‘Welcome To Derry' Trailer: Pennywise Is Back In Creepy HBO Max ‘IT' Prequel
'Anywhere but Derry.' We're getting the first look at footage from IT: Welcome to Derry (fka Welcome to Derry), HBO Max's IT prequel series starring and executive produced by Bill Skarsgård in his return as the terrifying killer clown Pennywise.
In the teaser trailer, we meet a new cast of young characters living in Derry in the 1960s. We see Skarsgård's Pennywise at the end of the trailer.
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Set in the world of King's It universe, Welcome To Derry (wt) expands the vision established by filmmaker Andy Muschietti in the feature films, which amassed a combined $1.17 billion worldwide.
The series stems from a story by Andy Muschietti, Barbara Muschietti, and Jason Fuchs based on King's novel It. In addition to Skarsgård, the cast includes Taylour Paige, Jovan Adepo, Chris Chalk, James Remar, Stephen Rider, Madeleine Stowe, Rudy Mancuso
Andy Muschietti and Barbara Muschietti executive produce through their Double Dream production company alongside Fuchs, Brad Caleb Kane, David Coatsworth, Skarsgård, Shelley Meals, Lee and Dan Lin. Fuchs, who wrote the teleplay for the first episode, and Kane serve as co-showrunners.
Watch the trailer above.
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Eater
8 hours ago
- Eater
Tracking the NYC Restaurants in ‘And Just Like That...' Season 3, Episode 2
And just like that, HBO Max's Sex and the City sequel series returns for its third season. And Just Like That... brings back our long-time New Yorkers Carrie (Sarah Jessica Parker), Miranda (Cynthia Nixon), and Charlotte (Kristin Davis), as well as relative newcomers Seema (Sarita Choudhury) and Lisa (Nicole Ari Parker), to our televisions and laptops. What is summer without our gals talking candidly about sex, making bad puns, and dining and drinking around the city? Like previous seasons, Eater will be tracking where the gang is eating across New York City, from brunch sessions to romantic dinners to cocktail dates. This guide will be updated weekly when each episode airs on Thursdays at 9 p.m., leading up to the finale. And we're saying it now: there will be spoilers ahead. Episode 2, 'Outlook Good' Welcome to New Rat City, Carrie Bradshaw. Her idyllic Gramercy Park townhouse garden is overrun by the truest of New Yorkers — rats! Miranda discovers the joys of bad reality dating shows, and Seema's dealing with a parade of bad dates. Anthony is fulfilling his dream of opening a physical Hot Fellas bakery, or as he too obviously calls it, a 'dick-and-mortar.' It looks cute, with a counter, baked goods on display, tiled walls, lots of blues, and bread-shaped scones and door handles. (The production team didn't use an existing bakery for the filming — rather, they took over an empty storefront on the corner of East 88th Street and Madison Avenue.) Jac's on Bond 26 Bond Street, near Lafayette Street, Noho The episode begins with Carrie meeting with her former neighbor Lisette, who bought her longtime Upper East Side apartment at the cocktail bar. Lisette preemptively orders them both gimlets. 'I made a bold choice,' she explains. Lisette gifts Carrie a necklace with her old key and street address while they chat about dating in the city. Rosa Mexicano 61 Columbus Avenue at West 62nd Street, Lincoln Square The Upper West Side location of the Mexican mini-chain is a major set piece for this episode. In the first scene, Carrie, Miranda, and Seema are seated in the main dining room with chips and salsa for the group. A server comes over to make them tableside guacamole; she chimes in during Miranda's discussion of dating reality show Bi Island, and Miranda falls in love. Later on, Carrie and Miranda are back at the restaurant — Carrie is Miranda's 'guacamole beard' while Miranda flirts with the same staffer. 'I predict a very bright future for you,' Carrie says, 'Your combined good cholesterol will be through the roof.' They're seated next to the stunning blue-tiled waterfall wall. They order the guacamole again made by the same server, but alas, it turns out she's not interested in dating Miranda. Carrie also sends a voice text to Aidan while standing in the restaurant's beautiful bathroom. (Rosa Mexicana is planning on shuttering this Lincoln Square location to reopen nearby inside the Empire Hotel on West 63rd Street at some point this year. Le B 283 West 12th Street at West Fourth Street, Greenwich Village Seema goes on a series of bad dates at the luxe restaurant, where she and the lackluster men sit at