Climate Change Is Putting Everyone's Livelihood at Stake, Says Sabrina Elba
Sabrina Elba, CEO and Founder of S'ABLE Labs and chair of Global Citizen Europe Board speaks during the Climate Solidarity in the Commonwealth panel at Global Citizen NOW on September 25, 2024 in New York City. Credit - Rob Kim—Getty Images
For Sabrina Elba, the fight against climate change must begin in the Global South. The actress, model, and co-founder of the beauty brand S'ABLE Labs has seen first-hand how climate change is impacting smallholder farmers in Africa—and just how ignorant most of the Western world is to it.
In the Global North, she says, the discussion is so often about 'climate change happening like 10, 50, or 100 years from now. No, it's not. It's happening now.'
Elba is a Goodwill ambassador for the U.N. International Fund for Agricultural Development (IFAD), a specialized agency of the United Nations that addresses poverty and hunger in rural areas of developing countries. In 2020 she, along with her husband Idris Elba, launched a $40 million fund with IFAD to prevent the economic shocks caused by the COVID-19 pandemic from triggering a global hunger and food crisis.
She spoke with Time about the importance of prioritizing farmers in the Global South, why more people should know where their products come from, and the need for urgency in the climate fight.
This interview has been edited for length and clarity.
TIME: What inspired you to get involved in the climate movement?
Elba: Growing up, in Vancouver, Canada, being the only Somali family, being the only Black girl in my high school, I didn't really have that connection to identity. My mom at home would always be like, 'We're strong Africans' and I was just like, 'Okay, I believe you,' but then the trauma porn I was seeing on TV, the name teasing that came with being a minority, made me feel like people didn't understand what it meant to be African.
What didn't help was, at the time, there were a lot of droughts throughout Africa, and there were a lot of ads talking about food insecurity and hunger and portraying Africans in the light that made it look to some people that they were waiting for a handout. And actually what was happening was that people were in a circumstance where their carbon footprint had very little to do with what was causing this impact on them. It wasn't being framed as a climate conversation, but it was the start of us seeing that, actually, [climate] impacts ... were happening in Africa very early on.
I remember becoming very passionate about [how] Africans are hard working, people in the Global South are hard working. But if you don't invest in people, or if you don't consider people in the narratives around climate change, then of course, they're going to be in a situation like the one that they were in. … So I got involved in the agencies that I am involved in, particularly IFAD, because I saw what IFAD was doing and how they were framing the conversation. I was like, bingo, this is the type of climate work that I want to do.
A lot of your activism has focused on rural communities in the Global South. Why was it important for you to focus on the struggles of these communities?
My mom is a product of these pastoral communities. So I was flooded in my youth with stories about how farming is so important, and agricultural communities are the backbone of Africa. … The farmers of our world are the custodians of this planet. They're protecting the biodiversity of the land. We owe them so much.
You have worked as a Goodwill Ambassador for the U.N. International Fund for Agricultural Development (IFAD). Can you speak about that work and why it's an important part of the climate fight?
They're a little known secret in the U.N. I had just been so impressed by the fact that, unlike the other food agencies, they weren't focused on the aid cycle. Aid is obviously important, particularly when it comes to climate disasters—people need food in emergency situations. But when you're trying to think long-term and future-proof these things, aid can feel like a short-term solution. So rather than giving farmers what they need in that moment, why not equip them so they have the tools to take care of themselves going forward? … It took me five minutes to hear that and go, 'Oh my God. I didn't even know something like this existed.' Why give a fish when you can give a fishing rod? It just makes sense.
Agriculture and climate change are so interlinked. Climate change is directly impacting farmers across the Global South today. So if they're not set up to adapt to these changes then they're in a pickle. It's mostly the women [who are farming]. That means agriculture is a gender issue. … We are all connected through food and agriculture—it is a great way to actually humanize the climate conversation, because people forget there's a face to climate change, and most times it's an African woman.
