logo
Reeta Chakrabarti: ‘Fact-based journalism is under threat'

Reeta Chakrabarti: ‘Fact-based journalism is under threat'

Yahoo12-05-2025
Born in Ealing, Reeta Chakrabarti was sent to India as a teenager to study – the opposite of many multicultural families growing up in the 1970s. She returned in her late teens to study at Oxford University, before working at the BBC as a news journalist and presenter. Over the last three decades she has reported on major news stories including the murder of Stephen Lawrence, the killing of Damilola Taylor, the European migrant and Rohingya crises, and the Covid pandemic. Today she is a patron of Pan Intercultural Arts, an organisation that promotes marginalised youths to unlock their creative potential, and has just published her first novel.
My parents came to the UK in 1960 when the NHS wanted doctors from the Commonwealth. My father had qualified as a doctor in India. We lived in Yorkshire and moved to Birmingham when I was five. When I was three, my parents took me to London to see the Christmas lights. I remember the Coca-Cola sign at Piccadilly Circus and all the lights on Regent Street, it's a vivid memory in my mind. I remember being cold, but cosy, happy and mesmerised by the lights.
I love having a foot in two different worlds with two different identities. I always think of myself as a great traveller. I travelled to India for the first time when I was five, we went back repeatedly when I was a child, and I lived there in my teens. But I am British. I was born here, I was brought up here, I sound British, my horizons are British. And yet I also feel very Indian, I feel both and I feel enriched by it.
One of my bosses, who was very nice, quite pastoral, said, 'Reeta, when you go into the studio as a presenter, you want to be exactly the person that you are outside the studio.' And he was right. I talk to younger women, and I encourage them to be themselves, but also to be bold. I think women tend to be modest or feel they must be careful. I urge them to go for it, even if they are terrified inside. I tell them to say yes and work hard. That's the thing about journalism, you learn on the job, and you won't learn if you don't take risks.
If I were trying to step back, I would say the greatest thing about the UK is its sense of fairness, balance and justice, keeping things in proportion. Although there are times when this country has a spasm of ugliness, by and large, people are fair-minded. I value that hugely. The best bit of India? Its sheer diversity: it's not really a country, it's a continent made up of many states, all with their own languages and histories. It's hard not to sound clichéd about India, but it is an extraordinary place where the ultra-modern sits next to the ancient and they coexist.
I'm not minimising other news, but Stephen Lawrence was my first big story, and the most formative. Stephen was murdered in 1993 and in 1997 there was a public inquiry into his death after a bungled police operation. I reported extensively on the inquest and public inquiry. It shook the nation, prompting a huge amount of soul searching for people who believed that justice is done in this country. In this case, justice was not done, the inquiry found assumptions made about Stephen, his friend and his family, because they were black.
I've got three children, all grown up and I'm constantly amazed that two people can produce three such different individuals. I think that's the best thing, they share the same outlook and values, they come from the same family. But as personalities, each one is so distinctively themselves. And I love that.
I went to India and Pakistan for the 70th anniversary of independence in 2017. We broadcast from Lahore outside the main mosque and then we hot-footed it over the border by land to broadcast from Amritsar at the Golden Temple. It was such a thrill to be doing Pakistan one day and India the next. I've reported murders, wars, a pandemic, but these broadcasts were celebrations, and I remember them with fondness.
I have an abiding horror of boiled milk! We would go to India quite a lot when I was a kid and back then nobody believed in pasteurisation. So, we'd always boil milk, and the bits of skin would sit on top. I'd be crouched over a mug of Bournvita for two hours – it's a childhood scar that has never left me. I cannot abide boiled milk or custard with skin.
Oh, I wanted the floor to open and swallow me up when this one happened. I was in the BBC canteen and there was a very nice woman who worked there, and I asked her when her baby was due and she said: 'Oh, I had it five months ago'. I didn't go back for a long time, I was mortified.
I can name no names, but the worst person was a politician who is presently in the House of Lords, they were an absolute bore and bully. We had to move furniture around for the interview, and then obviously you replace things once you've finished. They had said 'that's fine', then came back and started shouting about why had we moved the furniture, what a disgrace and how terrible the BBC is. As soon as the camera was on, they were sweet as pie. I really went off that person.
I've done a lot of social stories about poverty and deprivation, when I go to places in the UK or Europe which have been left behind, where people have much less money than elsewhere. It is unjust. I feel strongly that there is no reason why in relatively prosperous countries, these things happen. It is often deprived inner-city areas or where there used to be heavy industry but there's been nothing to replace it. And young people, if they can, have left.
It was at the end of a party conference many years ago. I was live and I could see the cameraman's eyes darting around behind me. I thought, something's going on, but I can't turn around because I'm live. Then all of a sudden, this man interposes himself between me and the camera, holding up a big sheet with something enormously libellous on it. I took him by the shoulders and shoved him to one side and put on my most school ma'am-ish voice and said, 'excuse me, I'm trying to broadcast'.
Our very fact-based journalism, which I have done for 30 years, is under threat from opinion posing as fact. I fear misinformation, disinformation and sinister actors and people not being able to tell the difference. These things are sophisticated. I think we need to become savvier – a more news and fact-literate society. I'm not just talking about our country, I'm talking globally.
Reeta Chakrabarti will be at the Bath Literature Festival, May 17-25, celebrating the launch of her first novel, Finding Belle (Harper Fiction, £16.99), pre-order from Telegraph Books
Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tommy Fury says Molly-Mae was right to break up with him, 'I would have walked away too'
Tommy Fury says Molly-Mae was right to break up with him, 'I would have walked away too'

