logo
A-level student fulfils promise to dying mother by securing place at Oxford

A-level student fulfils promise to dying mother by securing place at Oxford

Glasgow Times3 days ago
Gabrielle Morgan, 18, said she 'could practically hear (her mother) celebrating' with her when her offer came through to study modern languages at the University of Oxford.
Gabrielle, from Newcastle, secured her place after achieving straight A* grades in English literature, Spanish and chemistry, along with an A* in an extended project qualification (EPQ), and will go on to study Spanish and beginners' Portuguese.
Sisters Francesca Morgan (left), Gabrielle Morgan (right) and their mother Faustina (Darren Irwin Photography/PA)
It comes a year after her sister Francesca achieved straight A* grades and secured a place at Cambridge to study natural sciences.
The sisters were both home-schooled by their mother, Faustina, before joining Dame Allan's Schools.
Ms Morgan, who moved from Malaysia to the UK in her early 20s, died from lung cancer in April last year.
Gabrielle said: 'My mum was incredible, strong, organised, inspiring and a person of great faith.
'She supported every interest we had, helped us through our GCSEs and pushed us to work hard.
'She made me promise to keep working hard on my Oxford application no matter what happened.
'I could practically hear her celebrating with me when the offer came through.
'I know just how proud of me she is and I know she helped a lot, even though she wasn't here physically.'
Gabrielle's promise to Ms Morgan carried her through an emotionally turbulent year – including a school trip to Valencia, during which she boarded a high-speed train to Madrid with director of sixth form Karen Fletcher to sit her Oxford admissions test.
Gabrielle Morgan receives her A-level results at Dame Allan's Schools (Owen Humphreys/PA)
Gabrielle, who is bilingual in English and Mandarin, said she has been passionate about languages and storytelling from a young age, and dreams of becoming an author.
'The literary world has always been central to my life,' she said.
'Tolkien is my favourite author – he studied and taught at Oxford and wrote the books that shaped my love of reading. That's why I decided to apply there.'
Gabrielle said her standout moments at Dame Allan's, an independent school in Fenham, Newcastle, include performing Visiting Hours and Supermarket Flowers by Ed Sheeran at school concerts in memory of her mother.
'She loved hearing me sing, so it felt special to sing for her in front of others,' she said.
'Those songs encapsulate what grief feels like.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Edinburgh local who 'despises' Fringe brands festival an 'embarrassment' in tirade
Edinburgh local who 'despises' Fringe brands festival an 'embarrassment' in tirade

Edinburgh Live

timean hour ago

  • Edinburgh Live

Edinburgh local who 'despises' Fringe brands festival an 'embarrassment' in tirade

Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info An Edinburgh local has shot out online about the Edinburgh Fringe, calling it an "embarrassment" where tourists have "no respect for locals". They posted an angry video to TikTok, showing a mobbed Edinburgh street packed with tourists amid the capital's busiest time of year. In the caption they included a tirade against Festival season and the crowds it brings to Edinburghers' doorsteps. They said: "Words cannot describe how much I DESPITE this sh**** festival. There's little in the world I hate more than the embarrassment that is the Edinburgh Fringe. "Nobody has any respect for the people who live here. Just full of the same unfunny middle class English shows every year. "I could write a book on why this festival needs to be terminated." Fellow capital residents joined ranks in the comments to share their frustration at the Fringe. One commented: "At this point Edinburgh is just a theme park for the English". A miffed parent added: "My daughter has to elbow her way to work from Waverley during August. She booked her own holiday days this year to miss some of it". Another shared: "I do wish BBC would give more coverage to the Edinburgh festival, not the Fringe". However, there were many Edinburgh residents in who disagreed with the hot take and offered alternative points-of-view on the festival. One said: "We live somewhere with the world's largest arts festival on our doorstep. We're so lucky." Another offered: "I stayed in Edinburgh for about 20 years and it's one of the best things about the city. Can't beat a wee sunny afternoon in the Pleasance Courtyard". A third penned: "Disagree and I've lived in Edinburgh during the festival. It's amazing for tourists and culturally important". Others added: "It's an essential tool for people who want to get into the arts and it's a feeder for some of the best British theatre and TV".

