
Lainey Wilson rules Academy of Country Music Awards once again
'I really do have the best fans in the world,' she said in her final acceptance speech, admitting to experiencing impostor syndrome. 'I dreamed about entertaining. ... Country music has given me more than I deserve.'
Beyond Wilson's dominance, the 2025 ACM Awards were packed with celebration. Earlier, first-time and leading nominee Ella Langley's duet with Riley Green, the ubiquitous 'You Look Like You Love Me,' was named single and music event of the year. Both Langley and Green used their first acceptance speech to shout out classic country — songs with talking in them — that inspired their modern hit.
Chris Stapleton.
A revisitation of the past might have been a theme on Thursday night, evidenced right at the top of the ceremony: a 14-minute medley of six decades of country classics, performed by giants of the genre. Host Reba McEntire launched into Merle Haggard's 'Okie from Muskogee,' followed by Clint Black with Glen Campbell's 'Rhinestone Cowboy' and Wynonna Judd with The Judds' 'Why Not Me.' LeAnn Rimes returned to the ACM Awards stage for her 1997 ballad 'Blue.' Little Big Town tackled their 2014 track 'Girl Crush' and Dan + Shay delivered their 'Tequila.'
It was an exciting way to kick off the ACM Awards, live from the Ford Center at The Star in Frisco, Texas, just north of Dallas. And it was a show highlight, rivaled only by the introduction of the ACM Alan Jackson Lifetime Achievement Award, the inaugural trophy given to its namesake, Jackson, after he performed 'Remember When.'
Kix Brooks (right) and Ronnie Dunn.
In his acceptance speech, he joked that a fan named a dog after him. Having an award named after him? That isn't half bad, either. The first trophy of the night, the coveted song of the year, was awarded to Cody Johnson for his radio hit 'Dirt Cheap.'
Performances followed, fast and furious. McEntire, Wilson and Miranda Lambert teamed up for the world premiere of their new single 'Trailblazer,' celebrating women in country music.
Ella Langley and Riley Green.
Eric Church performed his brand-new single 'Hands of Time,' succeeded by the most awarded artist in the history of the award show, Lambert with 'Run.' She was then joined by Langley to duet 'Kerosene' from Lambert's 2005 debut album of the same name.
Zach Top stripped things down for 'Use Me.' Blake Shelton channeled the great George Strait for his new single 'Texas,' followed by Wilson with 'Whirlwind.' Kelsea Ballerini performed atop her 'Baggage.' Johnson rocked 'The Fall,' before performing 'Red Dirt Road' with Brooks & Dunn. Chris Stapleton and his wife, Morgane, harmonized on 'It Takes a Woman.'
Jelly Roll and Shaboozey joined forces for their collaboration, 'Amen.'
Alan Jackson.
'It's Shaboozey's birthday,' Jelly Roll said. 'We wanna thank y'all and we wanna thank God.' Backstreet Boys and Rascal Flatts closed the show.
The Oak Ridge Boys gave the group of the year award to Old Dominion. It was a moving gesture; in 2024 the Oak Ridge Boys' Joe Bonsall, a Grammy award winner and celebrated tenor, died from complications of the neuromuscular disorder Amyotrophic Lateral Sclerosis.
Jessie Jo Dillon.
Another tearjerker: McEntire leading the audience in a sing-along of the late Kris Kristofferson's 'Me and Bobby McGee.' Male artist of the year went to Stapleton. Duo of the year was awarded to Brooks & Dunn.
