logo
YouTube Reaches 12.7% TV Viewership Among Black Audiences

YouTube Reaches 12.7% TV Viewership Among Black Audiences

Yahoo29-01-2025

As streaming platforms compete for consumers' attention, Black Americans are proving to be 'power TV viewers,' accounting for 46 hours and 13 minutes per week, compared with 34 hours and 57 minutes for the overall U.S. population, according to a new report by Nielsen.
When it comes to their streaming preferences, the biggest beneficiary is YouTube, which claimed 12.7% of total viewing time as of July, compared to 10% for U.S. viewers overall, the ratings measurement firm found. As for the other streaming platforms, Netflix came in second with a 7.2% share, followed by Tubi with 4.8%, Amazon with 4%, Hulu with 2.4%, Roku with 2.2%, Disney+ and Pluto TV with 1.3% each, Peacock with 1.2%, Paramount+ with 1% and Max with 0.9%.
YouTube reaches 63% of Black adults and 44.4% surveyed said that they have purchased products based on YouTube content – outpacing word of mouth (43.7%), Facebook (35.7%), Instagram (32.8%) and TikTok (31%).
'Reaching Black consumers may not be a challenge—but connecting with us can be. Black consumers are leaning into platforms that emphasize conversation and create a sense of connection,' Charlene Polite Corley, Nielsen's vice president of diverse insights and partnerships, said in a statement. 'To win with this community who wields $2 trillion in buying power, brands must prioritize engagement strategies that center diverse Black experiences and cultural nuances.'
Despite streaming gaining overall share with Black viewers year over year, broadcast and cable make up a larger share of the demographic's TV viewing on a combined basis at 47%, compared to streaming's 41.4% share – suggesting that traditional channels remain a powerful way for advertisers to reach Black audiences.
And sports remains a key area that offers an opportunity to turn fan loyalty into brand loyalty. Nielsen noted that Black viewership for the NCAA Women's Basketball Championship was up 51.2% year over year, while the WNBA All Star Game was up 161% year over year and the WNBA Draft was up 226.9% year over year.
Nielsen found that 51% of Black sports fans would recommend a brandsponsor—making them 3% more likely than all sports fans. And Black fans are 7% more likely than all sports fans to buy a brand after seeing its sponsorship activations. Sporting events accounted for 19% of Black sports supersfans' viewership by genre, compared to 17% for general dramas, 12% for news, 10% for a feature film and 9% for sports commentary.
The survey was based on a sample of more than 42,000 homes and over 100,000 real people selected from Nielsen's national TV panel, as well as 45 millionbig data households and 75 million devices from Comcast, Dish, DIRECTV,Roku and Vizio.
The post YouTube Reaches 12.7% TV Viewership Among Black Audiences appeared first on TheWrap.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Inside Netflix's F1: The Academy: Abbi Pulling and the stars ready to shatter racing's glass ceiling
Inside Netflix's F1: The Academy: Abbi Pulling and the stars ready to shatter racing's glass ceiling

Yahoo

time39 minutes ago

  • Yahoo

Inside Netflix's F1: The Academy: Abbi Pulling and the stars ready to shatter racing's glass ceiling

