A$AP Rocky confirms baby No. 3 with Rihanna at the 2025 Met Gala
NEW YORK (AP) — At a historic edition of the Met Gala with tons of news-making moments, Rihanna and A$AP Rocky once again stole the show.
The power couple is expecting their third child, the rapper A$AP Rocky revealed.
'It feels amazing, you know,' gala co-chair A$AP Rocky told reporters who congratulated him Monday after outlets reported the couple was expecting their third child. 'It's time that we show the people what we was cooking up. And I'm glad everybody's happy for us 'cause we definitely happy, you know.'
TMZ reported earlier Monday that Rihanna and the rapper were expecting their third child.
A representative for Rihanna didn't immediately return The Associated Press' request for comment.
Photos taken of the singer Monday walking in New York showed her with what appeared to be a baby bump.
Rihanna hasn't yet walked the Met Gala carpet.
'Honestly, it's a blessing nonetheless,' Rocky told the AP. 'Because you know how like some people in other situations at times can be envious of other people. But we've been seeing love for the most part. And we real receptive to that and appreciate that, you know what I mean? That's love. Love is love.'
The couple announced their last pregnancy in a similarly starry way: At the 2023 Super Bowl, Rihanna emerged on stage for her halftime performance with baby bump on full display. Their son Riot Rose was born later that year.
The couple's first child, RZA, was born in May 2022.
Rocky is one of the 2025 Met Gala co-chairs of the menswear-theme event tied to the museum's 'Superfine: Tailoring Black Style. ' But his attendance at this year's Met Gala wasn't always a sure bet. That announcement came a couple months before the opening of his trial on firearms charges in Los Angeles. Rocky was ultimately found not guilty in mid-February.
At his trial, he showed his eye for fashion. He sported tailored suits and luxury labels throughout the proceedings. Yves Saint Laurent even put out press releases directing attention to his high-fashion court attire. He was clad in a pinstripe Saint Laurent suit for the verdict.
He's collaborated with several designers and brands on shoes, sunglasses and clothing collections. In December, he was honored with the Cultural Innovator Award at the British Fashion Council's Fashion Awards.
___
AP journalists Maria Sherman and Mallika Sen contributed to this report.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
New York Post
30 minutes ago
- New York Post
How Broadway found its Gen Z audience
NEW YORK — Kimberly Belflower knew 'John Proctor is the Villain' needed its final cathartic scene to work — and, for that, it needed Lorde's 'Green Light.' 'I literally told my agent, 'I would rather the play just not get done if it can't use that song,'' the playwright laughed. She wrote Lorde a letter, explaining what the song meant, and got her green light. Starring Sadie Sink, the staggering play about high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town, earned seven Tony nominations, including best new play — the most of any this season. It's among a group of Broadway shows that have centered the stories of young people and attracted audiences to match. Advertisement 6 Sadie Sink debuts on Broadway in 'John Proctor is the Villain.' AP Sam Gold's Brooklyn-rave take on 'Romeo + Juliet,' nominated for best revival of a play and led by Kit Connor and Rachel Zegler with music from Jack Antonoff, drew the youngest ticket-buying audience recorded on Broadway, producers reported, with 14% of ticket purchasers aged 18-24, compared to the industry average of 3%. The shows share some DNA: pop music (specifically the stylings of Antonoff, who also produced 'Green Light'), Hollywood stars with established fanbases and stories that reflect the complexity of young adulthood. 'It was very clear that young people found our show because it was doing what theater's supposed to do,' Gold said. 'Be a mirror.' Advertisement Embracing the poetry of teenage language The themes 'John Proctor' investigates aren't danced around (until they literally are). The girls are quick to discuss #MeToo's impact, intersectional feminism and sexual autonomy. Their conversations, true to teenage girlhood, are laced with comedy and pop culture references — Taylor Swift, Beyoncé, 'Twilight,' and, of course, Lorde. Fina Strazza, 19, portrays Beth, a leader who is whip-smart and well-intentioned — but whose friendships and belief system are shaken by the play's revelations. Advertisement 6 Rachel Zegler and Kit Connor perform in 'Romeo + Juliet.' AP 'You have so much empathy and are so invested in her, but she still has these mishaps and slip-ups that young people often have,' said Strazza, nominated for best featured actor in a play. Some audience members have given her letters detailing how Beth helped them forgive themselves for how they handled similar experiences. The script is written in prose, with frequent line breaks and infrequent capital letters. Director Danya Taymor, nominated for best direction of a play a year after winning a Tony for another teenage canon classic, 'The Outsiders,' was drawn to that rhythm — and how Belflower's depiction of adolescence captured its intensity, just as S.E. Hinton had. 'There's something about the teenage years that is so raw,' Taymor said. 