‘Surreal': Perth dancer reveals moment DCC dream came true
'My whole world has done a 360, it's honestly insane,' she said.
The 22-year-old, known as Flexi Faith, was picked alongside six other rookies to join 30 veterans, where they will represent the NFL's Dallas Cowboys team on the sidelines in their iconic blue and white star-spangled uniforms.
Ward said she thinks the news will finally sink in when she gets to wear her uniform for official photos on Tuesday. Faith Ward with Kelli Finglass (DCC director) and Judy Trammel (DCC choreographer) at her uniform fitting. Credit: Supplied
'I'm just so incredibly grateful to be in this position and feeling like everything that I've done and trained for is paid off,' she said.
'It feels a little bit like a dream, if I'm being 100 per cent honest, and I'm just so excited.'
Ward is the first New Zealander to join the team and the third Australian, following in the footsteps of former members Angela Nicotera Brown and Jinelle Esther.
'I honestly feel like I'm doing my country so proud, and it's just so cool, because I know that in New Zealand, we don't really get a lot of opportunity, and we have to really venture out to make ourselves be seen and heard,' she said. Faith Ward before her DCC makeover. Credit: Supplied Faith Ward after her DCC makeover. Credit: Supplied
'It's really nice to represent both of my places where I've grown up, but I'll always be a true Kiwi at heart.'
Ward danced for her life during a rigorous selection process led by team director Kelli Finglass and choreographer Judy Trammel.
The intense method of cutting the team to 36 has become more well-known thanks to the Netflix series America's Sweethearts: Dallas Cowboys Cheerleaders, which gives a behind-the-scenes look at what it takes to make the squad.
Ward was competing against American women who had grown up dancing in the 'power pom' collegiate cheerleading style, a challenging genre for someone who doesn't come from that dance background.
Fans of the Netflix show may get an insight into Ward's DCC journey if the series is renewed for a third season.
'The first lesson, when I came in, I'm sure you guys will eventually see, I'm a deer in headlights. Going into an environment where I'd never done the style before, never held a pair of pom poms, and didn't know any of the routines, while all the veterans around you know what they're doing, is extremely intimidating.
'Plus, you're literally fighting for your life in front of Judy and Kelli.
Part of the process sees the rookies and veterans take part in a month-long training camp where they practise choreography from game day dances.
'Training camp is probably one of the hardest experiences of your life, and you are seriously pushed to limits that you didn't even think were possible,' she said.
'I think every athlete needs to go through something like that, because the process just makes you grow so much as a person, mentally and physically.
'But I'm not going to lie to you, definitely one of the hardest experiences.' Faith Ward with her fellow rookies. Credit: Supplied
Ward thanked her dance teachers and said she wouldn't have achieved her dream without them.
She specifically thanked them for being strict, which has helped her navigate the reality of the 'brutal' professional dancing world.
As Ward settles into life in Texas, she said she has a lot to learn about the American way of life, including the road rules.
'Everything is the opposite...I've been loving trying all the American food,' she said.
The cheerleaders are now preparing for the first home preseason game for the Cowboys, scheduled for August 17.
