Nathi Mankayi to headline Eastern Cape's 'Music In The Snow'
This year marks the show's fourth year.
Music In The Snow has consistently sold out its shows, attracting visitors from around the country.
Founder Mlindi Ntloko attributes this success to the event's unique blend of music, nature and adventure.
'We're thrilled to build on this momentum in 2025 with an expanded programme that offers something for everyone.'
This year's event kicks off on July 18 with a cocktail party and whisky tasting experience at a separate venue, offering attendees a range of styles to enjoy. The popular hiking excursions will also be expanded to include mountain biking trails led by experienced guides.
'We're committed to making Music In The Snow an inclusive and immersive experience that showcases the full range of Hogsback's offerings,' said Ntloko. 'From music and nature to adventure and relaxation, we invite visitors to join us for an unforgettable weekend in one of South Africa's most breathtaking destinations.'
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Mail & Guardian
10 hours ago
- Mail & Guardian
A weekend to breathe in
Lefika Villas at Sun City (Photo supplied) Some weekends arrive just in time — like a quiet drumbeat in a noisy week, beckoning you to pause and breathe. That was exactly the rhythm of our escape to Sun City this past weekend, where my partner and I surrendered to the warm embrace of Lefika Villas — Sun City's latest ode to luxury, heritage and rest. Set against the majestic backdrop of the Pilanesberg's rugged hills, Lefika Villas feels like something ancient and intimate. 'Lefika' means stone in Setswana, and the name does more than pay homage to the land — it speaks to the soul of the place. You feel it when you arrive: the scent of the earth, the stillness of nature, the whisper of ancestry carried on the wind. The architecture draws from Itlholanoga, the heritage site not far from there — believed to be the original Lost City. Here, walls speak in stone and silence. We arrived in the golden hush of late afternoon. Our villa, a three-bedroom beauty carved with intention, welcomed us like an old friend. Inside, light danced on handblown-glass pendant lights, while bead chandeliers hung like gentle storytellers above us. The space is all about touch and texture: dark wood furniture, jute fabrics and natural hues that seem to blur the line between indoors and the land beyond. But let's talk about the kitchen for a moment. Sleek, open-plan and home to a Nespresso machine that was definitely too high-tech for me at first (thank you, YouTube), it's the kind of space that makes you believe you could host a cooking show — if only for a weekend. The lounge, with its folding doors, opened onto a private patio complete with a built-in braai. You're not just in a villa; you're in a cocoon of comfort cradled by mountains. The villas are positioned with surgical precision. From each room, you see the landscape undisturbed — rolling hills, a wandering bird, silence. Privacy isn't just preserved here, it's celebrated. Each bedroom is its own narrative, en-suite and individually themed to reflect South African identity. My favourite detail? The bathrooms. Think textured tiles, diffused lighting and enough space to twirl if you're the dancing-while-drying-off type. It's luxury without the shouting — everything whispers. What won me over, though, is the villas' gentle commitment to sustainability. The stone walls, aside from being gorgeously robust, double as natural insulators. Energy-saving fixtures, solar-powered systems and water-wise fittings reflect an understanding: luxury can be kind. It must be. Of course, sanctuary comes at a price. A stay at Lefika Villas is structured like an investment. The villa we stayed in carries a price tag of R88 825. But before your heart skips a beat — this isn't the nightly rate. It's the cost for a 10-year plan, giving you 10 holiday stays over a decade. It's time, packaged beautifully. There's even an option to pay in monthly instalments, starting with a deposit of R8 883 followed by 10 payments of R7 994, though prices may vary. Luxury, like heritage, asks you to see the long view. But we didn't stay in our villa, no matter how tempting. Sun City called. From the Gary Player Golf Course to the Valley of Waves, the resort is a playground for all seasons. For the more adventurous, Segway tours and hot-air balloon rides lift you out of the everyday. And for those who believe good food is a holiday essential, dining options abound — from Leloko's elegant menu to a comforting R60 burger from one of the classic chains. Yes, you can eat fast food in high-end luxury and still feel like royalty. That's the magic. What I loved most about Lefika Villas wasn't just the space or the design or even the views. It was the feeling. The quiet of a place that understands where it stands. A villa that respects the land it rests on, that honours the stories carved in stone and handed down generations. On Monday morning, as we packed up in a rush for the rat race, the hills turned gold as the sun came up. Not flashy gold — but that soft, knowing gold that comes just before twilight. And I thought to myself: 'This wasn't just a getaway. It was a return to something older, grounding. Real.' Whether you're a couple needing time to reconnect, a family looking for new traditions or a solo traveller chasing stillness, Lefika Villas offers more than just a stay. It offers space to breathe, reflect and be.

