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I moved to Spain 4 years ago & will never be bored of it – I don't work & pick my kids up from school & go to the pool

I moved to Spain 4 years ago & will never be bored of it – I don't work & pick my kids up from school & go to the pool

Scottish Sun5 hours ago
Jodie revealed how people can also make the move to Spain
LIFE'S A BEACH I moved to Spain 4 years ago & will never be bored of it – I don't work & pick my kids up from school & go to the pool
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A MUM has shared how her family ditched the UK to live in Spain four years ago and will 'never be bored' of her new life.
Jodie Marlow, who shares clips of her new sunny lifestyle online, shared how she doesn't miss the rainy weather at all, and spends her days enjoying the sun.
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UK mum Jodie Marlow has 17,000 followers who follow her new life in Spain
Credit: Tiktok/JodieMarlow
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Jodie picks her kids up from school at 1.30pm in summer and takes them straight to the pool
Credit: Tiktok/JodieMarlow
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Jodie said she will never get bored of her life in Spain
Credit: Getty
Jodie, who is a stay-at-home mum, said her two boys finish school at 1.30pm in summer and they spend afternoons playing in the pool.
In a clip on her @jodiemar1ow account, which has over 1,790 likes, she said: 'Four years in & don't think I'll ever get bored of this.'
She added that the weather is perfect for her, with temperatures in the top 20s or 30s every day.
Jodie said: 'It's not too hot, not too cold. Like, I can wear my nice summer dresses, which I love.'
When her kids are at school, she spends her time picking up fruit and veg at the local market, or going for a pamper, including laser hair surgery.
She then does housework before picking up the boys and having some lunch with them.
Meanwhile, weekends are spent exploring gorgeous nearby beaches and dining out in local restaurants.
MOVING TO
SPAIN
Finally, Jodie advised people on how they can also make the move to Spain.
She shared: 'If you hold a UK British passport, you can't just move to Spain like you could pre-Brexit, you do need a visa.
'The working visa you could look into getting dependent on if you've got a specialised job.
I quit my job and did a complete 180 moving to Spain - beer is just $3 a pint and my life is so much better
'The self-employed visa, basically they said to us it's just impossible to get, so we didn't even try with that.
'But the digital nomad visa allows anyone that is working online, as long as you are earning a set amount of money that provides for if there's four of you for the family, you can pay for all four of you, and they set out exactly how much that would be.'
Since Brexit, UK citizens, and non-EU citizens require a visa to stay longer than 90 days.
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Jodie said the weather is usually perfect for her
Credit: Getty
SOCIAL REACTION
Many people were quick to chime in and comment on her new life in Spain, and praise her for making the move.
One said: 'It's beautiful there, my sister moved there 26 yrs ago, no regrets.'
A second added: 'I don't think you could ever get bored of that lifestyle.'
Meanwhile, and a third joked: 'You sure you wouldn't rather be stuck indoors looking out at the rain?'
Jodie replied: 'deffo don't miss that side of the uk.'
