logo
Why Kylie and Kendall Jenner snubbed half-brother Brody's wedding to Tia Blanco despite being on guest list

Why Kylie and Kendall Jenner snubbed half-brother Brody's wedding to Tia Blanco despite being on guest list

Daily Mail​15-07-2025
Kylie Jenner and sister Kendall reportedly turned down their invitations to attend half-brother Brody's wedding to Tia Blanco over the weekend.
The lipkit mogul, 27, and the supermodel, 29, were noticeably absent when Brody, 41 — with whom they share the same father, Caitlyn Jenner, 75 — exchanged wows with the surfer, 28, during an intimate ceremony in Malibu on Saturday.
And now the reason for why the duo declined their invitations has been revealed.
There's no estrangement between the sisters and Brody, a source assured TMZ on Monday, before suggesting they might have skipped the event to 'keep the spotlight on the bride and groom.'
This isn't the first time the famous duo has skipped out on Brody's big moments.
He previously shared that Kylie and Kendall didn't even RSVP to his commitment ceremony in Bali with then-girlfriend Kaitlynn Carter in 2018.
DailyMail.com has reached out to Kylie and Kendall's representative for comment.
Though his half-siblings were not present, Brody had the support of brothers Brandon and Burt Jenner. Their father, Caitlyn, who transitioned from Bruce in April 2015, also attended but committed a major fashion faux pas.
Meanwhile Kendall and Kylie have been enjoying a girls' trip to Europe, with Kylie recently sharing snaps of them frolicking around Saint-Tropez and Tuscany.
The sisters did make time to attend Jeff Bezos and Lauren Sánchez's lavish Venice nuptials last month.
Brody's mom, Linda Thompson, announced the happy news of his marriage to her social media followers, sharing footage of the loved-up couple entering their reception to Natasha Bedingfield's hit single Unwritten. Linda captioned her post on Instagram: 'Mr. and Mrs. Jenner.'
The newlyweds exchanged vows in the back yard of Linda's sprawling house.
And Brody also shared plenty of videos and photos from the celebration to his Insta Stories.
Tia wore an off-the-shoulder lace gown and white veil for the wedding ceremony, while Brody donned a traditional black suit and tie for the special occasion.
'Best night marrying my best friend,' wrote Tia on Instagram.
Brody's brother Brandon performed on guitar when the pair walked down the aisle.
Though his half-siblings were not present, Brody had the support of Linda, dad Caitlyn Jenner — who transitioned from Bruce in April 2015 — and brothers Brandon and Burt Jenner; (L-R) Brandon, Caitlyn, Brody and Linda pictured in an Instagram snap
The sisters did make time to attend Jeff Bezos and Lauren Sánchez's lavish Venice nuptials last month; pictured heading to the wedding on June 27
The athlete added, 'My dream backyard wedding came true last night. At home where honey was born. Reliving it over and over! So many thank yous to be said. Can't wait to share all the photos & videos soon.'
Images shared to social media show Brody kissing his beautiful bride after saying I do in front of an officiant.
Meanwhile Brody's dad Caitlyn committed a classic wedding faux pas and was spotted wearing an all-white gown to the ceremony in a video shared to social media.
The color white is traditionally only reserved for the bride or at times the entire bridal party if it's a white-themed affair.
Brody's father was married to Thompson from 1981 to 1986. Caitlyn and Thompson also share son Brandon, 44.
The former Olympian shares Burt, 46, and Cassandra Marino, 45, with first ex-wife, Chrystie Scott.
Caitlyn welcomed Kendall and Kylie with third ex-wife, Kris Jenner, 69.
Caitlyn has had a strained relationship with the boys over the years.
Earlier this year Brody shared that he got a 'real, sincere apology' from Caitlyn after he expressed feeling neglected during the Olympian's rise to fame with the Kardashians.
'It was the first time in my life that I've ever gotten an apology,' Brody shared on Special Forces: World's Toughest Test.
'You know, "I'm sorry for not being there."'
Caitlyn was married to Kris for 23 years, from 1991 to 2015, and was a step-parent to Kris's four children from her previous marriage: Khloe, Kourtney, Kim, and Rob Kardashian.
Brody has long had a rocky relationship with the Kardashians despite appearing on some episodes of their reality show.
Brody and Kim had a massive falling out when he was told he could not bring his then-new girlfriend Kaitlynn to Kim's wedding to Kanye West.
In return, the Kardashian brood weren't invited to his commitment ceremony in Bali that took place in 2018.
Brody's younger half-sisters Kendall and Kylie Jenner were invited, but according to the star, didn't even RSVP.
'My two little sisters, we never even heard from them. They never even RSVP'd I don't think … We sent them an invite but we never heard back. I would have loved to have had them there,' he told People at the time.
Brody's relatipnship with the Kardashian family has had it's ups and downs. April 2016 saw Brody completely isolate himself from his step siblings, when he was heard saying: 'They're not my f**king family,' after someone congratulated him on his family's (meaning the Kardashian-Jenner's) success.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Giant trolls built from trash want to save humans from themselves
Giant trolls built from trash want to save humans from themselves

