‘WWE 2K25' Review: Is The Wrestling Sim Any Good On The Switch 2?
So when 2K announced at a Nintendo Direct Partner Showcase in April that WWE 2K25 (the most recent edition of the publisher's annual wrestling simulator) was arriving on the Switch 2, you'd be forgiven for feeling sceptical.
While the Switch 2 has already demonstrated it can handle bigger games, like the wonderful port of Cyberpunk 2077, the jury is still out on whether or not it is powerful enough to comfortably run titles being released simultaneously alongside their PlayStation, Xbox and PC counterparts. Although WWE 2K25 came out in March, it's arrival on the Switch 2 is a test of that. Thankfully, it's an excellent port that feels very much at home here.
There's the same lineup of game modes, such as Universe, The Island (which is new for 2K25) and My Rise, all of which have the same features as the PS5 version, for example. Inside the ring, it's a treat. Fights are smooth and authentic with barely a glitch in sight. We get the full shebang of match types too; hell in a cell, underground and backstage brawl are all readily available, as are the myriad weapons stuffed under the ring to batter your opponents with.
FEATURED | Frase ByForbes™
Unscramble The Anagram To Reveal The Phrase
Pinpoint By Linkedin
Guess The Category
Queens By Linkedin
Crown Each Region
Crossclimb By Linkedin
Unlock A Trivia Ladder
Even the likes of Elimination Chamber and Gauntlet bouts, both of which have more wrestlers on screen at once, run smoothly with any changes in frame rate being barely noticeable. This applies when playing on a TV and in handheld mode.
That said, there are minor compromises. Some of the graphical density is missing. Welts and bruising - which look so impressive on the PS5 version - are missing from wrestler's bodies. Their facial animations lack nuance at times too and they occasionally appear glazed over. In truth, none of these issues are serious enough to hamper the level of immersion the game offers. The question now is: whatcha gonna do, brother, when stuck with the decision of which console to play WWE 2K25 on?
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
13 minutes ago
- Yahoo
'Wednesday' Season 2: Jenna Ortega's castmates say she never breaks character filming Netflix hit
"She's on it, she's honest and ... she's so laser focused," Luis Guzmán said Wednesday has made its triumphant return with the release of Season 2, Part 1 on Netflix this week. It's a darker and twistier story that thrives in its grim mayhem, as the title character, played by Jenna Ortega, returns to Nevermore Academy. With the excitement of new cast members, including Steve Buscemi, Joanna Lumley, Billie Piper, Christopher Lloyd, Haley Joel Osment and Heather Matarazzo, the world of Wednesday is even richer than its first season. And as co-creators and showrunners, Alfred Gough and Miles Millar stressed to reporters ahead of the season premiere that they wanted to ensure they didn't rest on their laurels for the show's sophomore season. A core element of achieving that for Season 2 was getting a lot more time with the Addams family as a whole. "They dangled the carrot for us in Season 1, and I remember leaving the set going, 'Are you sure there's anything else possibly we could do?'" said Catherine Zeta-Jones, who plays matriarch Morticia. "The Addams Family [is] such a modern family when you think of it. We're a family that embraces idiosyncrasies and outcasts, ... we don't try to box them away. But it was wonderful in Season 2 to be able to explore that. For us to be within Wednesday's world, even though she didn't want us to be there, but we planted ourselves there within the school grounds." Season 2 really explores the relationship between Wednesday and Morticia (Catherine Zeta-Jones), and their relationships with Wednesday's grandmother, Morticia's mother, Hester Frump (Joanna Lumley), while Wednesday also has a lot of questions about her aunt, Morticia's sister Ophelia. "She is ghastly. The only person she really likes in the whole show is Wednesday," Lumley said about Hester. "She's fond of Wednesday because she can see in her the kind of spirit and streak of bad in her. ... She's grand, she's vain, she's greedy, and she sees in Wednesday a shining light." 'She does not break that character for nothing' But the cast was also quick to praise Ortega, crediting her for much of the success of the series. "To see the beginnings of Jenna Ortega and her continued professionalism, her sheer joy of her craft," Zeta-Jones said. "And watching this butterfly go into the stratosphere, it couldn't happen to a ... better person, and I'm just thrilled that I'm in her gang." "When I'm standing next to Jenna and Catherine, and I'm watching Jenna, ... I'm in total awe, because she does not break that character for nothing," Luis Guzmán, who plays Gomez, added. "I mean, she's on it, she's honest and ... she's so laser focused, and she's not settling for good, ... this has to be great." What makes the show particularly great is Ortega's execution of the iconic character, paired with director and executive producer Tim Burton's signature stylistic stamp. Then there's the supporting characters and intricate production design, too, that make the series a feast for the eyes as well. "I remember when I read Season 1, I felt strangely like it was written for me, even though I'm not a teenage girl, but I feel like one sometimes," Burton said. "And it's just something that really spoke to me." "I loved her take on everything from family to school to psychiatry to everything, and so that's why I wanted to do it is because of the strength of that particular character."
