
Indie-pop singer Sophie Castillo on British Latinas: ‘Yes, we exist'
'We went seven consecutive days without sunshine last month,' says the London-born singer-songwriter, who performed at the city's annual South by Southwest Music Festival (SXSW). 'I need to soak up the sun!'
The daughter of a Colombian mother and a Cuban father, Castillo, 26, is on a mission to amplify the Latin American diaspora in the U.K., primarily through her music: an elegant mélange of balmy electronic textures and Latin American heritage sounds like salsa, bachata and reggaeton. She hopes these genres can take off in the U.K., as did Afrobeats, ska, bhangra and other musical styles that immigrant communities helped integrate into British popular music.
'British people [don't] get enough credit as to how open-minded they are,' she says. 'Whenever I've seen people react to Latin music in the U.K., they're excited. They're not like, 'Oh, I don't want to listen to that because it's in Spanish.' They're like, 'This is cool, tell me more!''
During the Amigo showcase at Rozco's on the night of March 12, Castillo, decked in a cowboy hat and a red velvet ensemble, introduced her new single, 'The Betrayal.' A cut from her upcoming EP, due in April, 'The Betrayal' is a sultry baile funk song that simmers with righteous indignation.
'I love Brazilian music, so I wanted to try out a funk fusion,' explains Castillo. 'It all came together with this Shakira-esque Arabic scale. The drama was there, cinematic element was there, which is what I love.'
Beyond Latinidad, music runs in Castillo's blood. Her father, renowned salsa dancer and DJ Nelson Batista, studied dance at the Casa de Cultura in Havana before immigrating to London in the 1980s. He became the first known salsa instructor in the U.K. Sparks flew between him and Castillo's mother, a salsa dancer who immigrated from Colombia.
Castillo's uncles, Eddie and Lee, took young Sophie to see musicals as a child. And when she was old enough, they encouraged her to attend an after-school theater program. She then supplemented her musical education by learning how to produce songs using GarageBand at home.
'My uncle Eddie dropped off a CD of mine at Universal when I was 13,' she says. 'It was so funny. I didn't know anyone in the music industry, nor the Latin music industry. How do you make noise?'
Castillo built her audience organically on TikTok, where she test drove clips of her songs among fans of the Marías and Kali Uchis — two U.S.-based acts that were essential in her own development as a Latina artist between cultures. 'I always wanted to sing in Spanish, but I was just a little bit shy,' says Castillo. 'But Kali Uchis really laid out the path for the indie Latina by making English-language music with a bit of Spanish. I really have so much love and respect for that.'
In 2022, Castillo released the song, 'Call Me By Your Name' — a dream-pop bachata tune sung in English. 'POV: you're listening to an indie bachata by a British Latina,' read the caption of her video. It was a viral sensation. 'Americans were like, 'What, you guys are over there?'' Castillo recalls. 'They'd say, 'I can't believe [a] U.K. Latino is a thing!''
While there exist demographic categories for Caribbean people from former U.K. colonies, an accurate count of the Latin American population is hard to find. In 2013, the census reported at least 250,000 Latin Americans living in the U.K. Yet according to a 2024 report, the population of Latin Americans increased by 406% in London and by 395% in England and Wales from 2001 to 2021.
Castillo performed small open-mic nights at restaurants and clubs in Brixton, often with the Latin alternative artist Desta French, who is Colombian and Italian. But Castillo landed her biggest gig in the summer of 2024, when she got an email from J Balvin's team — inviting her to open for the Colombian superstar during his June 5 concert at the O2 Arena in London. She became the first U.K. Latina to perform at the venue.
