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First trailer released for Richard Osman's Thursday Murder Club

First trailer released for Richard Osman's Thursday Murder Club

Wales Onlinea day ago

First trailer released for Richard Osman's Thursday Murder Club
The upcoming Netflix adaptation of Richard Osman's The Thursday Murder Club has unveiled its first trailer before its Netflix debut later this year.
Behind the scenes of Netflix's 'The Thursday Murder Club' adaptation.
(Image: Netflix © 2024 / Giles Keyte )
Netflix's eagerly awaited adaptation of Richard Osman's The Thursday Murder Club is set to hit the platform this year, with the first tantalising clips from the film now available for viewing. The former Pointless host's murder mystery is set around a retirement home in a fictitious village in Kent and is coming to Netflix later this year.
The streaming giant has confirmed that the star-studded movie will premiere exclusively on its platform on August 28, 2025, which quite fittingly happens to be a Thursday.

It centres around four spirited retirees who spend their days solving cold case murders for amusement, and wait until you find out who's playing them.... For the latest TV and showbiz gossip sign up to our newsletter .

The film has been directed by Chris Columbus, who is no stranger to a high profile movie having directed films like Home Alone and several of the Harry Potter franchise.
The preview introduces us to the characters played by Helen Mirren, Pierce Brosnan and Ben Kingsley, as they meet Celia Imrie's character for the first time while investigating a cold case from the 70s.
Celia's character Joyce asks the other Coopers Chase residents, "isn't this room usually used for jigsaws?", to which Helen Mirren's character Elizabeth says, "not on a Thursday, no."

The clip also shows Joyce getting rather overexcited when a present-day murder takes place, and offers sneak peeks at the characters portrayed by Naomi Ackie and Ingrid Oliver.
The official blurb for the film reads: "Based on Richard Osman's international bestselling novel of the same name, The Thursday Murder Club follows four irrepressible retirees – Elizabeth (Helen Mirren), Ron (Pierce Brosnan), Ibrahim (Ben Kingsley) and Joyce (Celia Imrie) – who spend their time solving cold case murders for fun."

Sir Ben Kingsley as Ibrahim Arif, Pierce Brosnan as Ron Ritchie, Helen Mirren as Elizabeth Best and Celia Imrie as Joyce Meadowcroft.
Earlier this week, the author expressed his excitement about the trailer release on his podcast, The Rest is Entertainment. He said: "On Thursday, the very first trailer for the Thursday Murder Club film is being released. If you want to see it a bit early, you can follow my newsletter if you go to Instagram or Twitter, it's in the bio.
"You sign up and you'll see it an hour before everyone else. But yeah, the first trailer, the teaser trailer, is out on Thursday, Netflix releasing the first trailer so you get to see all of those amazing actors playing those roles in that trailer."

Podcast co-host Marina Hyde joked: "I'm already signed up to your newsletter." Richard replied: "Well, you're going to see it an hour early then."
To which Marina quipped: "Can you actually just email me so I can see if before then?" Richard responded: "Oh yeah, and get sued by Netflix, great idea." You can read more here.
The Thursday Murder Club will be released on Netflix on 28th August, 2025.
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Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie
Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie

Scotsman

time6 hours ago

  • Scotsman

Inside the "strange and weird" world of Dept. Q with Edinburgh's Chloe Pirrie

Surreal, strange, weird... what happens when you set a Scandi noir crime drama in Scotland. Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... 'Extraordinary moments, surreal, strange things…' Attempting to describe her favourite part of filming new Netflix drama Dept. Q when we speak ahead of its launch, Chloe Pirrie is immediately tied up in avoiding spoilers, such is the extraordinary turn of events that befall her character. 'There are moments, but I can't say what they were because it'll give it away,' she says, 'strange, weird things…' Advertisement Hide Ad Advertisement Hide Ad An adaptation of the novels of Danish author, Jussi Adler-Olsen by acclaimed showrunner Scott Frank (The Queen's Gambit), written with Chandni Lakhani, Stephen Greenhorn and Colette Kane, the nine-part Netflix drama launches this week. Following the tale of Merritt Lingard, a high-flying lawyer played by Pirrie whose fate becomes intertwined with that of detective Carl Morck (Matthew Goode), who has been kicked downstairs to head up a new cold case department after an investigation went awry leaving his partner paralysed (Jamie Sives), the tense thriller sees them both pushed to their limits. Also starring are Alexej Manvelov (Jack Ryan, Top Dog), Kate Dickie, Kelly Macdonald (Line of Duty, Operation Mincemeat) and Leah Byrne (Call The Midwife, Nightsleeper) and an ensemble cast featuring many Scottish actors. Pirrie is a familiar face from TV and film, appearing in last year's Canadian horror film Kryptic, The Crown, Netflix's The Queen's Gambit, Emma, War & Peace, BBC's miniseries thriller The Victim and as Emily Bronte in Sally Wainwright's To Walk Invisible. Chloe Pirrie stars as Merritt Lingard in Dept. Q, filmed in Edinburgh. | Netflix Raised in Edinburgh, the daughter of a physiotherapist and a lawyer, Pirrie started acting at school in The Cherry Orchard and went on to study at Guildhall School of Music and Drama in London. After a career launching appearance in Scott Graham's award-winning indie feature film Shell with Iain De Caestecker and Kate Dickie in 2010, she was named Best Newcomer at the British Independent Film Awards and a Screen International Star of Tomorrow. She soon landed roles in BBC2 Cold War spy thriller The Game alongside Brian Cox, Sky Atlantic's crime series The Last Panthers with Samantha Morton and John Hurt, Oscar-nominated comedy drama Youth with Michael Caine and Rachel Weisz and black comedy road movie Burn, Burn Burn. Advertisement Hide Ad Advertisement Hide Ad At the start of the series Pirrie's Merritt Lingard is a prosecutor at the top of her game, fighting for justice and described by some as a 'blunt instrument'. Brought up on Mull by an absent father, when her brother suffers a brain injury she becomes his protector and following the biggest case of her career, decides to make a change, with dramatic consequences. 'Merritt operates on a basis of not needing to be liked, doesn't have many friends and is a bit of a mystery to the people around her,' says Pirrie. 'She has very successfully compartmentalised her life in terms of her past and current work situation but is starting to struggle under the pressure of the case she's prosecuting. 'We're seeing somebody who is maybe not as in control as they're used to being. Chloe Pirrie and Mark Bonnar as lawyers in Dept. Q, Netflix's Scottish adaptation of Jussi-Alder Olsen's Scandi Noir series. | Netflix 'This case is more high profile but is coming with baggage she hasn't anticipated. Obstacles start to emerge that she doesn't understand and the frustration is starting to get under her skin. Advertisement Hide Ad Advertisement Hide Ad 'Alongside this she is receiving anonymous threatening messages.' In terms of preparing for the part of Merritt, the lawyer element was straightforward as Pirrie has experience of playing a lawyer from The Victim in 2019. 'That was less of a thriller and more about depicting and anatomising someone's trial, so that gave me a lot. I did a lot of research for that and you become a bit more acquainted with the differences in the Scottish legal system and I went to the WS society and Signet Library where my dad works and got a bit of insight of the culture and expectations in that legal world. 'Also I watched a lot of murder trial documentaries where you learn so much about how a profession works and I just love doing that kind of research. Advertisement Hide Ad Advertisement Hide Ad 'And for Merritt, she's somebody who has quite a different background from others in that profession so it was understanding what might be most challenging for her and those encountering someone who does things differently or doesn't conform.' For Merritt, a belief that those who commit a crime don't ever truly get away with it and that through justice, conscience or karma, the universe will see them ultimately punished, helps sustain her on the wild ride on which her life takes her. Chloe Pirrie at the premiere of Under The Banner Of Heaven in Hollywood, California, 2022. |'This may be one of Merritt's blindspots,' says Pirrie. 