You recently visited shea cooperatives in Ghana. What did you learn on that trip?
I came across the beauty report that World Vision had written. And this ties right into one of [S'ABLE Lab's] ethos as a brand: We source all of our raw materials that come from Africa in a responsible and traceable way. We make sure we connect with the communities, business person to business person, help them set up the infrastructure they need to ship us the raw materials overseas, make sure that they're getting paid the right wages, and that we can also guarantee that there are no harmful situations for those farmers when we source those materials.
The supply chain in beauty is broken. An ingredient like shea is so overly abused because it's in such demand. But people have totally forgotten again that there is a face and a name behind these ingredients, that things don't just appear out of thin air. Shea has a long, rich history across West Africa, passed down from mother to daughter. These ingredients were sacred at one point. They were used for childbirth. And now it's just everywhere, and keeping up with the demand for that, especially when it's such a manually intensive ingredient to farm, is really hard for a lot of these communities. Speaking to the farmers directly is the best way to find out about any issue, because you're hearing firsthand their struggles or what they think needs fixing in this supply chain process. …
I don't think [consumers] even realize, when you're buying a beauty product off a counter, that you might be harming someone, that you might be supporting a product with child labor, because we talk about it in fashion, but we don't talk about it in beauty. So we were like, if we can amplify this message with World Vision and Fairtrade … let's do it.
You often speak of the importance of uplifting small scale farmers. What can the climate movement learn from their practices?
So much. We hear again and again Indigenous people's knowledge is overwhelmingly stronger than some of the data and information that we've accumulated. People who understand directly how to protect the biodiversity of these areas, what's needed to maintain some of these forests. Those are the people we should be listening to and valuing and learning from; their voices just mean so much in this conversation. But often Indigenous people aren't given the platform. They are stakeholders in this and they're stakeholders on this planet, and they should be given a seat at the table—more than just one.
What are some of the most pressing issues you're noticing in the climate space right now? What can be done to address these issues?
The lack of urgency. … We've gone backwards on some of the Paris Climate Agreement milestones, and it's a very scary time to be talking about climate. We've seen some countries turn their backs completely to the climate conversation when it's a time where we all need to be focusing and giving attention.
I do think that people should find out how they can pressure their [elected] leaders and people running for office and ask themselves, 'Who do we need elected at this time?' because everyone's livelihood is at stake. Everyone's future is at stake at this point. … The effects are impacting people today, you know, around the world, and it's heartbreaking when someone has the luxury in the Global North of worrying about it in some distant future, but in the Global South, someone's like, 'Well, I've just lost my livelihood and my capital because of climate change.'
What gives you hope?
There's a seriousness there and an urgency there that does need to be considered, but because I've been able to work with agencies like IFAD, I've seen that the solutions do work. The solutions are there. It's just about political will at this point. That's why it's so important to share these stories with people, because our leaders are failing us, and if everyone else is working really hard, they need to work as hard as we do. So there is hope out there. And also we don't have the luxury of saying there isn't [hope] for the people who are feeling the effects today.
