Taylor Swift looking at Las Vegas venues amid 'The Life of a Showgirl' announcement
Taylor Swift is reportedly looking at Las Vegas venues to showcase her upcoming album, The Life of a Showgirl.
According to The US Sun, "Taylor's team has been talking about Vegas gigs in private for a while, including at a dinner a few months back in Nashville with other music managers," an insider told the publication.
"They are seeing what would work for the new album and have specifically been eyeing up concerts at Sphere," the insider added."
"Nothing is confirmed yet, but they are discussing logistics and which venue could work best," the source concluded.
Swift announced her 12th studio album on her boyfriend Travis Kelce's podcast New Heights, which he co-hosts with his brother Jason Kelce.
Due to The Sphere's location in Vegas, which matches the album's theme and unique visual assets -- it features the largest LED screen ever constructed -- the venue would be perfect for an artist of Swift's caliber.
"Given how unique Sphere is from a production perspective, fans will no doubt be foaming at the mouth to see how Taylor could potentially use the venue," the insider added.
The venue is massive with 20,000 seats, but it is much smaller than the arenas Swift performed in during her Eras Tour, with stadium seating was around 70,000 to 80,000. She would, however, have no problem selling it out as the Eras Tour, which ran from March 2023 to December 2024, sold over 10 million tickets.
"There's nothing like it in the world," the insider said of The Sphere. "U2 and the Backstreet Boys have already shown what's possible, but Taylor would take things to the next level."
During her interview on New Heights, she told Travis and Jason that after performing in over 100 shows, she misses it but that "it feels great" that it's over.
"I miss it. I do miss it, but it's like it was perfect for what it was. Do you know what I mean? And it was a lot of physical therapy, and it was a lot of being in a state of perpetual physical discomfort — kind of like when you're in season," Swift told the Kelce brothers.
The insider shared that, "generally speaking, a mini Vegas run wouldn't be bad for her. Touring is exhausting, and staying in one place for a bit would be a lot easier."
The Life of a Showgirl is out on Oct. 3. There is no news of a tour or residency at this time.
MORE LIFESTYLE NEWS
Livvy Dunne reacts to Taylor Swift's take on male sports fans
John Cena claims his body is 'screaming at him' as he nears retirement
Ciara reveals what Kylie Kelce and she both dislike
Azzi Fudd reveals when she and Paige Bueckers realized they had 'chemistry'
Karol G to headline Chiefs-Rams halftime show in Brazil
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Buzz Feed
3 minutes ago
- Buzz Feed
Just 22 Products From Etsy You'll Fall In Love With
A cozy blanket inspired by Taylor Swift's surprise song piano from The Eras Tour. This is the first summer in two years without an Eras show on my calendar or a livestream to tune into (a cruel summer, indeed), so the next best thing? Snuggling up with this blanket while watching the concert film (and waiting for the release of The Life of a Showgirl...) A pack of freeze-dried ice cream sandwich bites because freeze-dried candy has sufficiently taken over your FYP, so it's time to turn it up a notch, à la everyone's fave ice cream truck treat. A miniature Stanley-inspired keychain that also happens to be a lip balm holder!!! How neat! The best part is that, unlike the beloved cups, your balm won't spill out, and this won't run you nearly as much money. A photo print appropriate for hanging above the spot in your home where you and your BFF love to yap. It's not your fault you have a lot of gossip to share, life lore to impart, and complaints to get off your chest!!! A Crocs-inspired candle (yup, you read that right) sure to earn you a compliment from each person who sees it. These look so realistic, you might be tempted to try one on, but these are better suited for enjoying a sweet scent. (Just don't try sniffing your sweaty Crocs.) A pufferfish squishy toy whose