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Jodie advised getting a digital nomad visa if you want to make the move
Credit: Alamy
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TOM UTLEY: From the bliss of my own bed to a decent cuppa... why the best part of any holiday is the heart-lifting relief of coming HOME
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X Factor and CBB legend joins dating app to look for love after being single for EIGHT years
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Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) X FACTOR icon John Grimes has been spotted on Hinge on the look for love. The 33-year-old singer, one half of twin double act Jedward, is going solo on the apps after being single for eight years. 5 John is best known as one half of Jedward Credit: Getty 5 John is shown on the profile looking for a 'long term relationship, open to short' Credit: Getty On the profile, John says he'll get along with someone who is "kind, playful and outdoorsy" and labels himself a music producer. The famously playful star – who was 17 when he and Edward first found fame on X Factor – jokes that he got an education at Harry Potter's Hogwarts School of Witchcraft and Wizardry. He notes that he is looking for a "long term relationship, open to short". Opting to keep his brother out of any of the photos, his profile is filled with selfies, including one on a sofa with his dog while he sits in a black and red check shirt. Another just shows a picture of a red drink filled with fruit including blackberries and strawberries. Following the prompted "What if I told you that..." he responds: "You've scrolled this far so you probably fancy me a lil bit" with a winking face. The appearance of the profile comes as John's first major public move into dating in years. Both John and Edward keep their partners out of the spotlight, and are very rarely seen without each other. However, in 2017 the duo tried their luck at reality show dating, appearing on short-lived MTV series, Single AF. The show only ran for one series, but proved successful in an unexpected way with Geordie Shore's Marnie Simpson meeting Union J star Casey Johnson while filming. Jedward wow RTE viewers with 'lively' performance The pair are now married with three children together. Single AF proved unique in its concept by having viewers interact with the celebs in real time, and influencing who and where they dated potential matches. Splitting up to go on separate dates, both John and Edward entered the show with gusto, boasting about their sex skills and snogging their matches. While Edward found romance with Swedish girl Sabina, John was unfortunately not so lucky. He said about his time on the show: 'I have so much love for many people but not the romantic kind of love that I'm looking for…so no.' 5 Jedward are rarely seen without each other Credit: Getty 5 The star is searching for some romance in his life Credit: Getty

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Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. TROUBLED SOUL I just knew one day people would finally get Nick Drake, says legendary producer Joe Boyd Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) 'I REMEMBER the moment I first saw Nick. He was very tall – but kind of apologetically tall.' Legendary producer Joe Boyd is casting his mind back to January 1968, to the day 'very good-looking but very self-effacing' Nick Drake dropped a tape off at his London office. Sign up for Scottish Sun newsletter Sign up 5 Nick Drake died aged 26 in 1974, never enjoying commercial success in his lifetime Credit: Getty - Contributor 'He stooped a bit, like he was trying not to seem as tall as he was. 'It was wintertime and there were ash stains on his overcoat. He handed me the tape and trundled off. 'My first encounter with Nick's music was, most likely, that same evening or possibly the following one.' Boyd, an American who became a central figure in the late Sixties British folk-rock boom, was 25 at the time. Drake was 19. He cut a striking figure — lanky with dark shoulder-length hair framing his boyish features. Through his company, Witchseason Productions, Boyd came to helm stellar albums by Fairport Convention (with Sandy Denny), John Martyn, Shirley Collins and The Incredible String Band. But there was something indefinably mesmerising about those three songs passed to him by the quiet teenager who studied English Literature at Cambridge University. As Boyd switched on his 'little Wollensak reel-to-reel tape recorder', he was captivated by Drake's soft but sure tones, allied to his intricate fingerpicking guitar. 'I think the songs were I Was Made To Love Magic, Time Has Told Me and The Thoughts Of Mary Jane,' he says. 