Lauren Sánchez's Bachelorette-Party Style Is Still Going Strong in Cannes
Lauren Sánchez's Paris bachelorette may be over—but she's not yet finished with her bridal-style outfits.
Today, the former television journalist was spotted hand-in-hand with fiancé Jeff Bezos as they went out to dinner in Cannes. She wore a short white mini dress with a bubble hem, which she paired with gold statement earrings and strappy white sandals. Tucked under her arm? A black crocodile Hermès bag.
The two are in town for the world-famous film festival, which has seen stars from Jennifer Lawrence to Emma Stone descend on the French Riviera in the highest style. (Quite literally: the former wore Dior on the red carpet, while the latter wore Louis Vuitton.) For Bezos—the founder of Amazon and therefore its subsidiary Amazon MGM Studios—it is technically a business trip… albeit one that allows them to stay on their mega-yacht of Koru.
But it's not the main reason they are there: This week, Sánchez will receive the Global Gift Women Empowerment Award at Eva Longoria's Global Gift Foundation charity gala. She is being honored for work with the Bezos Earth Fund and This Is About Humanity, which assists families separated at the U.S.-Mexico border.
It's just the latest high-profile moment for Sánchez after a high-profile few weeks. First, there was her all-female Blue Origin flight in mid-April; then, her splashy bachelorette party in Paris. Celebrities from Kim Kardashian to Katy Perry headed to the City of Lights for an itinerary that included dinner at the Cheval Blanc hotel and a boat ride on the Seine.
And they certainly did it in style: Sánchez herself wore everything from a Murmur corset set to an Oscar de la Renta crop top, whereas Kardashian donned an off-the-shoulder Louis Vuitton top.
If this is just her and her friend group's bachelorette style, it seems we're in for some seriously over-the-top bridal style for Sanchez and Bezos's actual wedding—rumored to be sometime this summer.
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HH: A big part of what informed a lot of my research, and it's not even touched on in the film really, but there's a tattoo that she has on her back that actually is a universal symbol for sexual abuse. And that's a big part of why she has closed up and run away and has become this vagabond. It's a really hard and truthful topic, and doing the research on that was heavy, but that's what was real for her. Australian horror is known for its particular brutality, and that's matched in this film with some fairly brutal moments – like a character biting their own thumb off. As an American, what was your sort of understanding of the Australian horror genre? HH: Australians are so well respected in this space. Between The Loved Ones and The Devil's Candy, Sean knows his stuff when it comes to all things genre. I love my Aussies, but you guys do seem to have a little dark, wicked side. But I was down to come play, and I knew I had big shoes to fill. [To Josh] Was I the only American on set? JH: Yeah, pretty much. Hassie showed up, ready to rock from day one. There were no reservations of jumping into the Australian culture- HH: And ocean. JH: Literally. There was no hesitation; she jumped straight in. I guess Australians are known for a bit of grit, like Wolf Creek, one of our cult classic Australian horror films. Recently, there's Talk to Me, which is amazing. Australia's on a wave right now, I think, with horror, and Hassie came and brought it and drove it as well. It's great seeing Australia kind of rock it in horror. Courtesy of Independent Film Company and Shudder Okay, let's finish on Zephyr biting off her own thumb to escape. What I loved about the thumb is how it wasn't just like this incredible act of bravery, but it matched thematically – the whole idea of a bear gnawing its way out of a trap. What was it like shooting that? HH: I was actually the most nervous about that scene. Of course, they saved it for the very last day, and everybody's trying to have this super cool last day, all partying together; summer camp's over. I think one of the things that was important for me to feel was her vulnerability and how scared she was to do it; you know what I mean? That was a hard scene to shoot. I kind of hyperventilated. JH: She passed out. HH: Yeah, I passed out. JH: The stakes are so high for you, too, like I'm still covered in blood across the room from you and trying to be present as much as possible. But yeah, you if you're like, because you are hyperventilating in a way, to try and get yourself to that emotional state, and Hassie, again, committed 100% and passed the f*** out. HH: I'll never forget. I just started, like, slowly tipping. And our DP was like, 'Hey!' and came and caught me. It's one of those scenes that you just have to commit to, and it looks so rank. I couldn't believe, watching it in the theatre, how everyone was cheering. 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