
Ryan Castro unveils new Grupo Frontera collab, upcoming U.S. tour
Released on Thursday, the collaboration yearns for unrequited love. The song boasts Grupo Frontera's traditional norteño sound, with the addition of their signature bongo of course. But it also includes hints of Caribbean reggae — like double chop beats — an element from Castro's musical background that he is all too familiar with, having spent his formative years in Curaçao, a Dutch Caribbean island, where part of his family still resides.
The new song release comes on the heels of another important announcement: Castro has announced dates for his upcoming Sendé World Tour, with stops in five major U.S. cities: Los Angeles, Chicago, Houston, Miami and New York. The 'Mujeriego' singer will perform in L.A.'s Woodley Park on Oct. 11.
Such large venues are a drastic change of scenery for the 31-year-old singer, who began his musical career busking in Medellín buses and streets, and was once dubbed 'El Cantante Del Ghetto.'
In recent years, Castro has distinguished himself as a versatile and collaborative artist, joining in on popular songs like Karol G's remix version of 'Una Noche de Medellín' with Cris MJ, and the controversial track '+57,' which featured Colombian artists Feid, J Balvin and Maluma.
His recent cross-genre collab with Grupo Frontera shouldn't come as a surprise. Two years ago, Castro paired up his deep voice with corrido tumbado star Peso Pluma in the reggaeton hit 'Quema' featuring SOG, which landed him his first entry on the Billboard Hot 100 at No. 92.
Earlier this summer, Castro released his most intimate project to date, 'Sendé,' a riveting collection of 18 songs that blends his familiar reggaeton sound with old-school Caribbean reggae and dancehall beats.
From its first track, also titled 'Sendé,' Castro sets the mood with a sticky intro by Jamaican toaster U-Roy from Dawn Penn's 'No, No, No.' Almost seamlessly, the song blends into its second track, 'Rebecca,' which features the enticing Hindi vocals of Deevani from Tito El Bamino's Flow Natural ft. Beenie Man.
Already a standout in this album is the hip-hop-inspired bop 'Sanka,' featuring Curaçaoan rap artist Dongo, which infuses the familiar rhythms of Dr. Dre's popular 'What's the Difference' (feat. Eminem & Xzibit).
Of course, it wouldn't be a proper Caribbean album without a reference to dancehall music, mainly Shaggy's famed 'Boombastic,' refashioned with Castro's own unique title, 'Bombastik<3,' featuring Blaiz Fayah and Tribal Kush. The album also features a range of artists including former collaborator Peso Pluma, fellow parcero Manuel Turizo and the Jamaican legend himself, Shaggy.
For full Sendé World Tour dates and ticket information, visit SendeWorldTour.com.
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Associated Press
40 minutes ago
- Associated Press
Renata Rolefes Expands Her Global Reach with Caribbean-Inspired Art
Renata Rolefes announces the global expansion of her vibrant Caribbean-inspired art, bringing joy through color and culture to new international markets and exhibitions, with recent recognition as the Best Caribbean-Inspired Artist in the U.S. of 2025. Curaçao and U.S., August 17, 2025 -- Renata Rolefes, the celebrated artist behind Renata Rolefes Art, has announced the expansion of her colorful and joyful artwork to new international markets. Known for her vibrant depictions of the Caribbean's landscapes, culture, and natural beauty, Renata's paintings have captured the attention of collectors and art lovers worldwide. From the United States and Canada to the UK, Costa Rica, and Aruba, her works have found homes across the globe, aligning with her growing international presence. This global outreach coincides with her participation in Miami Art Week 2024 and her upcoming return to Spectrum Miami 2025. Renata's art captures not only the visual beauty of the Caribbean but also its soul. Drawing deep inspiration from the culture, rhythm, and warmth of Curaçao, where she now resides, her works are filled with joy, movement, and energy that resonate universally. 