Latest news with #Nielsen
Daily Mail
2 hours ago
- Sport
- Daily Mail
Caitlin Clark receives injury update as WNBA return is left in doubt
Caitlin Clark 's status remains unclear, but the Indiana Fever sensation did get some good news on Thursday. After Clark underwent further medical testing on her ailing right groin, the team has announced that no additional injury or tissue damage was discovered. Thus far, Clark has missed three games, including the All-Star Game, but is currently traveling with the team. Clark is still working with medical staff on her recovery. She previously battled left groin and left quad strains earlier this season. She has now missed 11 of 24 Fever games on top of last weekend's All-Star festivities in Indianapolis. As a result, the WNBA 's Nielsen ratings have suffered in 2025 after shattering all league records during Clark's rookie season. MORE TO FOLLOW...
CNA
13 hours ago
- Entertainment
- CNA
Mediacorp's audio network hits all-time high of 3.94 million weekly listeners
Mediacorp's audio network has hit a new milestone with an all-time high weekly reach of 3.94 million listeners. Reach is measured by the total number of unique, unduplicated radio listeners. The media network, which commands an 84 per cent market share, houses Singapore's top eight radio stations by reach: Yes 933, Love 972, Class 95, Capital 958, Warna 942, 987, Gold 905 and Oli 968. These findings are based on the latest Nielsen Radio Survey conducted from March to May 2025, which tracked radio listenership via diary recordings by 2,021 adults aged 15 and above, with the results weighted by age, sex and race to be representative of the Singapore population. Chinese-pop powerhouse Yes 933 set its personal best at 1.22 million weekly listeners (an increase of 127,000 listeners), while Malay staple Warna 942 hit a record 611,000 (an increase of 64,000 listeners). Other core stations – Love 972 (897,000 listeners), Gold 905 (457,000), Ria 897 (115,000) and CNA 938 (275,000) – also booked healthy year-on-year growth, with each station gaining up to 84,000 additional listeners. Listening times per week rose in tandem too, climbing to an average of 10.3 hours a week (an increase of 0.3 hours). Warna 942 now commands a market-leading 13.7 hours per week (up by 3.6 hours), with Capital 958 and Love 972 close behind at 8.4 and 7.7 hours, respectively. Gold 905, Class 95 and Oli 968 also saw increased listening times, with each station recording up to 1.3 additional listening hours. Beyond audio streams, social engagement has continued climbing across platforms. For stations catering to a mature listenership – including Love 972, Class 95, Gold 905, Warna 942 and Oli 968 – Facebook and Instagram engagement (comprising likes, comments and shares) increased by 22.4 per cent year-on-year. Meanwhile, youth-centric brands 987, Yes 933 and Ria 897 sparked a 97.5 per cent jump in engagement on TikTok. This explosive growth is powered by a dynamic slate of content including interactive livestreams, microdramas and original short-form content series helmed by audio personalities. The latter includes 987 Bad Jokes and Yes 933 Comedy Skits, which have garnered a cumulative 9.85 million and 4.23 million views, respectively. 'Reaching this all-time high is a humbling milestone that affirms our role as a trusted companion in the daily lives of Singaporeans. These results aren't just about scale; they are about the depth of relationships that we have built with our audience through content that resonates and personalities who feel like friends,' said Angeline Poh, Mediacorp's chief customer and corporate development officer. 'As habits evolve, we will continue striving to be that constant presence, delivering that same warmth and connection seamlessly whether on radio, digital streaming or social media; wherever people tune-in, tap or scroll.'
Los Angeles Times
a day ago
- Entertainment
- Los Angeles Times
What is the future of late-night talk shows after the ‘Late Show' cancellation?
Last week's cancellation of 'The Late Show with Stephen Colbert' was an earthquake felt by every Jimmy, John and Seth in the TV business. On Thursday, Colbert shocked his studio audience, social media and Hollywood with the news that the long-running late night talk show will end in May . Colbert, who has hosted 'The Late Show' since taking over from David Letterman 10 years ago, will not be replaced. The franchise that has long led its direct broadcast competition will be no more. Colbert remains the biggest draw in his time slot, averaging 1.9 million viewers, according to Nielsen, but he commands the largest slice of a shrinking pie. As my colleague Stephen Battaglio reported, 'The Late Show' is said to be losing tens of millions of dollars a year as younger viewers flee. Since 2022, the show has lost 20% of its audience in the advertiser-coveted 18-to-49 age group, according to revenue for 'The Late Show' in 2024 was $57.7 million, according to down from $75.7 million in 2022. NBC's 'The Tonight Show Starring Jimmy Fallon' and ABC's 'Jimmy Kimmel Live!' have also slipped. As a result, late night shows have been slashing costs. NBC cut Fallon's show to four nights a week last year, while 'Late Night With Seth Meyers' eliminated its live band. Two years ago, CBS canceled 'The Late Late Show' hosted by James Corden. One problem: Late night shows no longer serve the role they once did — especially for generations that grew up with social media and don't subscribe to TV packages. Waiting until 11:30 p.m. to hear the hot takes on the day's news is antiquated when political satire and commentary are now freely available and on demand through podcasts, TikTok, YouTube and X.