The Independent

timea minute ago

  • The Independent

Giant trolls built from trash want to save humans from themselves

Nestled in forests around the world, a gentle army of giant wooden trolls want to show humans how to live better without destroying the planet. The Danish recycle artist Thomas Dambo and his team have created 170 troll sculptures from discarded materials such as wooden pallets, old furniture and wine barrels. Twelve years after he started the 'Trail of a Thousand Trolls' project, his sculptures can be found in more than 20 countries and 21 U.S. states. Each year Dambo and his team make about 25 new trolls, which stand up to 40 feet (12 meters) tall. 'I believe that we can make anything out of anything,' said Dambo, speaking from his farm outside Copenhagen. 'We are drowning in trash. But we also know that one man's trash is another man's treasure.' An installation of six sculptures called 'Trolls Save the Humans' is on display at Filoli, a historic estate with 650 acres of forests and gardens in Woodside, California, about 30 miles (50 kilometers) south of San Francisco. 'They bring us back to be connected to the earth and to nature,' said Jeannette Weederman, who was visiting Filoli with her son in July. Dambo's trolls each have their own personality and story. At Filoli, the troll Ibbi Pip builds birdhouses, Rosa Sunfinger plants flowers and Kamma Can makes jewelry from people's garbage. 'Each of them has a story to tell,' said Filoli CEO Kara Newport. 'It inspires people to think of their own stories, what kind of creatures might live in their woods and make that connection to living beings in nature.' Dambo's trolls don't like humans because they waste nature's resources and pollute the planet. The mythical creatures have a long-term perspective because they live for thousands of years and have witnessed the destructive force of human civilizations. But the six young trolls at Filoli have a more optimistic view of human nature. They believe they can teach people how to protect the environment. 'They want to save the humans. So they do this by teaching them how to be better humans — be humans that don't destroy nature,' said Dambo, 45, a poet and former hip hop artist. 'They hope to save them from being eaten by the older trolls.' Dambo's trolls are hidden in forests, mountains, jungles and grasslands throughout Europe and North America as well as countries such as Australia, Chile and South Korea. Most were built with local materials and assembled on-site by his team of craftsmen and artists with help from local volunteers. 'My exhibition now has four and a half million visitors a year globally, and it's all made out of trash together with volunteers,' said Dambo, a poet and former rap artist. 'That is such a huge proof of concept of why we should not throw things out, but why we should recycle it.'

‘Thomas the Tank Engine clung to me like a disease': the film about the choo-choo's global grownup superfans
‘Thomas the Tank Engine clung to me like a disease': the film about the choo-choo's global grownup superfans

The Guardian

time12 minutes ago

  • The Guardian

‘Thomas the Tank Engine clung to me like a disease': the film about the choo-choo's global grownup superfans