'Every painting I create is a reflection of the happiness I feel living in the Caribbean. Color is more than just a visual element; it's a language of joy,' she explains. From the Netherlands to Curaçao: A Journey in Color Renata's artistic journey began in Europe, but it was her relocation to Curaçao that profoundly influenced her distinctive style. The island's breathtaking light, rich culture, and vibrant environment ignited Renata's creative spark, pushing her to combine her European techniques with the spontaneous energy of the Caribbean. The result is a bold, dynamic style that radiates positivity and emotion, whether she's painting landscapes, animals, or portraits. Her pieces are an invitation to experience the Caribbean through a lens of warmth and light. Whether creating abstract works, pet portraits, or custom commissions, each piece is a reflection of Renata's philosophy: art is meant to connect, inspire, and share joy. Recent Award: Best Caribbean-Inspired Artist in the U.S. of 2025 Renata's exceptional talent has recently earned her the prestigious title of Best Caribbean-Inspired Artist in the U.S. of 2025. This recognition, awarded by Best of Best Review, highlights Renata's remarkable ability to blend the rich cultural heritage of the Caribbean with the refined techniques she developed in Europe. Her artwork, characterized by bold colors, dynamic compositions, and a unique sense of joy, has made her a leading figure in the international art scene. Renata's work has touched collectors and art enthusiasts worldwide, and this award further solidifies her status as a prominent artist in the Caribbean and beyond. 'This award is a reflection of my journey and my mission to bring happiness and color into the world,' she says. International Recognition and Upcoming Exhibitions Renata's paintings have been featured in galleries across the globe in previous years, and her participation in international exhibitions has increased her visibility. Notable events like Miami Art Week 2024 showcased her vibrant works, and her return to Spectrum Miami 2025 reinforces her growing presence in the global art Renata's artwork is prominently displayed in her own gallery in Curaçao, where collectors can experience her joyful creations firsthand. Her commissioned works, including custom portraits and abstract pieces, have become particularly sought-after, offering clients a personal connection to her art. Renata's Mission: Spreading Joy Through Every Brushstroke Renata's mission extends beyond art; it is about creating connections and evoking positive emotions through each piece. 'Art is meant to bring people joy, and every brushstroke is infused with the warmth and positivity that I experience every day,' Renata shares. Her distinctive style—a blend of European sophistication and Caribbean energy—has led to a diverse body of work that speaks to a global audience. Looking Forward: The Future of Renata Rolefes Art Renata's continued success at international exhibitions and her growing global following reflect her expanding influence as an artist. As she prepares for upcoming events like Spectrum Miami 2025, Renata is committed to spreading positivity through her vibrant artwork. With her passion for color and culture, she is poised to inspire and uplift more individuals worldwide. 'I believe my art can bring joy to the world, and I'm grateful to see my work shared in so many homes and galleries across the globe. This is only the beginning,' Renata says. About Renata Rolefes Art Renata Rolefes Art is the creative studio behind Renata Rolefes' signature Caribbean-inspired artwork. Originally from the Netherlands and now based in Curaçao, Renata blends European painting techniques with the vibrant energy of the Caribbean to create art that resonates with positivity, life, and joy. Renata's works have been exhibited internationally, with pieces displayed in private collections around the world. Her gallery in Willemstad, Curaçao, showcases her original paintings year-round. Renata's mission is to bring happiness through her art, with each piece telling a unique story of color, emotion, and life. Media Contact: Renata Rolefes Renata Rolefes Art Owner and Artist Email: [email protected] Website: Facebook: Renata Rolefes Art Instagram: @renatarolefesart Pinterest: Happy Paintings Curacao LinkedIn: Renata Rolefes Contact Info: Name: Renata Rolefes Email: Send Email Organization: Renata Rolefes Art Website: Release ID: 89167473 If you encounter any issues, discrepancies, or concerns regarding the content provided in this press release, or if there is a need for a press release takedown, we urge you to notify us without delay at [email protected] (it is important to note that this email is the authorized channel for such matters, sending multiple emails to multiple addresses does not necessarily help expedite your request). Our expert team will be available to promptly respond within 8 hours – ensuring swift resolution of identified issues or offering guidance on removal procedures. Delivering accurate and reliable information is fundamental to our mission.