'From the first intro to the first song, I thought, 'Whoa, this is different'.' I'm speaking to Boyd to mark the release of a beautifully curated box set, The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings. Rounding it off is the finished product, Drake's debut album for Chris Blackwell's fabled Island Records pink label. Bob Dylan biopic is an immaculate portrayal of the grumpy singer's rise to fame - shame his women feel like complete unknowns In 2025, the singer's status as one of Britain's most cherished songwriters is assured. A troubled soul, Drake died aged 26 in 1974 from an overdose of antidepressants, never enjoying commercial success in his lifetime, never knowing how much he would be appreciated. But Boyd, now 83, had no doubts about the rare talent that he first encountered in 1968. He picks up the story again: 'Ashley Hutchings, the Fairport Convention bass player, saw Nick playing at The Roundhouse [in Camden Town, North London] and was very impressed. 'He handed me a slip of paper with a phone number on it and said, 'I think you'd better call this guy, he's special'. 'So I called and Nick picked up the phone. I said, 'Do you have a tape I could hear?'. He said, 'Yes'.' Boyd still didn't hold out too much hope, as he explains: 'I was very much a blues and jazz buff. I also liked Indian music. 'White middle-class guys with guitars were never that interesting to me — Bob Dylan being the exception that proves the rule. 5 John Boyd holding The Making Of Five Leaves Left, a treasure trove of demos, outtakes and live recordings 'But Nick was something else. He wasn't really a folk singer at all.' Boyd describes Drake as a 'chansonnier', a French term for a poet singer who performs their own compositions, often drawing on the themes of love and nature. He says: 'I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures.' To Boyd, Drake's enduring appeal is also helped 'by the fact that he didn't succeed in the Sixties'. 'He never became part of that decade's soundtrack in the way Donovan or [Pentangle guitarist and solo artist] Bert Jansch did. 'So he was cut loose from the moorings of his era, to be grabbed by succeeding generations.' Drake was born on June 19, 1948, in Rangoon, Burma [now Myanmar], to engineer father Rodney and amateur singer mother Molly. His older sister Gabrielle became a successful screen actress. When Nick was three, the family moved to Far Leys, a house at Tanworth-in-Arden, Warks, and it was there that his parents encouraged him to learn piano and compose songs. I'm always a bit bemused when I go into a record store — one of the few left — and see Nick filed under folk. He's unclassifiable and that's one of the reasons he endures. Joe Boyd Having listened to the home recordings of Molly, Boyd gives her much credit for her son's singular approach. He says: 'When you hear the way she shaped her strange chords on the piano and her sense of harmony, it seems that it was reverberating in Nick's mind.' When Drake gave him those three demos, recorded in his room at Fitzwilliam College, Cambridge, Boyd 'called the next day and said, 'Come on in, let's talk'.' During the ensuing meeting, Drake said: 'I'd like to make a record.' He was offered a management, publishing and production contract. Just as importantly, he had found a mentor in Joe Boyd. What you hear on the box set is the musical journey leading up to the release of Five Leaves Left in July 1969. The set was sanctioned by the Estate Of Nick Drake, run on behalf of his sister Gabrielle by Cally Callomon, but only after two remarkable tapes were unearthed. His first session with Boyd at Sound Techniques studio in March 1968 — found on a mono listening reel squirrelled away more than 50 years ago by Beverley Martyn, a singer and the late John Martyn's ex-wife. A full reel recorded at Caius College by Drake's Cambridge acquaintance Paul de Rivaz. It had gathered dust in the bottom of a drawer for decades. Boyd says: 'I have never been a big enthusiast for these endless sets of demos and outtakes — so I was highly sceptical about this project. 'But when my wife and I were sent the files a few months ago, we sat down one evening and listened through all four discs. 'I was tremendously moved by Nick. You can picture the scene of him arriving for the first time at Sound Techniques. ­ 'This is what he's been working for. He's got his record deal and here he is in the studio. I was stunned.' 5 Five Leaves Left was released in 1969 In pristine sound quality, the first disc begins with Boyd saying, 'OK, here we go, whatever it is, take one.' Drake then sings the outtake followed by some of his best-loved songs — Time Has Told Me, Saturday Sun, Day Is Done among them. It's just man and guitar, recorded before musicians such as Pentangle's double bass player Danny Thompson and Fairport Convention's guitarist Richard Thompson (no relation) were drafted in. Boyd continues: 'The trigger for those recordings, that first day in the studio, was wanting our wonderful engineer John Wood to get a feel for Nick's sound. 'Nick was wide awake and on it. He was excited about being in a studio and he wanted to impress.' All these years later, one song in particular caught Boyd's attention — Day Is Done. 'He takes it more slowly than the final version. This gives him time to add more nuance and the singing is so good.' Back then, as Five Leaves Left took shape, Boyd witnessed the sophisticated way Drake employed strings, oboe and flute. Inspired by subtle orchestrations on Leonard Cohen's debut album, Boyd had drafted in arranger Richard Hewson but it didn't work out. 