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Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

The National19 hours ago
Ziad Rahbani, a Lebanese composer, playwright and political commentator known for his influential role in Arabic theatre and music, has died aged 69. The cause of death has yet to be announced.
The son of renowned singer Fairouz and late composer Assi Rahbani, Ziad Rahbani is widely regarded as one of the most distinctive creative voices to emerge from Lebanon in the past five decades.
Toufic Maatouk, Lebanese composer and musicologist, told The National: 'Ziad Rahbani's music is a voice carved from Lebanon's soul. He called it 'oriental jazz,' but it was more – a fusion of Arabic melodies, funk, and jazz that sounded unmistakably Lebanese. Each note carried Beirut's chaos, warmth, and wit. Ziad's artistry wasn't imitation, it was invention, born from home.'
Rahbani rose to prominence during the Lebanese Civil War through a series of acclaimed plays and musical works that combined colloquial Lebanese dialogue, jazz and classical Arabic music with political and social critique.
He was born in Beirut in 1956 into one of the Arab world's most prominent musical families. He began his professional career at an early age, composing Saalouni El Nass in 1973, which Fairouz performed during a period when Assi Rahbani was recovering from a stroke.
In the years that followed, Ziad Rahbani established himself as an important figure in Beirut's cultural scene. His early theatre productions including Nazl El-Sourour explored themes of civil conflict, sectarianism and everyday life in Lebanon with a satirical and often provocative tone.
Rahbani was an outspoken political commentator, often expressing support for leftist movements and criticising the Lebanese political establishment. While his views were often polarising, he remained a leading voice in regional cultural and political discourse.
In addition to his theatre work, Rahbani continued to compose music throughout his career, including a number of collaborations with his mother, in the 1980s. Albums such as Maarifti Feek and Wahdon introduced lyrical and musical directions for the celebrated musician, often reflecting more personal or socially conscious themes.
Although he gave few interviews in his later years, Rahbani continued to perform live, frequently mixing music with political commentary during his concerts. His influence extends to several generations of Arab musicians, writers and performers.
In recent years, the rise of the Habibi funk movement has won Rahbani fans around the world, with albums including Houdou Nisbi, Amrak Seedna & Abtal Wa Harameyah and Bennesbeh Labokra … Chou? reissued internationally on vinyl to great acclaim.
Arab musicians pay tribute to Ziad Rahbani
Lebanese musician Tania Saleh, considered one of the founding voices of the country's independent music culture, says that Rahbani is the true architect of the scene.
'Some people like to think the indie scene started with us. I don't think so. I believe it started with him, because he was already independent – from his family, from the Lebanese music scene, and even from the larger Arab world. His influences came from everywhere. He was the true first,' says Salah.
Mayssa Karaa, singer and artistic director of Berklee Abu Dhabi, said that Rahbani's current influence extended far beyond his artistic output.
'Ziad Rahbani was more than just a musician; he was a voice, a mirror, and a pulse for Lebanon,' said Kara. 'He taught generations how to speak the truth through music, no matter how uncomfortable that truth was. His art was always based on his deep love for his country and its people, and this love shaped every lyric, melody, and story he told.
'People of all ages, classes, and faiths could relate to Ziad's music because it was so real. As a musician, he broke all the rules and didn't follow trends or fit into moulds, carving out a path that countless artists, including myself, have drawn inspiration from. He showed us that music could be both heartbreaking and full of humour,' Karaa says.
'Ziad, rest in music. Your music, your words, and your spirit will always live on in the hearts of the people of Lebanon. Without you, we might not even know what Lebanon means, but maybe that's the beauty of your legacy: you've become part of the country's very definition.'
Emirati composer Ihab Darwish says: 'For us, this is a tragedy. It feels like we've lost one of the most iconic musicians in the Arab world.
'While I never met him, I consider him one of my idols. He taught me a lot about blending different genres. He also clearly has a storytelling style that is very similar to mine – ensuring that music has a narrative and theme.'
Lebanon's political figures mourn late Lebanese composer
Lebanon's President Joseph Aoun expressed his sorrow over the death of Rahbani.
"Ziad Rahbani was not just an artist; he was an integrated intellectual and cultural figure. Moreover, he was a living conscience, a rebellious voice against injustice, and an honest mirror for those who suffered and were marginalised. He wrote about people's pain and played on the strings of truth, without ambiguity," Mr Aoun said in a statement.
"Through his purposeful theatre and his music, ignited with infinite creativity between classical, jazz, and oriental music, he presented a unique artistic vision and opened new windows of Lebanese cultural expression, reaching the international level and creating masterpieces."
"Ziad was a natural extension of the Rahbani family, which has given Lebanon so much beauty and dignity. He is the son of the creative Assi Rahbani and Fairouz, our ambassador to the stars, to whom we extend our sincere condolences today. Our hearts are with her in this huge loss, sharing with her the pain of losing someone who was more than a support to her. We also offer our condolences to the esteemed Rahbani family on this great loss," Mr Aoun continued.
"Ziad's many distinguished works will remain alive in the memory of the Lebanese and Arabs, inspiring future generations and reminding them that art can be an act of resistance, and that words can be a stance. May Ziad Rahbani rest in peace, and may his music and plays, vibrant with memory and life, remain a beacon of freedom and a call for human dignity."
Ghassan Salame, Lebanon's Culture Minister, said in a statement: "We dreaded this day, as we knew his health was deteriorating and his desire for treatment was diminishing. Plans to treat him in Lebanon or abroad had become obsolete, as Ziad no longer had the capacity to imagine the necessary treatment and surgeries. May God have mercy on artist Rahbani. We will mourn him by singing his immortal songs."
Lebanon's Parliament Speaker Nabih Berri said: "Lebanon without Ziad - the melody is sad, the words are broken, and the black curtain falls on an immortal Rahbani humanitarian, cultural, artistic, and patriotic chapter."
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Seven ways Ziad Rahbani changed Arabic music
Seven ways Ziad Rahbani changed Arabic music