The Herald
13 hours ago
- The Herald
Kolisi bites back at critics over team's performance
As the United Rugby Championship (URC) heads into its decisive stages, all eyes turn to Pretoria this weekend, where the Sharks will square off against the Bulls in a much-anticipated SA derby. Despite finishing third in the regular season, the Sharks have come under scrutiny for what many have described as an underwhelming campaign, a label which Springbok captain Siya Kolisi dismisses with calm defiance. The Sharks, who edged past Munster in a dramatic 100-minute thriller last weekend, are no strangers to gritty battles. Deadlocked at 24-all at full time, the clash in Durban went to a rare penalty shootout where the Sharks triumphed 4-2. It was a match which highlighted their resilience and unpredictability. 'I know this is a massive topic,' Kolisi said. 'There are many reasons why we haven't played to our full potential. 'A lot of people are looking at the results and the way we play. 'We know it's something we need to work on and when we review our games we see our shortcomings. 'Sometimes it's only the one person who is at fault at a particular time.' Kolisi insists the Sharks are building something powerful and they're not concerned with outside opinions. 'The most important thing is we are winning, and we know there will be a day where we will play well. 'We have a lot of confidence [in beating the Bulls] as our team has done this before. 'We have beaten the Bulls three times this season, but we know all of that means nothing and it will be a new fixture this weekend. 'We have a lot of confidence heading into the match.' One of the biggest talking points of the Sharks' season has been the inability of their star-studded line-up, featuring up to 12 Springboks, to consistently replicate their dominant international form at the club level. While fans and pundits continue to question this disparity, Kolisi remains unfazed. 'The game plan [for Springboks and Sharks] is not the same, so I can't answer that question. 'I personally give my all for both the Sharks and Springboks. 'They are just two different systems we as players have to deal with, but if people are doubting our effort when we play for the Sharks, they must look at our stats when we play for the Sharks and when we play for the Springboks.' Indeed, the contrast between their club form and international dominance has been stark, but Kolisi argues it is more a matter of tactical variation than lack of intensity. Last weekend's showdown was not without drama. In the shootout phase, Sharks scrumhalf Jaden Hendrickse drew attention after what appeared to be a taunt directed at Munster's Jack Crowley. Hendrickse, who cramped up immediately after his kick, was seen winking at Crowley, sparking an on-field verbal exchange caught clearly by the referee's microphone. 'There is absolutely nothing wrong with what Jaden did there,' Kolisi said. 'These things happen in rugby and other teams have done similar things before. 'Sometimes people also say things to me in a game and the onus is on the person and what they do when they are provoked. 'There are players in Jack's team [Munster] who also do the exact same thing to other players from the opposition. 'It's just that this time on the day it was heard from the referee's mic. We stand with Jaden. 'We're not going to get distracted. The focus is this weekend, nothing else.' With the Bulls seen by many as favourites to reach the URC final, the Sharks find themselves once again in the role of disrupters. But if their past three meetings this season are anything to go by, the Durban outfit have every reason to believe. They may not have lit up the season with flair, but in knockout rugby grit often trumps style. With Kolisi ready to charge and a battle-hardened squad behind him, the Sharks are ready to prove their doubters wrong, one ugly win at a time. — SportsBoom


Mail & Guardian
15 hours ago
- Mail & Guardian
Noxolo Dlamini returns to the stage as Sarafina
Third time lucky: Noxolo Dlamini returns to the role of Sarafina in a production of the musical, on at the Joburg Theatre until 15 June. (Photo supplied) For Noxolo Dlamini, acting isn't merely a job — it is spiritual. It's a channel that allows her to connect with people through their spirit. I can immediately sense the passion she has for the vocation when she speaks. For her, the art of acting is one that enables her to portray characters that stand up for others and seek social justice. Her portrayal of Sarafina is no exception. She has returned to theatre to reprise her role in the critically acclaimed musical by late South African playwright Mbongeni Ngema. The opening night of Sarafina took place on 30 May at the Joburg Theatre and it will run until 15 June. The award-winning actress recounts how acting was a big part of her childhood, long before she stepped onto the stage and screen. 'I've always acted,' she says. 'I started in nursery school. The earliest memory or story I've heard from my mother is that there was a show that we did. I was like five, six. We did the Down in the Jungle song and I got to play the mama. 'And I remember my mom saying that my teacher at the time went up to her after the performance and said, 'I don't know if you know this, but Nox is really good at this thing, you know. She seems to really enjoy it too.' And my mom was like, 'Oh, okay. Well that's really nice.' 'And so my mom always reminds me of that story and I think that's when she first realised. 'But, for me, I used to love playing in the mirror. I used to dance, sing and act in front of the mirror. It's just something I really liked. I just enjoyed it. I got to primary school and that's all I did.' During her time at Craighall Primary School in Johannesburg, Dlamini had a drama teacher, Mrs Martel, who would later on put in a word to convince her mom to allow her to pursue her love of acting. 'When I got to grade seven, she's the one that spoke to my mother about the National School of the Arts and she's, like, 'I think she should go there because she clearly loves it and she's good at it.' 'So then I went to the National School of the Arts. She really fought for me, you know, and my mom was very supportive. 