
Italian film industry rocked by 'fantasy film' linked to American director sought in double murder
The Culture Ministry announced the resignation of Nicola Borrelli in a brief statement overnight, thanking him for his service.
It didn't provide a reason. But the scandal over the 'fantasy film' tax credits erupted soon after Greek authorities on the island of Skiathos arrested the California-born Francis Kaufman last month on a European arrest warrant issued by Italy.
Italian prosecutors have accused Kaufman in the deaths of an infant girl and her mother, whose bodies were found naked in Rome's Villa Pamphili park on June 7. Kaufman, who was using the alias Rexal Ford, is currently awaiting extradition to Italy. State-run RAI television has said that he told Italian prosecutors via video call that he was innocent, but declined to answer further questions without a lawyer.
The Culture Ministry has confirmed that Kaufman, using the alias Ford and his Tintangel Films LLC company, had obtained the tax credit for a film, 'Stelle della Notte' (Stars of the Night), that was never made. The confirmation came in a statement last week in which the ministry confirmed it had handed over to prosecutors all the documentation it had in connection with the film, a co-production with an Italian firm Coevolutions Srl.
Italian media have published ministry documentation showing that 'Stelle della Notte' had obtained 836,439.08 euros in tax credits in 2023. Such tax credits are a regular part of the financial incentives Italy gives to filmmakers to produce and distribute films in the country.
On Wednesday, Culture Minister Alessandro Giuli told lawmakers that the ministry was cooperating fully with prosecutors, noting that he had personally accompanied the police when they arrived at the ministry June 27 to seize the material. In an appearance in the Senate chamber, Giuli acknowledged a long-standing problem in the ministry of financing and tax credits for projects that never get made. 'No more fantasy films,' he vowed.
The resignation of Borrelli was the second earthquake this week in the Italian film industry, following the resignation over the weekend of the head of the storied Cinecitta film studio, Chiara Sbarigia.
Sbarigia said in a statement that she was stepping down to concentrate on her other job as president of Italy's audio-visual producers association. Italian media and lawmakers had blasted her dual jobs as a conflict of interest, a claim that she and Giuli have denied.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
9 hours ago
- Yahoo
‘Avengers' Star Anthony Mackie Seen Kissing 'Mystery Woman,' Fueling Girlfriend Speculation
While filming for the highly anticipated 2026 film Avengers: Doomsday rolls on in London, one of the film's biggest stars made some off-set news when spotted with a mystery woman on Wednesday, Aug. 13. Anthony Mackie, the new Captain America actor, made his debut in the role earlier in 2025 in the film Captain America: Brave New World. Although Mackie has teased small bits of Avengers: Doomsday, he appears to have used some downtime from filming to link up with a new potential interest. The photos/video that were released immediately sparked girlfriend rumors for the 46-year-old actor. Anthony Mackie Seen Getting Close With 'Mystery Woman' As seen in the photos above, Mackie was close with the new woman, who has yet to be identified. Shortly after the photos were released, a video surfaced that appeared to give a more detailed look at the pair. While little has been revealed about who the woman is, it's noteworthy as Mackie has largely kept his personal life private. Mackie was previously married in 2014 to longtime girlfriend and childhood sweetheart Sheletta Chapital, but the two divorced in 2018, so he's currently single. Anthony Mackie's Latest Updates on 'Avengers: Doomsday' Filming During a recent conversation with ScreenRant, Mackie gave an update on filming for Avengers: Doomsday. Unfortunately, but not surprisingly, he revealed the movie is "absolutely" not close to wrapping up filming. "Absolutely no, hell no," Mackie replied when asked if filming was close to wrapping. "We're in the midst of such a big moving set piece, and it's such a big story," Mackie said. "Shooting a Marvel movie, the best part is it's always an ever-evolving canvas. There are those staple pieces, then there are the pieces that kind of circulate throughout the course of the it's going well." After initially setting a release date of May 1, 2026, Marvel moved the release date of Avengers: Doomsday back to Dec. 18, 2026. This will be followed by Avengers: Secret Wars, which was also pushed back, and will now be released on Dec. 7, 2027, after being initially scheduled for May 7, 2027.'Avengers' Star Anthony Mackie Seen Kissing 'Mystery Woman,' Fueling Girlfriend Speculation first appeared on Men's Journal on Aug 14, 2025 Solve the daily Crossword
Yahoo
10 hours ago
- Yahoo
13-year-old boy dead after shooting in Pimicikamak Cree Nation: RCMP
A 13-year-old boy is dead after a shooting in Pimicikamak Cree Nation on Saturday evening, police said. Police were called to a home in the Manitoba First Nation, located about 530 kilometres north of Winnipeg, around 5:40 p.m. on Saturday, Cross Lake RCMP said in a Sunday news release. Officers said the young teenager was shot and was brought to the community's nursing station, where he died. His death is being investigated as a homicide, police said. A 17-year-old boy was arrested and police seized a firearm, according to the release. Police say they are not searching for any other suspects. Local officers are still investigating the boy's death alongside the RCMP's major crimes and forensic identification units, police said. More from CBC Manitoba:
Yahoo
11 hours ago
- Yahoo
'Night Always Comes': Vanessa Kirby, Benjamin Caron Netflix thriller unfolds in a single night of desperation