the best seats at the bar — the corner. She disses one date who she assumes will ask to split the check by summing up the experience: 'Drinks: 30 dollars; telling you to go shove it: priceless.' Amazing. Tatiana 10 Lincoln Center Plaza, at West 65th Street and Ninth Avenue, Lincoln Square Seema goes on what she assumes is a date set up by her coworker at the upscale Afro-Caribbean restaurant. But it turns out to be a matchmaker meeting with Sydney, played by the delightful Cheri Oteri. (Maybe matchmaking in New York City is in the air: director Celine Song's new movie Materialists , which comes out on Friday, June 13, centers on a matchmaker in Manhattan.) Sydney showcases how good she is at reading people by ordering for Seema: 'salmon tartare, wasabi vinaigrette on the side, extra avocado, and hold the scallions.' Seema agrees it's the right choice. For herself, she gets the crispy artichoke and a martini (none of these are served at Tatiana actually). Bottino 246 Tenth Avenue, near West 24th Street, Chelsea For Seema's attempt to act like an appealing woman for the sake of a man, she goes on a date in the pretty garden patio of the Italian restaurant. They're eating pasta and drinking red wine; later, the guy orders two tiramisus, but Seema has had enough. 'I hated the cabernet you chose, and the tiramisu is tired,' she says, admitting that this isn't who she really is. He claims to still be into the date, but then ditches her, leaving Sydney to pop up out of nowhere to finish the dessert. And just like that (sorry, sorry), we're ready for next week's episode. Episode 1, 'Outlook Good' Goodbye, Carrie's brownstone that's actually in the West Village but masquerades as the Upper East Side; hello, new Gramercy Park townhouse. Last season, Carrie sold her iconic studio to buy and move into a large building along the park for herself and her cute kitty Shoe. Carrie and Aidan are in an ambiguous not-being-together-for-now situation as he lives in Virginia. Miranda's now back in New York and single. Motel No Tell 210 Avenue A, at East 13th Street, East Village Of course, a queer bar decked out with neon and a disco ball would be blasting Chappell Roan's 'Hot to Go!' This East Village bar is standing in for a 'lady bar,' as Miranda describes to Carrie and Charlotte, thanking them for accompanying her on a night out of trying to score a date. Now, she's a non-alcoholic drinker, but laments her $37 mocktail tabs, and later orders a Phony Negroni. A couple of scenes later, we're back at the bar: it's closing time and Miranda is alone. But she meets Mary (played by Rosie O'Donnell), a Canadian visiting the city. They end up going to her hotel room together. (In real life, Motel No Tell is celebrating its television appearance by offering a cocktail special for the summer: the Lady Pond is made with vodka, orange, vermouth, cranberry, lime, and apple shrub, for $16.) Tavern on the Green West 67th Street and Central Park West, Upper West Side Okay, the iconic Central Park restaurant isn't actually seen on the show, but it's the butt of a joke. Miranda recaps her hookup to Carrie, explaining that she turned out to be a nun who really wanted to take her to Tavern on the Green, saying 'she doesn't know, it's her first trip to New York.' Carrie is aghast: 'I don't know which is worse: that you slept with a nun or a tourist.' Jean-Georges 1 Central Park West, between Columbus Circle and West 61st Street, Lincoln Square Another talked-about but never-seen restaurant. Seema's Marvel director boyfriend Ravis is back from filming in Egypt and tells her he booked lunch at the French tasting menu restaurant. But before that, his film crew has to scout locations in Red Hook, which makes him late for their 1 p.m. reservation. He pushes it back to dinner, and the group eats cooler sandwiches on the pier. But of course, they miss their dinner, and Seema breaks it off. 'I don't do vans or Cool Ranch potato chips, but I did try,' she says. Red Rooster 310 Lenox Avenue, at West 126th Street, Harlem Lisa is tasked with throwing a last-minute cocktail reception for her husband Herbert to make him look cool for his political campaign running for city comptroller. So what's cooler than the celebrity chef Marcus Samuelsson's comfort food flagship? The dining room is full — Lisa tells the girls that they should 'eat everything' and that 'the fritters are no joke.' The tables are laden with fried chicken and sandwiches, and the event ends with Carrie and Miranda eating some sort of pudding-like dessert out of little mugs. Sign up for our newsletter.