Yahoo

time3 hours ago

  • Yahoo

Tommy Fury says Molly-Mae was right to break up with him, 'I would have walked away too'

The boxer fought his hardest to win Hague back, which plays out onscreen in the BBC documentary Tommy: The Good, The Bad, The Fury Tommy Fury has said he would have walked away like fiancée Molly-Mae Hague did at the height of his alcohol addiction, if the shoe was on the other foot. The mother of their daughter ended their relationship as Fury, who injured his hand, was downing 20 beers a day. After the fallout of the highly-publicised break-up, the 26-year-old boxer invited BBC cameras into his life for a documentary series Tommy: The Good, The Bad, The Fury. When Yahoo UK asked Fury how he felt about his dad, John, telling Hague to leave him, he said: "What can I say? I mean, I probably would have walked away from me too. It was at that stage, and it was tough. But like I say, it was a tough moment in my life, and everything happens for a reason." He told Yahoo UK and other press: "I'm not happy that I went through that [the break-up], but I'm grateful for the lessons that I've learned, and I don't think I would have known half of what I know about myself if I never went through that. To go through that on a personal level is one thing, but then to go through that in front of the whole world. "I'm being looked at in a microscope and everyone's looking [at] exactly what you're doing in depth, and I'm doing this in front of the whole world. It adds a new pressure, but I've definitely learned things about myself that I would have never found out, so I'm grateful for the life lessons that I've learned." With Hague and their two-year-old daughter Bambi gone, Fury only had himself for company in the £5m mansion that was meant to be their new family home; Hague hasn't said if she's living there full-time yet. "When you're in a big house all by yourself, you think about a lot of things and you wish you could never go down that road," he said. "But it's happened, and then it's not about dwelling on a problem or looking at a problem, it's like OK, it's happened. Let's get back on it." Fighting untrue stories Fighter Fury weathered a media storm and trial by social media when he was forced to publicly deny that he had cheated on the love of his life. When Yahoo UK asked how he proved his innocence when stories were untrue, he said: "I don't have to [prove my innocence]. I don't have to go around shouting from the rooftops because it's all b********. That's why I never spoke out about anything like that because it's all b*******. "And to be quite honest with you, I don't get involved in anything like that. I live my life for me, let all the b******** carry on, as long as my family and myself and Jesus know who I am, I don't care about it." One of the worst untrue stories that emerged from TikTok accused Fury of getting another woman pregnant. Winning Molly-Mae Hague back Determined not to be defeated, the boxer fought his hardest to win Hague back, which plays out onscreen in the documentary. "Tune in on 19 August and you'll see all that," he said. Cameras have been following their romance since they were 20 years old and fell for each other in the Mallorcan villa on Love Island in 2019. Their break-up was headline news everywhere last August after five years together. After reconciling, Fury said the former Love Island couple are in the "happiest place possible". This time, however, they want to do things differently. "At the end of the day, like I said in multiple other interviews, mine and Molly's life now is private," he said. Fury praised Hague for being the best mother in the world. He said, "I couldn't have picked a better mother for Bambi than Molly. She's absolutely fantastic. She's the best mum in the world. She juggles an awful lot, and she's always there, and she's the best mother that I could have picked." Their two-year-old daughter, Bambi, stars alongside her famous parents in both BBC's Tommy: The Good, The Bad and The Fury as well as Prime Video's Molly-Mae: Behind It All. Fatherhood as a Fury In one sweet moment in the documentary, Fury and Bambi play hide and seek, capturing their close bond. "I didn't know how I was gonna take fatherhood," he said. "I'm a young kid at 23 when she's born, and there's a lot going on. But as soon as she was born and I held her in my hands, nothing else mattered." Fury's only