annoyed lil' face is far too relatable — however, unlike this sour tiny dude, once you play with him, you might just find your own frown turns upside down. A customizable Love Island-inspired water bottle you'll want to keep close by next time you ask a loved one if you can pull them for a chat in Soul Ties or The Speakeasy. are all my fellow Amaya Papaya stans at?! A versatile linen dress bound to become your new favorite wardrobe piece. It's perfect for weddings, walks along the beach, and rooftop bar drinks after work. My apologies to all of your other dresses that will never see the light of day once this perfect item arrives. A cheeses of the world tea towel because if you're gonna have a tea towel worthy of showing off to guests, it should be one that's as informative and wonderful as this cheesy goodness. Sound off in the comments which of these is your fave. I'll go first: Gouda. An abstract painting painted by an actual 175-pound sulcata tortoise named Tiptoe. Imagine how FUN it'll be to tell your loved ones the backstory of your newest piece of wall decor!!! A social battery sliding enamel pin you'll wanna make part of your daily #OOTD so that your family and friends know if it's safe to begin a yap session with you or best to keep their distance. A tufted cushion that can be used to create a cozy floor-based reading nook or placed on a bench or windowsill for an off-ground comfy upgrade. Now that you have an ideal spot to relax, perhaps you'll finally work your way through that ever-growing TBR list. A pair of huarache sandals you'll be excited to rock with jeans, skirts, palazzo pants, and dresses galore! Not to mention, these are basically compliment magnets because everyone who sees these will remark on your impeccable taste in footwear. A jelly frog soap that is so darn squishable, you'll forget that be used to wash your hands. Honestly, you may wanna keep a "normal" soap on the side, because no way are you gonna wanna do anything but admire this sweet bb next to your sink. Oh, and did I mention it smells like MINT CHOCOLATE?!!!! A set of Crocs charms you can get personalized with photos of your fur bb's face. You already spend so many hours wearing these beloved shoes, add your dog or cat's precious lil' face to the mix, and you'll want to glue your Crocs to your feet going forward. A set of fairy lights that might just put an end to your social life. How?" you ask?! Well, these lights are sure to turn your living space into the most cozy spot in town, so you'll never want to leave home once you have these. (Go ahead, get drinks with your squad at the bar. The lights will still be there when you get home, promise.) A teddy bear matcha bowl for the cutest way to make your delicious morning matcha. I know that this can't technically make your bev taste better, but I do think your drink will be so much sweeter knowing this lil' cutie had a hand in helping to make it. A camera lens flower pot that'll make for a truly photoworthy piece of decor. Taking a gorgeous plant and placing it in this unique vase? That's what I call picture perfect. 📷 Custom photo magnets for a more polished way to display mems on your fridge than flimsy photo prints barely holding on for dear life from plastic magnets you found at the dollar store a few years ago. A Y2K-inspired punch needle coaster because if your coasters look this cool, then your friends and family *may* just be more inclined to actually use one for their drinks. Now the question many will you buy and which ones will you choose?! An insulated tumbler to keep the drink of the summer (IMHO, year) nice and cold as you take your sweet time sipping on it. May not be sitting in the Italian countryside with a bowl of freshly made pasta to accompany it, so my pool in the suburbs and a Kraft Easy Mac cup will have to do. A pair of bubble and wand earrings that may just transport you back to the glory days of spending hours outside trying to blow a bigger bubble than the last — without the soapy mess, of course. If you're looking to boost your ego and fish for some compliments on a given day, these are your ticket!