'I kept it a huge, dark secret,' says Matt Michaud. 'I tried to push people away. I wouldn't call it shame. I wasn't sure if it was right or wrong. I wasn't sure if it was something I could share with other people.' It is curious to hear these words spoken at the outset of a disarmingly sweet documentary. What kind of perversion, or even crime, is twentysomething Michaud confessing to in his own living room? A glimpse behind him provides a clue to his obsession and anxiety: displayed on a table is a collection of toy locomotives and model railway books. And the centrepiece is a model of Thomas the Tank Engine. In one of his letters to the Corinthians, St Paul wrote that when he became a man he put away childish things. Brannon Carty's documentary, called An Unlikely Fandom: The Impact of Thomas the Tank Engine, is a rebuke to that philosophy. It celebrates the men (and the fans Carty interviews are overwhelmingly male) who have found friendship, community and creativity in what, as far as I can judge, is the most wholesome of subcultures. Yet a sense of shame pervades Thomas the Tank Engine fandom. 'Aside from a handful of people,' says Carty, 'no one's really out and proud about it – because it's socially unacceptable, especially here in the States.' Why? 'I think Thomas gets looped in with Sesame Street and other preschool TV shows over here, whereas in the UK it's seen more as a children's show.' Such nuances of a multiplatform global brand – whose merchandising spans pasta shapes and duvet covers, and whose fans number devotees in Japan and Australia – were not, you would think, on the mind of Reverend Wilbert Vere Awdry in 1943. It was then that Thomas was born, on a fictional island called Sodor. Awdry's son Christopher needed cheering up from measles. And the reverend thought his tales of anthropomorphised steam locomotives, operating on the Fat Controller's North Western Railway, would be just the ticket. Two years later, the first illustrated books appeared, colourful antidotes to postwar austerity Britain. When I was a child, in the 1960s and 70s, I borrowed the illustrated adventures of Thomas and his pals from my local library. For later generations, though, Thomas means something else. His name evokes nostalgia not for the books but for all the TV series, in particular Thomas & Friends, which first aired in 1984 in the UK, written by the late Britt Allcroft and narrated first by Ringo Starr, then later by Michael Angelis and others including, in one spinoff, the silken-voiced ex-007 Pierce Brosnan. Many of the twenty- and thirtysomething Thomas fans whom Carty interviews, and Carty himself, watched these shows as kids, and nostalgia for the plucky locomotive has haunted them into adulthood. Carty and his older brother watched the show as preschoolers in North Carolina, and would play with Thomas toys, but then their paths diverged. 'He lost interest,' says Carty. 'I didn't.' Why? 'I can't explain it. My parents can't explain it. They thought it was weird. I remember my 10th birthday: I was still asking for Thomas toys. I don't know – it just clung to me like a disease. I'm happy that it clung to me, though. Now I'm a year shy of 30 and it's still my thing.' What's the appeal of Thomas in the US? 'You don't see a lot of steam engines over here. People see the Thomas engines and think, 'Well those are just made up. Those aren't real.'' As US versions of the TV series started appearing in the late 1980s and early 1990s, Thomas got a makeover. The Fat Controller became Mr Controller. After Starr's stint as narrator ended, he was replaced in the US first by countercultural comedian George Carlin, and then by Alec Baldwin. How did An Unlikely Fandom come about? 'I was studying film at the University of Northern Carolina,' says Carty. 