logo
US eases Syria sanctions; Damascus welcomes move

US eases Syria sanctions; Damascus welcomes move

The United States administration under President Donald Trump on Friday granted Syria comprehensive exemptions from US sanctions, a development aimed at fulfilling a pledge to lift decades-old restrictions on the country, which has experienced conflict for more than 14 years.
The Syrian government in Damascus welcomed the decision, describing it as an initial phase in implementing President Trump's commitment to lift sanctions. This commitment was reportedly made at the Saudi-American Investment Forum in Riyadh approximately two weeks prior. Damascus stated the move was 'a step towards alleviating the humanitarian and economic suffering' of the Syrian people.
A directive from the US State Department on Friday nullified a range of stringent sanctions imposed by Congress in 2019. It also suspended, for a period of six months, a US Treasury Department measure that applied sanctions to any individual or entity dealing with a specified group of Syrian individuals and entities, including the Syrian Central Bank.
Details of Six-Month Exemptions and Sanctions Lifted
In a related move, the US Treasury Department announced the lifting of sanctions on Syrian President Ahmed al-Shara and his Interior Minister Anas al-Khattab. This followed the issuance of General Licence No. 25 (GL 25), which provides for the immediate easing of sanctions on Damascus and permits previously prohibited transactions.
The licence, issued by the Treasury's Office of Foreign Assets Control (OFAC), specifically lifts sanctions on the Syrian Central Bank, Syrian Arab Airlines, the Radio and Television General Organisation, and the ports of Latakia and Tartous, alongside other individuals and entities. General Licence 25 was issued to provide immediate sanctions relief, consistent with President Trump's declaration to cease all sanctions imposed on Damascus.
A US Treasury Department statement indicated that GL 25 authorises transactions previously barred under Syrian sanctions regulations, effectively lifting these sanctions. It also aims to stimulate new investments and private sector activity, which is in line with President Trump's 'America First' strategy.
US Secretary of State Marco Rubio said in a statement that he had 'issued a 180-day waiver from sanctions imposed on Syria under the Caesar Act to ensure that sanctions do not hinder investments and to facilitate the provision of electricity, energy, water, healthcare, and humanitarian relief efforts.' Rubio added, 'Today's moves represent the first step in realizing the President's vision for a new relationship between Syria and the United States,' noting that Trump 'made it clear that he expects that the easing of sanctions will be followed by action from the Syrian government.'
These developments coincided with Washington's announcement that Thomas Barrack, US Ambassador to Turkey, assumed the role of Special Envoy to Syria on Friday.
Background on US Sanctions Policy
US sanctions on Syria have historically been multifaceted, encompassing legislation passed by Congress, executive orders from the President, measures imposed by the Treasury Department in consultation with the State Department, and prohibitions on non-humanitarian trade between Damascus and Washington. Additional sanctions were aimed at deterring third countries from engaging in business with Syria.
Sanctions on the Syrian Central Bank reportedly persisted even after the fall of former President Bashar al-Assad's regime. These measures prevented the Syrian financial system from accessing global banking networks and hindered efforts to revive the Syrian economy through international financial channels. Congressional sanctions, notably the 'Caesar Act,' were designed to isolate Syria's former leadership by barring anyone conducting commercial transactions with them from the global financial system. These sanctions also specifically impede post-war reconstruction. While they can be waived for 180 days via executive order, the Associated Press reported they could likely be reimposed after six months.
Economic Reconstruction and Conditions for Further Relief