Write to Simmone Shah at simmone.shah@time.com.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Former Grass Valley tech building to transform into music, art, and culture hub
( — Nevada County is home to a few dedicated theaters, with the Nevada Theater, minutes away from the tech company Grass Valley, being the oldest theater west of the Mississippi. Now, there are new plans to turn Grass Valley into a central destination for music and the arts. The former tech company's owner tried to sell it during the COVID-19 pandemic, but no buyer was in sight, until InConcert Sierra purchased it at a bargain price of about $2.3 million. The purchase kicked off the construction of Crown Point Venues, but it wasn't all seamless at first. Within 36 hours of In-Concert Sierra purchasing the building, Mother Nature had other plans. 'We signed the papers on March 3, 2023, closing the deal, and sometime that weekend, within about 36 hours, right where we're standing, the roof of the building collapsed,' Artistic Director of In-Concert Sierra, Ken Hardin, said. A powerful storm rolled in, dumping several feet of snow that the grass valley community hadn't seen in years, which caused sections of the building's roof to collapse. 'It wound up being just Mother Nature saying, let's get this project started, because we were going to raise the roof here anyway,' Hardin added. Driven by resilience, Hardin and his team sprang into action, giving the building a fresh start that is projected to cost $20 million. 'InConcert Sierra is primarily a concert presenting organization. We don't build buildings. We don't operate buildings. So, we've had a huge learning curve,' Hardin said. 'We have a wonderful board of directors that's been very involved in shepherding the project.' Crown Point Venues is set to house three venues all under one roof. From a conference center with enough seating for at least 400 people. '4,400 square feet, which will be available for galas, fundraisers, banquets, and also for corporate trainings, government meetings, any kind of public assembly that people want to have,' said Hardin. '…and that'll really be the economic driver of the building, that space will support the building economically.' To a black box theater designed with flexible seating options to suit just about every type of performance. 'This wall surface doesn't touch this wall surface anywhere, so sound can't travel, vibration can't travel through, and sound can't right, so we don't bleed into another venue,' Hardin said. And the crown jewel of them all, an acoustic concert hall. 'Basically, means that the performer performs without amplification, and the audience experience is that whatever they do on stage sounds the same anywhere in the room, anywhere you are in the room without amplification,' Hardin explained. Hardin said the concert hall is aimed at attracting world-class talent. 'And personally, as a musician, this kind of space is exactly the kind of space that musicians dream of performing in, a beautiful acoustic, a large stage,' Hardin said. 'We could have easily 700 people in this room with performers on the stage, an orchestra, and an audience of 540.' Roughly $15 million of the $20 million has already been raised, and they're working to raise the remaining amount with an anticipated opening in 2026. Any music enthusiast looking to get involved can visit the project's website to sign up for their fundraising event, which includes a behind-the-scenes tour of their transformation. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


New York Post
4 hours ago
- New York Post
The Met's new wing honors a vanished Rockefeller — who may have been kidnapped and eaten by cannibals
Dissatisfied at being remembered merely as oil barons, real estate tycoons, political bellwethers, and lavish philanthropists, at some point the Rockefellers began to specialize in dramatic exits. Politician Nelson, at least as Johnny Carson would tell it, died doing what he loved best: his aide and alleged mistress Megan Marshack. But it was Nelson's son, Michael Rockefeller, whose tragic ending added 'eaten by cannibals' to the family lore. Advertisement 7 Young Michael Rockefeller died on an expedition to New Guinea in 1961. It's unknown if he drowned or was captured and consumed by tribesmen. ASSOCIATED PRESS His story has again captured the imagination of New York with the reopening of the Michael C. Rockefeller Wing of the Metropolitan Museum of Art after a refresh that took four years and $70 million. First opened in 1982, the 40,000-square-foot wing now displays 1,726 artifacts — including the collections of the former Museum of Primitive Art — with the latest scholarship and technology. Advertisement 'We have the finest surveys of art from these three areas of the world – sub-Saharan Africa, Oceania, and the ancient Americas in a U.S. museum,' Alisa LaGamma, the curator in charge of the wing, told The Post. The wing also houses more than 400 items Michael