'She's very hyperfocused on the right thing when it applies to others but has so successfully buried things as she's evolved that I don't think she ever turns the lens on herself. We learn more about that later in the show. It's interesting playing someone who isn't interested in self-reflection. We see that in scenes I have with Mark Bonnar, and her colleagues, where she's butting heads because she is unwilling to listen, and that serves her in some ways but not in others.' Does Pirrie think it's true, that people ultimately get punished? Advertisement Hide Ad Advertisement Hide Ad 'I don't know. I'd like to think so. Maybe the gentler version is 'what's for you won't go by you', but I don't know if that is entirely true. You obviously trust in the justice system as much as you can, but we all know it has limitations and is always trying to adapt. It depends what justice means to you I suppose.' Originally a Scandi noir thriller, Scott Frank has transposed the story to a Scottish setting with Edinburgh locations, institutions and fictional characters up front and centre. 'The show does that so successfully, Scott did a fantastic job. Being an American, it's amazing how somebody can assimilate and locate, very specifically, people and qualities and with excellent performances and the right cast, bring something to life that felt very specific to me. For the Edinburgh born and raised actor this was a homecoming. Advertisement Hide Ad Advertisement Hide Ad 'Because I'm from Edinburgh, it was really cool seeing it on screen, and a full circle moment as I've never worked here before. It was quite magical from that point of view. I just loved that.' Now based in North London, Pirrie's career has taken her all over for work, from Calgary to Prague, but once back in the capital for Dept. Q she enjoyed getting reacquainted. 'Chips and sauce, chips and cheese,' were top of the agenda, as well as catching up with family and friends. 'I had an apartment and it was really nice to spend more time in Edinburgh. I brought my car and my dog and had the freedom of returning as an adult with my own life. It was like discovering the city again, finding new places I hadn't known growing up like The Secret Herb Garden and there are so many restaurants because the food scene's gone insane. I really enjoyed going to old favourite places but also discovering new ones.' Advertisement Hide Ad Advertisement Hide Ad 'And the cast were amazing, some of whom I've worked with before and some who are new. It was great to see all these amazing Scottish actors together.' Chloe Pirrie | Photographer: Josh Shinner Stylist: Fabio Immediato Make-up: Amanda Grossman Hair: Davide Barbieri Now 37, if Pirrie reflects on her career, what would she say to her younger self? 'That it doesn't really get any easier but you're also doing way better than you think you are in terms of how you are navigating it. I'd say continue to try to not compare yourself to others as much as possible. I would tell her you are going to have the fortune to work with some really amazing people so savour the really amazing moments on set - that is the most important thing I think. 'Increasingly the industry is very noisy, there are so many extraneous things, but always return to the work because that's what is important, the time between action and cut. Keep focusing on that, because that's always where I felt 'oh I know how to do this', so keep feeling that way.' What sort of things make the industry 'noisy'? Advertisement Hide Ad Advertisement Hide Ad 'Things to do with publicity and knowledge about how things are made, which can make it really daunting. When I graduated a certain naivety was possible because whenever I didn't get a job I didn't know how to look up who got it but now there's an overwhelm of information. 'Being able to go into rooms, do an audition, leave and that would be that, was an amazing privilege. It's so rare to go into a room and meet someone in person, which is mad, because your interaction with another actor is such a personal thing. I'd tell my younger self soak up those opportunities to work in a room with people, whether you get the job or not.' Pirrie has worked with the show's acclaimed runner Scott Frank before, on The Queen's Gambit, in which she played Anya Taylor-Joy's birth mother. What insight did this give her into how Frank works? 