The new US licence encompasses the lifting of sanctions on the Commercial Bank of Syria, the Syrian Gas Company, and the Syrian Petroleum Company, in addition to the General Organisation of Radio and Television, the General Company for the Port of Latakia, and numerous banking and logistical institutions. The Treasury stated that this authorisation is intended to support the reconstruction of the Syrian economy, its financial sector, and infrastructure, in line with US foreign policy objectives. Attracting new investment to Syria and supporting the new Syrian government are deemed essential for this purpose, with GL 25 facilitating previously restricted economic activities.
According to Associated Press, the US State Department last week outlined a three-stage roadmap for further sanctions relief. This begins with an initial temporary and partial easing, contingent upon Syria meeting comprehensive conditions for any future, more permanent, easing or lifting of sanctions.
Conditions for reaching the second stage include the removal of Palestinian factions from Syria, the new government assuming control of detention centres holding 'ISIS' fighters, and the integration of the US-backed Kurdish force (Syrian Democratic Forces, 'SDF') into the Syrian army.
To reach the third stage, the US administration requires Syria to join the Abraham Accords, normalising relations with Israel, and to provide evidence of the destruction of chemical weapons allegedly possessed by former President Bashar al-Assad's regime.
Syrian Government Reaction
On Saturday, the Syrian Foreign Ministry formally welcomed the US government's decision. In a statement published on its 'X' (formerly Twitter) platform account, the Ministry acknowledged the 'issuance of an exemption from mandatory sanctions under the Caesar Act and the circulation of General License No. 25 concerning Syria (GL 25).' It described the decision as 'a positive step in the right direction to alleviate the humanitarian and economic suffering in the country.'
The Ministry affirmed that Damascus 'extends its hand to all who wish to cooperate on the basis of mutual respect and non-interference in internal affairs,' believing that 'dialogue and diplomacy are the best way to build balanced relations that achieve the interests of peoples and enhance security and stability in the region.'
The statement continued: 'Syria also expresses its appreciation to all countries, institutions, and peoples that stood by it, and affirms that the next stage will be a stage of rebuilding what the former regime destroyed and restoring Syria's natural position in the region and the world.'
Earlier this month, Syrian Foreign Minister Asaad al-Shaibani reported an agreement to form rapid technical teams following President Trump's sanctions-lifting announcement in Riyadh.
European Union Considers Parallel Sanctions Review
Following the US move, EU foreign policy chief Kaja Kallas last week proposed a further easing of European sanctions on Syria. This would allow funding for Syrian ministries in areas such as reconstruction and migration.
A document dated 14 May, seen by Reuters, indicated the EU would permit member states to finance Syrian Ministries of Defence and Interior for cooperation on reconstruction, capacity building, counter-terrorism, and migration. A special clause would also grant EU member states greater flexibility in dealing with Syrian state-owned entities concerning the destruction of chemical weapons.
The new EU proposal would lift sanctions on the Commercial Bank of Syria while maintaining measures against individuals linked to the former Assad administration. EU foreign ministers are scheduled to discuss relations with Damascus at a meeting in Brussels this week, including the potential lifting of sanctions on the Syrian Central Bank.
Germany, Italy, the Netherlands, and Austria circulated a joint paper advocating for the removal of sanctions on the Syrian Central Bank and its financial institutions. 'The goal is to provide additional space for socio-economic recovery,' the four nations wrote.
The EU has already eased some energy, transport, and reconstruction-related sanctions, along with associated financial transactions. However, certain member states are pushing for more extensive relief to facilitate Syria's transition process.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gold Prices Continue to Rise amid Global Trade, Fiscal Escalation Fears
Gold Prices Continue to Rise amid Global Trade, Fiscal Escalation Fears

