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Renée Elise Goldsberry talks new album, whether 'Hamilton' return is an option and EGOT aspirations

Renée Elise Goldsberry talks new album, whether 'Hamilton' return is an option and EGOT aspirations

LOS ANGELES (AP) — Renée Elise Goldsberry is most inspired by artists bold enough to take a career leap, even when there's no guarantee of a safe landing.
Over the years, Goldsberry spent her celebrated career surrounded by fearless risk-takers. Now, the Tony and Grammy winner, best known for her breakout role in the Broadway musical 'Hamilton,' is taking a bold move of her own. She's stepping into the spotlight as a solo artist: Her debut album, 'Who I Really Am,' was released Friday.
'I'm surrounded by friends that do really crazy, brave, 'I could fail miserably' things,' said Goldsberry, whose role as Angelica Schuyler in Hamilton won her a Tony in 2016 for best featured actress in a musical. In that same year, she earned a Grammy for best musical theater album.
'They jump off cliffs, they start to fly, we get to see it and it's so inspiring that you put out an album,' she said.
Goldsberry has made her presence felt in other Broadway projects including 'Rent' and 'The Color Purple.' She's had standout work on 'Girls5Eva' and 'The Good Wife ' and was on the daytime soap 'One Life to Live.'
With 'Who I Really Am,' Goldsberry is carving her own musical path. The album is a 13-track project filled with soul, funk, blues and gospel vibes featuring a reimagined version of her iconic 'Hamilton' song 'Satisfied,' which was originally penned by Lin-Manuel Miranda.
In a recent interview, Goldsberry talks to The Associated Press about finding her identity through the album, whether returning to 'Hamilton' is an option and aspirations for an EGOT, a term for the rare person who's won an Emmy, Grammy, Oscar and Tony award during their career.
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AP: You wrote 11 songs on the album. While creating this project, what did you discover more about yourself?
GOLDSBERRY: I need to give myself license to be more than one thing. I think that's always been the case with recorded music for me. I've been writing since I was a kid. The challenge for me has always been feeling like you have to be extremely specific about a box when you're a recording artist. It has to all sound like one mood, one vibe. I had to give myself permission to not try to fit into a box that exists, or even a box that's specific. I gave myself license to express myself in all the ways it naturally comes out.
AP: You started the album process in 2020. What was your initial thoughts on re-recording 'Satisfied'?
GOLDSBERRY: Somebody said to me 'You could probably get a record deal and do an album if you re-record 'Satisfied.'' I said 'Absolutely no.' I'm absolutely not doing that. It already exists. It's perfect. The show is perfect.
AP: What shifted your thinking?
GOLDSBERRY: In the process of recording all the music, we rented a studio in Nashville. It's where Dolly Parton recorded 'Jolene.' It felt like all this history was there. We had all these great musicians there. We booked the studio for a week or two and we finished early, and they were going to let everybody go home. And I was like 'We might as well record this version of 'Satisfied' that I do in my concert, because we're sitting here.' And these cats are amazing. We started playing. They started playing, and our minds exploded. The control booth. Our brains exploded. It was so good. Then I started singing it. I said to us 'This belongs.'
AP: Your 'Girls5Eva' co-star Sara Bareilles wrote the song 'Smiling.' How was it reuniting with her?
GOLDSBERRY: I think she is one of the greatest singer-songwriters that has ever existed and might ever exist. I had the privilege of being in a concert with her. I opened for her at the Hollywood Bowl a couple of months ago. She was doing something new. I love artists and I'm one of them in this moment. But I love artists that do new things that might not work, bravely. She had orchestrated all of her music. She had a huge symphony orchestrated show. All the music that she had written.
AP: What happened next?
GOLDSBERRY: We got to see her jump off a cliff for the first time. It was one of the greatest things I ever saw in my life. I could start crying right now. It was so great. It's so brave. I'm surrounded by people like that, and it's so inspiring. They're all doing crazy things. All of them. Leslie Odom Jr. decided to go back to 'Hamilton.' Like that's insane.
GOLDSBERRY: That's what Leslie taught us: Never say never.
AP: You're halfway to EGOT status. Is that something you feel like it's achievable?
GOLDSBERRY: I'm not going to lie, I've thought of different ways I could slip in the back door, you know what I mean? Like I have a documentary called 'Satisfied' (which premiered at the Tribeca Film Festival last year) about the journey in my life when I was part of the original company of 'Hamilton' and also trying to raise my young family. We were like, 'What original song can we put in this movie to contend for slipping in the Oscar category. ... It's possible. But I'm less interested in the results of a journey than the journey itself.
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Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her
Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her