collected on his travels — though whether or not it contains pieces created by the very tribe that might have brought about his death is still open for debate. In March 1961, Michael — a newly minted Harvard history and economics cum laude and the son of the Governor of New York at the time — joined the Harvard-Peabody Expedition to New Guinea. Its mission was to study the Ndani people of the Baliem Valley in the remote western portion of the island. But the 23-year-old Rockefeller had an ulterior motive: The stripling anthropologist was on an adventure to trade fish hooks, axes and pouches of tobacco for great masterpieces of tribal art. 7 His story has again captured the imagination of New York with the reopening of the Michael C. Rockefeller Wing of the Metropolitan Museum of Art after a refresh that took four years and $70 million. AFP via Getty Images Advertisement The art would be sent back home to his father's innovative Museum of Primitive Art — a groundbreaking effort to extol the fetishes, tools and handicrafts of Africa, the Americas, Asia and Oceania in a townhouse mansion at 15 West 54th Street. At a time when these objects of cultures were rotting in museum ethnography cabinets, the new home would place them at eye level with Western fine art. In September 1961, the young Rockefeller returned to New Guinea accompanied by Dutch anthropologist René Wassing. This time he would venture deep into the jungle swamps of South Papua inhabited by the Asmat people, famed for their well-endowed bisj pole woodcarvings — and for their cannibalistic headhunting. On November 19, 1961, while sailing the coast of Asmat, their boat overturned. Wassing could not swim, but shore within sight, Rockefeller decided he could make it with an improvised floatation device. He was never seen again. 7 The 40,000-square-foot wing now displays 1,726 artifacts. AFP via Getty Images Advertisement Of course, the official explanation for Michael's disappearance was drowning, and, in 1964, a Westchester County judge declared the descendent of John D. Rockfeller legally dead. 'All the evidence, based on the strong offshore currents, the high seasonal tides, and the turbulent outgoing waters, as well as the calculations that Michael was approximately 10 miles from shore when he began to swim, supports the prevailing theory that he drowned before he was able to reach land,' Michael's twin sister Mary Rockefeller Morgan writes in her 2014 book, 'When Grief Calls Forth the Healing: A Memoir of Losing a Twin.' But the stewpot was the better story. Almost immediately after Michael's disappearance, rumors spread that he was alive and had gone native — or that his skull had been found in the clutches of headshrinkers. In 1962, missionaries claimed to have met villagers who confessed to his killing in the village of Otsjanep. 7 Michael travelled to New Guinea shortly after graduating from Harvard. This is supposedly the last picture of him ever taken. AP 7 Michael's father, Nelson (sitting down), was the governor of New York at the time. His immediate family also included mother Mary Todhunter Clark, twin sister Mary and brothers Rodman and Steven. Getty Images 'It was cocktail party lore all through the 60s, 70s and 80s,' publicist R. Couri Hay, whose family had a house near the Rockefeller's retreat in Maine at the time, told The Post. 'I was a kid but I still remember. Nobody could believe it. It became kind of a funny threat. My father would say that if I wasn't good he would send me away to be eaten by cannibals like Michael Rockefeller.' In 1977, the documentary filmmaker Lorne Blair wrote in an article in the girlie mag Oui, claiming that he had found the man who had consumed Michael. Advertisement A slippery private sleuth named Frank Monte told anyone who would listen that he found Michael's skull and was paid royally by the Rockefeller family for it. National Lampoon had a heckle. Leonard Nimoy hosted a TV special in 1978 called 'In Search of Michael Rockefeller.' Dozens of books, podcasts, documentaries and magazine articles have tried to prove the cannibal theory. Novels, short stories, rock songs and even an off-Broadway show have mined the incident for subject matter. 7 Journalist Carl Hoffman makes the best-researched argument that Michael was indeed likely killed and ceremonially eaten by three Asmat tribesmen in his 2014 book 'Savage Harvest.' 7 Michael is pictured on a small motorboat in New Guinea in 1961. The photo was brought back by a companion on his Harvard expedition. AP Advertisement Journalist Carl Hoffman makes the best-researched argument that Michael was indeed likely killed and ceremonially eaten by three Asmat tribesmen in his 2014 book 'Savage Harvest.' 'In a perverse way,' he writes, 'it seemed to level the playing field that this scion of American power could have been not just killed but consumed, cooked and digested and shat out by his opposite — wild men who had nothing, no power, no money, no influence.'
