
A cinematic toast to Ireland's culinary and drinks legacy
The Swipe film production celebrates the story of Ireland's contribution to the culinary and drinks world with some unexpected discoveries along the way.
It features Deirdre O'Carroll the blender of Jameson whiskey, publican Oisin Rogers and chef JR Ryall of Ballymaloe, as well as appearances from Michael Flatley, Anna Haugh, Bo Barrett of Napa Valley's Chateau Montelena, Jurassic Park actor Sam Neill (the Omagh-born actor and star of Jurassic Park and Peaky Blinders) Pat Shortt, Laura Whitmore, Una Healy and even Prince Albert of Monaco (a big whiskey lover).
Frank Mannion and Oxana Popkova clink glasses at Hennessy
The Donegal-based Muff Liquor Co., in which Russell Crowe is an investor, is also featured and there are insights from wine writer Oz Clarke.
The documentary was filmed locally in London at the Devonshire in Soho as well as in the South Downs (at Dermot Sugrue's wine estate), Killahora Orchards, Ballyfin and Ballymaloe.
Midleton Distillery in Cork also made an appearance — as did substantial footage from The Irish Post Awards 2024, which Michael Flatley, Laura Whitmore and Una Healy all attended.
Frank Mannion samples a Ballyfin Green Cocktail
The film also has a chapter about the Wine Geese, so parts of the footage were filmed at the Medoc Marathon — known as the world's slowest marathon as there are 23 wine stops).
Frank Mannion told The Irish Post: ''Irish wine' is served as the marathon runners pass through Chateau MacCarthy, Lynch Bages and Phelan Segur - Thomas Lynch the founder was from Galway and Bernard Phelan was from Tipperary, so it's a marathon that is very Irish in spirit.'
Deirdre O'Carroll is blender at Midleton Distillery Frank Mannion CV
Frank Mannion is an Irish film producer and director based in London. He is the founder and managing director of Swipe Films, an award-winning production, sales, and distribution company established in 2002.
Mannion has produced or executive produced several films, including Grand Theft Parsons, Jackboots on Whitehall, and Plastic. He holds an LL.B. from Trinity College Dublin, an LL.M. from Trinity Hall, Cambridge, and a PhD in Film Distribution from Birmingham City University, where he is also a Senior Lecturer in entrepreneurship and film.
Swipe Films has built a library of over 25 films, winning more than 100 awards at major festivals worldwide, including Cannes and Sundance.
The company has also ventured into virtual reality production, creating the world's first VR trailer app for an independent film.
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Irish Examiner
10 minutes ago
- Irish Examiner
In the frame: RINN features work by six Japanese and six Irish makers
WOOD, stone and clay are the materials predominantly showcased in RINN, the new exhibition at the Glucksman Gallery in UCC. The word 'rinn' has various meanings, in Gaelic and Japanese, most of which relate to place, circularity, and the sharing of ideas between cultures. It sums up perfectly the spirit of the exhibition, which features work by six Japanese and six Irish makers, including the Fartha, Co Cork-based designer and sculptor, Joseph Walsh. Walsh has curated the exhibition with Wahei Aoyama, of the A Lighthouse called Kanata gallery in Tokyo. 'The primary focus is on work that's crafted,' says Walsh. 'It's about making, the process of making, and the celebration of making.' The RINN exhibition first ran in April, at the Government's new Ireland House in Tokyo. 'The Ireland House is designed by Henry J Lyons, practicing in Ireland with a Japanese partner architect. It's a very substantial undertaking, located beautifully in the centre of Tokyo. It's a new approach in that it has cultural spaces and is kind of open and inviting as opposed to the more guarded image we have of embassies. Ireland House wanted an exhibition for the opening, and that led to a conversation with Wahei, who I've known since 2012. We got talking about the possibility of a dialogue between artists and makers in Ireland and Japan, and then that naturally led to the idea of bringing the exhibition back to Ireland.' Walsh employs a number of Japanese craftspeople at his workshop in Fartha, County Cork, and several more have participated in Making In, the gathering of international makers he has hosted every year since 2017. 'Three of the Japanese artists in the exhibition have spoken at Making In,' he says. 'And most of the Irish and Japanese artists met at the opening in Ireland House in April. I suppose ordinarily, if you talked about a dialogue between Ireland and Japan as represented in the exhibition, you'd be referring to a dialogue between the objects. And that's true, there's a definite conversation between the objects and the process, but there is also quite literally a dialogue between the people. And hopefully the project will have longevity, and there will be consequences into the future.' Frances Lambe, artist pictured at the launch of RINN – Ireland and Japan. When Walsh and Aoyama began planning the exhibition, both brought ideas to the table. 'I would have known maybe half the Irish artists, and half the Japanese. They're a very individual group of people with very different paths, but there's a shared focus on the material and making. Kan Yasuda, for instance, is 80 years of age, and is long established as a sculptor. His obsession with carving brought him to Italy in pursuit of perfect white blocks of marble. He realised that it wasn't good enough to just go and buy a block, he needed to be living in close proximity to the quarry. So he moved to Italy, and for the past 50 years, he's spent half of the year there, and half in Japan.' 'Sueharu Fukami is known for his porcelain, and particularly his use of a qingbai glaze that was developed under imperial patronage in China maybe a thousand years ago. Today in China, you can't find anyone doing qingbai glaze to this standard. It's interesting that Fukami is not alone preserving a Chinese technique, he's pushing it further.' Deirdre McLoughlin, artist pictured at the launch of RINN – Ireland and Japan. RINN includes one of Walsh's sculptures in wood and stone, along with examples of Irish artist Frances Lambe's stoneware, Sara Flynn's exquisite vessels, and Deirdre McLoughlin's abstract black and white sculptural forms. 'Deirdre's an amazing lady,' says Walsh. 'She's been a big figure in Ireland for years. But what I didn't know until we were in Japan together is that she'd lived and practiced in Kyoto early on, and that's where she found the style that's informed the rest of her career.' Also featured are two of Joe Hogan's woven 'nests': 'I've known Joe for a long time, and what I love is the fact that he became renowned for his mastery of basket making and impeccable crafting. But as the years go on, it's almost like he's got so competent that he doesn't need to prove that he can do a complex weave. He's got looser and looser, and you get these exquisite objects emerging that just look so natural, they could be found nests, albeit very large ones.' The best-known of the Irish artists is Seán Scully, represented by a tapestry he produced in collaboration with Mourne Textiles in County Down. 'That was something we brought about specifically for the exhibition,' says Walsh. 'We showed three prototypes in Japan, but the piece in the Glucksman is the first 'final' work, as it were. It's one of the things I'm very excited about. Scully absolutely loves the tapestry pieces. He's decided to do a show with Mourne Textiles for the Kerlin Gallery in Dublin, and they hope to send that exhibition to Japan.' Joseph Walsh. Picture: Andrew Bradley RINN also features a work called Bridge by the architectural partners O'Donnell Twomey: 'One of the unique things about bringing the exhibition back to the Glucksman was, of course, that the building was designed by O'Donnell and Tuomey and completed 21 years ago. John Tuomey and Sheila O'Donnell have featured prominently at Making In over the years. They've been very active and supportive, and that led to us collaborating on the building of three experimental pavilions at Fartha. 'The Sisk Gallery, downstairs at the Glucksman, features an installation about the process of constructing the pavilions, rooted in what the traditional farmhouses around Fartha were built of; stone, timber, and thatch.' Walsh is busy preparing for this year's Making In seminar, which runs from September 5-6 and features makers such as Tarlach de Blácam of Inis Meáin Knitting Company, the Dutch designer Hella Jongerius, and Frére Paolo, a Benedictine monk at the Abbey of Saint-Benoit d'En Calcat in France: 'Pat Collins, the filmmaker, has made a documentary on the last few seminars called Making II. That will be screened on RTÉ 1 a few days earlier, on Monday September 1.' Walsh's own work continues as his primary focus. He employs a team of 20, including designers, makers and administrators. 'We're working on projects in about 25 countries,' he says, 'in the US, Europe, and Asia and some other far-flung places. I'm also working on a solo exhibition in Paris next year. It's always interesting.' RINN runs at the Glucksman Gallery, UCC until November 2.


