FireKeepers Casino plans summer concert series with three shows. Here's who will perform.
FireKeepers Casino Hotel is hosting a summer concert series featuring some well-known performers.
According to an announcement earlier this year, the series will take place at the FireKeepers Casino Event Center, 11177 E. Michigan Ave., Battle Creek.
The concert series will kick off on Saturday, June 7, followed by a show on Aug. 1 and the final one on Aug. 8.
What to know about the summer concert dates and performers
Clint Black
When: 8 p.m., Saturday, June 7, at 8 p.m.
Who: Country music star Clint Black. Black, a prominent figure in country music since the late 1980s, has released 22 No. 1 hits and sold more than 20 million records. He is recognized for songs such as "A Better Man" and "Killin' Time." Tickets for this performance start at $39.
More area news: Battle Creek man shines at EDM Awards
Earth, Wind & Fire
When: 8 p.m. Friday, Aug. 1
Who: Earth, Wind & Fire will take the stage. This legendary group has sold more than 100 million albums and won nine Grammy Awards, including a Lifetime Achievement Award. Their hits include 'September' and 'Let's Groove.' Tickets for this concert start at $69.
Sam Hunt
When: 8 p.m. Friday, Aug. 8
Who: Country artist Sam Hunt gained fame with his debut album, Montevallo, which produced several No. 1 hits including "Leave the Night On." His unique blend of country and pop has earned him multiple awards and nominations. Tickets for Hunt's performance will start at $99.
How do I get tickets for the concerts?
Tickets for all concerts can be purchased online at FireKeepersCasino.com or at the FireKeepers Casino Box Office in the hotel lobby. The concert series promises to deliver memorable performances from a diverse range of artists, appealing to various musical tastes.
In addition to the summer concert series, FireKeepers Casino Hotel has an exciting lineup of entertainment scheduled for the upcoming months.
More news: Kellogg Community College opens registration for summer and fall classes
Upcoming events at FireKeepers include performances by Tom Segura on Friday, May 9; and John Fogerty on Thursday, July 17.
For more information, go to FireKeepersCasino.com or call the FireKeepers Casino Box Office at 877-352-8777.
The July 5 Foreigner show has been postponed. A new date has not been announced.
This story was created by Janis Reeser, jreeser@gannett.com, with the assistance of Artificial Intelligence (AI). Journalists were involved in every step of the information gathering, review, editing and publishing process. Learn more at https://cm.usatoday.com/ethical-conduct/.
This article originally appeared on Battle Creek Enquirer: Summer concert series in Battle Creek hosted by FireKeepers Casino
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
How Costumes From Shows Like ‘Emily in Paris' and ‘Sirens' Illustrate That Fashion, Like Friendships, Is Complementary and Competitive
Whether dressing in opposition or mirroring each other, wardrobes speak volumes about the complexities of kinship this Emmy season. At a client launch party in Emily in Paris, the titular marketing maven (Lily Collins) confidently works the crowd in a structured PVC dress, with exaggerated floral appliqués, by Balmain. Her roommate and BFF Mindy (Ashley Park), conveniently a showstopping singer, also commands the room in a sparkly pink Germanier minidress with a contoured-plunge neckline and architectural ruffles. Their dresses convey their complementary personalities: Emily the restrained and controlled yin to Mindy's vivacious and adventurous yang. More from The Hollywood Reporter How 'The Upshaws' Editor Angel Gamboa Bryant Makes Sure the Comedy Lands Every Time 'Inside Edition' Anchor Deborah Norville to Receive Lifetime Achievement Award at 2025 Daytime Emmys What Is P(doom) and Why Is Jesse Armstrong Laughing About It? 'Both are joyful characters but are eclectic, unique and risky in their own ways,' says costume designer Marylin Fitoussi. 'Opposites attract.' But, at closer look, the lustrous, sculptural aspects of Emily's and Mindy's dresses compose a perfect harmony. The two-time Emmy nominee always coordinates the duo's costumes in shared scenes through color palette and/or eye-catching details. 'It's a question of avoiding trends and finding the most eccentric, precise and funniest details or accessories to make them both interesting and bold, to create their own styles,' says Fitoussi. 'That expresses their friendship.' Fitoussi made an exception when Mindy supported a heartbroken Emily by lending her best friend one of her most outrageous outfits to match for a girls night out. 