The National

time7 hours ago

  • The National

Seven ways Ziad Rahbani changed Arabic music

Ziad Rahbani reimagined what Arabic music could be. The Lebanese composer and playwright, who died on Saturday aged 69, charted his own path from the beginning of his five-decade career. From redefining his mother Fairouz 's career, to transforming what could be seen and heard on the Lebanese theatre stage, Rahbani's contributions showed the dynamism of Lebanese music while breaking outdated taboos. More than these stylistic and technical feats, the reason Rahbani's death has been felt so keenly in Lebanon and across the Arab world – with tributes pouring in from musicians to politicians – is that his work was deeply empathetic to the trials and travails of the common man. As Taymoor Marmarchi, Mena Recording Academy executive director, tells The National, Rahbani's music made people feel seen and heard. "He wasn't just an iconic musician and composer – he was part of the soundtrack of so many people's lives all across the Arab world. He captured the soul of Lebanon with raw honesty and intellectual brilliance," he said. "His words made us laugh, think and sometimes cry, because they spoke to real moments we all lived through. He had this rare gift of turning politics into poetry, and everyday struggles into unforgettable songs. His legacy isn't just in what he created, but in how he made people feel seen." Here are seven ways Rahbani changed popular Arabic music. 1. He gave Fairuz a second act By the late 1970s, Lebanese artist Fairouz 's career high was gradually turning into a creative cul-de-sac, with her musical identity still rooted in the folk theatre and operatic works of Assi and Mansour Rahbani. It took her son Ziad to shake up her sound. Brilliant albums such as Wahdon (1979) and Maarifti Feek (1987), found Fairuz moving away from the pastoral scenes and folk wisdom of the Rahbani Brothers to embrace darker ballads and jazzy torch songs. Ziad's lyrics reflected the gritty social realities of Beirut such as in the 1979 Fairuz track Al Bosta. Initially viewed as a creative risk, the shift helped cement both his and Fairuz's status as commentators on Lebanon's changes and challenges over the years. 2. He made Arabic jazz cool Popular Arabic music has a long history of incorporating Western elements into its sound – whether through the orchestras of Umm Kulthum using violins, or Abdel Halim Hafez drawing on the sound of French chanson for his ballads. Rahbani didn't just borrow aspects of jazz as an appendage. A fan of jazz maestros Charlie Parker, Stan Getz and Dizzy Gillespie, he absorbed the sound fully with solo works full of nifty phrasing, improvisation and harmonic depth. This approach shines in seminal recordings such as Nazl El Sourour (1974) and Film Ameriki Tawil (1980), with Arabic compositions built on jazzy foundations of upright bass and trumpets. He coined the term "Oriental jazz" to describe his style, and his recording sessions were known to encourage improvisation – most clearly heard in the vibrant 1978 album, Abu Ali. 3. He made protest music funny Rahbani's politically inspired songs were defined more by dry satire than grand declarations. You rarely find sloganeering in his lyrics – just a catalogue of observations reflecting the absurdity of the times. In songs for theatrical plays such as Bennesbeh Labokra Shou? (1978), Shi Fashel (1983), and Bikhsous el Karameh (1993), the music was inseparable from political