Yahoo
4 minutes ago
- Yahoo
Friday Music Guide: New Music From Cardi B, Chance The Rapper, Dijon and More
Billboard's Friday Music Guide serves as a handy guide to this Friday's most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. This week, Cardi B has a message for the competition, Chance The Rapper comes full circle and Dijon blows up. Check out all of this week's picks below: More from Billboard Boogie in Central Park This Fall With Lane 8, Porter Robinson, Nora En Pure & More Taylor Swift's Podcast Debut Climbs to 'New Heights' by Setting This YouTube Record Pooh Shiesty Shares Update From Prison: 'The Support and Love I Received on This Roller Coaster Is Unmatched' Cardi B, 'Imaginary Playerz' 'Fixin' y'all mouth to talk fashion with me / I'm the one who showed these girls what fashion could be,' Cardi B spits near the end of 'Imaginary Playerz,' a viper strike against those who doubted her longevity and other women in hip-hop trying to come for her crown. With Cardi's long-awaited sophomore album just weeks away, this single is a timely reminder of her dominant wordplay and cutthroat approach; the expectations are officially sky-high. Chance The Rapper, Chance The Rapper hit the mainstream with the force of a freight train in the mid-2010s, and then his 2019 album, The Big Day, zapped his momentum; Star Line, the long-awaited follow-up, boasts plenty of A-list guest stars — Lil Wayne, Young Thug and Jazmine Sullivan among them — but also serves as a back-to-basics project from an artist who blew up thanks to fiercely beloved mixtapes, combining personal reinvention with scrappy artistry. Dijon, In the four years since Dijon released debut album Absolutely in 2021, his influence in modern R&B (and popular music in general) has grown by leaps and bounds — and with follow-up full-length Baby, he returns with a lush, lo-fi set of rhythmic gems, to a much bigger audience waiting for them, and now has the opportunity to position himself as a full-blown commercial force. Kaytranada, A press release for Ain't No Damn Way! describes the project as 'an intentional return to Kaytranada's dance music roots' — which, if you like to move whatsoever, is pretty damn exciting, considering that the producer is absolutely elite when it comes to cooking up dance floor-fillers. Opener 'Space Invader' sets the euphoric tone immediately, and by 'Target Joint' in the fourth slot, your shoulders will be exhausted from wiggling too hard. Jordan Davis, Country star Jordan Davis' catalog contains a reliability that has made him into a singer-songwriter with a dedicated Nashville fan base, and on Learn the Hard Way, he continues his streak of celebrating the simple pleasures of life with mid-tempo tracks built around his steady tone and shrugging off too much production flash (although the occasional guest star, Carly Pearce and Marcus King, does drop by). Olivia Dean, 'Man I Need' Anyone paying attention to Olivia Dean's recent string of singles understands why anticipation keeps ratcheting up for the London singer-songwriter's sophomore album, The Art of Loving: 'Man I Need' once again demonstrates her natural gift for immediate melodies, but her modern riff on classic rhythmic pop is snappier than ever, to the point where you'll be humming along midway through your first listen. Editor's Pick: Conan Gray, Wishbone is Conan Gray's fourth studio album, and sounds like the one he's been working toward his entire career: once again working with Dan Nigro but handling much of the songwriting on his own, the pop artist fully arrives with a mix of hushed confessionals and brash arena-fillers, with both styles boasting the evocative lyricism that's made him a star. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart Solve the daily Crossword
Yahoo
4 minutes ago
- Yahoo
The Feel-Bad, Feel-Good Movie of the Year
The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Weapons The most daring aspect of Weapons is that it answers all of its big questions. The sleeper-hit horror film, written and directed by Zach Cregger, has a distressing but undeniably hooky premise: One night, at 2:17 a.m., all but one student in the same third-grade class got up out of their beds and ran out of their suburban homes with their arms outstretched, vanishing into the night. Where did they go? Why did they run away? The story hinges on an intriguing mystery, but often, opening the mystery box can backfire. Yet by eventually laying out the reasons behind the kids' disappearance—and thus making sense of the tragedy—Cregger is doing two things: First, he's doing his job as the maker of entertainment, creating a dynamite ending that offers real closure. Second, he's underlining the fallacy of catharsis. Weapons is a movie about a local misfortune that then reveals the enigmatic villain behind it and delights in her comeuppance. Yet it also reminds the viewer that vanquishing evil doesn't undo the terrors it has already wrought—and