'The Queen's Gambit was a wonderful job and what happened with the series blowing up was so rewarding. Scott creates an environment that is so special; he's so in control but also very freeing. That's a really amazing quality in a director. The quality of attention on set from everyone there is something you feel like you're part of and that's created by him. Advertisement Hide Ad Advertisement Hide Ad 'With The Queen's Gambit I was terrified because it was the first time I'd done an American accent and the first thing I had to do was improvise a load of stuff but it was so supportive. You feel like you're able to do your best work and can also fail and it doesn't matter. He's the best in that sense as a director. So stepping into this which is a role much more on my shoulders I suppose I did feel a lot of anxiety but he'd asked me to do it and I knew I was in safe hands.' 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Advertisement Hide Ad Advertisement Hide Ad 'There was also my first day on set walking around Edinburgh and the first thing I did was sit in Princes Street Gardens where I spent so many Saturdays as a teenager. It was quite extraordinary to do that and really full circle.' Chloe Pirrie attends the Vogue x Netflix BAFTA Television Awards 2024 in London. | Getty Images Which roles or people she's worked with have been pivotal in her career? 'Well Shell was my first big job, it was a leading part, and was a really formative experience with Scott Graham. It was my first time being able to play somebody the camera follows through every scene. I had to throw myself into it and didn't really know what I was doing. It was purely on instinct and you're figuring out technique as you go. 'And I would say playing Emily [Bronte] was really big for me, because it was such a freeing thing. Emily's somebody who's surprising to people and working with Sally Wainwright and that cast was amazing so I really cherish that job a lot. Advertisement Hide Ad Advertisement Hide Ad 'Then The Queen's Gambit I loved for the way it worked. That part was quite small but important, and that's something I love about Scott, that there are no small parts. Even if someone's got one line, there's nothing perfunctory or accidental in the way he works, and that's amazing to be around. 'Under The Banner of Heaven [in 2022, in which Pirrie played a Scottish woman who has married into a fundamentalist Mormon family from Utah who commit a series of murders] which I did a few years ago, was amazing but different because I was playing someone profoundly not free, so that was also a really interesting experience from that point of view. Next up for Pirrie, after a well-earned week in the sun in Greece, is season four of Industry, the HBO hit about a group of junior traders at the London office of a city firm, now expanding its scope to follow the characters in the US. 'I did a little bit in season 3 and I'm reprising that. Industry is really fun, such a different thing. That's something I love about my job, that all sets are the same but also profoundly different and how the energy of a show really translates and how what is required of you can be really different. Industry means playing highly competent people which is hard because there's nowhere to put the vulnerability, you have to hold that together. It's really interesting, highly competent people who are melting down from the inside out is a really niche thing, and Industry definitely runs that concept to its absolute extreme. And then I don't know what I'm doing,' she says and smiles. Advertisement Hide Ad Advertisement Hide Ad Pirrie is content to take each role as it comes, and doesn't think too far ahead about parts she'd like to play. 'I try to take it as it arrives towards me as much as possible. And when you receive a script that makes you sit up and be forward and hoover up whatever it is, you give it everything you have, regardless of the outcome.' As for genres, she has a surprising penchant, as yet to be explored. 'Ok, so one of my favourite genres is submarine movies. I have a real thing about submarines and I would love to do one of those. And I can ride horses fairly competently - I learnt as a kid - and I've never got to do it because it's often something men do in things, go off into battle. So I'm waiting for that moment where someone says 'could you do that on a horse?' and I'll say 'Absolutely!' Advertisement Hide Ad Advertisement Hide Ad 'I actually made a short film recently that I'm editing now, that's a little bit about when I was young and working at a stables and imagining a life where I continued to do that. Maybe I'm creating opportunities for myself somehow, but I'd love to use that skill in some way. And it would be fun to learn to climb, swim in a particular way, dive, do stunt driving, to really push it.' In the meantime what Pirrie wants most is to be able to talk about Dept. Q without worrying about spoilers, which brings us full circle back to those 'extraordinary moments, surreal, strange things…'