commentary. Characters used it to expose contradictions in Lebanese society. Rather than offering revolutionary anthems or patriotic hymns, Rahbani's political works captured the weary cynicism of ordinary Lebanese caught between competing factions. His characters expressed the kind of political exhaustion that resonated across generations – the sense that ideology had given way to survival. This approach continues to strike a chord as Lebanon moves from one crisis to the next. 4. He made Arabic music more intimate A woman confessing a love to a married childhood sweetheart – the subject matter of one of Fairuz's most memorable tracks, Kifak Inta, caused a stir upon release. It wasn't only due to what was perceived as daring subject matter in conservative Lebanese society, but also the fact that it came from the country's musical idol. Not only did it showcase the brilliant songwriting partnership between mother and son, it showed how Rahbani pushed the Arabic ballad to move beyond the extreme ends of the relationship scale – grand love and crushing heartbreak – to explore some of the more interesting places in between, such as nostalgia, regret, and confessionals. All of which went on to be incorporated in works by Lebanese indie music stalwarts such as Mashrou' Leila, Yasmine Hamdan, and Tania Saleh. The latter summed up the influence best in her tribute to Rahbani for The National:"Some people like to think the indie scene started with us. I don't think so. I believe it started with him, because he was already independent – from his family, from the Lebanese music scene, and even from the larger Arab world. His influences came from everywhere. He was the true first." 5. He turned street slang into song Rahbani infused the Lebanese theatre stage and songs with unfiltered Beiruti dialect – fast, clipped and dripping with sarcasm. The move also aligned with his image as an enfant terrible, disrupting the approach of the Rahbani Brothers, who often drew on stylised village dialects in their work. Ziad made his songs sound deliberately raw – with staccato phrasing and repeated spoken-word phrases – but it made them feel real and urgent. That freewheeling approach to lyrics and vocal delivery has since become a trait of Arabic indie music, from the work of Lebanese band Mashrou' Leila to Palestinian rapper Saint Levant. 6. He is the blueprint for fusing Arabic music Rahbani's discography is replete with styles such as disco-funk, bossa nova, jazz and French chanson. But that exploration was always rooted in clear and distinct Arabic melodies. This vast body of work deserves to be cited more when discussing how Arab music can be fluid with Western forms without losing its integrity. 7. Rahbani still hasn't faded Rahbani's work never lost its vitality and audience. Tracks from the 1970s and 80s are regularly reissued on vinyl by labels such as WeWantSounds and Habibi Funk. DJs sample his grooves and snippets of musicals are reposted and subtitled for a new generation of viewers across the Arab world. These rediscoveries are not part of retro fads found in other genres such as disco and funk. They remain as relevant as Lebanon's ongoing resilience. His work will remain a reference point for creatives on what it means to be proud of your heritage while also embracing what the world out there holds.

11th edition of Dubai Design Week takes stage on November 4-9 at d3
11th edition of Dubai Design Week takes stage on November 4-9 at d3