'They were both sad and depressed, so Mindy gave Emily a makeover with the red leather [Jitrois] catsuit and high boots,' explains Fitoussi. Twinning can be weaponized, though. In The White Lotus, three childhood best friends reunite for a luxurious jaunt to Koh Samui, Thailand: TV actress Jaclyn (Michelle Monaghan), New York City attorney Laurie (Carrie Coon) and Austin socialite Kate (Leslie Bibb). They arrive seemingly in sync — dressed in a sunny yellow palette with tropical motifs. But, in trios, the math often adds up to two against one. In their shared villa, Jaclyn immediately lends Kate a fuchsia V-neck maillot and a fringed panther sarong from a Valentino swag box — an imagined celebrity gift conceptualized by costume designer Alex Bovaird. 'They're sharing in wanting to be each other and morphing into each other,' says the four-time Emmy nominee, who dressed a preening Jaclyn in a vintage blocked Chanel caftan over an asymmetric Eres swimsuit. 'They're just like butterflies. Showing off their flashy colors. They're trying to outshine each other, but very passively at the moment.' Jaclyn and Kate proceed to shower each other with backhanded compliments. Amid a divorce and career stagnation, Laurie looks on and interjects with tentative laughter. 'Jaclyn does not share her designer swag with Laurie,' says Bovaird, who peppered Valentino resortwear into Kate's wardrobe. 'That's a little signal of Laurie being on the outs.' Within a beachfront compound on a tiny East Coast island in Sirens, Simone (Milly Alcock) emulates her boss — dressing for the role she wants, both personally and professionally. As an eager assistant to society doyenne Michaela (Julianne Moore), Simone tackles responsibilities beyond office hours, joining morning workouts in matching gear and presenting herself in her boss' image to an absurd degree, like chewing a piece of gum straight out of Michaela's mouth to freshen her breath. 'Simone is always working in mimicry of Michaela,' says costume designer Caroline Duncan, who custom designed Simone's iridescent lilac sports bra and running pants and Michaela's taupe-hued ballet-wrap top and leggings. 'It feels hallucinatory and leads to questions of appropriateness of their relationship.' Simone's devotion blurs boundaries, leading her estranged sister Devon (Meghann Fahy) to believe that Michaela is a cult leader. That's understandable, as the enigmatic, baton-wielding grande dame presides over her high society acolytes in an alabaster white silk halter tunic over wide-leg trousers, custom-designed by Duncan, at a party that Simone flawlessly orchestrates in a highlighter pink and white shift dress by Goop x Lilly Pulitzer. Only Simone enjoys the privilege of incorporating white into her wardrobe, as Duncan intentionally dressed the rest of island society in Easter egg colors only. An aspirational Simone also borrows pieces from Michaela's glamorous, otherworldly wardrobe. At one point, Michaela's billionaire husband, Peter (Kevin Bacon), accuses her of dressing Simone 'up like a doll.' But Michaela sees herself in her protégé. 'She really does tenderly love Simone,' says Duncan. 'So she's trying to polish Simone — crossing every 'T' and dotting every 'I' — and helping her have this outward perfectionism, so that she quickly learns how to climb the ladder herself.' In Dying for Sex, aligning styles symbolize the deepest commitment of friendship as actress Nikki (Jenny Slate) becomes the caregiver to bestie of nearly 20 years, Molly (Michelle Williams), during her final days battling Stage 4 cancer. Tending to her time-sensitive bucket list, Molly leaves her performatively caring husband, Steve (Jay Duplass), to explore her sexual boundaries. Since Molly jumped into Nikki's car, getaway style, she needs to borrow her best friend's comforting sweaters and easy shirts. 'Twinning is just a natural occurrence, especially if they're spending a lot of time together,' says costume designer Melissa Toth, who needed to emphasize realistic New York City wardrobes of a 40-something struggling actress and her terminally ill friend who's finally grasping independence. After a brief stay with Nikki and liquidating her 401(k), Molly moves into her own modest apartment, but the sartorial connection with Nikki remains. 'Maybe they're not trading clothes anymore, but they're becoming a symbiotic creature,' says two-time Emmy-nominated Toth. 'Molly is becoming, essentially, Nikki's partner.' Adjusting to their new daily obligations, the duo convene on a park bench for an intimate, heartfelt and revealing conversation. Nikki self-soothes in layers of an oatmeal sweater, a Uniqlo down puffer and a dark-denim shacket by Frame while Molly swaddles herself in her trusty navy APC overcoat and an ombré earth-toned scarf knitted by Toth's niece. The theme of companionship runs deep, as Williams and Toth also collaborated on Williams' Emmy- and Oscar-nominated turns in Fosse/Verdon and Manchester by the Sea. 'We have a really special working relationship that's actually evolved into a friendship,' says Toth. '[Dying for Sex] is a love story between two friends.' This story first appeared in an August stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise Solve the daily Crossword