The season officially kicks off at their home turf in Arlington, Texas on September 15.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Advertiser
an hour ago
- The Advertiser
Top stars to attend high-powered Venice Film Festival
Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie. Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie. Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie. Hollywood stars, Oscar-winning directors, Asian heavyweights and European auteurs will vie for top honours at this year's stellar Venice Film Festival, all looking to make a splash at the start of the awards season. Running from August 27 to September 6, the 82nd edition of the world's oldest film festival will showcase a rich array of movies that spans psychological thrillers, art-house dramas, genre-bending experiments, documentaries, and buzzy studio-backed productions. Among the leading A-listers expected to walk the Venice Lido's red carpet are Julia Roberts, Emma Stone, George Clooney, Dwayne Johnson, Emily Blunt, Andrew Garfield, Oscar Isaac, Cate Blanchett and Amanda Seyfried. A who's-who of global directors will also be premiering their latest pictures at the 11-day event, including US filmmakers Kathryn Bigelow, Jim Jarmusch, Noah Baumbach and Benny Safdie, alongside top Europeans Yorgos Lanthimos, Paolo Sorrentino, and Laszlo Nemes, and Asia's Park Chan-wook and Shu Qi. Netflix, which skipped Venice last year, returns in full force in 2025 with a trio of headline-grabbing titles, including Guillermo del Toro's "Frankenstein", a new take on the classic horror tale starring Isaac, Jacob Elordi and Mia Goth. Baumbach's comedy-drama Jay Kelly, starring Clooney, Adam Sandler and Laura Dern, is also in the main competition and on the Netflix slate, alongside the geopolitical thriller A House of Dynamite, with Idris Elba and Rebecca Ferguson, and directed by Bigelow, who won an Oscar in 2010 for The Hurt Locker. Venice fires the starting gun for the awards season, with films premiering on the Lido in the last four years collecting more than 90 Oscar nominations and winning almost 20, making it the place to be seen for actors, producers and directors alike. In the past nine editions of the Oscars, the award for Best Actress or Best Actor has gone eight times to the protagonists of films first seen in Venice, including Stone for her role in Poor Things in 2024. Stone returns to Venice this year, teaming up again with Poor Things director Lanthimos in an offbeat satire, Bugonia. The indie icon of US cinema, Jim Jarmusch, will be showing his Father Mother Sister Brother, a three-part tale exploring fractured families with a cast that includes Blanchett, Vicky Krieps, Adam Driver and Tom Waits. European auteurs are well-represented, with Paolo Sorrentino's La Grazia, starring Toni Servillo, selected as the festival's opening film, while Hungary's Nemes presents the family drama Orphan and France's Francois Ozon showcases his retelling of Albert Camus' celebrated novel The Stranger. One standout is the new thriller by Olivier Assayas, which centres on the rise of Russian President Vladimir Putin. The Wizard of the Kremlin will be shown in competition. Jude Law plays Putin, with Alicia Vikander and Paul Dano also starring. The story is told from the perspective of a fictional adviser. A film that looks certain to raise emotions is Kaouther Ben Hania's The Voice of Hind Rajab, which uses original emergency service recordings to tell the story of a five-year-old Palestinian girl who was killed in Gaza in 2024 after being trapped for hours in a vehicle targeted by Israeli forces. "I think it is one of the films that will make the greatest impression, and hopefully (won't be) controversial," said the festival's artistic director, Alberto Barbera, his voice trembling as he recalled the movie.
The Advertiser
an hour ago
- The Advertiser
Under-fire Wallabies dismiss 'ridiculous' criticism
Wallabies winger Harry Potter has rubbished Clive Woodward's suggestion there is a "losing mentality" in Australian rugby ahead of the do-or-die second Test against the Lions in Melbourne. England's World Cup-winning coach Woodward criticised the Wallabies after captain Harry Wilson's decision to kick the ball out to end the first Test in Brisbane rather than chase another try. It might have come as some relief to Wallabies fans that their underdogs weren't mauled by the Lions in the series-opening 27-19 defeat. But Potter on Wednesday said Joe Schmidt's men aren't content with simply competing with the Lions. "It's pretty ridiculous to suggest that the 23 people who played on the weekend have a mentality of losing," Potter said at the MCG, which will host the second Test on Saturday night. "We went out there to win the game, and we didn't win the game. "But it was our intention very much and you could tell from every player in the team we wanted to win that game." He said it had been tough looking back at the first Test, in which the Wallabies were out-muscled by the tourists and trailed 24-5 after 42 minutes. Two late tries added some respectability to the scoreboard and gave the Wallabies belief they can turn the tables in Melbourne, with Potter urging his team to heed the lessons learnt. They could also take pointers from the aggressive performance of the First Nations and Pasifika team, which ruffled the Lions' feathers in a narrow 24-19 defeat