See - Sada Elbalad

time4 hours ago

  • See - Sada Elbalad

Gold Prices Continue to Rise amid Global Trade, Fiscal Escalation Fears

Waleed Farouk Gold prices in local markets rose noticeably by mid-day trading on Wednesday, in tandem with a significant increase in global spot prices. The rise was driven by escalating geopolitical tensions and a weakening U.S. dollar, which reinforced the appeal of the yellow metal as a safe haven for investors. Gold prices in Egypt increased by EGP 25 during today's trading session compared to Tuesday's closing, with the 21-karat gram reaching EGP 4,720. Meanwhile, the global ounce rose by $33 to reach $3,385. The 24-karat gold gram was priced at EGP 5,394, the 18-karat gram at EGP 4,046, and the gold pound recorded approximately EGP 37,760. Geopolitical Tensions Bolster Demand for Gold Geopolitical tensions between the United States and China have intensified, particularly after U.S. President Donald Trump announced the doubling of tariffs on steel and aluminum imports to 50%. This reignited fears of a renewed trade war between the two major economies. Additionally, ongoing developments in the Russia–Ukraine conflict have increased uncertainty in global markets, prompting investors to seek safety in gold. Weak U.S. Dollar Supports Gold Prices The U.S. dollar declined significantly, with the dollar index falling by 0.4%, making gold more attractive to investors dealing in other currencies. It is worth noting that gold typically moves inversely to the dollar, and a weaker greenback tends to boost demand for the precious metal. Outlook for Gold Prices With persistent geopolitical tensions and continued dollar weakness, analysts expect gold prices to remain supported in the near term. Central bank monetary policies—especially those of the U.S. Federal Reserve—will be a key factor in determining the direction of gold markets going forward. Today's increase in gold prices is attributed to a combination of factors, most notably rising geopolitical risks and a weakening U.S. dollar, which have enhanced gold's appeal as a safe haven amid global economic uncertainty. read more CBE: Deposits in Local Currency Hit EGP 5.25 Trillion Morocco Plans to Spend $1 Billion to Mitigate Drought Effect Gov't Approves Final Version of State Ownership Policy Document Egypt's Economy Expected to Grow 5% by the end of 2022/23- Minister Qatar Agrees to Supply Germany with LNG for 15 Years Business Oil Prices Descend amid Anticipation of Additional US Strategic Petroleum Reserves Business Suez Canal Records $704 Million, Historically Highest Monthly Revenue Business Egypt's Stock Exchange Earns EGP 4.9 Billion on Tuesday Business Wheat delivery season commences on April 15 News China Launches Largest Ever Aircraft Carrier Sports Former Al Zamalek Player Ibrahim Shika Passes away after Long Battle with Cancer Sports Neymar Announced for Brazil's Preliminary List for 2026 FIFA World Cup Qualifiers News Prime Minister Moustafa Madbouly Inaugurates Two Indian Companies Arts & Culture New Archaeological Discovery from 26th Dynasty Uncovered in Karnak Temple Business Fear & Greed Index Plummets to Lowest Level Ever Recorded amid Global Trade War Arts & Culture Zahi Hawass: Claims of Columns Beneath the Pyramid of Khafre Are Lies News Flights suspended at Port Sudan Airport after Drone Attacks News Shell Unveils Cost-Cutting, LNG Growth Plan Videos & Features Video: Trending Lifestyle TikToker Valeria Márquez Shot Dead during Live Stream

Saudi Cultural Fund Brings Saudi Handicrafts to London's Selfridges
Saudi Cultural Fund Brings Saudi Handicrafts to London's Selfridges

CairoScene

time8 hours ago

  • CairoScene

Saudi Cultural Fund Brings Saudi Handicrafts to London's Selfridges

A new activation hosted by Selfridges in London is providing an international platform for Saudi artisans to exhibit their crafts. Saudi craftsmanship is taking over London's luxury scene as the Saudi Cultural Development Fund (CDF) brings a curated collection of traditional handmade pieces to Selfridges from June 3rd to 22nd, 2025. This special showcase, part of Saudi Arabia's Year of Handicrafts, highlights artisanal works, from palm and leather crafts to jewellery and accessories, crafted by makers from across the Kingdom. Designed in collaboration with Turquoise Mountain, a global non-profit, the activation draws on Saudi Arabia's natural and architectural heritage, offering global shoppers a rare window into the cultural and economic value of the Kingdom's rich craft traditions. Running alongside is a Saudi fashion showcase also enabled by CDF. The exhibition aims to amplify the global presence of Saudi creative industries. Fashion brands supported by the Saudi Fashion Commission and the Saudi 100 Brands initiative are sharing the spotlight with major international labels, further cementing Saudi Arabia's rising influence in global design. This multifaceted initiative also builds on CDF's broader efforts - like the Nama' Accelerators: Handicrafts Track - to empower cultural entrepreneurs, drive sustainable creative businesses, and position heritage as a key pillar of Saudi Arabia's economic and cultural transformation.

How Arwa Al Neami Paved the Way for Saudi Women in Contemporary Art
How Arwa Al Neami Paved the Way for Saudi Women in Contemporary Art