Yahoo
13 minutes ago
- Yahoo
Dick's Sporting Goods Launches Entertainment Studio
Dick's Sporting Goods is launching its own in-house entertainment studio to get closer to sports fans with original unscripted series to fuel their own athletic passions. Cookie Jar & A Dream Studios, a new content and production studio to lean into unscripted sports themed series, follows the retailer using Hollywood production partners and filmmakers to tell stories through the lens of sport, starting in 2014. More from The Hollywood Reporter Disney Revenue and Profits Rise as It's "Experimenting Like Crazy" in New Streaming Push ESPN Adds WWE Events and More NFL Content, as Streaming Service Sets Aug. 21 Launch NFL to Acquire Stake in ESPN as Part of Blockbuster Deal With Disney 'Dick's believes that sports have the power to change lives. And we've seen through our work how true that is for so many who have excelled, triumphed against the odds, and been defeated in sport. There are so many incredible and inspiring human stories that deserve to be told, and we could not be more excited to showcase how individuals, teams and communities are shaping sport, bringing people together and unifying and building communities for thousands,' said Mark Rooks, vp of Creative, Entertainment & Sponsorships at Dick's Sporting Goods. Interest in sports-themed programming around athletes at the top of their game has grown with Netflix series like Formula One: Drive to Survive and ESPN's 30 for 30 documentary series. Retailers that traditionally advertised their wares on live games now look to original scripted and unscripted series in the hope consumers may embrace new brands or products through TV content they view in the streaming era. Over the last decade, Dick's Sporting Goods has produced five feature-length movies and ten short or episodic documentaries. The first feature doc was We Could Be King, which earned an Emmy Award for outstanding sports documentary. A second Sports Emmy came with The Turnaround, a documentary about Philadelphia Phillies' superfan Jon McCann, who inspired a 2023 standing ovation for Phillies shortstop Trea Turner that turned the team's season round. Upcoming projects from Cookie Jar & A Dream Studios include Big Dreams: The Little League World Series 2024, an ESPN documentary to bow Aug. 12 and centered on the iconic American youth sporting event. The film is produced in partnership with Imagine Entertainment and MLB Studios. 'Big Dreams is a great example of the kind of projects Cookie Jar & A Dream Studios aims to produce. Being able to share big sports moments with fans is something that drives our team, and we look at the upcoming years with great excitement as we know there will be so many unforgettable stories deserving of the spotlight,' Rebecca Covington, senior director, creative production at Dick's Sporting Goods said in a statement. The name of the studio, Cookie Jar & A Dream, is inspired by the company founder Dick Stack in 1948 and aged 18-year-old borrowed $300 in savings from his grandmother's cookie jar to open a bait-and-tackle shop in Binghamton, New York. Best of The Hollywood Reporter How the Warner Brothers Got Their Film Business Started Meet the World Builders: Hollywood's Top Physical Production Executives of 2023 Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Digital Trends
15 minutes ago
- Digital Trends
Everything announced at Nintendo Indie World 2025
As I rip a chunk of rock out of the ground and use it to obliterate towers of golden roots or use an explosive rock to shatter an entire cliff face, spawning a cacophony of gold to collect raining down around me in Donkey Kong Bananza, it is impossible to ignore the hit the frame rate takes. In that moment, it almost feels good -- like in the days of the SNES when the game would chug when too many particles were on screen -- and yet in the back of my mind, I knew it would be used as a talking point for the power of the Switch 2. The original Switch was underpowered from the start, and certainly pushed well beyond its limits in the eight long years it was on the market before the Switch 2. The early years weren't too bad, with Nintendo first party games typically running perfectly fine, but near the end even Tears of the Kingdom started to make the poor Switch buckle. And we don't even need to talk about Pokémon Scarlet and Violet. The last thing players want to see is the second major release for the system already pushing the console to the limits.
