'Cheers' Stars Ted Danson, Rhea Perlman, John Ratzenberger Remember George Wendt
Beloved Cheers star George Wendtdied peacefully in his sleep on Tuesday, May 20, at the age of 76. Tributes from his co-stars and other fellow actors came pouring in.
Wendt starred as barfly Norm Peterson on Cheers for 11 years. Following the news of his death, co-star Ted Dansontold People in a statement, "[I'm] devastated to hear that Georgie is no longer with us. I am sending all my love to Bernadette and the children. It is going to take me a long time to get used to this. I love you, Georgie."
Bernadette is Wendt's wife, actress Bernadette Birkett, who notably voiced the character of his wife on Cheers, Vera Peterson. Famously, Vera's face was never shown.
Fellow Cheers star John Ratzenberger, who played Norm's best buddy Cliff Clavin on the show, told People, "[I'm] heartbroken to hear about the passing of my friend George Wendt. For eleven years on Cheers, we shared a stage, a lot of laughs, and a front-row seat to one of television's most beloved friendships. George brought Norm to life with a subtle brilliance — the kind that made it look easy. That was his gift.
"He was a true craftsman — humble, hilarious, and full of heart. What you saw on screen was exactly who he was off screen with impeccable comedic timing and a deep loyalty to those he loved. I'll miss our conversations and the quiet moments of friendship that meant the most."
Ratzenberger finished by saying that his thoughts are with Wendt's family.
Co-star Rhea Perlmantold Variety, "George Wendt was the sweetest, kindest man I ever met. It was impossible not to like him. As Carla, I was often standing next to him, as Norm always took the same seat at the end of the bar, which made it easy to grab him and beat the crap out of him at least once a week. I loved doing it, and he loved pretending it didn't hurt. What a guy! I'll miss him more than words can say.'
Cheers Boston, the pub that inspired the show, posted a poignant message on Instagram alongside a photo of an empty mug near "Norm's" set, which is commemorated with a plaque.
"We're looking toward your spot at the bar and you're not there. 💔. Today, we say goodbye to George Wendt, the beloved actor who brought Norm to life and gave so many of us a reason to smile. George wasn't just an actor — he was a symbol of comfort, laughter, and that familiar feeling of walking into a place where everybody knows your name.
"We were honored every time he walked through our doors—not as a character, but as the kind, funny, humble man behind the legend. He brought joy not only to the screen, but to every person lucky enough to meet him in person. To George: thank you for the laughs, the memories, and the legacy you leave behind. You'll always have a stool at our bar. Cheers, Norm.❤️🍺."

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Associated Press
23 minutes ago
- Associated Press
Speaker Karoline Frank Gains International Recognition Following Breakthrough Performance
Karoline Frank from Bargteheide made waves at the International Speaker Slam on May 15, 2025, in Niedernhausen, Germany. NIEDERNHAUSEN, HESSEN, GERMANY, June 6, 2025 / / -- Karoline Frank from Bargteheide made waves at the International Speaker Slam on May 15, 2025, in Niedernhausen, Germany. Speaking in front of over 200 participants from 26 countries – and a global audience via YouTube livestream – the speaker, online master coach, and intuitive 'soul reader' delivered a powerful and inspiring message aimed at encouraging courage and female empowerment. The Speaker Slam, which has previously taken place in major cities like New York and Dubai, featured two stages and brought together some of the most innovative voices from around the world. Karoline Frank seized this opportunity to shake things up with her bold and provocative message. She captivated the audience and smoothly transitioned into a deeper, transformational theme. Recently awarded the Star Coach Award for generating exceptional revenue in her first six months of business, Frank brought a unique presence to the stage: 'Deep like a healer who sees the wounds before they are named. Loud like a rebel who kicks down doors when women won't walk through them.' Her speech resonated deeply, encouraging listeners to reflect on their own limitations – and the possibilities that lie beyond them. Event organizers were thrilled with Frank's performance, calling it 'the most electrifying speech of the evening.' The audience's reaction echoed that sentiment. Her message, centered on empowerment and the release of shame, struck a powerful chord. Her success at the Speaker Slam opened immediate doors. Right after the event, she was booked to deliver a keynote in New York, firmly establishing her status as a sought-after international speaker and coach. Just one week later, another invitation followed – this time for a talk in Chicago. The Speaker Slam in Niedernhausen has become a pivotal milestone in her speaking career. The event was streamed live on YouTube and translated into multiple languages, reaching a diverse global audience. Karoline Frank's performance was a key highlight – proving just how powerful and transformative a speech can be when rooted in courage and authenticity. Karoline Frank Deine Seelenleserin +49 177 6748754 [email protected] Visit us on social media: LinkedIn Instagram Facebook YouTube TikTok Legal Disclaimer: EIN Presswire provides this news content 'as is' without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the author above.