Irish Independent
11 minutes ago
- Irish Independent
All the photos from Wexford as Duncannon summer festival returns with a bang
On Saturday, July 26, the locals from the village, the wider Hook Peninsula and further afield came together to celebrate the treasures Duncannon and its community have to offer. The festival, held in the heart of the village overlooking the beach and the historic Duncannon Fort, presented events to suit all ages, starting off with an outdoor yoga session on the green. Pipers from the New Ross Pipe band, Brian MacMahon and Jodie Fanthom officially opened the festival with a great performance as they played through the village and up to the Fort. Duncannon Fort was opened prior to its official launch, specifically for those who were in attendance at the festival, and left a lasting impression on visitors who admired the works carried out to date. Held in the unique setting of the moat in Duncannon Fort, young children enjoyed the Teddy Bears' Picnic, feasting on picnic food, listening to stories, playing party games and dancing to music. The popular pet fancy dress also took place in this area, with a great range of pets on display and both owners and dogs of different breeds and sizes, cats, rabbits, and a guinea pig all splendidly dressed in very creative outfits. There were a whole range of prizes and the participants and audience had a great time, delighted by the imagination, resourcefulness and effort all entrants had displayed to make this event so extraordinary. The Fort Parade Ground was the place to be for people wanting to buy something special to remember the festival by, with stalls from the renowned Duncannon Beach Market selling a range of beautiful crafts, other stalls selling delicious food, ice-cream, and strawberries to name but a few. Duncannon Scouts Group was on hand to make knotted key rings and recruit new members to enjoy fun activities throughout the year. Down on the green in the heart of the village was the main stage which hosted a variety of entertainment for young and old and everyone in between. A local Ukrainian choir, dressed in traditional Ukrainian costumes, sang lively folk songs in their own language; the fun ukulele band The Cool Hand Ukes entertained large crowds who joined in singing along to their popular songs; the incomparable Rathnure Pantomime Society put on a great family show to an enthralled, packed audience. On the beach, the RNLI and the Seal Rescue Ireland were on hand to showcase the important work they do, and the SEA School from Dunmore kept both children and adults busy discovering the treasures offered by the sand, sea and shore. The family 5-a-side football tournament proved to be a great hit as did the Bar Servers' Race (won by Roche's Bar, Duncannon) and the Sand Sculpting Competition had over thirty entrants, with very creative designs sculpted by young and old. The traditional Irish band, Skin the Deer, was formed especially for the festival and played to delighted crowds in the Fort as a Fringe performance for the Fleadh Cheoil na hEireann. They also performed on the green, followed by the popular band The Controversial All Stars, who played on into the night accompanied by the audience singing along and dancing to their music. The festival finale was a thrilling fireworks display provided by Rocket Pyrotechnics, uniquely launched from a boat off the beach. The night sky was filled with colour, which reflected in the calm waters of the coast The Duncannon Renewal Committee has offered 'a sincere and heartfelt thanks to everyone who helped to make the festival such a great triumph' which wouldn't have been possible without the 'help and support of a whole range of people'; the financial support of local business, including main sponsor Scurri, individual donations, grants and generous contributions from local councillors, Bridin Murphy and Marty Murphy. 'Nor would the festival have happened without the support from lots of volunteers who gave up their precious time to help run the festival, stewarding, supervising the parking, directing people and helping to set up and clean up after the revellers had gone home,' they continued. "The advice and support from officers and councillors from Wexford County Council and New Ross District Council was invaluable. A team of Gardaí from New Ross Garda Station helped to make sure the festival passed smoothly and safely, the Order of Malta provided first Aid support and the Local Link Shuttle Service ferried people between Duncannon and Ramsgrange. 'All in all, a great day was had in the village and the Fort and Duncannon Renewal Committee are already planning to make next year's summer festival a bigger and better day of family fun for all the community,' they said.


The Irish Sun
2 hours ago
- The Irish Sun
Newlywed stars & 80k fans have a blast at Oasis' final Croke Park gig as Liam fumes after being booed over Mayo shoutout
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