Associated Press
Winners at a glance
ENTERTAINER OF THE YEAR
Lainey Wilson
FEMALE ARTIST OF THE YEAR
Lainey Wilson
MALE ARTIST OF THE YEAR
Chris Stapleton
DUO OF THE YEAR
Brooks & Dunn
GROUP OF THE YEAR
Old Dominion
NEW FEMALE ARTIST OF THE YEAR
Ella Langley
NEW MALE ARTIST OF THE YEAR
Zach Top
NEW DUO OR GROUP OF THE YEAR
The Red Clay Strays
ALBUM OF THE YEAR
Whirlwind: Lainey Wilson
SINGLE OF THE YEAR
You Look Like You Love Me: Ella Langley, Riley Green
SONG OF THE YEAR
Dirt Cheap: Cody Johnson
MUSIC EVENT OF THE YEAR
You Look Like You Love Me: Ella Langley, Riley Green
VISUAL MEDIA OF THE YEAR
You Look Like You Love Me: Ella Langley, Riley Green
ARTIST-SONGWRITER OF THE YEAR
Lainey Wilson
SONGWRITER OF THE YEAR
Jessie Jo Dillon
Tribune News Service
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Web Release
24-07-2025
- Web Release
Inside HUSHH This Month: Happy Hour, Quiz Nights, Live Music & More
HUSHH, Dubai's game-filled social barcade tucked inside Social Distrikt at Dubai Mall Fountain Views, is serving up a packed line-up of entertainment, drinks deals, and high-energy social experiences. From the buzz of live bands to brain-teasing quiz nights and a ladies' night like no other, there's never a dull moment at HUSHH. Every week brings something new, something bold, and something totally unmissable. Here's what's happening at HUSHH: Happy Hour Sunday to Thursday, 5 PM to 8 PM. Drinks from AED 20 and games from just AED 10 – the perfect excuse to kick off your night early. Ladies' Night Every Tuesday, 8 PM to Midnight. A glam, game-filled evening for the girls. AED 150 per person includes three hours of unlimited drinks & game credit worth 50 AED. Wednesday Night Speed Quizzing Wednesdays from 8 PM. Hosted by Dubai's favourite quizmaster Dan (@quizmandandxb), this is not your average pub quiz. No paper. No pens. Just fast-paced, app-based fun where your phone becomes your buzzer. This quiz will challenge you mentally, musically, and physically through spontaneous, laugh-out-loud challenges. Plus, chances to win fun and fantastic prizes for the whole team. Live Band Saturdays Every Saturday | From 8 PM. Live music from resident performers Ark Angles, bringing the vibes with everything from soul to funk. F1 Race Screenings On July 27th, catch the adrenaline of the Belgian Grand Prix race live on screen, surrounded by arcade energy and unbeatable drinks. With its signature mix of Duckpin bowling, AR shuffleboard, AR Darts, Arcade games, and a rotation of themed nights, HUSHH is the go-to destination this summer for those looking to sip, play, and stay entertained. Whether you're here to flex your trivia knowledge, vibe to live tunes, or just take advantage of the great drinks deals, there's always something to keep you coming back to HUSHH.


Gulf Today
26-06-2025
- Gulf Today
Country singer Parker McCollum's dreams came true
Imagine you come from a small town in Texas and you have big dreams of being a country music star. Imagine those aspirations come true, tenfold: You win a couple Academy of Country Music Awards, a CMT Music Award and you have a couple platinum singles to your name. What's next? If you're Parker McCollum, it's new challenges. Surpassing his wildest expectations meant reveling in the carte blanche that follows - the freedom to do whatever you want. For the 33-year-old singer, that's the release of his fifth full-length project, a self-titled album out Friday. "I would hang my hat on this record seven days a week,' he says of the album. "It's just the most focused I've ever been.' He's self-assured now, but the road to "Parker McCollum,' the album, wasn't so steady. He originally recorded half a full-length with his longtime collaborator, producer Jon Randall. It wasn't working. "I was comfortable,' McCollum says. "I was like, 'I gotta go get as uncomfortable as I can.'' So, he scrapped what he had, went to New York, worked with a new producer, Frank Liddell (Miranda Lambert, Lee Ann Womack, Chris Knight), and recorded what became the final album in a week. "It sounds absolutely ridiculous when you say it out loud,' McCollum says. "That's a crazy way to do it, but I think it worked.' It helped that McCollum had most of the songs written. "I wrote 'Permanent Headphones' when I was 15. I wrote 'My Blue' in 2019. I wrote a lot of songs last year,' he says. Still, they cut "a couple songs a day.' He credits Liddell for pulling the best songs out of him, as well as New York's industrious energy, for helping him realize the record. "I would hang my hat on this record seven days a week,' Parker McCollum says of the album. "I'm glowing when I'm there,' he says of the city. "When I was in high school dreaming about being on a major label cutting records, you know, 'It's going to be in New York City and it's gonna be ... like a movie. And, you know, I just decided to try and actually do