Fox News
13 hours ago
- Fox News
Brother of woman who vanished from cruise 27 years ago reveals critical third witness
The brother of the missing woman featured in the hit Netflix docuseries "Amy Bradley is Missing" spoke with Fox News Digital to disclose further information in the case that was not discussed on the show. Amy Bradley has been missing for 27 years since she vanished from the Royal Caribbean cruise ship Rhapsody of the Seas just before it docked in Curaçao on a March 1998 vacation. The documentary sheds light on Bradley's case - from the circumstances of her disappearance, to witness sightings, to her family's grueling decadeslong quest for answers about what exactly happened to her. The series focuses heavily on Alister "Yellow" Douglas, referred to only as Yellow by those familiar with the case, who was the bassist in the cruise ship's band and is the Bradley family's top suspect in her disappearance. On the night of March 23, 1998, Amy and her brother, Brad Bradley, stayed up late partying aboard the ship. Amy was seen dancing with Yellow, who had taken a keen interest in her, in the Blue Orchid Lounge, a dance club on the ship's upper deck. Around 3:35 a.m. on the morning of March 24, Brad returned to the family's cabin to relax, followed shortly thereafter by Amy, who retired to the room only about five minutes later. The pair spent time on the balcony of their room, smoking cigarettes and talking until Brad went to bed. At 5:30 a.m., Ron Bradley, Amy and Brad's father, woke up and saw Amy asleep in a lounge chair on the balcony. The balcony door was closed. Around a half-hour later, Ron checked on Amy again, but she was gone. The balcony door was slightly ajar and her shoes and the yellow shirt she had been wearing were still inside the room. The Bradley's then started a frantic search for Amy, alerting the ship's crew that she was missing. Royal Caribbean said all the rooms and public spaces on the ship were checked, but Amy was not found. The Dutch Caribbean Coast Guard searched for Amy for four days to no avail, and the FBI was dispatched to investigate. "Let me preface by saying we are forever grateful to Ari Mark and Phil Lott," Brad Bradley told Fox News Digital, referring to the film's producers and directors. "The producers did an amazing job. We're very happy with the show and how much attention it's garnered around the world. I mean, I've said on many interviews, it has literally single-handedly revitalized [Amy's] name around the word." When asked what he wished to convey that was not seen in the documentary, Brad immediately honed in on the FBI's investigation, or in his view, the lack thereof. "Making people understand, in my opinion, the failure of the FBI in our case to do their due diligence to investigate the case properly and thoroughly," he said when asked what he wishes more people knew about the case. Brad said that the FBI immediately dropped the ball on the investigation, beginning with the most basic investigative procedure: establishing a timeline of the disappearance. Just before 6:00 a.m. on March 24, two women named Lori and Crystal, who were sitting on the deck of the ship, watched Amy and Yellow ride a glass elevator up to the Blue Orchid Lounge. That was around the time Ron noticed Amy was missing from the ship. They reported seeing Amy with a camera, and Yellow handing her a brown drink. Soon after, the women said, Yellow briskly walked past them alone. They were two of the last witnesses to see Amy alive. They returned to their room just a bit later and were let in by one of the girls' mothers. Since they did not use a key to get into the room, there was no certain way to know exactly what time they entered, which is critical to piecing together when exactly Amy disappeared. "On the Netflix series, you'll hear the agent from the FBI say, 'unfortunately, we weren't able to corroborate their timeframe,' essentially in kind of a dismissive way," Brad said. "But we found and have, through even very recent conversations in the past week, my mom has spoken with the mother of one of the two girls who let them into their room just after 6 a.m. … and the FBI never questioned her on the boat, and they never have questioned her to this day. They never interviewed her," he continued. "And again, after speaking with the mother the other day, she remains adamant that she let them in just after 6 a.m., and they were out at the time they said they were," Brad said. Also, Brad continued, there was a third witness, who was not mentioned in the documentary, around the 6:00 a.m. timeframe to see Amy. The third witness, named Elizabeth, later testified before a grand jury that she saw Amy and Yellow in the lounge and watched Yellow make Amy a brown drink. She said she then watched the pair move out of her line of sight, according to Brad. Then, according to Brad, she testified to a shocking detail that has not widely been made public. "And then she says a young girl about 18 or 19 years old, she suspected … comes out of the back yelling 'senorita kidnap,' 'senorita kidnap,' more than one time," Brad said. The Bradleys are currently attempting to locate Elizabeth in hopes of gathering more information. Further, Yellow