Harry Potter TV series leaves crew 'bewildered' as filming for 'British national treasure' begins in France
Harry Potter TV series leaves crew 'bewildered' as filming for 'British national treasure' begins in France

Daily Mail​

time7 hours ago

  • Daily Mail​

Harry Potter TV series leaves crew 'bewildered' as filming for 'British national treasure' begins in France

Filming for the Harry Potter TV series kicked off this week, but the crew have already been left 'bewildered' by the producers choice of location. Cast and crew have have set up on the Île de Sein off the coast of Brittany where they are thought to be re-creating the famous moment that Hagrid says, 'You're a wizard Harry!' In the first film, Harry Potter and the Philosopher's Stone, Harry is taken away the Hut-on-the-Rock by the Dursleys to in an attempt to prevent the letters from Hogwarts reaching him. However, Rubeus Hagrid, flys to the hut and forces his way inside to find Harry, give him his acceptance letter and reveal the truth about his parents death. In the book, the hut is off the coast of Cornwall, with the films having been shot entirely in the UK, but the TV show's producers sought a breezier location. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. A source told The Sun: 'This caused a certain amount of amusement among the British crew who all agreed that they could have easily got windswept in virtually any part of the British Isles. 'They've been slightly bewildered by the fact they've actually gone to France to make a show which is so British — particularly since it's the first place they've gone to and they're doing key scenes there. 'For fans it's likely to be a sign that with American producers running the show, it might not be as mindful of Harry Potter as a national treasure that shouldn't be tampered with.' The latest leading trio were finally announced this week after months of speculation - with Dominic McLaughlin landing the title role, while Arabella Stanton is set to play Hermione Granger and Alastair Stout will portray Ron Weasley. JK Rowling gave her approval to the trio cast as the new child stars of the multi-million-pound TV adaptation - after previously giving short shrift to racists complaining about producers' picks. There has been some online backlash against what has been branded ' woke ' reinterpreting of the wizarding franchise based on the seven bestselling books by Rowling, 59, which prompted eight movie versions. But the multi-millionaire author yesterday gave her first public response to the new Harry Potter television casting announcement, with showbusiness insiders suggesting she would have a key role in the new productions. One fan took to X, formerly known as Twitter, asking the bestselling author to inform the new recruits the wizarding franchise's creator felt about their casting. And now Rowling has responded by declaring: 'All three are wonderful. I couldn't be happier.' The writer was replying to a tweet which said: '@jk_rowling @streamonmax @harrypotter Please tell Dominic, Arabella and Alistair that they are already loved by the fandom and we can't wait to see the show! 'We wish them all the best and that they have a magic time.' The new adaptation will be spread across seven seasons, equal to the number of books - although there were eight films with the final Harry Potter and the Deathly Hallows split into two parts. The HBO TV show is said to be costing £75million per episode - and the three child actors taking the lead roles have been tipped to land themselves even bigger fortunes than the original stars. Producers Francesca Gardiner and Mark Mylod praised the 'wonderful' talent of the three newcomers, when making Tuesday's casting announcement. They said: 'After an extraordinary search led by casting directors Lucy Bevan and Emily Brockmann, we are delighted to announce we have found our Harry, Hermione, and Ron. 'The talent of these three unique actors is wonderful to behold, and we cannot wait for the world to witness their magic together onscreen. 'We would like to thank all the tens of thousands of children who auditioned. It's been a real pleasure to discover the plethora of young talent out there.' Rowling released the first Harry Potter novel Harry Potter and the Philosopher's Stone in 1997, followed by Harry Potter and the Chamber of Secrets the following year. Harry Potter and the Prisoner of Azkaban was released in 1999, followed by Harry Potter and the Goblet of Fire in 2000. Three years later Harry Potter and the order of the Phoenix was published and Harry Potter and the Half-Blood Prince in 2005. The final book, Harry Potter and the Deathly Hallows, was released in 2007. Daniel Radcliffe took on the role of protagonist Harry Potter in the film franchise. Emma Watson played Hermione, while Rupert Grint was Ron Weasley. The first movie was released in 2001 and the final one came out in 2011. They played their roles for a decade.

From a Jersey Royals ad to performing on the West End: How new Harry Potter stars got their big breaks
From a Jersey Royals ad to performing on the West End: How new Harry Potter stars got their big breaks

Daily Mail​

time8 hours ago

  • Daily Mail​

From a Jersey Royals ad to performing on the West End: How new Harry Potter stars got their big breaks