CairoScene

time10 hours ago

  • CairoScene

How Arwa Al Neami Paved the Way for Saudi Women in Contemporary Art

What role can art play in a country undergoing rapid transformation? For Saudi artist Arwa Al Neami, it has long been a way to spark dialogue about social change. Through installations, films, and photography, the Abha-hailing 40-year old artist often uses humour and at times irony to explore the restrictions placed on women and the complex dynamics of life in a changing Saudi Arabia. Al Neami's career began long before Saudi Arabia's art scene gained the visibility and acceptance it enjoys today. When she entered the field in the early 2000s, art was not widely embraced in the country, and spaces for contemporary artistic expression were extremely limited. Despite these barriers, Al Neami's work pushed against social boundaries, laying the groundwork for the more open discourse now emerging within the Saudi art community. Born in a military compound at King Khalid Military Airbase, Al Neami grew up in a unique environment that shaped her worldview. 'It was a military city, quite different from the outside world. My schoolmates and neighbours were from various nationalities. I was a social girl with many Egyptian and Sudanese friends,' Al Neami tells SceneNowSaudi. Her childhood, although spent in the disciplined setting of a military compound, was filled with art and creativity from a young age. "Art has been part of my life since I was four. I started drawing at that age. My artistic spirit had nothing to do with tools or mediums—it was always there.' However, her adolescent years brought about a stark cultural shift when her family relocated to Abha. 'It was a complete culture shock,' Al Neami recalls. The freedoms she once enjoyed were suddenly restricted. She started wearing an abaya and gloves, and her school offered no art classes. "Everything was haram," she says. Even her Minnie Mouse backpack had its head removed after being deemed inappropriate. But these changes didn't stifle her creativity. Instead, they fueled a deeper sense of questioning and rebellion within her—a spirit that would later be channelled into her artistic work. After graduating high school, Arwa Al Neami faced a challenge—there were no formal art programs available for her to pursue. Undeterred, she took matters into her own hands. She would visit stationery stores, gather canvases and paper, and lay them out on the floor over a white sheet, creating without a structured starting point or formal techniques. 'I would just take out my pencils and colours and start creating,' Al Neami tells SceneNowSaudi. With no art major to choose from, she instead studied IT at King Khalid University, where she discovered Photoshop. This tool - new at the time - opened doors for her creativity. Hearing about an art competition at Al Muftaha Village, she instinctively created a large multimedia piece, letting the work flow naturally. 'I didn't know the medium or how I started or finished; it just happened,' she says. Her piece won a distinguished prize, one that wasn't awarded every year, and that was the moment she truly identified as an artist. 'I felt like a billionaire,' Al Neami recalls, after winning SAR 5,000. The first thing she did was purchase her own computer and Photoshop software, quickly mastering the program to the point where even her professors asked for her techniques. Al Muftaha Village was predominantly a male-dominated space, and she could only visit her artwork on family days, which limited her connection with the community. However, her artistic journey continued in Jeddah, where she began working more with canvas. Her first contemporary project, titled 'Ya Taybah', involved collecting dolls from Makkah. 'There was a belief that dolls were haram – you couldn't play with them at night or sleep next to them,' Al Neami explains. But one doll, which played the spiritual song 'Ya Taybah', sparked something within her. She recalls witnessing a father, initially reluctant to buy the doll for his daughter, change his mind when he heard the song. "That moment changed his perspective on the doll and, by extension, on art." The project was a video, featuring three of these dolls, all playing 'Ya Taybah' at varying speeds. This contrast between the dolls and the spiritual songs enticed Al Neami; a contradicting duality, and in essence, commentary on a culture that is neither here nor there. Al Neami's exploration of contradictions and complex societal norms comes through strongly in 'Red Lipstick', a nine-minute video installation that examines her relationship with the niqab. Initially, she viewed the niqab as something that sharpened her ability to recognise people by their eyes. Wearing it heightened her observational skills and sense of connection, as everyone dressed similarly in abayas. However, after she stopped wearing the niqab, she noticed an unexpected change: men seemed more intrigued by her when she was veiled, drawing attention to how societal rules create allure around what is deemed "forbidden." In 'Red Lipstick', Al Neami used a Christian Lebanese friend as the model, someone who had never worn the niqab before. The video shows the niqab flying around, alternating between revealing either the model's eyes or her lips, which are adorned with striking red lipstick. This visual contrast encapsulates the tension between modesty and attention, between what is hidden and what is seen. The project, exhibited underground in Jeddah, explores not only the niqab's layered meanings but also how societal perceptions are shaped by what remains covered. "It was an experience for her as well," Al Neami tells SceneNowSaudi, reflecting on how the project challenged both herself and her model to think about cultural symbols and their shifting significance. 