Elle
9 hours ago
- Elle
Did Carrie Just Meet Her Next Man on 'And Just Like That'?
Spoilers below. Carrie is narrating again. So much so, that she's using it not only to express her inner thoughts and writing, but also her texts. Yes, friends, Carrie is a speak-to-text enthusiast. As she and Aidan continue their long-distance relationship (after last week's phone sex debacle), she is actively dictating her correspondences to her on-off-lover as he looks after his family in Virginia. She drops phrases like, 'Hi love, period,' or 'exclamation point!' as if she is reading a telegram. She does this multiple times throughout the latest episode, 'Rate Race,' to an almost comical degree, as if to prove that this is how a 50-something woman uses a smartphone, even though we've never seen Carrie do this before. Anyway, she first broaches the topic of phone usage in the beginning of the episode when she meets her old neighbor Lisette, who now lives in her apartment. While Lisette, a jewelry designer, gifts Carrie a necklace bearing her old address, she also vents about her dating life. After a bad outing with a psychiatrist, Lisette realizes that the actual relationship she has is with her phone. She believes Carrie is so lucky she didn't have to deal with these kind of shenanigans 'back then'; dating must have been easier before texting and apps, right? (I don't know, Carrie still went through the wringer with a senator who loved golden showers, a Post-it breakup, and more.) Lisette ends up getting a guy to buy her (and Carrie) a drink at the bar, and Carrie later shows us that even though she was dating in the '90s and '00s, she's in a relationship with her phone now too. But first she takes us even further into the past—to 1846, the year the nameless protagonist of her latest writing project (otherwise known as 'the woman') is living in. Carrie said she often dreams of who used to live in her historical home, but before she can get too far into her draft, a swarm of rats dash out from the bushes in her garden, sending her running and screaming back into the house. She dictates her text to Aidan about the experience: 'Many, many rats, exclamation point, exclamation point, exclamation point!' While Miranda is at work getting hooked on a queer reality dating show called Bi Bingo, Carrie has promptly hired people to de-pest her garden. To her surprise, Aidan shows up unannounced, partially because he 'felt weird' about how their last phone call went, and also because he misses her. Carrie shares her frustrations about being long distance. She doesn't want to keep Aidan away from his kids, but her new apartment is for the both of them; she wants to be able to share it—and her life—with him. Aidan bends the rules of their 'break,' allowing for Carrie to call and text him whenever she needs. But when Carrie gets in touch about a table she wants to get for their home, he responds with a simple thumbs down emoji. She vents about this at lunch with Seema and Miranda, but the latter seems more interested in discussing the events of Bi Bingo with their waitress. She jokes about the joy of hate-watching—is And Just Like That… being meta here? Is the show that self-aware? Seema, on the other hand, quips that she's currently in the habit of hate-dating, as in, she hates most of the recent dates she's been on and the men she's gone on them with. Her concerned coworker sets her up with Sydney, a matchmaker played by an amazing Cheri Oteri. Seema is rightfully skeptical, but once she realizes Sydney has studied her well enough to perfect her lunch order, she gives in. The issue, though, is that Sydney advises Seema to change almost everything about herself, from the way she dresses to the way she talks. For one date with a handsome man named Jake, Seema dresses in homely church clothes and holds her tongue for most of dinner, but when she comes clean about who she really is, Jake runs 'to the bathroom' (a.k.a. home). It's all too much for Seema. Yes, she's seeking a man, but she's not that desperate. After getting ditched, Seema dumps Sydney too. Meanwhile, Charlotte and Lisa arrive at their children's school to find fellow parents have broken code and hired an off-campus college consultant named Lois Fingerhood to get their kids into Ivy League universities. Feeling late to the game, Charlotte and Lisa make it their mission to get in touch with Lois by any means necessary—for their kids Lily and Herbert Jr.'s sake, of course. Thanks to some Instagram stalking from Charlotte's assistant, they find Lois at her son's T-ball game and corner her on the bleachers. Lily is too busy getting it on with her ballerina crush, Diego, to pick up her mother's calls, but she and Herbert Jr. eventually