Yahoo
an hour ago
- Yahoo
‘The Handmaid's Tale' Emmy Plans: Elisabeth Moss' Surprise Directing Episode Choice, Alexis Bledel Goes for Guest Actress Despite New Rules (EXCLUSIVE)
Blessed be the Emmys rulebook, but it needs some serious updating. With 'The Handmaid's Tale' having taken its final bow, Hulu has confirmed its official Emmy submissions for the critically acclaimed drama, with one entry in particular already causing waves. More from Variety Elisabeth Moss on Saying Goodbye to 'Handmaid's Tale' (for Now), How Motherhood Changed Her Approach to June and That Perfect Ending: 'Television Gold' 'Running Point' Costume Designer on Kate Hudson's Power Suits: 'Why Not Have Her Femininity Be Her Superpower?' Elisabeth Moss on Coming Full-Circle in 'The Handmaid's Tale' Finale: 'I Can't Imagine It Ending Any Other Way' Variety has learned exclusively that the streamer has submitted Alexis Bledel in the guest drama actress category for her appearance in the series finale ('610 – The Handmaid's Tale'), despite a newly enforced Emmy rule disqualifying actors who have been previously nominated in a lead or supporting category for the same show. Bledel won the Emmy for guest in 2017, and garnered two additional noms in the same category in 2020 and 2021. However, in 2018, after appearing in seven of the 13 episodes for a season, she was ineligible to compete as a guest; she was submitted and eventually nominated for supporting drama actress. The one-year recognition for her character, Ofglen, appears to fall outside the bounds of eligibility, but the streamer is hopeful the TV Academy will consider her circumstances. Insiders say Hulu expects the TV Academy to reclassify Bledel's submission to supporting drama actress before ballots are opened on June 12. But as of now, no decision has been issued. The rule aims to clarify what defines a 'guest' star. According to the new guidelines, any actor previously nominated in a lead or supporting role for a series can no longer be considered a guest, regardless of how briefly they appear in the series' new season. The policy has already drawn industry-wide criticism and confusion. Meryl Streep, for instance, was ruled ineligible for guest consideration for her turn in Hulu's 'Only Murders in the Building' — despite appearing in just four episodes — and will instead compete in the supporting comedy actress category due to her previous nom. Meanwhile, Paul Rudd, playing a new character in the same series, was nearly eligible as a guest but was in one episode too many, exposing inconsistencies with the changes. The guidelines have created more ambiguity than clarity. There should be a fundamental difference between a major series lead attempting to go guest and a long-time supporting player who has only occasionally appeared in a new season. Industry voices argue that the change unfairly penalizes performers with limited screen time who have previously been recognized — especially when those appearances are few and far between. Some believe this growing backlash will prompt the Emmys to consider revisions ahead of future cycles. Despite the rule conflict, 'The Handmaid's Tale' still remains a formidable force in this year's Emmy race. The drama, which concluded its six-season run on Monday, has garnered 76 nominations and 15 wins over its lifetime — including a historic outstanding drama series win in its first season, the first ever for a streaming platform. This year, Hulu submitted 36 entries for the show across both Primetime and Creative Arts categories. Notable acting entries include Elisabeth Moss for lead actress and for helming the penultimate episode, 'Execution,' which is somewhat surprising considering long-running shows often reserve their final episodes for consideration. However, the episode that sees many favorite characters' shocking deaths is more visually striking, partnered with June screaming, 'Don't let the bastards grind you down' as she's being hanged. In addition, Bradley Whitford, Max Minghella, and O-T Fagbenle will vie in the supporting actor race, while Yvonne Strahovski, Samira Wiley, and Ann Dowd will seek love in supporting actress. Guest actress submissions beyond Bledel include Emmy winners Cherry Jones (episode 602) and D'Arcy Carden (episode 608). Hulu's complete 2025 Emmy submission list for 'The Handmaid's Tale' includes: Variety Awards Circuit: Outstanding Drama Series: Bruce Miller, Eric Tuchman, Yahlin Chang, Warren Littlefield, Elisabeth Moss, and others. Outstanding Lead Actress in a Drama Series: Elisabeth Moss Outstanding Supporting Actor in a Drama Series: Bradley Whitford, O-T Fagbenle, Max Minghella, Josh Charles, Sam Jaeger, Timothy Simons Outstanding Supporting Actress in a Drama Series: Yvonne Strahovski, Ann Dowd, Samira Wiley, Madeline Brewer, Amanda Brugel, Ever Carradine Outstanding Guest Actress in a Drama Series: Alexis Bledel (610), Cherry Jones (602), D'Arcy Carden (608) Craft and Creative Arts CategoriesOutstanding Directing for a Drama Series: Elisabeth Moss (609) Outstanding Writing for a Drama Series: 'Exodus' – Yahlin Chang (608) 'Execution' – Eric Tuchman (609) 'The Handmaid's Tale' – Bruce Miller (610) Outstanding Cinematography: Nicola Daley (608), Stuart Biddlecombe (610) Outstanding Production Design: Elisabeth Williams and team (608) Outstanding Contemporary Costumes: Leslie Kavanagh and team (608) Outstanding Makeup (Non-Prosthetic): Burton LeBlanc and team (607) Outstanding Music Composition: Adam Taylor (609) Outstanding Music Supervision: Maggie Phillips, Brittany Whyte (602) Outstanding Sound Editing: Full team listed (609) Outstanding Sound Mixing: Full team listed (609) Outstanding Stunt Coordination: Brian Jagersky Outstanding Stunt Performance: Ensemble (609) Outstanding Special Visual Effects: Mavericks VFX (610) Outstanding Picture Editing: Wendy Hallam Martin (609) Outstanding Casting: Sharon Bialy, Russell Scott, Sherry Thomas, Robin D. Cook Short Form SubmissionOutstanding Short Form Nonfiction or Reality Series: 'The Handmaid's Tale: The End of an Epic' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Emmy Predictions: Apple, Netflix Lead the Pack as FYC Events Roll On Including 2,100+ Waiting List for HBO Max's Hit Series 'The Pitt' Emmy Predictions: Guest Acting (Comedy, Drama) - Scene-Stealers, Sleeper Hits and One Lucky Charm With Beau Bridges
Yahoo
an hour ago
- Yahoo
‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?