'It's amazing, you know — TikTok is like such a powerful tool,' she says of her experience. 'I've been able to like be a completely independent artist and like have all the freedom and control to do whatever I wanted.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Newsweek
28 minutes ago
- Newsweek
Lando Norris Struck in Face While Celebrating British GP Victory
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. McLaren driver Lando Norris was hit in the face after capturing his first win at Silverstone. Norris won his home race - a major milestone for the young driver, and he celebrated the victory with all of his fans. While enjoying the post-race festivities, the British driver was parading his trophy around the paddock and headed towards a swarm of fans on the track. As he made his way to the fence, a photographer fell and struck Norris in the face, leaving the Briton hurt and walking away after the contact. Race winner Lando Norris of Great Britain and McLaren looks on during the F1 Grand Prix of Great Britain at Silverstone Circuit on July 06, 2025 in Northampton, England. Race winner Lando Norris of Great Britain and McLaren looks on during the F1 Grand Prix of Great Britain at Silverstone Circuit on July 06, 2025 in Northampton, England. Photo byAccording to reporting from Autosport, Norris suffered a small cut on his face. The photographer attempted to capture the sea of Norris' fans who were celebrating his crowning achievement. Lando Norris taking an inadvertent smack in the face when a photographer fell onto him from the pit wall #BritishGP #TedsNotebook — Elegantly Wasted (@TheCharismaVoid) July 6, 2025 While the hit likely hurt Norris, it couldn't have been enough to bring him down. He achieved a lifelong dream on Sunday and opened up about how much the result meant to him. "It's beautiful. Everything I dreamed of. Everything I've ever wanted to achieve. Apart from a championship, I think this is as good as it gets in terms of feelings and in terms of achievement, being proud, all of it," he said. "This is where it all started for me, and now thankfully I've been able to have my go. "Incredible race, stressful as always, but the support from the fans made the difference today, so I've got to thank them for it all. "Your mind just goes pretty blank. Everything you might think before the race, you forget. The main thing is just don't f*** it up, that's rule number one." Norris gets a couple of weeks to soak in the win, but he will need to refocus as he is squarely in a fight for the title with teammate Oscar Piastri. British Grand Prix Race Results Lando Norris - McLaren Oscar Piastri - McLaren Nico Hulkenberg - Sauber Lewis Hamilton - Ferrari Max Verstappen - Red Bull Pierre Gasly - Alpine Lance Stroll - Aston Martin Alex Albon - Williams Fernando Alonso - Aston Martin George Russell - Mercedes Oliver Bearman - Haas Carlos Sainz - Williams Esteban Ocon - Haas Charles Leclerc - Ferrari Yuki Tsunoda - Red Bull Kimi Antonelli - Mercedes - DNF Isack Hadjar - Racing Bulls - DNF Gabriel Bortoleto - Sauber - DNF Liam Lawson - Racing Bulls - DNF Franco Colapinto - Alpine - DNF More F1 news: How Lewis Hamilton Made the F1 Movie Production More Expensive For more F1 news, head on over to Newsweek Sports.


Boston Globe
an hour ago
- Boston Globe
Daredevils run with charging bulls at Pamplona's famous San Fermín festival
Most runners wear the traditional garb of white trousers and shirt with red sash and neckerchief. The expert Spanish runners try to sprint just in front of the bull's horns for a few death-defying seconds while egging the animal on with a rolled newspaper. Advertisement Thousands of spectators watched from balconies and wooden barricades along the course. Millions more follow the visceral spectacle on live television. The festival kicked off Sunday with the traditional 'chupinazo' firework blast after which revelers doused one another with red or sparkling wine. While gorings are not rare, many more people are bruised and injured in falls and pileups with each other. Medics rush in to treat the injured and take the seriously hurt to a hospital. On Monday, Spanish newspaper El País reported that a few revelers had been injured, but it wasn't clear if their injuries were from gorings. Unofficial records say at least 15 people have died in the bull runs over the past century. The deadliest day on record was July 13, 1980, when four runners were killed by two bulls. The last death was in 2009. Advertisement The rest of each day is for eating, drinking, dancing and cultural entertainment, including bull fights where the animals that run in the morning are slain in the bull ring by professional matadors each afternoon. The festival isn't without its detractors. On Saturday, animal rights activists marched through Pamplona wearing horns and splotched with fake blood in protest against the San Fermin bull runs. Some held up signs saying 'bullfights are a sin.' The festival was made internationally famous by Ernest Hemingway's classic 1926 novel 'The Sun Also Rises,' about American bohemians wasting away in Europe. Wilson reported from Barcelona, Spain.

Business Insider
2 hours ago
- Business Insider
AI is shaking up Hollywood. Here are the startups and investors jumping into the fray.