land a joint meeting with Ms. Fingerhood. It doesn't go well. When the meeting is over, the teens are in a panic. Lily was told she's too well-rounded and shouldn't mention 'that I'm Asian or adopted,' and Herbert Jr. was told to not to mention lacrosse and to have 'more relatable African-American experiences.' It's funny because that is what colleges want—kids to lean into stereotypes and exploit their trauma in their applications. At least Anthony is doing well. He just landed a brick-and-mortar spot for his dream Hotfellas Bakery, complete with baguette-shaped door handles and 'crotch-level' countertops. Miranda's new reality fixation might just get her a date. (Do you guys think she's watching the new season of Love Island too?) She and the waitress making her and Carrie's guacamole can't stop gabbing about the drama on their favorite show. But when Miranda asks the waitress out on a date, she reveals that she's straight and married… with two children. Miranda is confused. Didn't they have a spark? Why is this woman so engaged with queer television? The waitress shrugs and says it's just TV. 'I watch The Walking Dead, and I don't like zombies,' she says in an unnecessarily rude tone. Okay, first of all, that's different. Are we comparing bi people to zombies? During Pride month??? Poor Miranda, first a one-night stand with a virgin nun and now a heartless rejection from a waitress serving guacamole. Not all hope is lost though; Miranda is interested in Joy, a classy British colleague at work, but she's worried about starting an office romance. Carrie, of course, eggs her on. So many people have met their partners at work, Miranda! Carrie, however, might have just met her next partner at the stoop of her new apartment. When her cat slips out the door, a scruffy, muscly gardener picks her up before she can escape onto the street. And what are the odds? This charming landscaper named Adam (Logan Marshall-Dean), who's wearing a rugged band tee, is here to consult Carrie on her backyard renovation. Adam asks her about her ultimate vision for the space, but she's unsure. Not knowing is a good thing, Adam says, 'Because that means what's meant to be will show up.' Whether he's conscious of it or not, he's also referring to himself. Carrie might've been complacent with her arrangement with Aidan, but now that things are changing, she might just be open to something new. Maybe something with Adam.
Yahoo
19 hours ago
- Yahoo
Tom Daley Discusses Struggles with Bullying, Grief and Body Image in New Doc, Says He Wouldn't Change A Thing (Exclusive)
NEED TO KNOW The new Tom Daley documentary 1.6 Seconds premiered globally on Max and on in the U.S. on June 1, 2025 The film explores the life of the Olympian diver, one of Britain's most-celebrated athletes, in and out of the pool 1.6 Seconds highlights Daley's close relationship with his late father, Robert Daley, and how he learned to navigate life without his biggest supporter In the powerful new documentary 1.6 Seconds, Olympic medalist Tom Daley opens up about his personal battles with bullying, grief and body-image issues that shaped his experience standing atop the 10-meter diving platform. Advertisement The 31-year-old offers a candid look behind his five medals (one gold, one silver, three bronze), revealing the emotional hurdles he faced along the way — most notably the death of his father, the one person to whom he felt most connected. Despite the pain, Daley now reflects on his past with a sense of gratitude and acceptance. Sam Riley/WBD Tom Daley in '1.6 Seconds' Tom Daley in '1.6 Seconds' 'My whole life has been about diving. My whole life has been about perfecting those 1.6 seconds,' Daley says in the documentary. 'I spend four years training for something that goes by in less than 10 seconds in total. And I wouldn't change a thing. It's been the best 23 years that I can imagine.' Advertisement It is clear in the film just how much of Daley's early life and career was shaped by his father, Robert Daley. From the very beginning, his dad was always there, driving him to every training session and cheering him on at every competition. 'He didn't care how well I did. He didn't care if I came last. He didn't care if I bombed out. Like there was no concern about the outcome,' Daley says. 'He just wanted to be there.… He just loved seeing me dive.' To Daley, his father was far more than just a supporter. 'He was the one person that I could go to to speak about anything and everything and feel like I had someone on my side,' he says in 1.6 Seconds. That deep connection made his loss all the more devastating. On May 27, 2011, just days after Daley turned 17, his father passed away from brain cancer. 