Yahoo
a day ago
- Entertainment
- Yahoo
Netflix Breaks Into Top 3 Distributors In Nielsen's June Rankings, But YouTube Still Dominates
Riding a strong set of new programming launches, Netflix broke into the top three in June's Media Distributor Gauge report from Nielsen, but YouTube remained on top for a fifth straight month. The final season of Squid Game, the third season of Ginny & Georgia and music-driven movie breakout KPop Demon Hunters helped Netflix to reach 8.3% of total viewing, its highest level since January. It was the first top-three finish by the streaming giant. As much as a heavyweight as it is in terms of programming, Netflix is usually outflanked in the distributor rankings given that they blend all content across media companies' linear and streaming platforms. That helps Disney, NBCUniversal and Paramount Global and other media giants. (See the full chart below.) More from Deadline Netflix Sued For Sexual Harassment & Discrimination By Fired Labor Relations Exec Free A Girl Founder And Netflix Reality Star Yolanthe Cabau Reveals Terrifying Details Of Her Undercover Child Trafficking Rescue Work: "I Will Do This Until My Last Day" "We've Broken The Mainstream": Did The Sidemen's YouTube-To-Netflix Gamble Pay Off? As a free service, YouTube continues to set the pace. Nielsen said Google's video giant benefited from kids 6 to 17 being off from school in June, climbing 6% from its May level to reach 12.8% of all viewing, its highest share to date. The Nielsen numbers count viewing through a TV set in the U.S. only. YouTube over the past few years has emphasized its presence in living rooms, saying last year that it eclipsed mobile for the first time. As traditional linear TV fades, video podcasts, live events and other fare are gaining momentum. Disney, powered by ESPN viewing during football season, had spent several months in the No. 1 spot. The company crowed about its Nielsen crown last January during its annual Tech & Data Showcase at the CES tech conference in Las Vegas. In June, though, YouTube enjoyed a 2.8-percentage-point lead over Disney, its biggest margin ever. Disney recorded 10% of all viewing, Nielsen said, noting that ABC affiliates accounted for the top 33 broadcast telecasts, driven largely by the NBA Finals and ABC World News Tonight. NBCU, which recorded strong numbers from Love Island USA on Peacock, finished in fourth place with 7.8% of the total audience. The report follows last week's Gauge report breaking down viewing sources overall, with broadcast TV slipping to an all-time low of 18.5% of viewing time. Here is the full June chart: Best of Deadline 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More Everything We Know About 'The Devil Wears Prada 2' 2025 TV Series Renewals: Photo Gallery Solve the daily Crossword
Business Insider
a day ago
- Business
- Business Insider
Streaming services are getting more expensive — and many viewers are turning to free TV alternatives like YouTube
Prices for paid streaming services have ballooned in the last few years. As costs climb, YouTube and other free streamers are capitalizing and gaining TV audience share. These free-to-access alternatives could disrupt streamers, which once disrupted pay TV. Couch potatoes sick of stream-flation are increasingly tuning into free services like YouTube on their TVs. Streaming services have gone from a cheap cable alternative to a pricier proposition in recent years, as Wall Street has pushed media companies to prioritize profit over subscriber growth. Subscribing to the ad-free versions of eight major streaming services in the US now costs nearly $122 per month, up from about $83 in May 2021, according to an analysis by Business Insider. Apple TV+ and the ad-free version of Disney+ have each doubled in price in that span. Many streamers have also raised prices on their ad-supported plans. That includes Peacock, which is hiking prices by $3 across both its plans this week, as Vulture first reported. As streaming prices rise, so has demand for free streamers. Since Nielsen began publishing its monthly streaming usage report in May 2021, YouTube's connected TV viewership share in the US has soared from 5.7% to a market-leading 12.8% in June. No paid streamer is close, as Netflix's share has hovered around 8% for a year, while Disney+ and Hulu are at 4.8% combined. Free, ad-supported streamers like Tubi and The Roku Channel have also gained. Tubi, Fox's free streamer, put itself on the Nielsen map after its viral Super Bowl ad in February 2023 and has since more than doubled its viewership share to 2.2%. The Roku Channel is growing even faster and came in at 2.5% in June. It overtook Tubi last fall and is also above Paramount+, Peacock, and HBO Max. These free streamers are far more popular than analyst Naveen Sarma, the media and entertainment director at S&P Global Ratings, would have expected. Consumers "seem to be willing to put up with ads to not pay whatever pay TV or the streaming subscription costs are," Sarma told BI. He added that even if ads annoy young people, they may not mind streaming ads if they're scrolling on a second screen anyway. Free streamers began to blossom just as their paid counterparts aggressively hiked prices. "There's definitely a correlation," Wells Fargo media analyst Steven Cahall told BI. However, Cahall doesn't see causation, noting that paid streaming's share is more stagnant than sinking. That suggests to him that free services are mainly luring audiences from cable. Melissa Otto of S&P Global Visible Alpha said that while consumers may be looking to pay less, she doesn't see "YouTube's free service taking share from paid services." That said, media companies trying to scale their subscription businesses should be wary of free streamers. Streaming's viewership share surpassed that of broadcast and cable combined for the first time ever in May, according to Nielsen. If audiences fleeing traditional TV are turning to free streamers instead of paying up, it might not be long before paid streamers stop growing. "This is a problem for the streamers because subscriber growth in the US is slowing," UBS media analyst John Hodulik told BI. Paid streaming growth in the US has cooled while cancellations have risen, which has led to narrower net subscriber additions, according to subscription data firm Antenna. "Consumers are certainly signing up for less streaming services, and they're more willing to churn on and off of these streaming services as the content that they want to watch, the season, ends," Sarma said. In turn, streamers hiked prices and hoped to spark growth with password-sharing crackdowns. Cahall said some streamers have also cut back on content spending, which means that subscribers are getting a worse deal. Antenna This less-for-more approach may not be sustainable, Sarma said. He said streamers are hitting a wall with price hikes in light of economic uncertainty and the advent of low-cost alternatives. Streamers should know this cycle well. Streaming services took off a decade ago as pay TV stagnated. Cable companies began to charge each customer more, which led to cancellations, which led to further price hikes that exacerbated the declines — and the vicious cycle continued. Now, streaming has surpassed traditional TV and is the incumbent, and free streamers are the cheap challenger. What goes around, comes around.