that.' The album possesses that vigor, from the slow-building, John Mayer-esq. "New York Is On Fire' to more country-and-then-some fare: "Solid Country Gold,' "Sunny Days,' and "What Kinda Man.' There's also a spirited cover of Danny O'Keefe's folk classic "Good Time Charlie's Got The Blues' with fellow Texan singer Cody Johnson, the album's sole feature. "I've played that song my entire life,' McCollum says. He thought, "That song is going to be cut at some point or another in my career. Might as well make it now.' The narrative opener "My Blue' was the first song McCollum and Liddell recorded in the studio, and it was "a breeze,' as McCollum describes it, "And the worst thing happened that could have possibly happened.' They thought the rest of the process would be effortless, but that's not how it goes. "It was just an absolute emotional grind for the next six and a half days. But I wouldn't have it any other way.' That led to experimentation, too. "I've always wanted to be a country singer. And the more that I listen to what I do, I'm like, 'This doesn't really sound like country music to me,' which is hard to put your thumb on nowadays, of course, what country music really is. It's just not as narrow as it used to be. But I'm like, I just don't really even care anymore. You know, maybe I'm not a country singer. I don't know. I don't give a (expletive) anymore. Whatever it is that I do sound like, you know, that's what I wanna do.' As long as the songs "make you feel something.' That's something fans have long connected to, since the release of his debut, "The Limestone Kid,' a decade ago. "It really eats at me to put out music that hits you where music hits me,' he says. "I really enjoy that chase and that journey of, 'Am I going to write songs that are good enough?' ... I'm trying to find those answers.' Associated Press


Gulf Today
12-06-2025
- Gulf Today
Beach Boys founder Brian Wilson dies at age 82
Beach Boys cofounder Brian Wilson, who created some of rock's most enduring songs such as "Good Vibrations" and "God Only Knows" in a career that was marked by a decades-long battle between his musical genius, drug abuse and mental health issues, has died at the age of 82. Wilson's family announced his death in a statement on the singer's website. "We are at a loss for words right now," the statement said. "We realise that we are sharing our grief with the world." The statement did not disclose a cause of death. Wilson had suffered from dementia and was unable to care for himself after his wife Melinda Wilson died in early 2024, prompting his family to put him under conservatorship. Starting in 1961, the Beach Boys put out a string of sunny hits celebrating the touchstones of California youth culture -- surfing, cars and romance. But what made the songs special was the ethereal harmonies that Wilson arranged and that would become the band's lasting trademark. The Beach Boys, Carl Wilson (left), Mike Love, Dennis Wilson, Bruce Johnston, and Al Jardine pose for a portrait in London in November 1966. File/AP Wilson formed the band with younger brothers Carl and Dennis, cousin Mike Love and friend Al Jardine in their hometown, the Los Angeles suburb of Hawthorne. They went on to have 36 Top 40 hits, with Wilson writing and composing most of the early works. Songs such as "Little Deuce Coupe," "Surfin' USA," "California Girls," "Fun, Fun, Fun" and "Help Me, Rhonda" remain instantly recognizable and eminently danceable. But there were plenty of bad vibrations in Wilson's life: an abusive father, a cornucopia of drugs, a series of mental breakdowns, long periods of seclusion and depression and voices in his head that, even when he was on stage, told him he was no good. "I've lived a very, very difficult, haunted life," Wilson told the Washington Post in 2007. The music group The Beach Boys are shown in this undated photograph. Shown are Mike Love, Al Jardine, Carl Wilson and Brian Wilson. Reuters In May 2024, a judge ruled the 81-year-old Wilson should be put under a conservatorship after two longtime associates had petitioned the court at his family's request, saying he could not care for himself following the death of his wife, Melinda. By 1966 touring had already become an ordeal for Wilson, who suffered what would be his first mental breakdown. He remained the Beach Boys' mastermind but retreated to the studio to work, usually without his bandmates, on "Pet Sounds," a symphonic reflection on the loss of innocence. The landmark "Good Vibrations" was recorded during those sessions, though it did not make it on to the album. Though "Pet Sounds" included hits such as "Wouldn't It Be Nice," "Sloop John B" and "God Only Knows", it was not an immediate commercial success in the United States. There also was resistance to the album within the band, especially from singer Love, who wanted to stick with the proven money-making sound. 