'None of us can escape it.' Classic themes, made modern Advertisement During his Tony-winning production of 'An Enemy of the People,' Gold found himself having conversations with young actors and theatergoers about climate change, politics and how 'theater was something that people their age and younger really need in a different way, as the world is becoming so addicted to technology,' he said. That conjured 'Romeo and Juliet.' The original text 'has it all in terms of what it means to inherit the future that people older than you have created,' Gold said. 6 Sadie Sink and Amalia Yoo performan in 'John Proctor Is the Villain.' AP Building the world of this show, with an ensemble under 30, was not unlike building 'An Enemy of the People,' set in 19th century Norway, Gold said: 'I think the difference is that the world that I made for this show is something that a very hungry audience had not gotten to see.' Fans, Gold correctly predicted, were ravenous. Demand ahead of the first preview prompted a preemptive extension. Word (and bootleg video) of Connor doing a pullup to kiss Zegler made the rounds. 'Man of the House,' an Antonoff-produced ballad sung by Zegler mid-show, was released as a single. With the show premiering just before the U.S. presidential election, Voters of Tomorrow even registered new voters in the lobby. Audiences proved willing to pay: Average ticket prices hovered around $150. Cheaper rush and lottery tickets drew lines hours before the box office opened. Every week but one sold out. 'The show was initially really well sold because we had a cast that appealed to a really specific audience,' said producer Greg Nobile of Seaview Productions. 'We continued to see the houses sell out because these audiences came, and they were all over online talking about the ways in which they actually felt seen.' 6 'Romeo + Juliet' is nominated for best revival of a play. AP Building a Gen Z theater experience with Gen Z Advertisement Thomas Laub, 28, and Alyah Chanelle Scott, 27, started Runyonland Productions for that very reason. 'We both felt a lot of frustration with the industry, and the ways that we were boxed out of it as students in Michigan who were able to come to New York sparingly,' Laub said. Runyonland was launched in 2018 with the premise that highlighting new, bold voices would bring change. This spring, Scott, known for playing Whitney in HBO's 'Sex Lives of College Girls,' acted off-Broadway in Natalie Margolin's 'All Nighter.' 'I was standing onstage and looking out and seeing the college kids that I was playing,' Scott said. 'I was like, 'I respect you so much. I want to do you proud. I want to show you a story that represents you in a way that doesn't belittle or demean you, but uplifts you.'' Advertisement Producing 'John Proctor,' Scott said, gave Runyonland the opportunity to target that audience on a Broadway scale. Belflower developed the show with students as part of a The Farm College Collaboration Project. It's been licensed over 100 times for high school and college productions. The Broadway production's social and influencer marketing is run by 20-somethings, too. 6 Maggie Kuntz, Morgan Scott and Amalia Yoo during a performance of 'John Proctor Is the Villain.' AP Previews attracted fans with a $29 ticket lottery. While average prices jumped to over $100 last week (still below the Broadway-wide average), $40 rush, lottery and standing room tickets have sold out most nights, pushing capacity over 100%. The success is validating Runyonland's mission, Laub said. 'Alyah doesn't believe me that I cry every time at the end,' Laub said. Scott laughs. 'I just want to assure you, on the record, that I do indeed cry every time.' Harnessing a cultural catharsis Advertisement The final scene of 'John Proctor' is a reclamation fueled by rage and 'Green Light.' Capturing that electricity has been key to the show's marketing. 'The pullup (in 'Romeo + Juliet') is so impactful because it's so real. It's like so exactly what a teenage boy would do,' Taymor said. 'I think when you see the girls in 'John Proctor' screaming … it hits you in a visceral way.' That screaming made the Playbill cover. 'In my opinion, the look and feel of that campaign feels different from a traditional theatrical campaign, and it feels a lot closer to a film campaign,' Laub said. The show's team indeed considered the zeitgeist-infiltrating work of their sister industries, specifically studios like Neon and A24. In May, 'John Proctor is the Villain' finished its second 'spirit week' with a school spirit day. Earlier events included an ice cream social — actors served Van Leeuwen — a silent disco and a banned book giveaway. For those not in their own school's colors, the merch stand offered T-shirts, including one printed with the Walt Whitman-channeling line said by Sink's Shelby: 'I contain frickin' multitudes.' Advertisement 6 'John Proctor Is the Villain' centers on high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town. AP Julia Lawrence, 26, designed the shirt after the show's team saw her TikTok video reimagining their traditional merch into something more like a concert tee. 'It's just so incredible to bring Gen Z into the theater that way, especially at a time when theater has never been more important,' Lawrence said. 'In a world that's overpowered by screens, live art can be such a powerful way to find understanding.'