'My professor said, 'Just go shoot a documentary. I don't care how long it is. Just find something you care about.' So I decided to film the adult Thomas fans who I knew. I made that film and graduated – then I realised there's a bunch of fans in the UK that needed to be in this. A ton in Australia. A whole scene in Japan.' The fact that many of the interviewees are in their 20s and 30s suggests that much of the TV shows' enduring appeal lies in nostalgia for childhoods dating from when the shows were first broadcast. But there's more to it than that. Thomas has long held an appeal for people with autism. Indeed a 2001 survey found that children with autism and Asperger syndrome enjoy and identify with Thomas more than any other children's character. Why? Respondents cited Thomas & Friends' straightforward stories, overt narrative resolution, bold colours and clear facial features. That said, anyone really can identify with the scamp. For example, in Down the Mine, Thomas gets his comeuppance after teasing Gordon the big engine for smelling of ditchwater after an unfortunate incident. When Thomas later tumbles into a mine, he is rescued by Gordon, who indulges in no tit-for-tat sneering whatsoever. Thomas learns two lessons: don't ignore warning signs and don't be a jerk to your mates. Carty sometimes struggled to get interviewees to appear in his film. 'A handful were nervous about being on screen and having their identity out there. I said, 'Trust me. No one's going to look stupid. This is going to be very honest, but it's also going to be sincere. So as long as you are honest and sincere, the film will reflect that.'' An Unlikely Fandom does more than that: we watch devotees expressing themselves articulately, detailing how they learned film-making, or other creative pursuits, through fashioning fan fictions. Matt Michaud recalls how he took a video class at school and, inspired by a teacher to make his own movie, went home, got out his Thomas toys, put up a sheet for a backdrop, assembled rudimentary lighting and made his debut film. 'That summer,' he says, 'I made 13 episodes and started to build a following on YouTube.' Indeed, the life expectancy of Thomas has been extended by two things Awdry could never have foreseen. Without the internet, forums instantly connecting fans worldwide might not have existed; and without YouTube, the rich world of fan films – such as Carty's own 2012 short Snow Trouble – might not have been seen so widely. 'I don't think that happens as much with other cartoon characters. I'm sure there are Star Wars fans who make fan films, but I don't think Bob the Builder or Fireman Sam fans do.' Carty's next project could not be more different. 'It's about these Italians who came to Florida in the 1990s and made Jaws 5.' That's its unofficial title: Bruno Mattei's film is also known as Cruel Jaws. 'They wound up getting sued and their film was banned in the US. It spoke to me because Jaws and Thomas are my childhood.' Why was it banned? 'They stole footage from the first three Jaws movies and the main theme is lifted from Star Wars. It's horrible, but I love it. It's cheesy and streaming free everywhere. I would recommend it.' Before he finishes that documentary, provisionally entitled Twilight Jaws, Carty will next month attend the UK premiere of An Unlikely Fandom. Much of the film's sweetness comes from Carty's footage of fans at conventions, making podcasts or – having been initiated into the world of steam railways through Thomas and his friends – working happily with like-minded souls as volunteers on narrow gauge heritage railways. What I most enjoyed about his film is the complete lack of snarkiness about grownups who are essentially playing with toys. 'That was just the thing I wanted to get out to the world. I faced a lot of hardship for it. Other people faced a lot of hardship for it. Even fans gave other fans a hard time. They didn't know how to process it, right? A lot of people said to me, 'I wish I had this film when I was growing up because I would have realised I was not alone.' When you're growing up, parents are like, 'Why aren't you making friends? You need to find your crowd.' A lot of Thomas fans did just that in later life. It's such a healthy, positive thing.' Carty tells me he and his girlfriend, also a Thomas fan, don't yet have children. 'Whenever kids come into the picture, it's going to be a Thomas household,' he says. Then, with the hint of a sigh, he adds: 'If they don't like it, we'll reconsider.' Brannon Carty will take part in a Q&A following the UK premiere of An Unlikely Fandom at Alstom's Litchurch Lane Works, Derby, on 2 August.