'IT'S LIKE FALLING IN LOVE' "Pet Sounds", which was released in 1966, later would come to be recognized as Wilson's magnum opus. Paul McCartney said it was an influence on the Beatles' "Sgt. Pepper's Lonely Hearts Club Band." "No one's musical education is complete until they've heard 'Pet Sounds'," McCartney said. In 2012 Rolling Stone magazine ranked it second only to "Sgt. Pepper" on its list of the 500 greatest rock albums. "Hearing 'Pet Sounds' gave me the kind of feeling that raises the hairs on the back of your neck and you say, 'What is that? It's fantastic,'" George Martin, the Beatles' legendary producer, said in the liner notes of a reissued version of the album. "It's like falling in love." Flowers and a note are kept on the star of band Beach Boys following musician Brian Wilson's death on the Hollywood Walk of Fame in Los Angeles, California, US, on Wednesday. Reuters Released as a single that same year, "Good Vibrations" drew similar plaudits. On hearing the song, which would become the Beach Boys' greatest hit, Art Garfunkel called his musical partner Paul Simon to say: "I think I just heard the greatest, most creative record of them all." Stars of the music world paid tribute to Wilson on Wednesday. "Anyone with a musical bone in their body must be grateful for Brian Wilson's genius magical touch!!," Fleetwood Mac drummer Mick Fleetwood said on social media. Nancy Sinatra, who recorded a cover of "California Girls" with Wilson in 2002, wrote on Instagram that Wilson's "cherished music will live forever." Sean Ono Lennon, a musician and son of John Lennon, called Wilson "our American Mozart" and "a one of a kind genius from another world." The Beach Boys sold more than 100 million records. Wilson's career would be derailed, though, as his use of LSD, cocaine and alcohol became untenable and his mental state, which would eventually be diagnosed as schizoaffective disorder with auditory hallucinations, grew shakier. He became a recluse, lying in bed for days, abandoning hygiene, growing obese and sometimes venturing out in a bathrobe and slippers. He had a sandbox installed in his dining room and put his piano there. He also heard voices and was afraid that the lyrics of one of his songs were responsible for a series of fires in Los Angeles. UNORTHODOX THERAPY Born in June 1942, Brian Wilson, whose life was the subject of the 2014 movie "Love & Mercy," had two controlling men in his life. The first was his father, Murry Wilson, a part-time songwriter who recognized his son's musical talent early. He became the Beach Boys' manager and producer in their early years but also was physically and verbally abusive toward them. The band fired him in 1964. About a decade later, as Wilson floundered, his then-wife, Marilyn, hired psychotherapist Eugene Landy to help him. Landy spent 14 months with Wilson, using unusual methods such as promising him a cheeseburger if he wrote a song, before being dismissed. Landy was rehired in 1983 after Wilson went through another period of disturbing behavior that included overdosing, living in a city park and running up substantial debt. Landy used a 24-hour-a-day technique, which involved prescribing psychotropic drugs and padlocking the refrigerator, and eventually held sway over all aspects of Wilson's life, including serving as producer and co-writer of his music when he made a comeback with a 1988 solo album. Wilson's family went to court to end his relationship with Landy in 1992. Wilson said Landy had saved his life but also would later call him manipulative. California medical regulators accused Landy, who died in 2006, of improper involvement with a patient's affairs. He gave up his psychology license after admitting to unlawfully prescribing drugs. A sunflower lies atop the Beach Boys' star on the Hollywood Walk of Fame after the announcement of the death of the band's main songwriter Brian Wilson at 82, in Los Angeles on Wednesday AP Wilson's return to music was spotty. He appeared frail, tentative and shaky and none of the post-comeback work brought anything close to the acclaim of his earlier catalog. One of the best-received albums of his second act was the 2004 "Brian Wilson Presents Smile," a revisiting of the work that had been intended as the follow-up to "Pet Sounds" but which was scrapped because of opposition from bandmates. Wilson's brothers had both died by the time of the Beach Boys' 50th reunion tour in 2012 but he joined Love, who became the band's controlling force, for several shows. At the end, Wilson said he felt as if he had been fired but Love denied it. Wilson last performed live in 2022. Wilson and his first wife, Marilyn, had two daughters, Carnie and Wendy, who had hits in the 1990s as part of the group Wilson Phillips. He and second wife Melinda, whom he met when she sold him a car, had five children. Reuters