Gulf Today

time13 hours ago

  • Gulf Today

11th edition of Dubai Design Week takes stage on November 4-9 at d3

Dubai Design Week (DDW) will celebrate its 11th edition from November 4-9 under the patronage of Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of Dubai Culture & Arts Authority (Dubai Culture) and member of Dubai Council. The region's leading design festival and an annual celebration of creativity and culture, DDW is held in strategic partnership with Dubai Design District (d3), a member of TECOM Group PJSC, and supported by Dubai Culture. DDW 2025 coincides with the UAE's 'Year of Community'; this year's programme therefore reflects the theme through a focus on social cohesion, participation and shared experiences. Design will be explored not only as a practice of innovation, but as a social connector and as a civic and cultural tool that can shape how we live together, communicate, and build caring systems. Since 2015, DDW has grown into a global platform with an emphasis on cross-cultural exchange and on amplifying voices from West and South Asia, as well as the wider Global South (encompassing countries in Africa, Latin America, most of Asia and Oceania). Through exhibitions, fairs, large-scale installations, talks and workshops, the festival engages with contemporary narratives, creating a space for dialogue, experimentation and progress, harnessing its position as a regional melting pot and creative hub. Welcoming designs at Dubai Design Week. Key venues are located across d3, the global creative ecosystem dedicated to design, fashion, architecture and art. This year's highlights include Urban Commissions, DDW's annual competition, open to proposals from global practices, giving international architects and designers an opportunity to shape public spaces through community-driven design. Under the theme 'Courtyard', Urban Commissions calls on practitioners to reflect on a shared spatial form and explore its multifaceted role as a gathering place and community-led urban infrastructure. Abwab, meaning 'doors' in Arabic, is a long-running feature at DDW. Newly expanded to welcome applicants from across West, South and East Asia, as well as the African continent which are often unrepresented or unrepresented on global platforms, this year's theme, 'In the Details', invites practitioners to create immersive spatial experiences, engaging with historic cultural forms. Exhibitions serve as a platform for cultural organisations, educational institutions, collectives and individual designers to express cultural, social and environmental perspectives, showcasing cutting-edge design solutions across disciplines. Linda Nieuwstad's floral installation. Outdoor installations from designers, architects, collectives, creative practitioners, and design-led brands, will explore design's potential to foster inclusive, community-focused environments through the use of sustainable and socially responsible methods and materials. The festival's programme of workshops will be held at Maker Space, offering visitors of all ages and skill levels the opportunity to engage and experiment with a diverse range of artistic mediums. Alongside, the activations programme will unveil innovative and immersive projects, cross-disciplinary collaborations, pop-ups, and special presentations. Marketplace offers a curated retail experience featuring high-quality and original products by the region's best artisans, entrepreneurs and small businesses, alongside food experiences, children's activities and live performances. 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At the heart of Downtown Design, the UAE Designer Exhibition, supported by Dubai Culture, returns with an evolved format after five editions, expanding mentorship for emerging creatives and international showcase opportunities. Following a successful debut in 2024, Editions, the region's first fair dedicated to limited-edition art and design, will take place November 6-9, with a preview on November 5, at the d3 Waterfront Terrace. It will showcase 50 local and international galleries, design studios and collectives across a diverse range of mediums including artist multiples, ceramics, photography, works on paper, prints, editions, and contemporary design. The 2025 d3 Architecture Exhibition, organised by d3 in partnership with Royal Institute of British Architects (RIBA) aligns with DDW's theme in response to the UAE's 'Year of Community' initiative and will take place in a dedicated space in the creative district. Rooted in the UAE's values of resilience, ambition and openness, the Year of Community is dedicated to fostering a united and empowered society, aiming to strengthen family and social ties and unlock potential for sustainable growth. A scene from Dubai Design Week 2024. Reflecting Dubai's position as the design capital of the Middle East, DDW's varied programmes which include installations, new commissions, exhibitions, talks, workshops, a marketplace, the leading fair for contemporary design, Downtown Design and the Middle East's first limited-edition art and design fair, Editions, will enhance Dubai's position as a global centre for culture, an incubator for creativity, and a thriving hub for talent. Dubai Design District (d3), a member of TECOM Group PJSC, is a global creative ecosystem dedicated to design, fashion, architecture and art, offering a variety of multi-brand boutiques, fashion brands, and art and design studios. Dubai Culture is committed to enriching Dubai's cultural ecology based on the UAE's heritage, and builds bridges of constructive dialogue between various cultures.

Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer
Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

The National

time19 hours ago

  • The National

Ziad Rahbani, 'voice of Lebanon's soul', dies at 69: Tributes pour in for beloved composer