Twenty-five years ago three children filed into a room full of camera crews and sat at a table set up with microphones, glasses of water and bowls of sweets, to face the world's press. Mere muggles, they were about to be swept into a magical universe that would catapult them to global stardom and make them multi-millionaires. Daniel Radcliffe, Emma Watson and Rupert Grint – then aged 11 – would go on to bring the magic of Hogwarts to life as Harry Potter, Hermione Granger and Ron Weasley in the blockbuster film franchise of JK Rowling 's wizarding world. A lot has happened since that press conference in August 2000, when only four out of the seven Harry Potter books had been published. But it may be of particular interest to another trio of muggles, who are about to have their otherwise ordinary lives go up in smoke – as if by magic. This week Dominic McLaughlin, Arabella Stanton and Alastair Stout were unveiled as the children picked to play Harry, Hermione and Ron in the hotly anticipated TV adaptation of the series. Uncannily like their predecessors in both appearance (just look at that red hair) and, as the Mail has learned, experience and background, they were chosen from more than 32,000 children who sent in audition clips in the hope of landing roles in a series set to be every bit as popular – and lucrative – as the original. The rumour mill suggests the HBO show could cost a staggering £75million an episode to produce, although this week that was reported to be a slightly more modest £12million. But the investment is in line with expectations that it will bring in much, much more. No wonder then that there is speculation the three child actors could land themselves even bigger fortunes than the original stars, with estimates that they are being paid at least £1million per series to begin with, rising to £10million to £20million each by the end of the seventh season. For Radcliffe, Watson and Grint, their bank balances remain in astonishingly good shape, 14 years after they finished filming the last instalment. According to this year's Sunday Times Rich List, Radcliffe is estimated to be worth £100million, Watson more than £60million and Grint north of £40million. How far they have all come since that initial press conference. Back then, Watson was asked about how things might change. 'I don't want to change,' she declared, before confessing: 'So far it's sort of turned things upside down.' Given how superstardom took over their childhoods, that was an understatement. Our three new stars will doubtless have been cautioned about the exciting, but life-changing, whirlwind that lies ahead. HBO has certainly taken a different approach with announcing its cast, perhaps mindful that for the original three fame came with not only riches but pitfalls. Radcliffe, now 35, has been open about using alcohol as a coping mechanism in his teens. Watson, also 35, has spoken of going to therapy to help with the side-effects of fame. So, unlike their predecessors, McLaughlin, Stanton and Stout haven't yet been properly introduced to the public. Instead, the casting news was delivered in a brief press release and social media post from HBO, in which only their names were revealed. There was a single photo of the trio. No press conferences and no tricky questions. Yet while they might not have contended with such exposure before, these actors are already accustomed to success. Take Arabella Stanton, who recently turned 11 and is in the final year of primary school. She has already had a starring role as the eponymous schoolgirl lead in Matilda The Musical. Her West End debut was in September 2023, which she celebrated by standing next to a balloon creation bearing the words 'keep shining, you've got this'. Clearly cut out for stardom, one review of her performance gushed: 'I've seen many child actors in theatre, but Stanton is simply mesmerising... A star in the making, to say the least.' Arabella's parents Melanie and Dan are lawyers as, coincidentally, are the parents of Emma Watson. Her maternal grandfather is also a lawyer, while her paternal grandparents are both physiotherapists. The family live in a modern detached home near Woking in Surrey, and as well as performing, Arabella plays the clarinet, swims, plays hockey and enjoys skiing and horse-riding. There was a blanket no comment from organisations Arabella is involved with this week – she has one-on-one singing lessons, attends dance school and takes musical theatre classes at two institutions, as well as masterclasses with another company – indicating the HBO publicity machine is carefully managing the exposure of their new stars. Her father, meanwhile, very politely, declined to comment on his daughter's success. Playing Harry is Dominic McLaughlin, a Scottish schoolboy who has a similar stage school pedigree behind him. It's thought his parents are a lawyer and a doctor. Dominic's impressive CV includes an appearance opposite star Ralph Fiennes in Macbeth. He's also already chalked up his first movie role, in an upcoming Sky film titled Grow starring Alan Carr and Nick Frost. The Performance Academy Scotland, near Glasgow, where he trained for five years, shared the news of his success this week, writing: 'This one is MAGICAL! We said from the start that Dominic was the perfect Harry and we are thrilled for everyone else to see this soon too.' The least experienced of the trio is Alastair Stout, 11, whose most prominent role appears to have been in an advert for Albert Bartlett's Jersey Royal potatoes. He grew up in the Salford suburb of Worsley, where he is a long-standing student at the 3Two1 Theatre school.

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