Hollywood seems to always take that cliché 'write what you know' to heart when it comes to producing scripts about Hollywood. I enjoy those tales, of course, but that's because my chosen profession is to report on this fascinating business. There's clearly enough money, creativity, mystery, farce, scandal, glamour and spectacle for us to cover every single day at Variety. And all of the stuff that makes for good copy also makes for entertaining TV and film plot lines. So perhaps we shouldn't be surprised that three of this year's biggest Emmy comedy contenders play in that space: 'Hacks,' 'The Studio' and 'Only Murders in the Building.' All three have quite a bit of fun with industry tropes, and come a little too close for comfort with some of its satire. And they even crash into each other: 'Hacks' creators Lucia Aniello, Jen Statsky and Paul W. Downs cameo as themselves on an episode of 'The Studio,' while Ron Howard is among this year's hot TV trends, playing himself on both 'The Studio' and 'Only Murders.' More from Variety How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations So, we always ask, do audiences outside Hollywood get the jokes, or care? Sometimes, yes. The entertainment business as a series setting goes back to the early days of TV, as even 'I Love Lucy' had a bit of showbiz as its backdrop. Then came 'The Dick Van Dyke Show,' a TV show about the making of a TV show that won the outstanding comedy Emmy three times. HBO built an entire network partly on the premise of shows about show biz — 'The Larry Sanders Show,' 'Entourage,' 'Curb Your Enthusiasm,' 'The Comeback.' (I'm not including 'The Idol' there, for obvious reasons.) One of Netflix's best early shows was the animated 'BoJack Horseman.' But just as often, it seems like shows about the biz nail it with critics and awards, but audiences are less interested. In TV circles, we still talk about Fox's groundbreaking 1999 comedy 'Action,' about a nasty Hollywood producer played by Jay Mohr, but it was canceled after eight episodes. They added a laugh track to ABC's 'Sports Night' in a desperate attempt to make it work. NBC's '30 Rock' won three consecutive comedy Emmys and is beloved by many — yet was never a megahit. Comedy Central and HBO Max gave us three fantastic seasons of 'The Other Two,' but I'm still angry at all of you who didn't watch. I think audiences are watching 'Hacks' (especially this season as Deborah Vance tackles talk), 'The Studio' (the best biz parody in years) and 'Only Murders' (which addressed Hollywood this season) because they're just damn good. But in the industry, they're elevated because we feel a special kinship with them — and that's OK. I'm hearing from a lot of execs in the business who bristle at 'The Studio' because some of its cringe is a little too close to home. I decided to do an experiment on LinkedIn and ask other industry folk whether these shows give them PTSD. I was delighted to learn that, for the most part, it's a no, that they enjoy seeing the satire. 'It's fun for this 10-year Warner Bros. vet to get more glimpses of that classic old lot,' one exec says of 'Hacks.' Former CBS research exec Eric Steinberg says he sees 'lots of relatable moments in 'Hacks' now that the main character has her own show. It will be no surprise to you that I found the audience research episode particularly fun. And, the exteriors at TV City bring back lots of memories. PTSD? Hardly!' Communications exec Stacey Luchs adds, 'There are moments that really hit home — the kind of thing people outside the entertainment world probably wouldn't believe. Sometimes it feels like I'm in on an inside joke, and it just makes me smile.' My former (and longtime) Variety colleague Steve Gaydos perhaps says it best: 'The writers of 'Hacks' and 'The Studio' have been reading our mail. But Billy Wilder turned it into art 75 years ago with 'Sunset Boulevard.' He didn't just shoot fish in a barrel. His fish had souls, and their fates mattered — then and just as much now, on stage with music and on screens of all sizes in black and white. That's the ultimate achievement and though these current TV shows contain moments of pathos, it will take time before we can measure their memorability.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races