Elle
18 hours ago
- Elle
Inside Megan Thee Stallion's Dating History
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. THE RUNDOWN When Megan Thee Stallion's music career started to take off, interest in her love life also intensified. Since her early days as a promising new rapper to winning three Grammy Awards, including the coveted Best New Artist trophy, fans have wanted to know who the rapper is dating. Here's what you need to know about Megan's dating history, from her new relationship with NBA star Klay Thompson to everyone she's dated in the past. Having collaborated on two songs—2018's 'Make a Bag' and 2019's 'All Dat'—Megan Thee Stallion and Moneybagg Yo began a romantic relationship. Megan went Instagram official with Moneybagg Yo in July 2019, posting a loved-up photo with her new boyfriend. However, by January 2020, the romance had ended, and Moneybagg confirmed the split during an appearance on Rap Life Radio. 'It didn't work [out] but I always wish her the best,' the rapper explained, according to The U.S. Sun. 'I'm really proud of her.' He continued, 'The Megan y'all know and the Megan I know are two different things. It's still love, no bad blood.' Having already engaged in a flirty online exchange with Trey Songz in March 2019, fans wondered if the pair might get together when The Shade Room shared footage of Megan with the rapper on Instagram in November 2019. However, Megan was quick to shut down the rumors on X, while confirming she'd only publicly dated Moneybagg Yo at that point, writing, 'Why y'all want me to be a 'hoe' so bad ? Lol I've only dated ONE person y'all know about all that other shit is RUMORS/LIES.' Tory Lanez was sentenced to 10 years in prison in August 2023 after being found guilty of felony assault for shooting Megan's foot while leaving a party hosted by Kylie Jenner in July 2020, NPR reported. While it was initially believed that the two rappers were just friends, Megan revealed she had sex with Lanez 'once, maybe twice on a drunk night,' in her 2024 Prime Video documentary, Megan Thee Stallion: In Her Words. 'As I reflect on the past three years, I view myself as a survivor, because I have truly survived the unimaginable,' Megan told ELLE following Lanez's sentencing in 2023. 'Not only did I survive being shot by someone I trusted and considered a close friend, but I overcame the public humiliation of having my name and reputation dragged through the mud by that individual for the entire world to see.' Collaboration brought Megan and rapper Pardison 'Pardi' Fontaine together. In 2020, the pair worked together on the 'Savage' remix with Beyoncé, and on Megan's hit duet with Cardi B, 'WAP,' per HotNewHipHop. Megan confirmed her relationship with rapper Pardi in February 2021, saying on Instagram Live (via Entertainment Tonight), 'That's my boo, and I really like him...I never said hot girls can't have boyfriends.' She also described her partner as 'so calm and so sweet and very protective.' Throughout 2021, Pardi and Megan were regular fixtures on one another's social media accounts. In April 2021, Megan wrote on X, 'Pardi really showed me what it's like to respect your partner...i used to be talking to people CRAZYYYY.' The following month, the 'Hot Girl Summer' rapper revealed just how much her relationship meant to her, writing on X, 'My boyfriend let's me be me [because] he confident I ain't going no where...I like that.' In May 2021, the two rappers made their red carpet debut at the iHeartRadio Music Awards, per People. In an exclusive interview with radio show 97.9 The Box in June 2021, Megan sang her boyfriend's praises, saying, 'I love Pardi because he is just so sweet. A lot of guys are scared to show their sweet side and Pardi is not that. He's very romantic and protective and he just makes me feel really protected. I love spending time with him because he makes me feel really secure.' Pardi defended Megan after she was shot and faced backlash during Lanez's trial. 