
PM Modi praises fitness start-up 'Tagda Raho' for merging tradition with modernity
New Delhi [India], June 26 (ANI): Prime Minister Narendra Modi has once again praised the fitness start-up 'Tagda Raho', saying that the initiative has 'beautifully merged tradition with modernity.'
His remarks came after the official X handle of 'Mann Ki Baat' highlighted that the start-up has gained nationwide recognition following its mention in one of the episodes.
Sharing the Mann Ki Baat post on his X handle, PM Modi said, 'Indian culture offers many ways to remain fit and healthy. In MannKiBaat, we've been showcasing such efforts, including one such effort which has beautifully merged tradition with modernity in their StartUp.'
https://x.com/narendramodi/status/1938224056580350020
The Mann ki Baat's post highlighted that the start-up has received the nationwide spotlight after PM Modi mentioned it in an episode back in December of last year.
'When PM Narendra Modi mentioned the Fitness Start-up 'Tagda Raho' in 'Mann Ki Baat', this initiative to revive Indian traditional ways of staying healthy got the nationwide spotlight! That's the power of #MannKiBaat -- turning ideas into impact and dreams into success,' the post read.
In December, PM Modi praised the 'Tagda Raho' startup, a Bengaluru-based fitness startup that involves exercises with Gada (mace) and Mugdar (Indian club).
This fitness startup made headlines last year when former Indian team captain Mahendra Singh Dhoni expressed interest and invested in it.
The founder of this startup, Rishabh Malhotra, while discussing the idea behind the startup's name, stated that 'Tagda Raho' is used as a salutation in the Assam Regiment, similar to how officers and soldiers greet each other within that unit. Instead of saying hello or namaste, they say 'Tagda Raho' to each other when they meet. This concept comes from there.
'I am trying to bring out the concept of our traditional exercises through the 'Tagda Raho' startup, which has been ongoing in the country's akhadas, in a modern way so that people in the cities can adopt them,' Malhotra added.
Showing gratitude to PM Modi for bringing the nation's focus to his fitness startup, Malhotra said, 'I am grateful that I got the opportunity to reach the nation through 'Mann Ki Baat' and introduce the 'Tagda Raho' startup.' (ANI)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Hindu
30 minutes ago
- The Hindu
Review of On the Brink of Belief: Queer Writing from South Asia
One of the central lacunae in Indian queer writing is its sheer lack of rich regional voices. Not only does queer literature still remain largely Anglicised, but the parameters of its criticism are also dictated by Eurocentric notions, thereby gatekeeping local expressions and experiences. To then read On the Brink of Belief: Queer Writing from South Asia is in fact to engage in a suspension of disbelief, as 24 freshly minted writers, standing at the intersection of their marginalised identities, narrate their stories of love and loss, longing and belonging, and the liminal, chaotic spaces that exist in between. The idea for this anthology emerged after the successful conclusion of two editions of The Queer Writers' Room in 2023-2024, a joint initiative by The Queer Muslim Project and The International Writing Program at the University of Iowa. Steered by Kazim Ali (also the editor of this anthology), among others, the week-long writing residency with two queer and trans writers each from India, Sri Lanka, Nepal, Bangladesh and Pakistan, has become a space for creative nurturing, quiet transformation, and critical interrogation. The stories in this collection remain obsessed with djinns, shaitans, and shakchunnis — the ethereal, metaphysical, and perhaps queer beings in Islamic mythography that linger between faith and fact. In her moving essay 'A Fever, a Djinn and the Collectibles of Grief,' Sara Haque draws parallels between herself and the 'rootless, bereaving djinn', after her dadi, 'shrunk and shrunk' till she vanished one fine day. In Ipsa's flash fiction 'On This Afternoon, Like Every Other', the female lover becomes a shakchunni (spirit of a married woman), and the act of lovemaking becomes the 'cloying honey of kolke phool, being sucked like a fish bone' — the very things that repulse human beings. This coalescence of the divine and the devil finds resonance in another short essay, 'Even Shaitan Showers' by Begum Taara Shakar, where the bathroom, a place of shame, transforms into a place of security. Later, the protagonist wonders: 'I always thought God was in love with Shaitan. Did no one notice that a whole world was created to prove Shaitan wrong?' Promising voices This contradiction, this uncertainty, this perpetual state of questioning, for me, is the central tenet of good writing. With queer writing, this rift between being and non-being is accentuated, as the real world offers no refuge. The beauty of queer writing, then, lies in its refusal to flatten difference and in its power to imagine radical, alternative futures. The anthology also reinforces the fact that queerness is not constrained to the choice of a partner, but extends to include political engagement, modes of kinship, and everyday resistances. The shifting world order, the metallic claws of capitalism, and the ghettoisation of communities remain overarching themes in stories such as 'Keithal da Eramkhi' by Mesak Takhelmayum, 'Silver' by Kahless Jaden Hameed and Tanisha Tekriwal's 'American Embassy, 2046', where the city is 'lit [not] by the moon but by oil refineries, their silver chimneys keeping the dark a half-dark'. While the anthology introduces some new, promising voices, it unfortunately delivers more misses than hits. 'Dog Days', 'Darling', 'The Beauty and Complexity of Being Queer and Muslim', 'Darjeeling and Desires', and 'Your Birthmark in My Memories' are among the many stories and poems that start on an interesting note but lose steam halfway through. Many of the stories could have been salvaged by skilful editing. These writers are trying hard to cut a new path. Time will tell where it leads them. The reviewer is the author of the Hindi short story collection 'Yeh Dil Hai Ki Chor Darwaja'.