'It was nice, but it wasn't Nick,' he affirms. When Drake suggested his Cambridge friend Robert Kirby, a Baroque music scholar, everything fell into place. Boyd says: 'Nick had already been engaging with Robert about using a string quartet but had been hesitant about putting his ideas forward.' SUBTLE ORCHESTRATIONS The producer also recalls being 'fascinated by the lyrics — the work of a literate guy'. 'I don't want to sound elitist but Nick was well educated. British public school [Marlborough College] and he got into Cambridge. 'Gabrielle told me he didn't like the romantic poets much. But you feel that he's very aware of British poetry history.' This is evident in the first lines of the opening song on Five Leaves Left — 'Time has told me/You're a rare, rare find/A troubled cure for a troubled mind.' 'When I think about Nick, I think about the painting, The Death Of Chatterton,' says Boyd. 'Chatterton was a young romantic British poet who died, I think, by suicide. You see him sprawled out across a bed.' I ask Boyd how aware he was of Drake's struggles with his mental health. 'It's a tricky question because I was aware that he was very shy,' he answers. 'Who knew what was going on with him and girls?' Boyd believes there was a time when Drake was better able to enjoy life's pleasures. 'When you read of his adventures in the south of France and in Morocco, it seems he was more relaxed and joyful. 5 Drake at home with mother Molly and sister Gabrielle 'And when I went up to Cambridge to meet Nick and Robert Kirby before we did the first session, he was in a dorm. 'There were friends walking in and out of the room. There was a lot of life around him.' Boyd says things changed when 'Nick told me he wanted to leave Cambridge and move to London. 'I agreed to give him a monthly stipend to help him survive. He rented a bedsit in Hampstead — you could do that in those days. 'Nick started smoking a lot of hashish and didn't seem to see many people. I definitely noticed a difference. 'He'd been at Marlborough, he'd been at Cambridge and suddenly he's on his own, smoking dope, practising the guitar, going out for a curry, coming back to the guitar some more. He became more and more isolated and closed off'. Boyd describes how Drake found live performance an almost unbearable challenge. He says: 'He had different tunings for every song, which took a long time. He didn't have jokes. So he'd lose his audience and get discouraged.' 'It still haunts me that I left the UK' For Drake's next album, Bryter Layter, recorded in 1970 and released in 1971, Boyd remained in charge of production. Despite all the albums he's worked on, including REM's Fables Of The Reconstruction and Kate and Anna McGarrigle's classic debut, he lists Bryter Layter as a clear favourite. It bears the poetic masterpiece Northern Sky with its heartrending opening line – 'I never felt magic crazy as this.' Boyd says: 'I can drop the needle and relax, knowing that John Wood and I did the best we could.' However, he adds that it still 'haunts me that I left for a job with Warner Bros in California after that. I was very burnt out and didn't appreciate how much Nick may have been affected by my leaving'. Drake responded to Boyd's departure by saying, 'The next record is just for guitar and voice, anyway'. Boyd continues: 'So I said, 'Well, you don't need me any more. You can do that with John Wood'.' When he was sent a test pressing of 1972's stripped-back Pink Moon, he recalls being 'slightly horrified'. 'I thought it would end Nick's chances of commercial success. It's ironic that it now sells more than his other two.' Then, roughly a year after leaving the UK, Boyd got a worried call from Drake's mum. 'Molly said she had urged Nick to see a psychiatrist because he had been struggling,' he says, with sadness, 'and that he had been prescribed antidepressants. 'I know Nick was hesitant to take them. He felt people would judge him as crazy — a typically British response.' Boyd again uses the word 'haunting' when recalling the transatlantic phone call he made to Drake. 'I said, 'There's nothing shameful about taking medicine when you've got a problem'. I know Nick was hesitant to take them [antidepressants]. He felt people would judge him as crazy — a typically British response Joe Boyd 'But I think antidepressant dosages were way higher in those days than they became. 'Doctors didn't appreciate the rollercoaster effect — how you could get to a peak of elation and freedom, then suddenly plunge back into depression. 'Who knows but it might have contributed to the feeling of despair Nick felt the night he took all those extra pills.' 5 Boyd says of Drake: 'He's unclassifiable and that's one of the reasons he endures' Drake died at home in Warwickshire during the early hours of November 25, 1974. As for Boyd, he made a lasting commitment to the singer who had such a profound effect on him. He says: 'When I left, I gave my company to Chris Blackwell because there were more debts than assets — and he agreed to take on the debts. 'But I said, 'I want it written in the contract that you cannot delete Nick Drake. Those records have to stay. 'I just knew that one day people would get him.'

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