Ozzy Osbourne: did he really bite the head off a live bat?
Ozzy Osbourne: did he really bite the head off a live bat?

BBC News

time30 minutes ago

  • BBC News

Ozzy Osbourne: did he really bite the head off a live bat?

When it comes to the unruly world of rock, shocking behaviour is rarely frowned upon. Just the opposite. Most of the time it's practically there are limits, few performers have pushed those generous boundaries more than John Michael Osbourne, aka Ozzy Osbourne, or the Prince of Darkness, who has died aged don't get a nickname like that by Sabbath fans initially dubbed him with it thanks to his jet black onstage persona, decadent aura and lyrics that seemed obsessed by the his actions on the night of 20 January 1982, when the body of an unfortunate creature ended up separated from its head, were bat-split crazy, even by Ozzy's excessive an event that, decades later, is still discussed as one of the most notorious moments in heavy metal oddly, this wasn't even the first time that the singer had seemingly been involved in the decapitation of an innocent more of that it comes to Ozzy and the bat, it's unsurprising that, over the years, recollections have differed on the precise turn of that was because people's memories clashed. But mostly it depended on which version of the story Ozzy was in the mood to facts about the incident, however, are unambiguous. In January 1982, Ozzy was two months into a gruelling tour promoting his second solo album, Diary of a Madman. A tradition had developed where the singer would catapult pieces of raw meat and animal parts - including intestines and liver - into the far, so revolting. And perhaps, not totally inexplicable behaviour for a man who'd once served an apprenticeship at an the tour, word quickly spread about the practice, and Ozzy's fans were nothing if not resourceful. At every venue, they knew exactly what was coming, and they turned up armed and ready to when something small and black landed on stage during a rowdy Wednesday night show at Des Moines' Veterans Memorial Auditorium, the singer thought it was a rubber here's where recollections start to veer off in different his 2010 autobiography I Am Ozzy the singer says he picked it up, stuffed it in his mouth, and chomped down."Immediately, though, something felt wrong. Very wrong. For a start my mouth was instantly full of this warm, gloopy liquid," he recalled. "Then the head in my mouth twitched." "Somebody threw a bat. I just thought it was a rubber bat. And I picked it up and put it in my mouth. I bit into it," he told the he says he realised: "Oh no, it's real. It was a real live bat."So is this the definitive version of the story - live bat thrown on stage, Ozzy bites into it? Far from hadn't always insisted the bat was alive when it was thrown towards in 2006, he gave the BBC a take on the story that was subtly, but crucially different."This bat comes on. I thought it was one of them Hallowe'en joke bats 'cos it had some string around its neck," he said."I bite into it, and I look to my left and Sharon [Osbourne, his wife and then manager] was going [gesturing no]."And I'm like, what you talking about? She [says], 'it's a dead real bat'. And I'm... I know now!"So was the unfortunate winged mammal dead or alive?Who better to confirm whether it was bereft of life and had ceased to be, than the person who claims to have actually brought the bat to the concert? Dead or alive? According to the Des Moines Register, that man was Mark was 17 at the time of the concert. And his account of the events leading up to the gory night was this: His younger brother had brought the bat home a fortnight before but, sadly, it hadn't said that, by the time he took it to the concert, it had been dead for it seems that the available evidence about this legendary piece of heavy metal excess, placed at number two in Rolling Stone magazine's list of Rock's Wildest Myths, does point to it being largely agrees that the bat did find its way into Ozzy's mouth, although it seems likely it was no longer alive by that point - something Ozzy himself concurred with. what of an eerily similar incident some nine months before in Los Angeles? Again the details vary, usually depending on who Ozzy was talking basic facts have never been in dispute. Ozzy was due to meet a group of CBS record label executives in Los Angeles, and Sharon had the idea of him bringing three live doves with giving a short speech of thanks, the plan was for Ozzy to throw them into the air, so everyone could watch them flutter away, in a symbolic gesture of alert: That's not what ended up happening. Doves of peace Ozzy had been drinking brandy all morning, and he later told rock biographer Mick Wall that a PR woman at the meeting had been seriously annoying to Wall's book, Black Sabbath: Symptoms of the Universe, Ozzy "pulled out one of these doves and bit its [expletive] head off just to shut her up"."Then I did it again with the next dove," he added, "spitting the head out on the table"."That's when they threw me out. They said I'd never work for CBS again." In version two, recounted some months later, he told Sounds' magazine's Garry Bushell a slightly different story."The scam is the bird was dead. We were planning to release it there, but it died beforehand. So rather than waste it, I bit its head off."You should have seen their faces. They all went white. They were speechless." The ringmaster of rock excess Ozzy, of course, had a reputation to uphold. After all, this was the man who'd been thrown out of Black Sabbath because, even by rock's astronomically lax standards, his drink and drug consumption was considered too while his encounters with bat and dove may not have seemed cricket to many, they - with helpful dollops of exaggeration - added significantly to Ozzy's outrageous undoubtedly gave him even greater publicity and notoriety, helping his solo career to skyrocket like a bat out of even though he might not be guilty of every misdemeanour that was attributed to him over the years, there's little doubt that he reached heights (or depths) that other rock stars never dared to meant that he was seen as the undoubted ringmaster of rock excess - a career defining reputation that stayed with him right to the end.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store