When Abbi Pulling was first asked to join the cast of Netflix's F1: The Academy, she never anticipated the level of attention the series would bring to her pursuit of a Formula 1 dream. With the show landing on the streamer this week, Pulling is about to face a world of scrutiny — but, as she says, it's a 'privilege' and a responsibility. This docuseries is more than just another show about motorsport. It shines a spotlight on the F1 Academy, a women's-only racing competition, which runs as a support series to the main F1 Grand Prix. Following the success of Drive to Survive, the show gives viewers an exclusive look behind the scenes of a sport traditionally dominated by men, showcasing what it really takes to break barriers in one of the world's most demanding industries. The series goes beyond the high-speed races, offering a deeper look at the grit, determination, and passion of the women competing for a fully-funded season in the prestigious GB3 Championship, a single-seater racing series based in the UK. Pulling, 22, who races for Alpine on the show, is the star of the series as she chases the 2024 title. 'It's a huge opportunity,' she told The Standard at Wednesday's London premiere. 'I'm quite scared about what the next week will bring because people are going to either love me or hate me — so we'll see. 'But it's amazing to be here and seeing so much attention on not only women's motorsport but women's sport as a whole. It's another big thing to boost women's sport and hope it helps not just within motorsport but sport as a whole.' The series aims to provide a deep dive into the lives and careers of these rising stars. 'I'm just excited for viewers to see everyone's story and everyone's journey and what everyone has been through, gone through in 2024 and understand what it takes to be a racing car driver,' she added. 'It's such a privilege and we're all so lucky to be here and I'm so happy for the opportunity and to be racing again this year, moving onto a bigger car, a different challenge. It's really exciting and I hope people see that journey and resonate with it or relate to it in show way and the challenges that you've got to face.' Pulling's 2024 F1 Academy title journey has been nothing short of dramatic. Despite her 83-point lead over Mercedes' Doriane Pin, a change in the Abu Dhabi schedule meant Pulling still had to secure pole positions at Yas Marina to guarantee her win. The series' creation has a high-profile backing, with Reese Witherspoon's Hello Sunshine behind the production. 'I met her at the premiere in Miami,' Pulling shared. 'She's so lovely and passionate about motorsport. The whole crew were incredible and really respectful of us. It's a high-intensity environment, and having cameras in your face for both good and bad moments... it was done respectfully. I'm excited for people to see it.' And the excitement isn't just limited to Pulling. Fellow driver Amna Al Qubaisi, who shares the track with her sister Hamda, teased: "You'll see a lot of girls being competitive and very passionate about the sport. I think it's going to be more dramatic than Drive to Survive." American driver Chloe Chambers echoed that enthusiasm, saying, 'I am so excited for this to come out. I really hope people watch it, enjoy it, and want to watch more F1 Academy. That's what I'm looking forward to.' For Bianca Bustamante, the series represents the hard work and dedication of all the drivers involved. 'Everyone has worked so hard to make this a reality,' she said. F1: The Academy is available to stream on Netflix now

My cultural awakening: A Timothée Chalamet drama made me leave my partner – and check him into rehab
My cultural awakening: A Timothée Chalamet drama made me leave my partner – and check him into rehab

Yahoo

timean hour ago

  • Yahoo

My cultural awakening: A Timothée Chalamet drama made me leave my partner – and check him into rehab

Two summers ago, I met a man on a dating app who would become my boyfriend. The red flags were there from the start, but I ignored them all. When I stayed at his, he didn't have a towel to offer me, and he never changed his sheets. It became obvious that he didn't know how to look after himself. Even though, in reality, he could survive without me (similar to how a teenage boy would survive on his own, eating burgers in bed), I felt like, if I wasn't there to buy groceries, cook and clean, he might die. He would disappear for days, on a drink- or drugs-fuelled bender, and I'd assume he'd overdosed in a basement somewhere. I lived in fear that something terrible would happen to him. I became his boyfriend and his caregiver. This was a familiar role for me: I'd done it in all my previous relationships. I needed to be needed. If the person I was dating didn't need me, then what value did I have? I found safety in taking care of someone. This started as a family dynamic: as the eldest child, I had to look out for my younger brothers, and learned to overlook my own needs. Then, when I was 14, my girlfriend died in a drug-related car accident. My therapist helped me to see the connection; that because I couldn't save her, I sought romantic relationships with men or women I thought I could save instead. I hadn't seen how much I was damaging myself by trying to help him. And that I never would never be able to One evening, after being recommended it by Netflix, I began watching Beautiful Boy, a film about the breakdown of a father's relationship with his son, who is an addict. It was about halfway through that I decided to leave my relationship. When Steve Carell's character (David) hangs up on Timothée Chalamet (Nic), saying, 'I wish I could help you, but I can't do that,' I knew I couldn't either. I admired the strength it took to end the cycle of trying (and failing) to save his son. Even though he was my boyfriend and three years older, I related to the father-son dynamic in Beautiful Boy. I felt responsible for him, and he would tell me that he would die without me, threatening to take his own life. Until then, I hadn't seen how much I was damaging myself by trying to help him. And that I would never be able to, not really. He had to learn how to take care of himself. As David says: 'I don't think you can save people.' Despite deciding to end the relationship in September 2023, I didn't take action until October, when I cheated on him. I felt I had to do something irreparable that would make it impossible for us to stay together. I told him what I'd done over the phone, then I called his mum to tell her about his drug problem. I don't think she knew: she lived in another country and he hid it from her. Finally, I called a psychiatric facility and did all of the admin to make sure that he would be taken care of, and then never spoke to him again. The guilt I felt was overpowered by the feeling that this was something I had to do. That was my last codependent relationship. I have a new boyfriend, who tells me that my company alone is enough. I'm the most peaceful I've ever been, but sometimes the voice that says I'm only lovable if I'm useful comes back. If I try to cook for my boyfriend when I'm tired and he tells me I don't have to, I can spiral. But slowly, with help, I'm building a sense of self that doesn't rely on being of service. Beautiful Boy helped me see that I don't need to take care of someone else to have value. Action on Addiction is available on 0300 330 0659.