'It was really lovely because my mom's a single mom of five and I think she appreciated the help of someone else spotting my talent and actually pushing for me to, I guess, go for what I really love.' Dlamini was cast as Sarafina in 2017 and again in 2019. After that, she took a break from theatre to focus on film and television projects. Photo supplied 'I've always done theatre. My career studying-wise was always theatre. Film and television wasn't the thing I was actually planning on doing until 2018. 'The idea started playing in my head in 2017, but in 2018, I made the decision that, in 2019, I'm not auditioning for theatre anymore.' It was during this break from theatre that she won a South African Film and Television Award in 2023 for the best actress in a feature film category for her performance in Netflix's Silverton Siege. The actress recently starred in Amazon Prime's action film G20, inspired by the G20 meeting set to take place in South Africa in November. It stars Emmy, Grammy, Oscar and Tony award-winning American actress Viola Davis as 'Potus', the president of the US, and New Zealand actor Antony Starr as Rutledge, the villain. 'When I got G20, I was like, 'Oh, my gosh, I actually get to work with her [Davis]!' Dlamini remembers. 'You know, the first time I worked with her briefly on The Woman King, doing stunts, but now I actually have a scene with her.' What makes the movie an exciting watch, for South Africans anyway, is spotting the local accents of several of the characters. Dlamini plays Lesedi, a South African government agent posing as a hotel staff member. 'Lesedi is a badass. I think what's lovely about her is that she's such a powerful representation of what a South African woman is — in an action sense, of course. 'But I think my favourite thing is how we were allowed to firstly play ourselves — South Africans — but also, that we were allowed to be a part of the heroes.' 'Lesedi, I think this is like with any soldier — she lends herself … to protect others, to help others. 'I did learn from her that there's nothing wrong with lending yourself, ' Dlamini says. Recently, before the announcement of her return as Sarafina, she spoke about the theatre itch she hadn't been able to quite shake off. 'Like, right now, I'm definitely going back to theatre. There's something in my heart that feels like it needs to happen. 'And, instead of feeling like I'm angry or like I'm tired of filming television, I realised I need to go back into theatre again. I need to fuel up. 'I need to inject myself with that love and that creativity and just give all of that again, to get back to going, 'Okay, okay, okay, fine, I'm okay.' I just needed a dose of that. 'But, yeah, I think I shouldn't leave it for too long, actually. 'I miss the adrenaline. I love the rehearsal space. I love rehearsal time. I love finding the character. 'I love getting to do the same show five times, six times in the week where you can literally have a different show every night because things happen differently. I just miss that.' Some might call it fate that the actress has been cast as Sarafina three times. After all, Dlamini's love for the character began when she watched the 1992 film adaptation of the musical starring South African actress Leleti Khumalo and American actress Whoopi Goldberg. The movie is what finally inspired her to become an actress. 'The earliest I can remember, because I'm thinking of the cassettes we used to watch, we used to have Sarafina. I loved Sarafina. I loved it because it incorporated everything I enjoy. It had the acting, the dancing, the singing and I was just like, 'Yoh!' 'You know what it feels like to me, it feels like … I don't know how to explain it. I think musical theatre people, people who do theatre, will understand the feeling of, like, after doing a huge number on stage and it's at the end. Just that feeling, that exhilarating feeling. That's how it makes me feel. 'And that makes me feel alive. And it makes me feel like I just did everything in the world, you know?' Noxolo Dlamini. (Photo supplied) Sarafina showcases a pivotal moment in South Africa's history when students led protests during the 1976 Soweto Uprising. The characters depict the violent trauma that many students experienced under the apartheid regime. It is for this reason it is crucial for actors to be able to step back from a role. 'We use ourselves. We are the vessel that the character is coming alive through. And some people use their own past experiences to reach certain things. To be a human being and to put yourself through something that isn't actually happening, you know it, but your body and your mind don't really,' Dlamini says. 'That's why they're always talking about de-roling. And it's because your body actually goes through it. The trauma of the character, your body goes through it too.' She says an actor's mind does it too: 'Oh, by the way, just so you know, this is not real, you know, because you're using your actual emotions and you're using your actual self. 'It's really important to understand how you get in and out of that. How to get to a point where you go, 'Okay, the character's done. Now we have Nox. How do we get back to Nox? What does Nox like?' 'It's really important to have that relationship with yourself so that you're able to kind of lend yourself out to your characters.' The actress says she has reached a milestone in her career — and has no plans to slow down. 'My career has been so blessed. I've just reached the 10-year point. I was starting to kind of feel like it's slowing down and I'm just like, 'Ah, do I still want to do this?' ''Of course I want to do this, but what do I want to do? There's something else. There's something else that's meant to happen.' 'I don't know what it is right now. And I love that feeling because it's brought me closer to God again. Because, initially, the reason I wanted to do it was because I believe it is what God gave me. He put that dream in my heart. I can't give up on myself because I feel like giving up on myself is giving up on God.' Dlamini's focus at the moment is on returning to the stage and making her mark once again. 'I think, more than anything, I love what I do because I get to express myself. It's that one feeling of being on stage and going, 'Huh!' And, 'I gave everything that I could.' 'And also, the energy! There's so much energy in what you get from the audience, what you give to the audience. And it's just … it's beautiful to be in the space where we're all telling a story. 'The energies are so different because every show feels so different. 'I get to go home and sleep. And then the next morning, I get to wake up and do it again.'