goal for the future is to be a good dad, and he would "love" to have more children. "That's my only dream now [to succeed as a father]," he said. "And I think that that overshadows the rest of it by a mile. If I can succeed at being a father, and my kids can grow up saying, 'Do you know what, my dad was there for me, I'm proud of my dad, and I love the man he is.' "That'll make me happier than any money or any accolades, that's the only accolade I want now. I've achieved everything else that I wanted to. Just being a good father." While fatherhood is very much his focus, Fury admitted he won't quit boxing because he's got to keep up with paying Bambi's ballet lessons. "All the money I'm getting for fights and deals, that's not spent on me, that's spent on providing and giving my daughter and future kids the best life I can give them," he said. Advice to his younger self Fury was only young when he was propelled into the bright lights of fame on Love Island, having had one of the most successful relationships in the show's history. At 20 years old, the boxer's decision to star on the show changed his life forever. If he could give his younger self advice, he said, "I would say be ready for everything that's thrown at you." He added, "Because I come from a completely normal family. People might not know that, obviously, for looking at Tyson [Fury], they might think things are different and all that sort of stuff, but it really wasn't for me. "I grew up so normal, like every other kid, and I've really had to adjust to all this on the road. I've had to learn as I go. I've had no pre-rituals, people telling me instructions and this, I've had none of that. I think I've gone about things and I've dealt with it as a man, good or bad, I've dealt with it and I've got past it. "And that's it. I would just say be ready for anything, because things are gonna come at you in life that you would never expect, and I would have never expected that year from the year prior. I have everything in life that I've ever dreamed of being that 10-year-old kid, and I'm so thankful to the Lord and Saviour Jesus Christ every single day because he's giving me everything." Watch Part 1 of Tommy: The Good. The Bad. The Fury. on BBC iPlayer and BBC Three on Tuesday 19 August

Roman army descends on village for festival
Roman army descends on village for festival

Yahoo

time5 hours ago

  • Yahoo

Roman army descends on village for festival

A recreated Roman army has marched on a quiet Cotswolds village - as part of a new festival celebrating the history of the area. Sunday morning saw the first ever Birdlip Roman Festival transform the village, with historical costumes and displays put on show by enthusiasts. Gloucestershire's Roman heritage was also on display, with archaeological activities put on by a number of organisations including the Museum of Gloucester and Coronium Museum. Festivalgoer Martin Smith told the BBC he was "super excited" about the event, adding: "I like [learning about] their day-to-day life and learning how they would have lived in this landscape during the period." Fellow attendee Kate Peake, who visited with her daughter and her mother Angela - who made her costume - said it was "brilliant" to have a Roman festival in the area. "We live just down the road, we love history and we thought we'd dress up to come and visit today," she added. Re-enactment group the Ermine Street Guard took a starring role in Sunday's festival, marching through the village in authentically recreated military wear. The area boasts a rich Roman history, with the ancient civilisation making Gloucester a key site for its empire, and many important archaeological finds have been uncovered throughout the years. Hundreds of people attended the festival, with a number of stalls selling local products, antiques and food also forming part of the event. As well as local museums putting on displays, Cotswold Archaeology and Chedworth Roman Villa were also on site with family-friendly activities. Follow BBC Gloucestershire on Facebook, X and Instagram. Send your story ideas to us on email or via WhatsApp on 0800 313 4630. More on this story Iron Age settlement and 'Roman villa' unearthed Roman settlement dig 'exceeded all expectations' Roman swords found by metal detectorist go on show Hundreds of skeletons found at old Debenhams site Related internet links Birdlip Parish Council