on Tuesday night. "It felt like we didn't put our best foot forward, particularly in the first 50 or 60 minutes," Potter said of the Wallabies' first Test showing. "There were a lot of lessons to take out of that one. "They're an incredibly strong team and we know that we've got to come out better and start the game stronger. "But I suppose there were some positive signs towards the end of the game. "If we can string enough things together then we'll go a lot better than what we did." Potter said the Wallabies had no need to address the do-or-die nature of the second Test, as they seek to emulate the 2001 Australian side that recovered from 1-0 down to claim a famous 2-1 series win against the Lions. "Everyone's on the same page; you know you have to win this game to keep the series alive," Potter said. "Emotionally it's very simple this week and we all know the task at hand, so I don't think anyone's got any questions about what's at stake." Potter, who will head from Western Force to the NSW Waratahs in the next Super Rugby season, endured a frustrating night on a personal level in Brisbane. And former Wallabies captain, Michael Hooper, this week suggested Hunter Paisami be injected into the centres for the Melbourne Test, a move that would shift Joseph-Aukuso Suaalii to the wing and bump Potter out of the side. The London-born 27-year-old lived a period of his youth in Melbourne and said it would be a dream to play at the MCG. "It's a mecca of sport, this place, in my eyes," Potter said. "If I can be out here on Saturday night against the British and Irish Lions, it would be a pretty special place to play the game." Potter was in the crowd the last time the Wallabies hosted the Lions in Melbourne, in 2013. Wallabies winger Harry Potter has rubbished Clive Woodward's suggestion there is a "losing mentality" in Australian rugby ahead of the do-or-die second Test against the Lions in Melbourne. England's World Cup-winning coach Woodward criticised the Wallabies after captain Harry Wilson's decision to kick the ball out to end the first Test in Brisbane rather than chase another try. It might have come as some relief to Wallabies fans that their underdogs weren't mauled by the Lions in the series-opening 27-19 defeat. But Potter on Wednesday said Joe Schmidt's men aren't content with simply competing with the Lions. "It's pretty ridiculous to suggest that the 23 people who played on the weekend have a mentality of losing," Potter said at the MCG, which will host the second Test on Saturday night. "We went out there to win the game, and we didn't win the game. "But it was our intention very much and you could tell from every player in the team we wanted to win that game." He said it had been tough looking back at the first Test, in which the Wallabies were out-muscled by the tourists and trailed 24-5 after 42 minutes. Two late tries added some respectability to the scoreboard and gave the Wallabies belief they can turn the tables in Melbourne, with Potter urging his team to heed the lessons learnt. They could also take pointers from the aggressive performance of the First Nations and Pasifika team, which ruffled the Lions' feathers in a narrow 24-19 defeat on Tuesday night. "It felt like we didn't put our best foot forward, particularly in the first 50 or 60 minutes," Potter said of the Wallabies' first Test showing. "There were a lot of lessons to take out of that one. "They're an incredibly strong team and we know that we've got to come out better and start the game stronger. "But I suppose there were some positive signs towards the end of the game. "If we can string enough things together then we'll go a lot better than what we did." Potter said the Wallabies had no need to address the do-or-die nature of the second Test, as they seek to emulate the 2001 Australian side that recovered from 1-0 down to claim a famous 2-1 series win against the Lions. "Everyone's on the same page; you know you have to win this game to keep the series alive," Potter said. "Emotionally it's very simple this week and we all know the task at hand, so I don't think anyone's got any questions about what's at stake." Potter, who will head from Western Force to the NSW Waratahs in the next Super Rugby season, endured a frustrating night on a personal level in Brisbane. And former Wallabies captain, Michael Hooper, this week suggested Hunter Paisami be injected into the centres for the Melbourne Test, a move that would shift Joseph-Aukuso Suaalii to the wing and bump Potter out of the side. The London-born 27-year-old lived a period of his youth in Melbourne and said it would be a dream to play at the MCG. "It's a mecca of sport, this place, in my eyes," Potter said. "If I can be out here on Saturday night against the British and Irish Lions, it would be a pretty special place to play the game." Potter was in the crowd the last time the Wallabies hosted the Lions in Melbourne, in 2013. Wallabies winger Harry Potter has rubbished Clive Woodward's suggestion there is a "losing mentality" in Australian rugby ahead of the do-or-die second Test against the Lions in Melbourne. England's World Cup-winning coach Woodward criticised the Wallabies after captain Harry Wilson's decision to kick the ball out to end the first Test in Brisbane rather than chase another try. It might have come as some relief to Wallabies fans that their underdogs weren't