'When you do find the courage to speak up it seems you will be ridiculed,' Pardi wrote on Instagram in December 2022 (via Complex). 'Your credibility will be questioned, your entire past will be held under a magnifying glass. In an instant you can go from victim to defendant in the eyes of the public. To anyone with a sister, mother, niece or aunt, I pray for their protection. I pray for their covering. I wouldn't wish this on anyone.' It's unclear when Megan and Pardi broke up. It was reported in February 2023 that Megan had unfollowed Pardi on Instagram. Subsequently, a poem shared by Pardi in May 2023 caused fans to speculate the relationship had ended. It was also suggested that Megan's song 'Cobra,' released in November 2023, referenced alleged infidelity by her ex, Complex reported. Soon after breakup rumors started regarding Megan's relationship with Pardi, the 'Cry Baby' rapper was photographed attending a wedding alongside Belgian soccer player Romelu Lukaku, according to The Daily Mail. The pair were spotted at the wedding of fellow soccer star Lautaro Martínez to model Agustina Gandolfo in Lake Como, Italy. The outlet reported that, at the time, both Megan and Lukaku were managed by Roc Nation, suggesting they likely crossed paths as a result. Aside from their one Lake Como date, however, little is known about whether Megan and Lukaku entered into a serious relationship. Megan Thee Stallion's romance with NBA player Torrey Craig was revealed in August 2024 when the rapper shared a TikTok video of them completing the 'couples challenge' together. They even answered a question regarding who said 'I love you' first in the since-deleted footage. The following month, Megan and Craig were photographed together for the first time when they stepped out during New York Fashion Week. January 2025 saw a mirror selfie of Megan and Craig go viral, along with a sweet snap the NBA star shared of his girlfriend on Instagram. The same month, cheating allegations began spreading, with Craig denying he'd been unfaithful, according to Sports Illustrated. TMZ reported that the pair split sometime in April 2025. Relationship rumors started circulating on July 9, 2025, when Megan shared Instagram photos of herself posing by a pool, with Dallas Mavericks player Klay Thompson lounging in the background. Days later, Megan appeared in one of Thompson's social media posts, their PDA seemingly confirming they were more than friends. The same week, TMZ reported that Megan and Thompson were officially dating. Megan hard-launched her relationship with Thompson on July 16, 2025, when the pair attended the Pete & Thomas Foundation Gala together in New York City. Speaking to Page Six at the event, Megan revealed, 'I have never dated somebody so kind. This is my first relationship where I've ever been with somebody who's genuinely a nice person, and he makes me genuinely happy.' She continued, 'I just never dated somebody like him before, and I'm just grateful that he's here by my side, and he feels the same way about me.'


Los Angeles Times
19 hours ago
- Los Angeles Times
‘& Juliet' euphorically turns Shakespeare's tragedy into a Max Martin dance party
Everyone can use an editor, and Shakespeare is no exception. Fortunately, he married one. Tired of being cooped up with the kids in Stratford-upon-Avon, Anne (Teal Wicks), wife of the great playwright, pops down to London to see the first performance of 'Romeo and Juliet.' The new tragic ending that Shakespeare (Corey Mach) proudly previews to the company strikes her as completely wrongheaded. 'What if … Juliet doesn't kill herself?' she proposes. As strong-willed as her husband, she doesn't wish to argue the point. She merely wants to put her idea to the test. Behold the premise of '& Juliet,' the euphoric dance party of a musical that updates Shakespeare with a dose of 21st century female empowerment. The production, which opened Friday at the Ahmanson Theatre under the fizzy direction of Luke Sheppard, reimagines a new post-Romeo life for Juliet while riding a magic carpet of chart-toppers from juggernaut Swedish producer Max Martin, who has spun gold with Katy Perry, Britney Spears and the Backstreet Boys, among other pop titans. This good-time jukebox musical relies as much on its wit as on its catalog of pop hits. The show's music and lyrics are credited to Max Martin and friends — which sounds like a low-key cool table at the Grammy Awards. The clever book by Emmy winner David West Read ('Schitt's Creek') creates a world that can contain the show's musical riches without having to