Kirby's character races through Portland, Oregon overnight to find $25,000 in this gritty new film Following their work together on The Crown, director Benjamin Caron and actor Vanessa Kirby have collaborated again on the Netflix film Night Always Comes, a thriller based on the book by Willy Vlautin. Set in Portland, Oregon, the movie takes place over one night as Lynette (Kirby) tries to secure $25,000 to buy her family's home, alongside her brother Kenny (Zack Gottsagen). "We had been looking for a project for a few years, and there were a couple that nearly happened, but for various reasons they didn't quite get over the line," Caron told Yahoo Canada. "I think [Vanessa] ... felt that the character of Lynette was something she wanted to play. ... I really wanted to make a stressful movie, and I thought this had the mechanics of that." Caron previously worked on the Apple TV+ series Sharper, a show that really utilized its New York location as a tool to tell a story that blended classic rom-com elements with a thriller. In Night Always Comes, the filmmaker tapped into the unique elements of working-class Portland. "I'm sort of well travelled in terms of the more recognizable cities in [the U.S.], and whether that's Los Angeles, whether that's Chicago or New York or Miami, and I'm also very familiar with those cities on screen. ... I was less familiar with some of the more mid-sized American cities, and Portland being one of those," Caron said. "I always think, as a filmmaker, it's great to come into somewhere and sort of look at a city through an outsider's perspective. But I don't think this story was necessarily unique just to Portland. ... The gentrification, the homelessness, it's something that I'm seeing happening all over, certainly the Pacific Northwest of America, and also not just America, but across the world." Caron added that he found Portland to be a particularly "filmic" city. "I loved all the bridges, I loved the river that ran through it," he said. "There was the fabric of this sort of old city, and then from the middle of it ... you could see this urban gentrification that was starting to push out. ... So filmically, it felt like a really good city to put on screen." 'We believe that they exist before and after the film' A distinct element in Night Always Comes is that the film is told trough Lynette's perspective as we really take every step with her on her desperate journey to get her hands on $25,000. But with each character that Lynette meets, it feels like they have their own interesting experiences and histories they bring into this story. "I think in many ways, the entire film is not just Lynette, I think it's full of desperate people who are trying to get by, by doing desperate things," Caron said. "And I think that as a allegory for the whole film is really important." "I know it's really important to me, and also I know to actors, that I really want to take care of the characters and their journeys within the moments they are on screen. So we invited all of the actors to come in and work with us on making sure that these lives that they inhabit, ... they burn brightly. Not just in the film, but that we believe that they exist before and after the film." One of those characters is Scott, played by Randall Park, a wealthy former escort client of Lynette's who she reconnects with early in the film, hoping he would give her the money she needs to buy her family's home. "He wanted to make sure that the character wasn't just a two dimensional cheating husband, that there was sort of an understanding about the pressures that character has in his life, ... even if it feels unfair to what we're seeing happening to Lynette," Caron said. "[Randall] relished that opportunity of bringing that character onto screen and it's a moment in the film where your heart just breaks. ... [Lynette] is so desperate in that moment where she's asking for something [that] probably isn't a huge amount of money to him. And he's sort of got the wrong end of the stick. He thinks she's come for something else. And ... when he just laughs it off, it just absolutely crushes your heart in that moment." Mother-daughter relationship 'you just don't see enough of' Another key relationship for Lynette is with her mother Doreen, played by Jennifer Jason Leigh. While Lynette had been coordinating with the property's landlord about the buying the home, she needed her mother to cover the downpayment. But Doreen ends up spending that money on a new car, which is what sets Lynette off on her quest to get the funds herself. "What I love about what Jennifer brought to that part is that, even at the beginning, you sort of feel that there's a mother there that has ... a 38-year-old daughter still living at home with her. And there's that sort of unspoken tension, energy in the air," Caron said. "I love the fact that she's not even able to really say these words to Lynette, that I just don't think we can together anymore, that the only way that she can do that is as a form of self-sabotaging herself by going out and buying the car." "But those two were just brilliant to watch as dancing partners on screen together. I think they brought a really unique mother-daughter relationship to screen that you just don't see enough of." 'A unique, modern tragedy' But at its core, Night Always Comes reflects larger concerns around economic challenges that many people face, including in Canada and additional U.S. cities, from housing affordability issues to other cost of living challenges. "The idea of someone that's basically doing two or three jobs and not able to afford their own home is such a unique, modern tragedy," Caron said. "And I really wanted Lynette to represent the many Lynette's out there who are one paycheque away from collapse." "We did a lot of work at the beginning to try and establish the sort of economic pressures that were on Lynette, ... but also just understanding the bigger economic, social issues that were happening in and around Portland, and also across America. ... It felt like, yes, a story of Lynette, but also a story of that American working class. ... It was a story of those single moms. It was a story of those nurses, or those caregivers that were being priced out of the cities that they were helping to run."