mauled by the Lions in the series-opening 27-19 defeat. But Potter on Wednesday said Joe Schmidt's men aren't content with simply competing with the Lions. "It's pretty ridiculous to suggest that the 23 people who played on the weekend have a mentality of losing," Potter said at the MCG, which will host the second Test on Saturday night. "We went out there to win the game, and we didn't win the game. "But it was our intention very much and you could tell from every player in the team we wanted to win that game." He said it had been tough looking back at the first Test, in which the Wallabies were out-muscled by the tourists and trailed 24-5 after 42 minutes. Two late tries added some respectability to the scoreboard and gave the Wallabies belief they can turn the tables in Melbourne, with Potter urging his team to heed the lessons learnt. They could also take pointers from the aggressive performance of the First Nations and Pasifika team, which ruffled the Lions' feathers in a narrow 24-19 defeat on Tuesday night. "It felt like we didn't put our best foot forward, particularly in the first 50 or 60 minutes," Potter said of the Wallabies' first Test showing. "There were a lot of lessons to take out of that one. "They're an incredibly strong team and we know that we've got to come out better and start the game stronger. "But I suppose there were some positive signs towards the end of the game. "If we can string enough things together then we'll go a lot better than what we did." Potter said the Wallabies had no need to address the do-or-die nature of the second Test, as they seek to emulate the 2001 Australian side that recovered from 1-0 down to claim a famous 2-1 series win against the Lions. "Everyone's on the same page; you know you have to win this game to keep the series alive," Potter said. "Emotionally it's very simple this week and we all know the task at hand, so I don't think anyone's got any questions about what's at stake." Potter, who will head from Western Force to the NSW Waratahs in the next Super Rugby season, endured a frustrating night on a personal level in Brisbane. And former Wallabies captain, Michael Hooper, this week suggested Hunter Paisami be injected into the centres for the Melbourne Test, a move that would shift Joseph-Aukuso Suaalii to the wing and bump Potter out of the side. The London-born 27-year-old lived a period of his youth in Melbourne and said it would be a dream to play at the MCG. "It's a mecca of sport, this place, in my eyes," Potter said. "If I can be out here on Saturday night against the British and Irish Lions, it would be a pretty special place to play the game." Potter was in the crowd the last time the Wallabies hosted the Lions in Melbourne, in 2013.
The Advertiser
an hour ago
- The Advertiser
Hawks 'villains' out to spoil Blues' Docherty farewell
Hawthorn have accepted the role of "villains" as they set out to boost their AFL finals hopes in Carlton hero Sam Docherty's farewell match. Fresh off a win over Port Adelaide, the fifth-placed Hawks (12-6) enter Thursday night's MCG contest as warm favourites intent on locking in a top-eight spot. But the embattled Blues (7-11, 12th) eased pressure on coach Michael Voss with a much-needed win over Melbourne last round and have plenty to play for despite their lowly ladder position. Docherty, who has twice beaten testicular cancer, will play his 184th and final match in a celebrated career that has included three knee reconstructions, a best-and-fairest award and All-Australian selection. Carlton will be desperate to send him off in the right manner and also give vice-captain Jacob Weitering something to celebrate in his 200th game. "We've been dealt the cards of the villain for this one," Hawthorn coach Sam Mitchell said. "The thing about Sam is it's beyond sport. He's got the three knee reconstructions and coming back from that and still being an All-Australian type player. "But then obviously his cancer treatments and coming back from that means it transcends sport. It's such an inspirational person that he's been. "We'll certainly be trying to ruin his party, but after that I certainly think he's one of the players of this season that needs to be celebrated." Hawthorn have beaten Carlton in their last two meetings, but Mitchell is wary, noting the Blues are the highest-scoring team in first quarters this season. "You can see that they're more than capable and they're going to be playing for a bit with Docherty and a 200th game as well," Mitchell said. "They're going to have a fair bit on, so you'd expect them to come out with a lot of energy and vibrancy." Hawthorn sit two games clear of ninth but face a tough run home, against finals-bound Adelaide, Collingwood and the Brisbane Lions in the last month of the home-and-away campaign. "Every game is as good as a final," Mitchell said. "We understand where we sit and we need to make sure we're very focused on getting the best outcome we can." The Hawks will be bolstered by the return of young gun Will Day from a foot injury when they play their first game at the MCG since May. Mitch Lewis has recovered well after his comeback match last week and will back up, but teammate Finn Maginness has been ruled out for the rest of the season because of a lacerated kidney. Carlton key forward Harry McKay returns for his first game since round 11 after recovering from minor knee