shoehorn in songs in the shameless fashion of 'Mamma Mia!' Take, for instance, one of the early numbers, 'I Want It That Way,' a pop ballad made famous by the Backstreet Boys. Anne starts singing the song when Shakespeare initially resists her idea of giving Juliet back her life. She wants him to go along with her suggested changes not because she's sure she's right but because she wants him to trust her as an equal partner. The song is redeployed in a way that has little bearing on the lyrics but somehow feels coherent with the original emotion. Obviously, this is a commercial musical and not a literary masterpiece on par with Shakespeare's tragedy of ill-starred lovers. '& Juliet' would have trouble withstanding detailed scrutiny of its plot or probing interrogation of Juliet's character arc. But Read smartly establishes just the right party atmosphere. Juliet (a vibrant Rachel Webb), having survived the tragedy once scripted for her, travels from Verona to Paris with an entourage to escape her parents, who want to send her to a nunnery for having married Romeo behind their backs. Her clique includes Angélique (Kathryn Allison), her nurse and confidant; May (Nick Drake), her nonbinary bestie; and April, her newbie sidekick out for fun who Anne plays in disguise. Shakespeare casts himself as the carriage driver, allowing him to tag along and keep tabs on the cockeyed direction his play is going. In Paris, the crew heads directly to the Renaissance Ball, which has the look and feel of a modern-day mega-club. Entry is barred to Juliet, but not because she's ridiculously underage. Her name isn't on the exclusive guest list. So through the back door, Juliet and her traveling companions sashay as the production erupts in 'Blow,' the Kesha song that encourages everyone to get their drink on and let loose. The dance setting — kinetically envisioned by scenic designer Soutra Gilmour, lighting designer Howard Hudson, sound designer Gareth Owen and video and projection designer Andrzej Goulding into a Dionysian video paradise — provides the all-purpose license for Martin's music. It's the atmosphere and the energy that matter most. Paloma Young's extravagant costumes raise the level of decadent hedonism. In this welcoming new context — imagine 'Moulin Rouge! The Musical' suffused with girl power — there's never anything odd about the characters grinding and wailing like karaoke superstars. The ecstatic motion of Jennifer Weber's choreography renders dramatic logic irrelevant. But love is the name of the game, and both Juliet and May fall for François (Mateus Leite Cardoso), a young musician with a geeky sense of humor who's still figuring out his identity. May doesn't expect romance to be part of their fate. In the Spears song 'I'm Not a Girl, Not Yet a Woman,' they give powerful expression to an inner confusion this musical romance is determined to sort out with an appropriate partner. Unlike for the original characters, a happy ending is no longer off-limits. Shakespeare and Anne wrestle to get the upper hand of a plot that seems to have a mind of its own. Shakespeare pulls a coup at the end of the first act that I won't spoil except to say that what's good for the goose proves dramaturgically viable for the gander. This spirited competition stays in the background, but their marital happiness matters to us. Mach's Shakespeare has the cocky strut of a rapper-producer with a long list of colossal hits. Wicks gives Anne the heartfelt complexity of one of her husband's bright comic heroines. There's a quality of intelligent feeling redolent of Rosalind in 'As You Like It' in Wicks' affecting characterization and luscious singing. But the musical belongs to Juliet, and Webb has the vocal prowess to hijack the stage whenever she's soaring in song. If Juliet's character is still a work in progress, Webb endows her with a maturity beyond her years. She makes us grateful that the Capulet daughter is getting another crack at life. When the big musical guns are brought out late in the second act ('Stronger,' 'Roar'), she delivers them as emancipatory anthems, fueled by hard-won epiphanies. Allison's Angélique is just as much a standout, renewing the bawdy earthiness of Shakespeare's nurse with contemporary sass and rousing singing. If the supporting cast of men doesn't make as deep an impression, the festive comic universe is nonetheless boldly brought to life. '& Juliet' bestows the alternative ending everyone wishes they could script for themselves — a second chance to get it right. This feel-good musical is just what the doctor ordered in these far less carefree times.