EIF: Book of Mountains and Seas is arguably not 'opera'
EIF: Book of Mountains and Seas is arguably not 'opera'

The Herald Scotland

time2 hours ago

  • The Herald Scotland

EIF: Book of Mountains and Seas is arguably not 'opera'

Composer Huang Ruo's collaborations with writer David Henry Hwang (M. Butterfly and the soon-to-open The Monkey King) are full-scale contemporary operas, but this piece is not just of a different size and style but arguably not 'opera' at all, as the Festival has categorised it. Perhaps 'staged oratorio' would be nearer the mark, as it teams chamber choir Ars Nova Copenhagen with two superb percussionists – Michael Murphy and John Ostrowski – on tuned and untuned instruments, and six puppeteers under the direction of Basil Twist. Ruo is his own librettist on four ancient Chinese myths from the collection of the title, stories of the origin of the planet and mankind, and of the responsibility of humans for the environment. Although they are distinct, the four parts flow into one another, culminating in a puppet giant Kua Fu chasing the single sun that the God of Archery, Hou Yi, has spared of the ten that originally lit the planet Earth. Read More: The 12-strong choir, directed by Theatre of Voices counter-tenor Miles Lallemant, sings in Mandarin and a vocabulary of sounds that Ruo has invented, and there are some magnificent solo voices among them as well as immaculate ensemble singing. The puppeteers, identically costumed in black velvet smocks, manipulate lanterns and the elements of the giant with flowing skill, and create seas and rivers with reams of white silk. Beautifully lit by Ayumu 'Poe' Saegusa, the theatre of the piece is organic and elemental and every bit as mesmeric as the music, the ingredients of which are more complex. Ruo's distinctive style blends his own heritage as a Chinese-born, U.S.-resident musician, using Eastern scales but also strikingly jazzy chords and rhythms. Mostly the music is very spacious, but there are sections of density as well as propulsive excitement, dialogues between the men and women's voices and between soloist and chorus. The two instrumentalists put in a power of work with long sequences on singing bowls and very fine six-mallet marimba playing at the work's climax. For festival tickets see here

Ryan Reynolds says he and Rob McElhenney don't make Wrexham ‘football decisions'
Ryan Reynolds says he and Rob McElhenney don't make Wrexham ‘football decisions'

South Wales Guardian

time3 hours ago

  • South Wales Guardian

Ryan Reynolds says he and Rob McElhenney don't make Wrexham ‘football decisions'

Wrexham have had a meteoric rise under their Hollywood owners, becoming the first team in the history of English football's top five divisions to secure three successive promotions. Reynolds and McElhenney were at the SToK Cae Ras on Saturday to watch Wrexham play their first home game in the second tier of English football since May 1982. But there was no Hollywood ending as West Brom won 3-2 to leave the Red Dragons without a Championship point after two games. 'We have a very hands-off management style,' Deadpool star Reynolds told Sky Sports. 'Our job is to listen, learn, and tell the story. And that's I think a great position for any ownership group to be in, to really just be there to support and tell the story. 'We don't make football decisions. And it's actually the great gift of that is that we're able to have relationships with the players at Wrexham, whereas most people in our position can't. 'So we have a relationship with every single one of our players.' The Welsh club's commercial success – fuelled by Reynolds and McElhenney's celebrity status and the award-winning 'Welcome to Wrexham' documentary series – has allowed them to invest heavily in Phil Parkinson's squad with nine summer signings. Wrexham have broken their transfer record three times this summer and Wales striker Nathan Broadhead, signed from Ipswich in a deal worth up to £10million, made his debut against West Brom. McElhenney said: 'It's interesting to get accolades when you hear people say, 'Oh, you guys have done a pretty good job with the club. 'The truth is we don't really have anything to do with what happens out on the pitch. 'We've got our very specific job, which is to be clowns and to tell the story as best we can. 'But also to be as respectful as we possibly can to what Phil does on the pitch and what the executive team, Michael (Williamson) and Shaun (Harvey) and Humphrey (Ker) and everybody does off the pitch. 'We just have an incredible team and we just get to sit back and be fans and document the process.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store