surgery, while Blake Acres has been recalled. Francis Evans and Flynn Young are both out injured. Hawthorn have accepted the role of "villains" as they set out to boost their AFL finals hopes in Carlton hero Sam Docherty's farewell match. Fresh off a win over Port Adelaide, the fifth-placed Hawks (12-6) enter Thursday night's MCG contest as warm favourites intent on locking in a top-eight spot. But the embattled Blues (7-11, 12th) eased pressure on coach Michael Voss with a much-needed win over Melbourne last round and have plenty to play for despite their lowly ladder position. Docherty, who has twice beaten testicular cancer, will play his 184th and final match in a celebrated career that has included three knee reconstructions, a best-and-fairest award and All-Australian selection. Carlton will be desperate to send him off in the right manner and also give vice-captain Jacob Weitering something to celebrate in his 200th game. "We've been dealt the cards of the villain for this one," Hawthorn coach Sam Mitchell said. "The thing about Sam is it's beyond sport. He's got the three knee reconstructions and coming back from that and still being an All-Australian type player. "But then obviously his cancer treatments and coming back from that means it transcends sport. It's such an inspirational person that he's been. "We'll certainly be trying to ruin his party, but after that I certainly think he's one of the players of this season that needs to be celebrated." Hawthorn have beaten Carlton in their last two meetings, but Mitchell is wary, noting the Blues are the highest-scoring team in first quarters this season. "You can see that they're more than capable and they're going to be playing for a bit with Docherty and a 200th game as well," Mitchell said. "They're going to have a fair bit on, so you'd expect them to come out with a lot of energy and vibrancy." Hawthorn sit two games clear of ninth but face a tough run home, against finals-bound Adelaide, Collingwood and the Brisbane Lions in the last month of the home-and-away campaign. "Every game is as good as a final," Mitchell said. "We understand where we sit and we need to make sure we're very focused on getting the best outcome we can." The Hawks will be bolstered by the return of young gun Will Day from a foot injury when they play their first game at the MCG since May. Mitch Lewis has recovered well after his comeback match last week and will back up, but teammate Finn Maginness has been ruled out for the rest of the season because of a lacerated kidney. Carlton key forward Harry McKay returns for his first game since round 11 after recovering from minor knee surgery, while Blake Acres has been recalled. Francis Evans and Flynn Young are both out injured. Hawthorn have accepted the role of "villains" as they set out to boost their AFL finals hopes in Carlton hero Sam Docherty's farewell match. Fresh off a win over Port Adelaide, the fifth-placed Hawks (12-6) enter Thursday night's MCG contest as warm favourites intent on locking in a top-eight spot. But the embattled Blues (7-11, 12th) eased pressure on coach Michael Voss with a much-needed win over Melbourne last round and have plenty to play for despite their lowly ladder position. Docherty, who has twice beaten testicular cancer, will play his 184th and final match in a celebrated career that has included three knee reconstructions, a best-and-fairest award and All-Australian selection. Carlton will be desperate to send him off in the right manner and also give vice-captain Jacob Weitering something to celebrate in his 200th game. "We've been dealt the cards of the villain for this one," Hawthorn coach Sam Mitchell said. "The thing about Sam is it's beyond sport. He's got the three knee reconstructions and coming back from that and still being an All-Australian type player. "But then obviously his cancer treatments and coming back from that means it transcends sport. It's such an inspirational person that he's been. "We'll certainly be trying to ruin his party, but after that I certainly think he's one of the players of this season that needs to be celebrated." Hawthorn have beaten Carlton in their last two meetings, but Mitchell is wary, noting the Blues are the highest-scoring team in first quarters this season. "You can see that they're more than capable and they're going to be playing for a bit with Docherty and a 200th game as well," Mitchell said. "They're going to have a fair bit on, so you'd expect them to come out with a lot of energy and vibrancy." Hawthorn sit two games clear of ninth but face a tough run home, against finals-bound Adelaide, Collingwood and the Brisbane Lions in the last month of the home-and-away campaign. "Every game is as good as a final," Mitchell said. "We understand where we sit and we need to make sure we're very focused on getting the best outcome we can." The Hawks will be bolstered by the return of young gun Will Day from a foot injury when they play their first game at the MCG since May. Mitch Lewis has recovered well after his comeback match last week and will back up, but teammate Finn Maginness has been ruled out for the rest of the season because of a lacerated kidney. Carlton key forward Harry McKay returns for his first game since round 11 after recovering from minor knee surgery, while Blake Acres has been recalled. Francis Evans and Flynn Young are both out injured.