What to Watch This Week: Political Laughs, High-Stakes Action & Heartfelt Connections
What to Watch This Week: Political Laughs, High-Stakes Action & Heartfelt Connections

Black America Web

time2 hours ago

  • Black America Web

What to Watch This Week: Political Laughs, High-Stakes Action & Heartfelt Connections

Source: Dia Dipasupil/FilmMagic / Dia Dipasupil/FilmMagic This week's must-watch TV and film lineup offers a perfect blend of laughter, thrills, and heartfelt moments. Whether you're in the mood for political satire, blockbuster action, animated nostalgia, or a trippy wellness retreat, check out this week's what to watch TV and film list inside. Looking for a political comedy with a fresh twist? Netflix's She The People follows Mississippi's first Black lieutenant governor as she tries to prove herself in the political arena—all while juggling her over-the-top family and an old-school boss who just can't catch up with the times. This sharp, witty series balances social commentary with family-driven humor, spotlighting a powerful Black woman navigating leadership with grace and grit. If you're into shows like Veep or The Politician , this one's for you. Tom Cruise is back in what could be Ethan Hunt's most dangerous mission yet. In Mission Impossible: The Final Reckoning , the IMF team is in a high-stakes race to stop the Entity—a rogue AI that threatens to annihilate humanity. Expect jaw-dropping stunts, edge-of-your-seat suspense, and a chilling reflection on the real-world dangers of artificial intelligence. This final installment promises to be an explosive send-off to the legendary action franchise. Sometimes, the best choice is to revisit a classic. Lilo & Stitch tells the heartwarming story of a lonely Hawaiian girl and her unexpected bond with a mischievous alien. As they build their own version of 'ohana' (family), the live action film dives into themes of grief, belonging, and unconditional love. Whether you're watching it for the first time or reliving the magic, this Disney gem is perfect for a feel-good movie night. Back for a second season, Perfect Strangers —based on Liane Moriarty's bestselling novel—returns to the eerie wellness retreat where nothing is as it seems. Masha, the enigmatic resort director, is still on a mission to 'heal' her guests, but this time, the stakes are even higher. With new twists, deeper psychological layers, and a cast of characters each hiding something, Season 2 is a captivating journey into self-discovery—and madness. Grab your snacks, set your screens, and dive into a week of stories that will make you laugh, think, and feel. Check out the trailers for this week's watch list below: What to Watch This Week: Political Laughs, High-Stakes Action & Heartfelt Connections was originally published on Source:YouTube Stream on Netflix. Source:YouTube Available on FX or to stream on Hulu. Source:YouTube Stream on Netflix. Source:YouTube Out now in theaters. Source:YouTube Out now in theaters. Source:YouTube Available to stream on Hulu. Source:YouTube Available to stream on HBO. 8. 'Big Mouth' The Final Season Source:YouTube Source:YouTube Available to watch via PBS. Source:YouTube Available to stream on Prime Video. Black America Web Featured Video CLOSE

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store