in a memoir that captures the emotional and psychological toll of his tumultuous time in Indonesia. Nicole Madigan. Pantera Press. $36.99. Investigative journalist Nicole Madigan's second work of non-fiction is an intimate exploration of why people choose to stay in toxic relationships and what drives them to leave. It tells the stories of four women who fought devastatingly hard for relationships that were tarnished by betrayal, hurt, lies and behaviours that fractured the foundation on which they were built. This is an impressive follow-up to 2023's Obsession: A journalist and victim-survivor's investigation into stalking. If you liked Three Women by Lisa Taddeo, Torn offers insights into the complexities of love, infidelity, addiction and grief. Tim Booth. Macmillan Australia. $36.99. Stories about the bizarre stuff medical professionals face in their daily lives are a rich seam well mined by doctors, nurses and paramedics. The latest collection comes from Tim Booth, who was a motoring journalist before he handed in his road-testing keys and became an intensive care paramedic. From the woman who called 000 because she had run out of milk to a dairy-related crisis of a more adult kind involving the illegal drug GHB and copious amounts of custard, Booth takes readers behind the scenes in the world of emergency medicine, with generous lashings of absurdity and dark humour. Stuart Mullins & Bill Hayes. Simon & Schuster. $36.99. It was a crime that changed post-war Australia. On Australia Day 1966 three children - Jane, Arnna and Grant Beaumont - went missing from Glenelg Beach in South Australia. They were never seen again. It was a story at least as seismic for generations of parents as the disappearance of Madeleine McCann in Portugal in 2007. The authors, one a writer and the other a former police detective, have years of experience with the case. They name the prime suspect in the mystery as a businessman who was considered a pillar of Adelaide society, but who in reality was a serial predator. Natalia Figueroa Barroso. UQP. $34.99. Uruguayan-Australian Natalia Figueroa Barroso's debut novel spans two continents and three generations of women. The stories of Gaciela, daughter Rita and aunt Chula explore the different perspectives of a family's migrant past through identity, nostalgia for one's origins and buried secrets. Taking place in Western Sydney, 1970s Uruguay and present-day Montevideo, the novel shows that though trauma can be generational, there are often ways to heal. The author attributes her writing inspiration for her novel to The Color Purple by Alice Walker, Dirt Poor Islanders by Winnie Dunn and Family Lore by Elizabeth Acevedo. Sophie Green. Hachette. $34.99. Sophie Green's latest novel is a cozy read that will make you want to curl up on the couch with the crew at the Seaside Salon, Trudy, Anna, Evie and Josie. The four women either work or are clients at the salon in a classic coastal town. We follow them in the winter months of the 1980s as they find love and friendship, sometimes in unexpected places. Green's characterisation brings you quickly onside while the insights into a hairdresser's careful negotiation with their clients makes you smile. Oceanforged: The Wicked Ship Amelia Mellor. Affirm Press. $16.99. This is the first instalment of a promised five-book fantasy adventure series from the author of historical fantasy trilogy The Grandest Bookshop in the World. Recommended for readers aged 8 to 12, Oceanforged follows 13-year-old Cori, who is fighting for her life aboard the pirate ship Harridan skippered by the fearsome Captain Scrimshaw. When a powerful gauntlet from an ancient magical suit of armour fuses itself to her arm, plucky Cori thinks it's her ticket to freedom but first she must learn about courage and resilience, helped by her new friends, Tarn and Jem, who have amazing skills of their own. Suzanne Do. Macmillan Australia. $34.99. Lili Berry's life in the charming coastal village of Swanning is upended by the death of her twin sister, Honey. Fuelled by grief, Lili strives to uncover the truth. Pete, who is haunted by the disappearance of his son 15 years ago, is the one who found Honey's body. He and Lili plunge headfirst into the dark secrets and lies of their not always close-knit community. This is the debut novel of former lawyer Suzanne Do, who with husband Anh Do co-wrote The Little Refugee, a children's version of his bestselling memoir, The Happiest Refugee, and the feature film Footy Legends.