Yahoo

time24 minutes ago

  • Yahoo

Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her

Audra McDonald is reflecting on a "stalking" incident with a fan that left her uneasy. Audra is currently starring in the Broadway revival of the musical Gypsy, playing the notable role of Momma Rose at the Majestic Theatre. The show opened in December 2024 and will run until August 17, for 269 regular performances and 28 preview shows. She is the most decorated actor in Broadway history, while also making a name for herself on both the small and big screen in projects like Private Practice, The Good Fight, The Gilded Age, and Rustin, so it's safe to say she has a ton of supporters around the world. But what happens when a line is crossed in the name of support? Related: On Saturday, in a video shared to Instagram, Audra opened up about why she doesn't always use the stage door (an alternative exit/entrance that performers often use to leave/enter the building — fans often wait outside this door in hopes of meeting the performers). "There are a lot of reasons that performers don't do the stage door," Audra said. "There have been shows that I've done it and shows that I've not done it. But some of the reasons are: they're exhausted; some people have anxiety about doing stage door; some people are in a rush to catch trains so they can get home; and some people avoid the stage door because of health reasons." "And that's perfectly fair. Actors, as much as we would love to greet every single one of you after a show, sometimes we're just exhausted, and it's hard. There are a million reasons. And some people love to do it, and that's great. There have been shows when I've done it, but I have not been doing it in Gypsy for a myriad of reasons. The main ones have been because of health, exhaustion, and vocal health, and trying to conserve what little vocal energy I have so that I can get through the next show, and the next show, and the next show. So, I have not been doing the stage door." Audra added that when she can, she'll smile and wave, but most of the time she's just trying to get out of there. More importantly, Audra said she has a kid at home that she's trying to get back to — referring to her 8-year-old daughter Sally who she shares with her husband Will Swenson. Audra also has a 23-year-old daughter named Zoe from a previous marriage. But after leaving a show on Friday, she was forced into an extremely uncomfortable situation with a fan who had no regard for her boundaries and welfare, after they decided to follow Audra back to her temporary place of residence. Related: "Last night, someone, not only, I don't even know if they did the stage door or not, but they snuck around and found me the way I had exited from the theater last night and followed me all the way to where I was staying, came into the building, and was uncomfortably close." "Then, when I finally got some security to help me, their response was, 'Well, hey, I've come all the way — and they named some town, some city that they've come all the way from — and they wanted an autograph, and sort of deserve an autograph.' That is crossing a big old boundary, and I just want to call that out. That's a big no-no. That's now messing with my safety, and it's not right." She then sent a general message to fans about how to properly address and/or approach celebrities in the future: "When you see an actor leave the stage door, if they don't stop, leave them alone. There is a reason that they're not stopping, and it has nothing to do with you. It's them protecting their space and peace, whatever that may be, and if they do stop or wave or take a picture with you or sign an autograph, great, but please respect the proper boundaries." Her comments were filled with people acknowledging how scary that situation must've been, while also advocating for the right to privacy and respected boundaries: Related: The video eventually made its way to Reddit, where Redditors revealed that, unfortunately, in the Broadway community, this is nothing new: Iwoulddiefcftbatk commented, "How many people who 'stage door' would like a total stranger meeting them at their workplace at what is essentially the back door to say 'hi' to them or ask for a picture after clocking out of a shift? I don't care if they are actors, no one and I mean no one deserves to be harassed when they leave their job." They went on to say, "There are so many stories on the Broadway sub of unhinged 'stage-dooring' fan behavior where people will harass actors for blocks, even chasing them once they get into taxis, once they leave a theater after performing in a show. It's become so normalized that it's fine to swarm people leaving work just because you might have (not all 'stage doorers' do so) watched the show. It's so scary for all the staff and actors since it's getting worse. I'm glad Audra wasn't hurt, but there needs to be a hammer dropped on this since this is going to end badly for someone eventually." Related: joodee3 added, "Geez, I didn't know it was getting this bad. That truly sucks. I stage-doored when visiting Broadway a few years ago, and it was good vibes, but I know that's just an individual experience. That really sucks that the behavior is growing more prevalent. Yeah, if performers are feeling like things are getting too dangerous, then they should definitely do what makes them feel safe." LemonKurt said, "Broadway and theatre fans can be especially rabid. Something about the theatre space feeling smaller, the actors being less famous and having less media training and the direct access through stage doors etc. makes some people's parasocial relationships much more intense. So glad she's safe, but I feel like this entitled and scary behaviour happens way too often on Broadway and the West End." butterflyvision wrote: "This has happened to other performers this Broadway season as well. It's always been a problem, but it feels like post-COVID, the problems have really amped up. The obsessed, entitled fan culture is ruining things for everyone. I really hope shows stop doing stagedoor. I know she says she doesn't know if they were there or not, but it's getting SO dangerous." I'm glad everyone could see the danger in this situation and that no harm was brought to Audra. Everyone should remember that although we might feel like we know these celebrities or are big fans of their work, we're still not entitled to anything from even a greeting. Please be respectful. What are your thoughts on this? Watch her full video here, and share your comments with me. Also in Celebrity: Also in Celebrity: Also in Celebrity:

"Weapons" maintained top spot during second weekend, scaring off newcomer "Nobody 2"
"Weapons" maintained top spot during second weekend, scaring off newcomer "Nobody 2"

San Francisco Chronicle​

time26 minutes ago

  • San Francisco Chronicle​

"Weapons" maintained top spot during second weekend, scaring off newcomer "Nobody 2"

LOS ANGELES (AP) — 'Weapons' scared its way to the top of the box office in its debut and managed to stay there during its second box office weekend, beating out 'Freakier Friday' and newcomer 'Nobody 2.' Zach Cregger's horror earned $25 million in 3,450 North American theaters, a 43% drop from its first weekend. The highly anticipated film benefitted from strong audience reviews and social media trends to attract large crowds. 'Freakier Friday,' which lost the battle for first place to 'Weapons' during its double premiere, also maintained its second spot, bringing in $14.5 million domestically. The films' staying power comes during a slower box office weekend, said Paul Dergarabedian, senior media analyst for the data firm Comscore. Both films also prevailed against 'Nobody 2,' the R-rated action sequel. The Bob Odenkirk-led film earned $9.25 million across 3,260 North American theaters in its debut weekend. 'August came on strong last year, so it makes comparisons tough,' Dergarabedian said, noting the box office success of movies like 'Deadpool and Wolverine' and the horror sci-fi 'Alien: Romulus' that premiered this time last year. This summer is unlikely to hit the $4 billion benchmark, but succeeded in provided movie goers a dynamic and diverse slate of movies, he said. "I can't find a genre that's not represented or a demographic that wouldn't be attracted to one of these films out there," Dergarabedian said. 'It's just that eclectic mix of films with appeal to every demographic.' 'Nobody 2' follows the pandemic success of the first in the series, 'Nobody," which released in 2021. In the sequel, Hutch Mansell, the assassin-turned-nice-guy, played by Odenkirk, returns to the big screen, this time taking a much-needed family vacation that goes awry. The calm weekend turns anything but as Mansell uncovers a corrupt town. Jim Orr, president of domestic distributions at Universal Pictures, said he hopes the movie's reaction scores — a 89% Audience score and B+ CinemaScore — point 'to a long and successful run at the domestic box office.' 'The Fantastic Four: First Steps" took the fourth spot during its fourth weekend in theaters, bringing in $8.8 million domestically. The film stumbled at the box office after its initially strong $118 million debut. Another sequel, 'The Bad Guys 2,' took fifth place with $7.5 million during its third weekend in theaters. Notably, Dergarabedian said, international movies made a splash in the top 15 this weekend. 'Coolie,' an Indian action thriller, debuted domestically and snatched the tenth spot, followed by 'War 2,' another Indian action movie, at number 11. The domestic re-release of 'Shin Godzilla," a Japanese film that initially premiered in 2016, came in at the 12th spot. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'Weapons,' $25 million. 2. 'Freakier Friday,' $14.5 million. 3. 'Nobody 2,' $9.25 million. 4. 'The Fantastic Four: First Steps,' $8.8 million. 5. 'The Bad Guys 2,' $7.5 million. 6. 'Superman,' $5.3 million. 7. 'The Naked Gun,' $4.8 million. 8. 'Jurassic World Rebirth,' $2.9 million. 9. 'F1: The Movie,' $2.6 million. 10. 'Coolie," $2.4 million.

Olympic rugby star Ilona Maher thinks we've ‘lost the plot' with this health trend: ‘Don't lie to yourself'
Olympic rugby star Ilona Maher thinks we've ‘lost the plot' with this health trend: ‘Don't lie to yourself'

New York Post

time26 minutes ago

  • New York Post

Olympic rugby star Ilona Maher thinks we've ‘lost the plot' with this health trend: ‘Don't lie to yourself'

Hold the cottage cheese. Pro rugby player Ilona Maher — whose team won the bronze medal in the Paris Olympics — spends plenty of time training to dominate on the pitch. But there's one fitness-focused diet trend that she thinks is a bit over-the-top — and she points to herself as evidence that it's unnecessary. 3 Pro rugby player Ilona Maher thinks the obession with protein has gone a bit off the rails. AP A former athlete herself, Kylie Kelce complained about how 'everything is trying to be high protein' on a June episode of her podcast, Not Gonna Lie, arguing that not everything needs added protein powder. Maher was on the same page, and she's no fan of a low-carb lifestyle either. 'I have a high-protein diet, but I also have probably the highest-carb diet ever,' the 29-year-old Bristol Bears player said. 'I was raised on very high-carb diets. And carbs are really the energy that you need — that's science, truly.' That isn't to say she doesn't eat protein too. 'I get protein in for most meals, but I'm actually not as committed to the bit as I maybe could be. I think I could be leaner … if I was really focusing on protein. But I just don't see — I think I'm fine,' she added. A big issue for both women is the trend of swapping 'real' food for protein-heavy substitutes. In recent years, for example, cottage cheese recipes have blown up on social media, with people using it in place of cream cheese, sour cream, ricotta and even mayo and butter. It's low in fat and high in protein, a combo that can keep you full, increase metabolism and preserve muscle mass. Plus, the curdling process creates bacteria that are good for your gut. 3 Maher, whose team won the bronze medal in the Paris Olympics, eats protein most meals — but she's not swapping 'real food' for protein-ified recipes. Getty Images But Kelce said her concern is people blending up cottage cheese and pretending it tastes like ice cream. 'Don't lie to yourself,' Maher added in agreement. 'I saw a recent one, it was like protein tiramisu. She dips the rice cake in espresso and then she puts Greek yogurt on there. I was like, that's not even f—-ing close!' 'I think we really lost the plot on that,' she said. Though she is working to eat more protein at the urging of her dietitian, for her that means more 'real food.' 'So after training I'll have a quick protein shake — that's very easy, quick protein. But if I can, I'm gonna have the eggs. I love like beef jerky,' she said. 3 'I saw a recent one, it was like protein tiramisu. She dips the rice cake in espresso and then she puts Greek yogurt on there. I was like, that's not even f—-ing close!' she said. Getty Images 'I just think, I mean maybe I'm wrong in science, but I don't know if we need that much. Because I'm doing fine and I just had a bagel this morning.' She's not the first star to take issue with the high-protein craze. This month, Bethenny Frankel also called out the fad. 'The obsession with protein is an out-of-control fad that everyday people are fixated on as if they're training for the Olympics,' she told The Post. 'They can also be calorie-dense. It's another marketing gimmick like keto or carnivore or low carb or all the absurd fads I've witnessed over the years. Balance is key.' In fact, studies show that there is such a thing as eating too much protein — and it can make you gain weight and clog your arteries. 'Consuming excessive protein, particularly from animal sources, raises insulin-like growth factor 1 (IGF-1) levels,' Dr. Joseph Antoun, CEO of the longevity company L-Nutra, previously told The Post. Primarily produced in the liver, IGF-1 is a hormone, that plays a crucial role in promoting growth and regulating metabolism. 'While it's essential in childhood and for muscle repair,' Antoun said, 'chronically elevated IGF-1 in adults has been linked to accelerated biological aging and therefore an increased risk of age-related conditions, notably cancer.'

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