Yahoo
8 hours ago
- Yahoo
‘They don't need me': Former New Zealand Prime Minister Jacinda Ardern says she's done with politics
It's been more than two years since Jacinda Ardern unexpectedly resigned as prime minister of New Zealand after juggling being a first-time mom while navigating the aftermath of a domestic terror attack at two mosques, a deadly volcanic eruption and the COVID-19 pandemic. Now, Ardern lives in Boston, where she's a fellow at Harvard University, and she seems to be in a reflection phase when it comes to politics. Her memoir, 'A Different Kind of Power,' hits shelves on Tuesday, several months after a documentary about her time as prime minister premiered at the Sundance Film Festival. Ahead of the release of the book — which chronicles her unlikely rise to New Zealand's top leadership position, the ups and downs of her time in office, and her unexpected resignation — Ardern did an interview on CBS' 'Sunday Morning' program and made something pretty clear: She's done with politics. At one point during Ardern's interview, Robert Costa, the CBS 'Sunday Morning' national correspondent, asked the former prime minister if she would ever consider returning to politics in New Zealand. Ardern responded with a wide smile and zero hesitation. 'No, I think if you make the decision to leave, then you've made the decision to leave,' she said. Costa pointed to leaders like Winston Churchill, who served as prime minister of the United Kingdom twice. 'Never say never,' he said. 'In this case, say never,' Ardern said with a laugh. 'I think also, for me, I have such great faith in all the people that I worked with and was lucky enough to work with. They're wonderful. They're doing a great job, and they don't need me,' she added. Distanced from politics, Ardern said she's been enjoying her time in the U.S. and has appreciated the opportunity to be 'a normal family.' The former prime minister reflected on her effort to lead with empathy and kindness — an approach that simultaneously inspired praise and resistance from her constituents. 'That principle of kindness, it's something we teach our kids, why shouldn't we role model that in the way that we conduct ourselves in politics?' Ardern said on 'Sunday Morning.' 'There are different ways to lead, but I hope you also see that some of those character traits that we perhaps bring to leadership that we might believe to be weaknesses — imposter syndrome, or even empathy — actually are incredible strengths," she added. In 'Prime Minister,' a documentary that premiered at the Sundance Film Festival in January, Ardern called herself a 'reluctant prime minister,' as the Deseret News reported. Early on in the film, she recalled how she feared having all of the responsibility land on her shoulders. But she took on the role with confidence, and over five years, championed issues including gun control, climate change, child poverty reduction, raised minimum wage, paid parental leave and mental health. She had substantial support as she navigated crisis after crisis as prime minister while embracing motherhood, but even still, the cumulative effect of the challenges she faced in office took a toll on her, ultimately leading to a surprise resignation. Near the end of 'Prime Minister,' in a present-day interview, Ardern wondered if she had maybe subconsciously been planning her exit all along. At the time of her resignation, her favor in the polls had declined significantly. The political climate in New Zealand was also intensifying — protests had erupted on Parliament's lawn over her COVID-19 mandates — and Ardern believed the temperature needed to cool down. She figured that if she stepped down and removed herself from the equation, perhaps some of her accomplishments wouldn't be overturned. In 'Prime Minister,' she stands behind her handling of the pandemic, noting that she would prefer to explain why she did too much rather than too little. 'Save people's lives and keep everyone together,' she said of her responsibilities. 'I did one, but I didn't quite manage to do the other.' Ardern ultimately resigned at the start of 2023, with her sights set on spending more time with family. She married her partner, TV broadcaster Clarke Gayford, and became a dual fellow at Harvard. Now, with politics in the rear view mirror, Ardern is focused on spreading a message of compassion and optimism — a theme throughout both the documentary and her new memoir. 'Optimism is a courageous act,' she said during her appearance at the Sundance Film Festival in Park City, Utah. 'It's not passive, you have to keep fighting for it. ... You have to act on its behalf. Please maintain the courage of optimism, we need it now more than ever.'