'Red Lipstick' became one of her most pivotal works, capturing the contradictions she would continue to explore in future projects. The niqab remains a pivotal element in Al Neami's artistic journey, and her series 'Never Never Land' offers a striking example of how she draws from personal experiences to explore the complexities of societal norms. Showcased at the City Gallery Wellington in New Zealand in 2018, 'Never Never Land' depicts fully veiled Saudi women playing bumper cars at a carnival. While the scene appears playful, the signs surrounding them call for modesty and restraint, even in moments of leisure. Through this subtle satire, Al Neami comments on the tension between personal freedom and societal rules, especially in a country where direct criticism of authority is often suppressed. 'Never Never Land' also reflects the changing dynamics within Al Neami's home region of Asir, where, historically, women had greater freedom and were seen as equals to men. She tells SceneNowSaudi how the region's traditions have evolved: 'Women in Asir didn't cover themselves in the past, but over time, that changed.' Her visits to local amusement parks in 2010 revealed a stark contrast between the present and the past. At first, boys and girls rode the same rides together, but gradually, segregation became the norm, and extra sheets and coverings were put up to shield women from view while they played. By 2017, the restrictions had grown even more severe, with black curtains placed around the bumper cars, making it impossible for anyone outside to see the women having fun. Al Neami's work captures this societal shift, where women are sometimes treated as if their very presence could cause disruption or chaos, even in spaces meant for joy and play. Through 'Never Never Land', she questions these evolving norms with quiet but powerful critique. Her installations and films don't just observe these changes—they participate in them. In 'Art is Not a Race', exhibited at Doha's Fire Station in Qatar in 2022 and 2023, a child model collapses on a long walking mat with the phrase 'Art is not a race' inscribed in Arabic. The installation critiques the pressures and competitive nature of the contemporary art scene, questioning whether the pursuit of recognition is undermining artistic integrity. It's a reminder that both life and art require patience and thought, and perhaps…waiting things out even when 'better days' seem impossible. One of Al Neami's most defining projects took place in 2014 within the Kingdom itself. 'A Piece of Paradise' saw her become the first woman ever granted permission to photograph the Prophet's Mosque in Madinah, capturing the intricate centuries-old calligraphy and the grandeur of the mosque's 177 domes. But this series is more than an architectural study; it reflects her contemplation on faith, beauty, and the desire to preserve cultural heritage across generations. For Al Neami, the project embodied both the physical and the spiritual aspects of her work, preserving not only the mosque's magnificent design but also the deep reverence it inspires in those who visit. Al Neami recalls the moment that inspired the project. 'When I entered the Haram for the first time, I looked up and saw the domes, each one so beautiful and unique. I asked, 'What is this? Who made them?' but there was no information.' Determined to document the mosque's overlooked architectural details, she took her phone and began photographing the domes, eventually presenting her idea to Prince Faisal. Her proposal was bold—to photograph each of the 177 domes of the Prophet's Mosque, a feat no one had attempted before. Despite challenges in securing permits and initial skepticism, Al Neami persisted. Officers expressed surprise at the sight of a camera inside the mosque, as such access had been unheard of. But her determination paid off, and the result was not just a remarkable visual archive but a historic milestone. 'A Piece of Paradise' disrupted traditional norms around access, opening doors not only for Al Neami but for other women in Saudi Arabia, making it a pivotal moment in both her career and the cultural landscape of the Kingdom. Al Neami's early success came despite the conservative social climate at the time, where being a Saudi woman pursuing contemporary art was met with skepticism, if not outright resistance. Her art isn't about offering easy answers—it's about sparking thought and reflection. As Saudi Arabia continues to undergo significant change, her work pushes viewers to question, laugh, and engage with the world around them. Through her social commentary, she has become an essential voice in Saudi contemporary art, well before the country began to embrace the arts as it does today. As Saudi Arabia continues to undergo significant cultural shifts, Al Neami is optimistic about the future of art in the Kingdom. "I'm so happy with where art is now in Saudi Arabia. It's a new chapter, and there is so much support. Art is the future," she says. Her upcoming projects will explore the Kingdom's relationship with the land, sea, and sky, focusing on the spiritual and human evolution happening within the country. "We are witnessing remarkable progress, and my current work is more philosophical and meditative," she explains. Her work continues to reflect the questions she's been asking since her youth—questions that are finally being answered as Saudi Arabia's artistic community grows and evolves.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store