that there's only so much relief a conclusion can actually bring. Cregger, who was a founding member of the comedy troupe the Whitest Kids U'Know, has said that he began writing Weapons after the tragic accidental death of his close friend and former collaborator Trevor Moore. While the incidents at the core of the film are mythic and supernatural, they also feel utterly senseless; much of Weapons follows the characters trying, and failing, to understand the bizarre thing that's happened to them. Archer (played by Josh Brolin) is the father of one of the missing children; Justine (Julia Garner) is the teacher who doesn't know where her students went; and Alex (Cary Christopher) is the missing children's one remaining classmate, whose continued presence is as curious to everyone as the vanishing of his peers. [Read: Nothing is scarier than an unmarried woman] Each of their isolated stories, including those of a few other, more tenuously connected townspeople, functions as a chapter in a larger tale. Cregger is chronicling a community, albeit a dispersed one: People seem to barely know one another, and the town's institutions, such as law enforcement and the school administration, have responded ineffectually at best. The central conceit of the kids' disappearance is horrifyingly contemporary—their flight into the night is captured by Ring cameras—but in a neighborhood of identical-looking houses, it's also troublingly plausible that nobody can figure out where they went. Eventually, Archer and Justine start to make some progress in their respective searches for the kids, nudged forward by weird dreams and their desire for answers. Yet the person to finally stumble upon the children is an unhoused, drug-addicted man named James (Austin Abrams), who finds them standing zombified in a basement while he's trying to burglarize what he thinks is an empty home. Cregger thus stages the movie's most pivotal moment from the perspective of the community's least emotionally invested member. The unconventional choice hints at the director's disinterest in a tidy search-and-rescue, and the relief that comes with it. Instead, like Paul Thomas Anderson's multicharacter opus Magnolia—which Cregger has cited as inspiration—Weapons is rooted in diffusion, tracking lost souls struggling to connect; the action only really begins when they start talking to one another. After a barrage of freaky, teasing scares, and a lot of ominous attention directed at Alex's house, where something evil is clearly going on, Weapons gambles on providing solutions. The film recounts what happened from Alex's point of view. It reveals that his parents have been possessed by his peculiar great-aunt Gladys (Amy Madigan), a dying witch who has set up camp in Alex's house to drain the life of those around her. When the souls of Alex's parents prove not to be enough, she enlists the boy to help her bewitch his classmates too, luring them into the house; Alex obliges only when Gladys threatens to kill his parents if he doesn't help her. [Read: A horror movie that already gave away its twist] Madigan is the big reason the final-act revelation works. Chalking up all this madness to one person's doing might be hard to buy, but her performance is astonishing; as Gladys, she seamlessly slips between brassy charisma and steely menace. The character generates the movie's biggest laughs and its best jump scares, and her magic is both cryptic and formidable: She can weaponize the people she bewitches as undead assassins, leading to a showdown in which she keeps throwing her thralls at Archer and Justine once they finally figure out what she's up to. The catharsis of her defeat is twofold: Not only is Gladys taken down, but her demise also comes at the hands of the children she's captured. Alex figures out how to work Gladys's magic and sends them after her, running and screaming, until they tear her apart like a pack of hyenas. The moment is pure cinema joy, even more so because of the transgression—it is a real spooky delight to realize you're with a packed crowd, cheering on a group of third-graders who are intent on murdering an old lady with their bare hands. But Cregger gets to have his cake and eat it too. The threat has been taken care of, by way of the kind of kinetic filmmaking that might make anyone punch the air. The battle, however, was long ago lost. The voice-over narration tells us that Alex's parents remain catatonic, and, after a couple of years, some of the recovered children have only just begun to speak again. Weapons offers a fantasy of triumph, and it's a satisfying one, but with that exhalation comes many more details to ponder. The wreckage of grief and loss all the characters have been mired in is hardly swept away. As a result, Weapons is the feel-bad, feel-good movie of the year—a rare horror masterpiece that leaps beyond its genre without abandoning its sick, sad heart. Article originally published at The Atlantic