New York Times
43 minutes ago
- New York Times
‘Love Island' Contestant Leaves Show After Racist Comments Surface
'Love Island USA,' the reality dating show that sends singles to an island villa to pair up in hopes of winning a cash prize, is known and often appreciated for its messy plots onscreen. But this week, as Season 7 of the show premiered, most of the chaos took place offscreen. Some offscreen drama also reached the show's predecessor, 'Love Island UK.' Contestant Dismissed for Racial Slurs For starters, one of the contestants, Yulissa Escobar, was summarily dropped from the show after video recordings of her repeatedly using a racial slur in a podcast interview were dug up by online sleuths and then reported by TMZ. The clips created an uproar among fans online before the premiere on Tuesday, but the series is aired with a one- or two-day delay, and Escobar, a 27-year-old Cuban American from Miami, still appeared in the first episode. Before the premiere, fans were vowing on X and TikTok to vote Escobar off the show as soon as they had the opportunity. On the first night of the show, Escobar was also criticized by some viewers for wearing an outfit that they deemed appropriative of Chinese culture and using chopsticks to pin up her hair. At about the 18-minute mark of the second episode, which was shown on Wednesday, the narrator, Iain Stirling, abruptly announced that 'Yulissa has left the villa.' She had been paired with Ace Greene, and later in the episode Stirling noted that Greene was single. Escobar could not immediately be reached for comment. Ryan McCormick, a spokesman for Peacock, which streams the show, declined to comment on why the producers had removed her. Want all of The Times? Subscribe.
Buzz Feed
an hour ago
- Buzz Feed
Take On Me Singer Morten Harket Said He Has Parkinson's Disease
Morten Harket, who for more than 40 years has been the frontman of the Grammy-nominated Norwegian pop trio a-ha, confirmed this week that he has Parkinson's disease. Harket, 65, made the announcement Wednesday by sharing an article written by music journalist and author Jan Omdahl on a-ha's official website. In it, the singer-songwriter said he'd been experiencing vocal issues as a result of his condition, and admitted he was unsure about a return to the concert stage. 'The problems with my voice are one of many grounds for uncertainty about my creative future,' he said. Though Harket said he had 'no problem accepting the diagnosis,' he added, 'I'm trying the best I can to prevent my entire system from going into decline. It's a difficult balancing act between taking the medication and managing its side effects. There's so much to weigh up when you're emulating the masterful way the body handles every complex movement, or social matters and invitations, or day-to-day life in general.' A native of Kongsberg, Norway, Harket formed a-ha with keyboardist Magne Furuholmen and guitarist Paul Waaktaar-Savoy in 1982. Three years later, the band catapulted to international fame with their breakout smash, ' Take On Me.' The song's success was buoyed by its now-iconic music video, which combined live-action performance footage with pencil-sketch animation. Though a-ha never replicated the success of 'Take On Me' on a global scale, the band continued to release music throughout the '80s and '90s. In 1991, they broke the world record for paid attendance at a rock concert when they performed before more than 198,000 fans at Brazil's Rock in Rio festival. Their 11th studio album, True North, was unveiled in 2022. There is no cure for Parkinson's, a neurodegenerative disease that can cause muscle stiffness, impaired speech and uncontrolled movement. The disease can be revealed by a mere tremor of the hand, according to the Mayo Clinic. Furuholmen reacted to Harket's announcement with a heartfelt post on Instagram. Acknowledging he'd known about his bandmate's diagnosis 'for some time,' he said the news 'brings sadness,' but stressed 'there is also a lot of gratitude: for all the amazing memories, for how our combined creative efforts as a band have been so generously embraced by the world, and for how lucky we are that people continue to find meaning, hope and joy in our shared musical legacy.' In his chat with Omdahl, Harket said he didn't expect to regain 'full technical control' over his vocals, but had nonetheless been working on new songs 'that I've got great belief in, and I feel the lyrics, especially, have something of a different aspect of me in them.' United Archives / United Archives via Getty Images 'I'm not sure if I'll be able to finish them for release,' he continued. 'Time will tell if they make it. I really like the idea of just going for it, as a Parkinson's patient and an artist, with something completely outside the box. It's all up to me, I just have to get this out of the way first.'