'I didn't just lose my dad, because he was much more than that,' Daley says. 'He was my biggest cheerleader, my best friend, mentor. I mean, our whole life came to a standstill.' Advertisement Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. Robert Daley had kept the seriousness of his illness from his children for as long as he could, determined not to let it overshadow his son's growing success. 'Now that I think about it as a parent, it would be like trying to explain that to my oldest son. And, you know, if one of the kids knew, then they were all going to know,' Daley, who shares two sons with his husband, filmmaker Dustin Lance Black, tells PEOPLE exclusively. 'As a parent, you want to protect your kids from anything that's going into that.' 'So I just think… that's part of the reason for the documentary and like how grateful I am to have all of that archival footage,' he adds. 'All of those moments… forever immortalized by being able to actually have copies of that digitized.' Advertisement Daley admits that after losing his father, at a time when he needed him the most, he felt completely alone in the world. 'I think there was something about when he was gone that I think in turn, probably did have something to do with all that I've faced,' he reflects. 'The feeling like I had to face it alone because I didn't want to upset anyone else or bother anyone else because they were already going through enough.' Not only was he dealing with grief, but the then teenager had also been experiencing bullying and battling body-image issues. Immediately after making his Olympic debut in Beijing in 2008 at the age of 14, Daley started to feel unsafe at school. Kids would call him names and threaten to break his legs. The situation got so bad that Daley and his friends were given a key to lock themselves in a classroom to escape other students at lunchtime. Advertisement 'I don't think people realize how much it impacted me because I didn't really talk about it,' he says in the documentary. 'I was almost embarrassed about the fact that people were mean to me at school. I feel so sorry for that kid that had to explain what was going on.' Looking back, Daley says it was more difficult to process his experience with bullying once he talked about it publicly at age 13. Having everyone know what he was going through made it more overwhelming and painful. 'I just think maybe I would have been slightly more conservative with what I would share when I was younger,' he tells PEOPLE. Sam Riley/WBD Tom Daley in '1.6 Seconds' Tom Daley in '1.6 Seconds' At the end of 2011, Daley, who was still in his teens, was told by the performance director at British Diving that he needed to lose weight and look more like he had in 2008. Advertisement 'It was the first time where I felt that I was being looked at and judged not for how I did in the diving pool but for how I looked,' he says in 1.6 Seconds. 'I took then some quite drastic measures to make sure that the food did not stay in my stomach.' His body image was all he could think about leading up to the 2012 London Olympics. Despite knowing he was not overweight, Daley explains that it's much harder to ask for help when you are already in it and 'feel like there is no way out.' 'Every time I made a decision about what I was going to eat, if I was going to eat it and then get myself so hungry that I would end up eating so much and binging to the point where I was then so guilty — that I then had to do something about that,' he says on camera. Daley also admits to struggling with internalized beliefs about masculinity in the documentary. 'In my head, guys didn't have eating disorders, guys didn't have any problems with their mental health,' he says. 'Guys were meant to be these macho things that get on with anything and you just keep going.' Sam Riley/WBD Tom Daley in '1.6 Seconds' Tom Daley in '1.6 Seconds' As a result, he often felt isolated. It was only after he met his husband, became a dad and found himself beyond the pool that Daley became comfortable in his own skin. Advertisement 'I finally found perspective, and I didn't put all of my self-worth and self-esteem based on how well I did in diving,' he says in the documentary. 'I started to realize that I was more than just a diver. [I am] a husband, a father, a friend, a son.' Looking back on his journey, Daley acknowledges that the question of whether he would change anything about his past isn't a simple one. 'You know, there's much of my life formed and shaped because of the experiences I went through — the good and the bad,' he tells PEOPLE. 'Those things formed me and created the person I am today.' 1.6 Seconds is now streaming on Max globally and on in the U.S. Read the original article on People