Netflix signs deal to host live TV channels in France
Everything old is new again. Netflix just inked a deal to air live television broadcasts in France , turning the streaming giant into, well, regular TV. The platform will host five traditional broadcast channels from French TV behemoth TF1. Subscribers in the region will have access to live programming and on-demand content.
The partnership officially begins next summer. The channels underneath TF1's umbrella air everything from reality shows like The Voice to live sports, including the French national football team's matches.
The deal brings a whole lot of content to Netflix, as TF1 has a massive back catalog. This includes popular local dramas like Brocéliande and reality shows like Koh-Lanta . Greg Peters, co-chief executive of Netflix, told Financial Times that TF1 is a 'producer of great, premium content." This move could help the platform with customer retention in the region.
TF1 gets access to a large pool of potential viewers, as Netflix's subscriber base in France passed 10 million in 2022 . That's around 13 percent of the country's total population. To view this content, you'll need to update your privacy settings. Please click here and view the "Content and social-media partners" setting to do so.
This isn't the first time the two companies have teamed up. TF1 and Netflix have collaborated on scripted shows like Les Combattantes and Tout le bleu du ciel . This is likely due to a mandate in France that requires streaming services to reinvest in local content . It's also not the first time Netflix has experimented with live TV in the region. The platform tested a live TV channel called Direct back in 2020 .
This is fascinating because Netflix began as an alternative to live TV and now it's becoming live TV . You either die a hero or live long enough to see yourself become the villain.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
an hour ago
- Forbes
‘KPop Demon Hunters' Director On Getting K-Pop Culture Down
KPOP DEMON HUNTERS - (L-R) Mira (voice by MAY HONG), Rumi (voice by ARDEN CHO) and Zoey (voice by ... More JI-YOUNG YOO). ©2025 Netflix South Korea has been dominating the global pop music scene for the past few years with groups like BTS, BLACKPINK, TWICE, and Stray Kids. There have been multiple projects surrounding K-pop music, including a Broadway musical, documentaries, and several film projects. One of the projects includes Netflix's K-Pop Demon Hunters, an animated feature centered on a K-pop girl group that also serves as a team of demon hunters sworn to protect their fans from supernatural threats. Things become complicated when a popular rival boy band is revealed to be demons. Director Maggie Kang didn't expect the impact of Korean culture and K-pop, which inspired her to write this film. When she was in elementary school in Canada, her teacher couldn't locate South Korea on the map. Now, her film is set to release on Netflix and has been praised by critics and fans. 'It was surreal,' Kang says. 'Every step of the way and every milestone we hit, I can't believe we're able to do this.' She had been working on this project for over nine years, aiming to create a story that explores Korean demon mythology and lore, starring badass women. The K-pop aspect was always present, but it was the last part that was developed in the story. They had initially planned for the animation to be a lower-budget movie that was a lot grittier and darker than the final product looked. 'Rumi was going to be the black sheep of her family,' Kang explains. 'It still had the themes of shame about their worth, but there was this girl who was kinda a dropout and failure, before discovering her lineage and living up to it, proving her own self-worth within herself. It was a story with ancestors and a little bit more Asian.' Kang was informed that the project had expanded significantly, which altered the story slightly, introducing two additional characters – Mira and Zoey. She found it funny that there were three members in Huntrix, but they created five characters for the Saja Boys. 'At first, Sony was like 'Can [Rumi] just be a solo artist?',' says Kang. 'I was like, no, she needs to be part of a group.' KPOP DEMON HUNTERS - When they aren't selling out stadiums, Kpop superstars Rumi, Mira and Zoey use ... More their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. ©2025 Netflix When creating a K-pop group, there's a lot to be included in the story, especially the fandom: terminology, lightsticks, photocards, shipping, fan signs, variety shows, comebacks, and more. The screenplay, written by Kang, co-director Chris Appelhans, Hannah McMechan, and Danya Jimenez (with assistance from K-pop fans and writers Bo Yeon Kim and Erika Lippoldt), perfectly captured the fan culture. Kang says it was a group effort in creating this story and the culture surrounding it. She credits McMechan and Jimenez for their research on the K-pop culture aspect, and even became K-pop fans themselves. 'They became K-pop fans because of this movie,' Kang explains. 'As they were doing research, they became total stans of K-pop – to the point that they would be up at three in the morning to refresh to watch music videos and then vote on stuff.' She says they became her K-pop experts. Anytime she had a question, she would text them for the answer. She says, 'It felt like a second job to be updated on all the K-pop things. As production rolled through, Kang just ran out of time to learn about K-pop culture. So, she depended on them for the knowledge. KPOP DEMON HUNTERS - When they aren't selling out stadiums, Kpop superstars Rumi, Mira and Zoey use ... More their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. ©2025 Netflix The art department also had knowledgeable K-pop fans on staff who were involved in every part of the production. At one point, there was a scene where the idols competed against each other in the Idol Star Athletics Championships, also known as ISAC. 'For people who don't know: [ISAC] is like the Olympics for Korean idols,' says Kang. 'When we cut that scene in, all the executives were like, 'What is this? Why are they suddenly doing the Olympics and running hurdles and doing archery?' That eventually became a fan signing event. But, for a very long time, they had Rumi and Jinu doing archery, as they were having that conversation.' The animation team also played its part in highlighting the Korean idols' faces. Kang says they all drew inspiration from K-dramas and had Korean animators involved in the film. 'One of the animators, Sophia [(Seung Hee) Lee], was instrumental in figuring out certain eye shapes and mouth shapes – just rounding the corners of the mouth gave it this more Korean feeling. For some reason, it was just so strange. Once we figured that out, it opened up the movie, and we were like, 'This is it. This is our look'.' Lighting was challenging for the team, as they tried to find the perfect placement for the most appealing angles and lighting. Kang recalls it being quite a journey, as well as more difficult than they expected. 'The way we lit the faces was challenging because our faces just look different,' says Kang. 'Our models look different as well. It was a challenging and different undertaking for our lighters to figure out. So, it was interesting.' KPOP DEMON HUNTERS - When they aren't selling out stadiums, Kpop superstars Rumi, Mira and Zoey use ... More their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. ©2025 Netflix When it came to the K-pop music aspect, their team collaborated with THEBLACKLABEL, owned by the legendary producer Teddy Park, who has worked with K-pop's biggest names, including BIGBANG, G-DRAGON, BLACKPINK, and 2NE1. Adding to the K-pop connections, the film secured the popular K-pop girl group, TWICE, to sing the main title song, 'Takedown.' Kang and Appelhans were initially naive about how much of the music would be featured in the movie. They discussed it being a non-traditional musical, which meant that there wouldn't be a lot of singing involved in the storytelling. Things changed, and the music became an integral part of the story. 'Through the help of our executive music producer [Ian Eisendrath], who comes from a more musical background, we quickly realized some of the songs were taking up two minutes or so of screentime, they had to carry the story,' Kang says. 'It forced us to answer a lot of tricky story questions when finding the lyrics out.' They created these documents for the songwriters, detailing the scene and how the characters were feeling and why. The musicians and songwriters would then come up with music and lyrics that matched perfectly with the story, keeping it in the K-pop style. KPOP DEMON HUNTERS - When they aren't selling out stadiums, Kpop superstars Rumi, Mira and Zoey use ... More their secret identities as badass demon hunters to protect their fans from an ever-present supernatural threat. Together, they must face their biggest enemy yet – an irresistible rival boy band of demons in disguise. ©2025 Netflix Although everything seemed to fit into the K-pop world, one thing was missing: a fandom name. Kang reveals the Saja Boys fans are called the Pride, but never came up with one for Huntrix. Kang says, 'We will leave it up to the fans.' KPop Demon Hunters premieres tomorrow, Friday, June 20, on Netflix.
2 hours ago
Napoleon's iconic bicorne hat and personal treasures expected to fetch millions in Paris
PARIS -- After Hollywood's 'Napoleon' exposed the legendary emperor to a new generation, over 100 relics — which shaped empires, broke hearts and spawned centuries of fascination — are on display in Paris ahead of what experts call one of the most important Napoleonic auctions ever staged. His battered military hat. A sleeve from his red velvet coat. Even the divorce papers that ended one of history's most tormented romances — with Josephine, the empress who haunted him to the end. Two centuries after his downfall, Napoleon remains both revered and controversial in France — but above all, unavoidable. Polls have shown that many admire his vision and achievements, while others condemn his wars and authoritarian rule. Nearly all agree his legacy still shapes the nation. 'These are not just museum pieces. They're fragments of a life that changed history,' said Louis-Xavier Joseph, Sotheby's head of European furniture, who helped assemble the trove. 'You can literally hold a piece of Napoleon's world in your hand.' The auction — aiming to make in excess of 7 million euros ($7.5 million) — is a biography in objects. The centerpiece is Napoleon's iconic bicorne hat, the black felt chapeau he wore in battle — with wings parallel to his shoulders — so soldiers and enemies could spot him instantly through the gunpowder haze. 'Put a bicorne on a table, and people think of Napoleon immediately,' Joseph said. 'It's like the laurel crown of Julius Caesar.' The hat is estimated to sell for at least over half a million dollars. For all the pageantry — throne, swords, the Grand Eagle of the Legion of Honor — the auction's true power comes from its intimacy. It includes the handwritten codicil of Napoleon's final will, composed in paranoia and illness on Saint Helena. There is the heartbreakingly personal: the red portfolio that once contained his divorce decree from Josephine, the religious marriage certificate that formalized their love and a dressing table designed for the empress. Her famed mirror reflects the ambition and tragedy of their alliance. 'Napoleon was a great lover; his letters that he wrote are full of fervor, of love, of passion,' Joseph said. 'It was also a man who paid attention to his image. Maybe one of the first to be so careful of his image, both public and private.' The auction's timing is cinematic. The 2023 biopic grossed over $220 million worldwide and reanimated Napoleon's myth for a TikTok generation hungry for stories of ambition, downfall and doomed romance. The auction preview is open to the public, running through June 24, with the auction set for June 25. Not far from the Arc de Triomphe monument dedicated to the general's victories, Djamal Oussedik, 22, shrugged: 'Everyone grows up with Napoleon, for better or worse. Some people admire him, others blame him for everything. But to see his hat and his bed, you remember he was a real man, not just a legend.' 'You can't escape him, even if you wanted to. He's part of being French," said teacher Laure Mallet, 51. The exhibition is a spectacle crafted by celebrity designer Jean-Charles de Castelbajac, famed for dressing Lady Gaga and Pope John Paul II. 'I wanted to electrify history,' Castelbajac said. 'This isn't a mausoleum, it's a pop culture installation. Today's collectors buy a Napoleon artifact the way they'd buy a guitar from Jimi Hendrix. They want a cabinet of curiosities.' He's filled the show with fog, hypnotic music and immersive rooms. One is inspired by the camouflage colors of Fontainebleau. Another is anchored by Napoleon's legendary folding bed. 'I create the fog in the entrance of the Sotheby's building because the elements of nature were an accomplice to Napoleon's strategy,' the designer said. Castelbajac, who said his ancestor fought in Napoleon's Russian campaign, brought a personal touch. 'I covered the emperor's bed in original canvas. You can feel he was just alone, facing all he had built. There's a ghostly presence." He even created something Napoleon only dreamed of. 'Napoleon always wanted a green flag instead of the blue, white, red tricolore of the revolution," he said, smiling. "He never got one. So I made it for Sotheby's.'
Fox News
2 hours ago
- Fox News
Meghan Markle admits she sometimes misses acting after quitting for royal life
Meghan Markle reflected on how she feels now about leaving her Hollywood career behind for royal life. The 43-year-old Duchess of Sussex, who made her on-screen debut in a 2002 episode of the soap opera "General Hospital" and rose to fame when she starred in the hit USA Network legal drama "Suits," confirmed that she would be retiring from acting hours after she announced her engagement to Prince Harry in November 2017. She officially became a member of the royal family when she married Harry in May 2018. In January 2020, they stepped down from their roles as working royals before moving to Canada and eventually settling in Montecito, California. During a recent appearance on the "Aspire with Emma Grede" podcast, Grede asked Markle if she ever missed her former profession. "Sometimes, sometimes," Markle said. However, she explained that starring in her Netflix lifestyle show "With Love, Meghan" had helped fill the void. "With Love, Meghan" premiered in March and the show will return for a second season in the fall. MEGHAN MARKLE GIVES RARE GLIMPSE OF PRINCESS LILIBET IN BIRTHDAY TRIBUTE, BREAKS PATTERN OF PRIVACY "Actually, having a large team, being back on set with 'With Love, Meghan' was great because I realized how much I had missed my crew," Markle told Grede. "I love being around a crew." Markle joined "Suits" in 2011 and was one of the show's original cast members. She played Rachel Zane, a paralegal who eventually becomes a lawyer, for seven seasons. While speaking with Grede, Markle recalled how she wasn't able to say her goodbyes when she left "Suits" due to the need to keep her exit under wraps. "We couldn't say I was leaving necessarily. It was speculated," she said. "So, after seven years on the series, we couldn't have a going away party. I couldn't say my goodbyes." One day after Markle and Harry's engagement was announced, the USA Network confirmed her departure from the series. Markle made her final appearance on the show in the seventh season finale in 2018. Markle reiterated that she still misses the crew she worked with during her time on "Suits." "We work with people for seven years," she said. "For seven years, that's a really strong connection. And I loved the crew. So I think for me, having the [Netflix] series even though it wasn't scripted, was really great to get that piece back, but then also building my own business. You have a team, and that's really what I was craving as well." During her interview with Grede, Markle recalled that she struggled to land roles early in her acting career and attributed her difficulties with getting hired to her multiracial heritage. The actress's father, Thomas Markle, is White, while her mother, Doria Ragland, is Black. "When I was an auditioning actress and this was well before 'Suits,' you have to think at that time there were certainly not a lot of mixed race parts," Markle told Grede. "Really?" Grede asked. "No," the duchess replied. "Really?" Grede repeated. "No, there weren't a lot," Markle said. Markle went on to explain how she believed producers and casting directors were looking for a certain archetype and aesthetic in the early years of her career. "If I was going in for an audition — you have to remember this was a very different time than it is now. It was 'girl next door,'" she said. "That was typically blond-haired, blue-eyed and a certain look," Markle continued. "But because I'm half White, I would also be submitted for those roles and then if it was a character that had any sort of ethnicity, there was always a bit of an edge to those characters." "But I'd be submitted for those roles and I also, to a lot of people in casting, they thought I was Latina," she added. "So I share that because, and I've shared this before, because it was a numbers game." "If I'm only up for 10 parts, that could be 10 nos, but if I'm up for 30 parts because I can fit into so many different rooms, that could be 30 nos. That is a lot to chip away at your self-esteem. That is really hard." Markle explained the rejection that she faced while trying to make it in the entertainment industry took a toll on her self-confidence. "I went through my chapter of self-doubt as an auditioning actor and beyond that," she said. "When you're so consumed with what everyone around you thinks of you, that can be a really hard way to live." The actress shared that after entering her 40s and becoming a mother, it was important to her that she set a positive example for her children and how they are "going to think about themselves." Markle shares son Prince Archie, 6, and daughter Princess Lilibet, 3, with her husband Prince Harry, 40. "And that, you can't have an imposter syndrome around. No way," she emphasized. "You have to be so authentically the role model and the example of confidence, self-forgiveness, kindness, fun — all of those things and ou can't fake that. 'You want to model that for them, so all of that really shifted in the past six years of becoming a mom for me," Markle added. After making her TV debut in "General Hospital," Markle made guest appearances in shows including "The War at Home," "CSI: NY," "90210," "'Til Death" "Knight Rider," "Fringe," "Without a Trace" and "CSI: Miami." From 2006 to 2007, Markle appeared as a "briefcase girl" on the game show "Deal or No Deal." LIKE WHAT YOU'RE READING? CLICK HERE FOR MORE ENTERTAINMENT NEWS The California native also took on small parts in movies including "Horrible Bosses," "Remember Me" and "Get Him to the Greek" before landing one of the leading roles in "Suits" Markle appeared on the podcast while promoting her lifestyle brand "As Ever." The actress launched the brand, which was originally named American Rivera Orchard, in March 2024. She renamed the company "As Ever" in February 2025. While appearing on the podcast, Markle weighed in on whether her experience with acting helped her in her role in her latest endeavor. "Do you think that there are any skills that you got from your days as an actress that are transferable into this new entrepreneurial world that you're in," Grede asked. CLICK HERE TO SIGN UP FOR THE ENTERTAINMENT NEWSLETTER "Of course," Markle replied. "I mean, again, having a thick skin. Partnerships and the value of having great relationships when what you when you're building certainly lots of different SKUs [Stock Keeping Units] is key." "And so a piece of advice I was given years ago as an auditioning actress was don't try to book the part, book the room," she continued. "Meaning it doesn't matter if you don't get that role, you might not be right for it, you might remind the director of an ex-girlfriend that broke his heart." 'It could be any number of reasons — it's not about the part," Markle added. "You're going to see those producers and those casting directors at so many other opportunities. Book the room, let them see that you're talented. Let them see you have something to bring to the table." "Treat them with kindness, all of those relationships end up coming to fruition — you don't know when. But just like with life, relationships matter. So I learned that in the very long road of auditioning, for sure." CLICK HERE TO GET THE FOX NEWS APP