Ziad Rahbani, a Lebanese composer, playwright and political commentator known for his influential role in Arabic theatre and music, has died aged 69. The cause of death has yet to be announced. The son of renowned singer Fairouz and late composer Assi Rahbani, Ziad Rahbani is widely regarded as one of the most distinctive creative voices to emerge from Lebanon in the past five decades. Toufic Maatouk, Lebanese composer and musicologist, told The National: 'Ziad Rahbani's music is a voice carved from Lebanon's soul. He called it 'oriental jazz,' but it was more – a fusion of Arabic melodies, funk, and jazz that sounded unmistakably Lebanese. Each note carried Beirut's chaos, warmth, and wit. Ziad's artistry wasn't imitation, it was invention, born from home.' Rahbani rose to prominence during the Lebanese Civil War through a series of acclaimed plays and musical works that combined colloquial Lebanese dialogue, jazz and classical Arabic music with political and social critique. He was born in Beirut in 1956 into one of the Arab world's most prominent musical families. He began his professional career at an early age, composing Saalouni El Nass in 1973, which Fairouz performed during a period when Assi Rahbani was recovering from a stroke. In the years that followed, Ziad Rahbani established himself as an important figure in Beirut's cultural scene. His early theatre productions including Nazl El-Sourour explored themes of civil conflict, sectarianism and everyday life in Lebanon with a satirical and often provocative tone. Rahbani was an outspoken political commentator, often expressing support for leftist movements and criticising the Lebanese political establishment. While his views were often polarising, he remained a leading voice in regional cultural and political discourse. In addition to his theatre work, Rahbani continued to compose music throughout his career, including a number of collaborations with his mother, in the 1980s. Albums such as Maarifti Feek and Wahdon introduced lyrical and musical directions for the celebrated musician, often reflecting more personal or socially conscious themes. Although he gave few interviews in his later years, Rahbani continued to perform live, frequently mixing music with political commentary during his concerts. His influence extends to several generations of Arab musicians, writers and performers. In recent years, the rise of the Habibi funk movement has won Rahbani fans around the world, with albums including Houdou Nisbi, Amrak Seedna & Abtal Wa Harameyah and Bennesbeh Labokra … Chou? reissued internationally on vinyl to great acclaim. Arab musicians pay tribute to Ziad Rahbani Lebanese musician Tania Saleh, considered one of the founding voices of the country's independent music culture, says that Rahbani is the true architect of the scene. 'Some people like to think the indie scene started with us. I don't think so. I believe it started with him, because he was already independent – from his family, from the Lebanese music scene, and even from the larger Arab world. His influences came from everywhere. He was the true first,' says Salah. Mayssa Karaa, singer and artistic director of Berklee Abu Dhabi, said that Rahbani's current influence extended far beyond his artistic output. 'Ziad Rahbani was more than just a musician; he was a voice, a mirror, and a pulse for Lebanon,' said Kara. 'He taught generations how to speak the truth through music, no matter how uncomfortable that truth was. His art was always based on his deep love for his country and its people, and this love shaped every lyric, melody, and story he told. 'People of all ages, classes, and faiths could relate to Ziad's music because it was so real. As a musician, he broke all the rules and didn't follow trends or fit into moulds, carving out a path that countless artists, including myself, have drawn inspiration from. He showed us that music could be both heartbreaking and full of humour,' Karaa says. 'Ziad, rest in music. Your music, your words, and your spirit will always live on in the hearts of the people of Lebanon. Without you, we might not even know what Lebanon means, but maybe that's the beauty of your legacy: you've become part of the country's very definition.' Emirati composer Ihab Darwish says: 'For us, this is a tragedy. It feels like we've lost one of the most iconic musicians in the Arab world. 'While I never met him, I consider him one of my idols. He taught me a lot about blending different genres. He also clearly has a storytelling style that is very similar to mine – ensuring that music has a narrative and theme.' Lebanon's political figures mourn late Lebanese composer Lebanon's President Joseph Aoun expressed his sorrow over the death of Rahbani. "Ziad Rahbani was not just an artist; he was an integrated intellectual and cultural figure. Moreover, he was a living conscience, a rebellious voice against injustice, and an honest mirror for those who suffered and were marginalised. He wrote about people's pain and played on the strings of truth, without ambiguity," Mr Aoun said in a statement. "Through his purposeful theatre and his music, ignited with infinite creativity between classical, jazz, and oriental music, he presented a unique artistic vision and opened new windows of Lebanese cultural expression, reaching the international level and creating masterpieces." "Ziad was a natural extension of the Rahbani family, which has given Lebanon so much beauty and dignity. He is the son of the creative Assi Rahbani and Fairouz, our ambassador to the stars, to whom we extend our sincere condolences today. Our hearts are with her in this huge loss, sharing with her the pain of losing someone who was more than a support to her. We also offer our condolences to the esteemed Rahbani family on this great loss," Mr Aoun continued. "Ziad's many distinguished works will remain alive in the memory of the Lebanese and Arabs, inspiring future generations and reminding them that art can be an act of resistance, and that words can be a stance. May Ziad Rahbani rest in peace, and may his music and plays, vibrant with memory and life, remain a beacon of freedom and a call for human dignity." Ghassan Salame, Lebanon's Culture Minister, said in a statement: "We dreaded this day, as we knew his health was deteriorating and his desire for treatment was diminishing. Plans to treat him in Lebanon or abroad had become obsolete, as Ziad no longer had the capacity to imagine the necessary treatment and surgeries. May God have mercy on artist Rahbani. We will mourn him by singing his immortal songs." Lebanon's Parliament Speaker Nabih Berri said: "Lebanon without Ziad - the melody is sad, the words are broken, and the black curtain falls on an immortal Rahbani humanitarian, cultural, artistic, and patriotic chapter."

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