approached Brad at about 7:30 a.m. as he sat on the deck of the ship. Brad was dejected as the immediate search for Amy was unsuccessful. He says that Yellow apologized to him about his missing sister, before any public announcement had been made about Amy's disappearance. "I don't know, but I think [Yellow] went and handed [Amy] off to somebody who took her down into the crew quarters," Brad said, positing a theory about the disappearance. "The two girls that, on the outside, that saw him go up the elevator with her, said that he came down some minutes later by himself and walked directly past them, never looked at him, when he'd been trying to holler at them previously." Over the years, there have been several sightings of a woman believed to be Amy. Tourist Judy Maurer said in the documentary that she witnessed a woman she believed to be Amy while in a public restroom in Barbados, before three men allegedly escorted the woman away. David Carmichael, a Canadian diver, also said in the docuseries that he may have seen Bradley while visiting Curaçao, adding that she was "flanked by two people," one of whom he suspected was "Yellow." Another Curaçao sighting was reported by Navy veteran Bill Hefner, who believes he saw a distressed Bradley at a taboo local bar, but did not report it because of fear of reprisal from his military superiors. From 2002 until 2008, risqué photos bearing a striking resemblance to Amy surfaced on the website of what appears to be a now-defunct Venezuelan tourist escort resort, according to a blog dedicated to finding Amy. Those photos were featured in the docuseries. Other theories have also been posited about her disappearance, mainly that she either fell off the balcony accidentally or jumped off intentionally. The Bradley family vehemently denies either of those explanations. In his heart of hearts, Brad knows Amy is still alive, and so does the rest of the Bradley family. "My parents and I have shared kind of an unexplainable gut feeling in this sense that she's still out there, and I don't know how to better explain that to people or make it more relatable, because it's an unrelatable kind of thing," Brad said. "People just don't understand how we could possibly feel like that, and I can't really explain it, but we do, we've all shared it, we've never talked about her in the past tense." Royal Caribbean did not return a comment request. Neither did Yellow. The FBI declined to comment.
Yahoo
13 hours ago
- Yahoo
Festival organisers thank 'absolutely shattered' bar staff for record-breaking year
THE global price of pineapples could well have spiked as Northwich came together for its flagship annual festival. There were garlands, Hawaiian shirts, and novelty coconut spectacles as far as the eye could see in Apple Market Square, which was the beating heart of the 2025 Piña Colada Festival. Organised by Northwich BID, with help from Northwich Town Council, Barons Quay and Cheshire West and Cheshire Council, the festival was first established in 2021 after a local resident discovered Rupert Holmes, the man behind the iconic hit Escape (The Piña Colada Song) was born in Northwich in 1947. The family-friendly free festival was a Caribbean fusion of street performances, street food, live music, and of course, cocktails. This year saw the introduction of a giant urban beach at the top of Witton Street, alongside a surf simulator, free photobooth, and much more. Food and drink was provided across the town centre by Northwich's many bars, cafes, and restaurants, all of whom put on special events and stalls for the occasion. The main stage in Apple Market Square (Image: Karl Brooks Photography) This gave visitors the perfect opportunity to enjoy a bite to eat or refreshments while soaking up the unbroken sunshine. The Samba Parade returned on a grander scale than ever, increasing from 12 performers last year to an incredible 100. There was rhythm, colour, and unstoppable energy from butterfly performers and vibrant rainbow-dress dancers, which created a street spectacle to remember. BID's Adam Gerrard, who has played an integral role in running the festival since it started in 2021, said: 'The festival is genuinely the most amazing event for everyone there, but it is the bar staff who truly deserve the recognition for its success. 'Gosh, do they work hard. 'If you walk around the town centre at 10pm when the bars and pubs are generally closing and everyone has moved inside, go round the back to the service yards. 'You'll see them all sat on steps, heads in hands. They are shattered. 'All they've done is graft all day. They're the people who I think genuinely need to be recognised 'No one person makes this event what it is, but it's the staff in the businesses in town who I think genuinely should be celebrated. 'They're doing something incredibly positive for the town.' Lynn Riley, project manager at Northwich BID, said: 'Though it is over for anther year, we really want to keep people talking about it, sharing their best experiences, so we can provide a lot of positive feedback to the businesses. 'We also want to identify what people thought was their best experience, where they got the best cocktail, best food, things like that.'