Time of India
34 minutes ago
- Time of India
Laapataa Ladies effect! Nitanshi Goel says moms have started seeing her as their ideal bahu
Nitanshi Goel and the actress in a still from Laapataa Ladies In Kiran Rao's Laapataa Ladies, Nitanshi Goel brought Phool Kumari to life with quiet grace, capturing the innocence and vulnerability of a rural Indian bride. Her understated performance and simple, earth-toned wardrobe helped root the character in authenticity. But the impact of the film has extended beyond the screen. Nitanshi shares that she's been getting a lot of wedding proposals from mothers who have been approaching her for their sons. She told us, 'Thanks to Laapataa Ladies, moms have started seeing me as their ideal bahu! At an event recently, I was dressed in a sari and these two lovely aunties came to me and said, 'Aap itni sundar lag rahi hain, hum aapke jaise hi bahu dhoond rahe hain hamare bete ke liye.'' Caught off guard, Nitanshi responded with grace. 'I was a little embarrassed, but I told them, 'You'll find your ideal bahu very soon.' But then they added, 'Aapki aur mere bete ki umar same hai,'' she chuckled, hinting that the proposal wasn't just hypothetical. 'I have got so many proposals from men and their moms. I must say, Phool toh hamari ideal bahu ban gayi hai,' she signed off.


India.com
34 minutes ago
- India.com
Rekha Stuns In Her Iconic Look For Umrao Jaan Re-Release Screening, Watch Her Unmissable Moments
Mumbai: Bollywood actress Rekha's cult film 'Umrao Jaan' is all set to enchant the audience once again on June 27. Director Muzaffar Ali and Rekha hosted a special re-release screening of the film today in Mumbai. The event was graced by AR Rahman, Tabu, Anil Kapoor and others. Rekha stunned everyone in a traditional white outfit with golden embroidery that reminded of her iconic character of Umrao Jaan from the film. View this post on Instagram A post shared by Viral Bhayani (@viralbhayani) View this post on Instagram A post shared by Viral Bhayani (@viralbhayani) She posed for the camera with the director and ace music composer AR Rahman. Rekha can also be seen dancing with Anil Kapoor in a fun moment. View this post on Instagram A post shared by Viral Bhayani (@viralbhayani) Superstar Aamir Khan looked dashing in a black outfit as he arrived to attend the screening of the film. Tabu and Rekha can be seen hugging each other at the event. The 'Crew' actress dazzled in her red traditional outfit. The event was also attended by Hema Malini, Kabir Bedi, Khushi Kapoor, Nushrratt Bharuccha, Jackie Shroff and others. Recalling working in the cult film, Rekha said earlier, "Umrao Jaan is not just a film I acted in -- she lives within me, breathes through me, even now. At the time, none of us could have imagined the timelessness of the film, the way it would gently etch itself into the soul of Indian cinema. To see it return to the big screen is like watching an old love letter being opened by a new generation. My heart is full." Rekha won the National Award for her impeccable performance in the film as a courtesan-poetess in 19th-century Lucknow. Her graceful dance performance on 'Dil Cheez Kya Hai' is still admired and remembered by filmophiles. Celebrated filmmaker Muzaffar Ali also earlier opened up about the re-release of his cinematic masterpiece, 'Umrao Jaan', in theatres. Known for its poetic storytelling, soulful music, and cultural richness, Umrao Jaan continues to captivate audiences decades after its original release. In a conversation with ANI, Ali responded with a philosophical insight when asked if films rooted in poetry, music, and history still have a place in today's fast-paced said, "Art has to have the pace of the heart. It's always going to be time-taking and intense if it's meant to be far-reaching. You cannot blame the world and create poor art. True art has its own rhythm and will always resonate with those who seek it." Ali's collaboration with the legendary Rekha, who portrayed the iconic role of Umrao Jaan, remains one of the highlights of the film. Reflecting on his experience working with her, Ali described it as "working with a dream." He shared, "Rekha was dreaming alongside me. Before I could think of something, she would already be on it, living the character. She became Umrao beyond my expectations, embodying her pain and the cultural ethos of the time. It was more than just acting; it was a transformation." On what made Rekha's portrayal of Umrao unforgettable, Ali explained, "The challenge was to understand the pain of Umrao, to understand what it meant to be a woman in that era. Rekha did not merely play the character; she became Umrao. The pain, the artistry, and the complexities of her role came to her naturally, and she internalized it deeply." As the film prepares for its re-release, Ali expressed hope that the younger generation would connect with its timeless themes."This is a one-to-one film. The intensity of the individual scene will grow as people relate to it personally," he said, adding, "The collective experience will stem from what they've heard, and then they'll want to see it for themselves." 'Umrao Jaan' is a classic Indian period drama adapted into two film versions. The 1981 version, starring Rekha, is a cult classic and won four National Awards. The 2006 version, starring Aishwarya Rai Bachchan, was not well received by the audience. Both films are based on Mirza Hadi Ruswa's novel Umrao Jaan Ada. Screenings will begin across select PVR INOX cinemas in multiple cities from June 27th.