‘F1' On Course For $600M Global Amid Continued Strong Holds; ‘Superman' Also Soon To Milestone; Big WW Weekend For India's ‘Coolie' & Japan's ‘Demon Slayer'
‘F1' On Course For $600M Global Amid Continued Strong Holds; ‘Superman' Also Soon To Milestone; Big WW Weekend For India's ‘Coolie' & Japan's ‘Demon Slayer'

Yahoo

time6 hours ago

  • Yahoo

‘F1' On Course For $600M Global Amid Continued Strong Holds; ‘Superman' Also Soon To Milestone; Big WW Weekend For India's ‘Coolie' & Japan's ‘Demon Slayer'

…: It's been largely a holdover weekend for the studios at the global and international box office, with results for some that will soon translate to big milestones. It was also a notable frame for local titles from India and Japan. Studio-wise, last weekend's champ, New Line/Warner Bros' Weapons, was tops with another $18.4M in its offshore arsenal from 73 markets. The overseas cume is now $59.7M for $148.8M global. More from Deadline 'Shin Godzilla', Back In Tokyo Bay And U.S. Cinemas - Specialty Box Office 'Weapons' Loads $25M Second Weekend, 'Nobody 2' Stuck At $9M+ Opening - Sunday AM Box Office Update 'Weapons' Star Amy Madigan Talks Aunt Gladys Origin Story, If She'll Return For Prequel: "You Guys Figure It Out" In milestones, Universal/Amblin's Jurassic World Rebirth well surpassed $800M global, and both DC/Warner's Superman and Apple/WB's F1 are on their way to topping $600M worldwide, apiece. Before we get into the details on the above, let's look at what's happening with some local titles that either had terrific debuts or are continuing on in expansion. India's got two movies in the mix: Rajinikanth-starrer Coolie, and Hrithik Roshan and NTR Jr.-starrer War 2. Each opened with a bang. Estimates we are hearing put Coolie at $45.4M global, including about $27M from India. For War 2, comScore has $31.5M worldwide. As we always note, India is extremely ornery to track, and we will update accordingly. Either way, great starts for each. In other local news, this time in expanded overseas play via Crunchyroll/Sony, Demon Slayer: Kimetsu no Yaiba Infinity Castle set new records with a $17.5M No. 1 opening in the eight Southeast Asian markets that debuted this weekend. The latest installment in the blockbuster anime franchise surpassed the entire regional lifetime for Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train as well as Frozen II for the highest all-time animated opening for this group of markets at current exchange rates. The launch was over twice as big as Inside Out 2, Super Mario Bros., Moana 2 and Ne Zha 2. In individual records, Indonesia, with $3.6M,logged the biggest anime opening ever and the highest opening weekend locally since Deadpool & Wolverine. Hong Kong, at $3.5M, had the largest anime opening ever and the top start since 2019. Thailand bowed to $3.2M, the best anime and animation opening of all time. Other anime records were set in Malaysia ($3.3M) and Vietnam ($2.5M). Infinity Castle has, of course, already broken records since its July release in Japan and still has several markets to release including the U.S., Mexico, Australia, UK, Spain, France and Germany. The global cume is estimated at $192.8M through Sunday. Turning back to the studio top-liners, New Line/WB's Weapons pulled in another $18.4M from 73 overseas markets for a 33% drop from opening weekend. The international running cume is $59.7M and the global cume to date is $148.8M through Sunday. Among strong individual holds were Chile (+2%), Sweden (-6%), Germany (-11%), Holland (-17%), Saudi Arabia (-22%), Philippines (-23%), Brazil (-25%), France (-28%), Italy (-29%), Mexico (-29%), Argentina (-30%) and Australia (-31%). In like-for-like markets and using today's exchange rates, the film is tracking ahead of Sinners (+47%), Smile (+42%), M3GAN (+41%) and 28 Years Later (+27%). The Imax cume is $13.8M global. Universal/DreamWorks Animation's The Bad Guys 2 continued its staggered offshore release this session, adding $13.7M from 67 markets (-34% in the holdovers). That brings the international running total to $60.2M, which is above the original at the same point. Globally, Bad Guys 2 crossed the century mark for $117.4M to date. New openers included China, where the gang bowed on Saturday amid stiff local competition (including an animated title), and stole away with $6.7M for the two-day debut — the biggest studio animation opening in the market this year. The start is above Elemental, and well above Trolls and The Bad Guys (which all opened on a Friday). The Maoyan score is 9.5 with the ticketing site predicting a $40M+ full run. Drops were very good in majors like France (-13%), Korea (-25%) and Spain (-29%) while increases were seen in Argentina (+10%) and Netherlands (+7%), among others. Still to release are Italy, Germany and Australia. The Top 5 to date are: UK ($11.8M), France ($6.7M), Spain ($5M), Mexico ($4.7M) and Korea ($2.4M). The Jurassic juggernaut continues for Universal with Jurassic World Rebirth adding another $9.9M in 83 offshore markets this 7th session. That's a 39% dip from last frame and takes the international cume to $496.5M. Global is now well across the eight-century mark, with $828.6M worldwide through Sunday. This weekend, JWR surpassed the overseas box office cumes of Mission: Impossible – Rogue Nation, Guardians of the Galaxy Vol. 3 and Jumanji: The Next Level. Japan was a standout in its second frame despite local competition, already reaching $20.8M. All markets have been released, and the Top 5 to date are: China ($79M), UK ($46.4M), Mexico ($36M), Germany ($31.6M) and France ($27.7M). Marvel/Disney's The Fantastic Four: First Steps has reached a global cume through its fourth Sunday of $468.7M, still skewing domestic with a little over 47% from the international box office where the running cume is $221.7M. This overseas frame was $9.3M with all markets released. F4:FS is the highest-grossing superhero genre title of the year across Latin America and was again No. 1 in Brazil this weekend. The overall overseas drop was 48% and included good holds in such majors as France (-26%), Spain (-28%), Italy (-39%), Japan (-42%), Brazil (-43%), Mexico (-47%), Australia (-49%), UK (-49%) and Germany (-50%). The Top 5 offshore markets to date are: UK ($27.9M), Mexico ($26.2M), France ($14.3M), Brazil ($12.8M) and Australia ($10.6M). Meanwhile, last weekend's new Disney pic, Freakier Friday, grossed $9.3M in 47 material overseas markets, taking the offshore cume to $31.5M and global to $86.3M. The reteam of Lindsay Lohan and Jamie Lee Curtis dipped by just 37% internationally, and has been performing strongly in Latin America. This weekend it held the No. 1 spot in that region as a whole with great holds in some markets including Brazil (-22%) and Mexico (-32%). Currently playing in about 85% of the overseas footprint, Freakier Friday opens next weekend in Taiwan and has such majors as Korea (August 27) and Japan (September 5) on deck. The Top 5 to date are: Mexico ($5.7M), UK ($5.5M), Australia ($2.6M), Argentina ($1.8M) and Colombia ($1.4M). Capping off the trifecta of movies grossing $9.3M internationally this weekend, Apple Original Films' F1, via Warner Bros clocked only a 23% drop from last weekend – seriously impressive in the 8th frame. The international total is currently $407.2M and the global running cume is $590M through Sunday. In Korea, where audiences are driving hard, F1 is now the No. 1 movie of 2025, ahead of all local titles. In addition, this is the biggest film ever for Brad Pitt in the market and the 4th biggest WB film ever. WB/DC's Superman is also headed to $600M global, now at $594.5M through Sunday. MORE… Best of Deadline Everything We Know About 'Nobody Wants This' Season 2 So Far 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More Everything We Know About Prime Video's 'Legally Blonde' Prequel Series 'Elle'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store