Hollywood giants are pushing back on AI's encroachment. Disney and Universal recently sued Midjourney, accusing it of using tech to rip off their famous characters. But inside entertainment companies, it's a whole different story. The biggest studios and filmmakers are using AI technology in various ways — and people in Hollywood are taking note. The AI on the Lot conference in May has doubled its attendance to 1,200 over three years, while AI editing company Runway attracted some 1,000 people to its third film festival. The tantalizing promise of AI is that it could solve big problems in the entertainment business, like content discovery and high production costs. "No matter how you feel about AI tools in the media and entertainment business, they're here to stay," said Peter Csathy, who advises media companies. Investors are climbing on board companies like Ecco, an AI startup that helps people find titles across multiple streamers using queries like "find me all the shows about F1." It has raised $7 million from Ben Silverman, Shaquille O'Neal, and others. One such investor is Ishan Sinha, a consumer partner at Point72 Ventures. He said the hype around AI-generated video hasn't translated into consumer interest. He sees the most potential in companies that use AI to promote distribution through personalization, translation, and IP ownership. "We believe the winning consumer businesses aggregate eyeballs — they have some type of a hook, whether it's content aggregation, playlists, proprietary IP, etc., that acquires and retains users," he said. Point72 Ventures' investments include GlobalComix, which uses AI to bring recommendations and language translation to comic book and manga readers that they couldn't otherwise find, and Cheehoo, which is working with studios to simplify animation. The firm also invested in Chronicle Studios, which aims to help animators grow their audiences and monetize their projects beyond YouTube. Here are some AI companies transforming different areas of Hollywood, and the pitch decks some of them used to raise funding. Faster, cheaper animation AI may still be a long way from making full-length movies, but it's quickly making inroads in animation. Toonstar, a startup behind "StEvEn & Parker," uses AI for tasks ranging from developing storylines to creating images and says it can make episodes at a fraction of the cost of conventional methods. Chronicle Studios is a startup cofounded by Chris deFaria, a former animation president at Warner Bros. and Comcast's DreamWorks, that's using AI to help creators level up, with a focus on animators. Others chasing the animation or independent creator opportunity are Further Adventures, a new studio that's investing in digital creators and independent filmmakers; Invisible Universe, an animation studio backed by Seven Seven Six; and Promise, an AI studio backed by Peter Chernin's North Road, Andreessen Horowitz, and Google. "AI can't really make stories that are enduring," deFaria told BI. "The biggest pain point is getting an audience." AI is transforming special effects Other companies, such as Runway, which has raised $545 million from General Atlantic and others, and Connect Ventures-backed Deep Voodoo, are using AI to provide tools for de-aging and other special effects work. Some have entered the rollup stage. Metaphysic, which was known for de-aging Tom Hanks and Robin Wright for the Robert Zemeckis film "Here," was acquired in February by DNEG Group's AI company Brahma. Papercup's voice-cloning IP was acquired in June by RWS, a content solutions company, while its team was acquired by Scale AI. AI is also being applied to speed the dubbing process, recreate the voices of bygone actors, and restore old films and TV series. With streamers going global, there's a big demand to translate titles for new markets, and new approaches to AI promise to eliminate awkward dubbing of the past. Runway made news this past year for deals with Lionsgate to train an AI model on its library and with AMC Networks, which will use its tools to generate promotional material for its shows. One player, Deepdub, which uses AI to dub movies and shows, just extended its tech to real-time dubbing of live sports commentary, esports shoutcasting, and breaking news coverage. "For the first time, broadcasters can deliver real-time, multilingual dubbing that captures not just words, but the energy, urgency, and authenticity of live content," said Ofir Krakowski, the company's CEO. Startups are tackling different phases of production A third area where AI startups have been active in Hollywood is in the content creation process more broadly. This can involve everything from AI in the script reading phase to scouring video libraries to generate new ideas for titles based on what's performed well in the past. One, Paris-based Moments Lab, recently raised a $24 million round from backers including Oxx and Orange Ventures to expand its AI tools that are used by Warner Bros. Discovery, Hearst, and others. Moments can make clips for social media seven times faster than the conventional approach, cofounder Phil Petitpont recently told BI, citing internal research. He said media companies would be able to use AI to help make full-length documentaries based on their video libraries in several months, while predictive modeling tools that can suggest audience-boosting changes are a year away. "We're not very far from that because audience data is very easily available on YouTube," he said. Read more: