
Lone-chef restaurants and why we love them
The joy of solo-chef restaurants. Plus, a burger diner that honors Nipsey Hussle's legacy, three new food guides to bagels, pickles and halal restaurants. Also, feel-good soups to make this weekend. I'm Laurie Ochoa, general manager of L.A. Times Food, with this week's Tasting Notes.
The 'Yes, Chef!' culture of restaurants — in which a hierarchical brigade of cooking professionals work diligently under a visionary leader — has become ingrained in TV shows, movies and many of our own eating experiences. Most restaurants couldn't operate without a dedicated team of chefs, servers, dishwashers and bussers.
But once in awhile, we come across a rare-bird, one-chef restaurant, an intimate place where regulars often sit at a counter and get an up-close view of their food being prepared by a single man or woman, who for one reason or another has decided to go it alone at the stove.
The ideal of this lone-chef restaurant is the all-night counter spot at the heart the Japanese TV and Netflix series 'Midnight Diner,' which soothed so many of us during the pandemic. Kaoru Kobayashi plays the unnamed chef known to his customers as 'Master.' As the series' poignant theme song plays first over neon-lit scenes of Tokyo's Shinjuku district and then zeros in on the diner's immediate neighborhood of narrow alleyways, we watch the Master preparing tonjiru, or pork miso soup, which is the restaurant's only dish on the menu — though the Master famously makes anything his customers ask for, 'as long as I have ingredients for it,' he says in the opening. The show is, as critic at large John Powers said awhile back on NPR's 'Fresh Air,' 'the TV version of comfort food.'
This week, I ate at a real-life lone-chef restaurant, Sora Craft Kitchen, in downtown Los Angeles. Ever since deputy food editor Betty Hallock mentioned Sora, I've been wanting to try the 16-seat restaurant run by Okay Inak, who has an impressive number of 'Yes, Chef!'-style kitchens on his resume, including New York's Eleven Madison Park and Per Se, and Mélisse in Santa Monica. But with Tuesday's publication of critic Bill Addison's rave review of Sora, I knew I had to hustle to get there. I'll let Addison tell you all about the food — and contributor Heather Platt has a wonderful companion feature all about Inak's story and how he operates the restaurant with not even one server or cleaning person. But I do have to add that our critic is right to obsess over the kitel, a beef-filled Turkish dumpling, which in Inak's hands, as Addison writes, has a 'yielding bounce' and 'flavors [that] convey the key meat-grain-spice triumvirate.' It's fantastic.
There are only two counter seats in the dining room with multiple tables, but Inak is an engaging host as he brings your food out and tells you about your meal. Perhaps he'll share that the Dram cardamom and black tea sparkling water you selected from the menu is his favorite. In fact, if you are bored with La Croix, I highly recommend this sparkling water. Who knew cardamom would be such a good addition to water?
Beyond the food and drink, there is a wonderful sense of discovery about lone-chef restaurants. The vibe in the dining room the night I ate there was one of excitement and a one-for-all conviviality with Sora's customers rooting for Inak to succeed while also hoping that the restaurant's charm and intimacy remains as more people find out about the place.
That intimacy plus one's sense of being in on a secret is what draws many of us to small-scale restaurants like Sora. I think this is why we love sushi bars so much in Los Angeles.
The more traditional sushi experience begat more personal L.A. restaurants that at first glance have the appearance of sushi bars but go beyond their traditional structure. I'm thinking of places like Brandon Hayato Go's seven-seat spot Hayato and Ki Kim's still-very-new 10-seat Restaurant Ki, which is forging a fresh path for fine Korean dining and, as Stephanie Breijo writes this week, was just added to Michelin's 2025 California guide. One pioneer in this current wave of intimate dining is Gary Menes' Le Comptoir, which follows a garden-to-counter approach to California French cooking at his 10-seat Koreatown spot. None of these restaurants, which require a higher financial investment than Sora Craft Kitchen, are strictly solo-chef restaurants — their staffs are tiny and caring — but each chef's individual vision comes through when there are fewer diners to feed.
This isn't a restaurant model that will solve the problems many are facing in a climate of rising food and labor costs — Inak, who works 16-hour days was forced to close his restaurant for three months when he severed a tendon in his hand and had to recover from surgery. But as diners, we can be grateful that these small restaurants with big ambitions have found a home in our city.
'A bagel renaissance is boiling over in Los Angeles,' writes senior food editor Danielle Dorsey. Since we first published our guide to L.A.'s best bagels in 2023, even more shops and regional styles have emerged, from out-of-towners looking for a foothold in our increasingly competitive bagel town (Bagel Boss, Boichik) to the Highland Park pop-up Mustard's Bagels, which regularly sells out of its 72-hour-fermented sourdough bagels. Dorsey, Addison, Hallock, Stephanie Breijo, Jenn Harris and Sarah Mosqueda all contributed to the updated guide. My everyday bagel — which I used to find at Altadena Beverage and Market until the Eaton fire shut it down (it's still standing but has yet to raise enough money to reopen) — is the properly dense poppy seed bagel with scallion cream cheese from Maury's Bagels in Silver Lake. It's worth the drive from Pasadena to Silver Lake.
More in restaurants:
About this time a year ago, Michelle Huneven wrote about her 'soup for dinner' diet with some incredible recipes. This year Carolynn Carreño came through with a new batch of fantastic soup recipes that we couldn't stop eating when she came to the Times Test Kitchen to make them. There was lentil and kale soup with crunchy, buttery croutons; broccoli-fennel soup inspired, Carreño says, by one that Gino Angelini makes at Osteria Angelini; and an Italian winter vegetable soup with kale, rutabaga, carrots, fennel, crushed tomatoes and beans plus Parmesan rind for umami. As we head to spring on this chilly weekend, soup sounds exactly right.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Miami Herald
an hour ago
- Miami Herald
Scott Galloway bluntly predicts major change for Netflix
Scott Galloway, the podcaster and New York University professor, explained his view on June 13 that the last significant battle in the streaming industry was a showdown between Netflix and Hollywood - and Netflix emerged victorious. By expanding production globally, taking advantage of broadband technology, and capitalizing on inexpensive funding, Netflix (NFLX) was able to make large-scale investments similar to Amazon's strategy, Galloway explained, leaving competitors unable to keep pace. The outcome? A major shift in value from traditional studios and entertainment talent to Netflix's investors and subscribers. Don't miss the move: Subscribe to TheStreet's free daily newsletter Netflix's newest version operates as more than just a subscription-based platform - it now combines both subscriptions and advertising in its business model. And nearly 94 million people have chosen Netflix's ad-supported plan since it was introduced fewer than three years ago, according to Galloway. Netflix has proven itself to be a master of adaptation in the media landscape. It started as a mail-order DVD business, toppling the giant Blockbuster. Then it evolved into a streaming powerhouse, upending Hollywood's dominance. Related: Jean Chatzky sends strong message to Americans on Social Security Now, after a decade without major changes, Netflix is transforming once more, Galloway wrote. The company is introducing AI-driven content recommendations, mobile-friendly vertical videos, and a refreshed visual design to take on platforms such as YouTube and TikTok. And once again, the streaming service faces a new challenge. Shutterstock Having won the last streaming war, Netflix now confronts a new threat, Galloway explained in his "No Mercy / No Malice" newsletter. In fact, this prominent challenger is in the ring with all streaming services. "The next streaming war?" Galloway wrote. "YouTube takes on the world." "This year, more people in the U.S. watched YouTube on TVs than on mobile devices - a first," he continued. "YouTube is now the No. 1 distributor of TV content, according to Nielsen. And for the past three months, YouTube registered the largest share of TV viewing (12%) among media companies; Netflix accounted for 7.5%." More on the U.S. economy: Jean Chatzky shares major statement about Social SecurityShark Tank's Kevin O'Leary has blunt words on 401(k) plansDave Ramsey strongly cautions U.S. workers on Social Security YouTube is essentially public access television scaled to the internet, but with vastly superior production quality, observed Galloway. His Markets podcast co-host Ed Elson notes that Gen Z sees YouTube - owned by Alphabet (GOOGL) - as an algorithm-driven force shifting influence away from established brands and toward individual creators. The biggest disruptor to Hollywood, Galloway argues, isn't Netflix chairman's Reed Hastings - it's MrBeast, the YouTube star who has perfected parasocial relationships. In 2023 alone, MrBeast amassed over a billion hours of watch time, surpassing the top Netflix shows. "But just as individual content creators disrupted Hollywood, AI may disrupt content creators," Galloway wrote. While Netflix is expected to invest around $18 billion in content this year, YouTube effectively operates with a content budget of zero, instead sharing ad revenue with its creators. MrBeast has revealed that producing a single video typically costs him $2.5 million. Yet in a striking shift, an AI-generated muzak channel recently surpassed him, becoming the fastest-growing channel on YouTube this month. Related: Shark Tank's Kevin O'Leary makes bold prediction on U.S. economy Galloway argues that the rise of Netflix, YouTube and the competition for streaming audiences has cost us something vital: a shared cultural experience. In 1983, the final episode of M.A.S.H. was a national event, drawing 106 million viewers - nearly half of America, he recalls. By contrast, last year's most-watched scripted TV finale, "Yellowstone," reached just 13 million people, a mere 4% of the country. The shift from scheduled programming to unlimited, on-demand content has fragmented American culture, Galloway suggests - and this fact reflects the loss of two key societal pillars: collective experiences and a shared identity. "Without shared stories, we don't laugh together, love/hate the same heroes/villains, or believe in the same facts when we argue," Galloway wrote. "We lose our empathy, our ability to see each other as human." "It's hard to demonize someone you watched 'Cheers' with every Thursday night; it's easy to hate someone whose cultural references are completely foreign to your feed." Related: Scott Galloway makes major prediction on world economy; 401(k) impact seen The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.
Yahoo
2 hours ago
- Yahoo
Renewed TV shows in 2025
(NewsNation) — While 2025 has given some blows to fans of TV shows like 'The Sex Lives of College Girls,' other fans have been able to rejoice as their favorites have been renewed. Some TV shows have been renewed for additional seasons before the upcoming season has even been released. Others have only been renewed for one season. Brad Pitt hasn't cut off kids, set for more attacks ahead of F1 movie: Exclusive Here are some of the TV shows that have been renewed this year. 2025 has been kind to late-night talk show hosts, with 'My Guest Needs No Introduction With David Letterman' and Andy Cohen's 'Watch What Happens Live' being renewed for several seasons. The historical romance series 'Bridgerton,' based on Julia Quinn's novels, has already been renewed for seasons five and six, despite season 4 not releasing until next year. Another popular Netflix series, 'My Life With the Walter Boys,' is renewing for a third season. Other Netflix renewals include: 'Forever' 'Survival of the Thickest' 'The Diplomat' 'The Four Seasons' 'Love on the Spectrum' Two of 'The Real Housewives' series — Salt Lake City and Potomac — were both renewed for another season. And NBC renewed all of its One Chicago series — P.D., Fire and Med — and, of course, 'Law & Order' and 'Law & Order SVU.' ABC has decided to renew some of its most popular shows, including 'American Idol,' 'The Bachelor' and 'Judge Steve Harvey.' Spin-off series like 'The Walking Dead: Daryl Dixon' and 'The Walking Dead: Dead City' have also been renewed for a season by AMC. 'South Park,' which first aired in 1997, has been renewed by Comedy Central for seasons 27, 28, 29 and 30. And FX has renewed its popular hit 'American Horror Story' for its 13th season. They also decided to renew 'The Bear' for its fourth season. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Yahoo
2 hours ago
- Yahoo
Why Addison Rae Took a Step Back from Social Media: 'I Felt So Misunderstood'
Addison Rae is opening up about why she's taken a step back from social media The "Headphones On" singer shared that she's learned to value her privacy following her rise to fame on TikTok "Being misunderstood is definitely annoying and it does get on my nerves sometimes," she saidAddison Rae is taking a step back from social media. During a recent appearance on Therapuss with Jake Shane, the 24-year-old singer opened up about why she's stopped sharing so much of herself on social media platforms, following her rise to fame as a dancer on TikTok. "I felt so misunderstood," she shared of her time on social media, "but I was sharing so much." "Sometimes you do what you need to do to get where you want to go," she continued. "I wasn't showing every part of myself, as one mostly doesn't, you know. There are elements of yourself that surely you don't share online that aren't bad — they just aren't things you're willing to share or talk about or, you know, show." Rae shared that over the course of her young career, she realized that having a sense of privacy is one of the most important things to her. "I think privacy becomes really important over time," she continued. "Like, 'OK, what can I allow people access to that isn't going to hurt me? Or they're not going to use to make me feel conflicted in my own life decisions that I have to make?'" "Being misunderstood is definitely annoying and it does get on my nerves sometimes, but I think over time, I've realized that if somebody's commenting that 'I'm not this' [or] 'This is not who I am.' ... Or when I was 19 I was more authentic," the "Headphones On" singer added. "I'm like, okay, well, I just moved to LA. I'm like, geez. I was from a small town, of course I didn't experience a lot of things or have the opportunity to even figure out who I was in those those ways," she continued. "Because it was life whenever you grow up in a small town." In another part of her conversation with Shane, Rae also shared she's applying the idea of "slowing things down" or taking a step back when it comes to other parts of her life so she can avoid feeling "too exposed." "It happens very frequently with a lot of artists," she shared. "They feel like they're too exposed or they need to pull back or, you know, they're too scared to get overdone or feel like you're too in front of everybody's face and that people will get tired of you." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. "But I feel like with projects that are delayed or a little bit later or make you wait, it's almost like, 'Okay, not everything has to be now.' And I can feel comfort in the fact that something's coming and not so pressured to make something happen now." Rae most recently released her self-titled debut LP Addison on June 6. During an interview on Quen Blackwell's YouTube series Feeding Starving Celebrities, she opened up about the wide range of topics that the record covers — which influenced its simple name. Rae thought about self-titling the album "for a really long time," noting, "when you do hear all of the music like straight through, there's not really a title that like encompasses all of it." "Everybody that I played it to as well they were just like, 'Oh it just sounds like just like you. Like it just sounds like music you would make,'" she recalled. 'I don't really know what else to call it and so I was like, 'Maybe then the album is just my name.'" Read the original article on People