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Nathan Fielder brutally takes aim at Paramount+ over removal of 'Nathan For You' episode

Nathan Fielder brutally takes aim at Paramount+ over removal of 'Nathan For You' episode

USA Today28-04-2025

Nathan Fielder brutally takes aim at Paramount+ over removal of 'Nathan For You' episode
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Nathan Fielder is biting the hand that feeds him.
In the latest episode of his HBO series "The Rehearsal," the comedian, 41, called out Paramount+ at length for allegedly removing an episode of his previous Comedy Central show "Nathan For You" from streaming due to sensitivity issues related to the Holocaust.
USA TODAY has reached out to representatives for Paramount+ for comment.
During the "Rehearsal" episode that aired April 27, Fielder recounted his discovery in 2023 that an old episode of his show "Nathan For You," which depicted his launch of an apparel line dedicated to raising Holocaust awareness, "mysteriously went missing" from Paramount+.
Fielder, whose shows blur the line between reality and fiction, told viewers that he wrote an email to Paramount asking why the episode was removed. He claimed the company "confirmed in their response that it was taken down intentionally and gave me a one-word explanation as to why: sensitivities." Fielder went on to say he later received a more detailed explanation.
"In late 2023, a decision was made by Paramount+ Germany to remove the episode in their region after they became uncomfortable with what they called 'anything that touches on antisemitism' in the aftermath of the Israel-Hamas attacks," said Fielder, who is Jewish.
'The Rehearsal' season 2 release date, how to watch with Max on Sling
Fielder plays a heightened and socially unaware version of himself on both "Nathan For You" and "The Rehearsal." In the 2015 episode of "Nathan For You" in question, the comedian founded the apparel brand Summit Ice, which aimed to be a jacket company that also helped promote "the true story of the Holocaust." He started the apparel line after discovering the company that made the jacket he was wearing published a tribute to a Holocaust denier in its winter catalog.
The episode mined comedy out of Fielder's misguided attempts to evoke the Holocaust in Summit Ice marketing materials, including with an over-the-top store display filled with swastikas. Fielder's business ideas on "Nathan For You" are typically meant to be ill-conceived in order to provoke a reaction from those around him. But despite originating from a comedy show, Summit Ice became a real apparel line that donates profits to the Vancouver Holocaust Education Centre, a Holocaust museum in Canada.
Comedy Central's 'Nathan For You' is back with more marketing tips that go hilariously awry
On "The Rehearsal," Fielder drew an intentionally absurd comparison between the removal of his episode from Paramount+ and World War II, showing the streamer's logo spreading across a world map.
Fielder then visited a fictional version of the Paramount+ Germany office, where the streaming service's logo was displayed on large banners on a set meant to look like a Nazi war room.
In this scene, the comedian made the case against removing the "Nathan For You" episode, saying that "when it comes to art, I think you have to know your place, and you have to let us Jews express ourselves because honestly, the way you're approaching this whole thing, people might get the wrong idea about what you actually stand for." It was unclear whether Fielder actually made this argument to Paramount+.
Fielder noted that his confrontation with Paramount put him in a tough position because around the same time he made the discovery about "Nathan For You," Paramount was airing another one of his shows, the scripted Showtime series "The Curse." "The Curse," which also starred Emma Stone and Benny Safdie, has not been renewed for a second season. "How I spoke to them could have career repercussions," Fielder deadpanned as he recalled emailing the company.
The "Nathan For You" episode, the second episode of Season 3, remains unavailable on Paramount+ in the United States as of Monday afternoon, although it is streaming on Max.
The "Rehearsal" episode aired on the same night that "60 Minutes" correspondent Scott Pelley called out Paramount on the air for its alleged heavy-handed oversight. "60 Minutes" executive producer Bill Owens resigned from the show last week, saying he had lost journalistic independence.
"Our parent company, Paramount, is trying to complete a merger. The Trump administration must approve it. Paramount began to supervise our content in new ways," Pelley told viewers. "None of our stories has been blocked, but Bill felt he lost the independence that honest journalism requires."
Contributing: Anna Kaufman, USA TODAY

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An October 7 hero: The story of Nova music festival's Janusz Korczak
An October 7 hero: The story of Nova music festival's Janusz Korczak

Yahoo

timean hour ago

  • Yahoo

An October 7 hero: The story of Nova music festival's Janusz Korczak

From his perch amplifying the trance music on October 7, Matan Lior took charge and saved dozens of lives. With his lion's mane of hair, engaging personality, and imposing presence, everyone knew Matan Lior at the desert raves and music festivals that have proliferated in Israeli culture over the past two decades. The 35-year-old former soldier in the Sayeret Golani owned Sound Fanatic, the company he named to describe himself. He was as serious about amplifying the hypnotizing trance music that filled the air like thunder as he was intent on having as much fun as his fellow partyers. By day, he was a brain research student at Ariel University, studying the effects of psychedelic mushrooms on trauma and PTSD. On weekends, he and his workers would provide the sound for festivals throughout the country. Lior would precariously climb scaffolding to check that each speaker was optimally placed for the most striking sonic effect, and greet the gyrating dancers like they were members of his extended family – which they were. On October 3, 2023, he arrived at the Kibbutz Re'im campsite near Sderot along with his staff of a dozen workers to set up the sound system for the Supernova festival, set to take place on October 6 and 7 over Simchat Torah. Following is the chilling story that took place over those next fateful days, told in the words of his parents, Opher and Sara'le, who raised Matan and his sister, Hila, in Sde Hemed, near Kfar Saba. Since October 7, Opher and Sara'le have told Matan's story to dozens of groups at the site of the festival, in front of a giant display featuring photos of their son and an explanation of the heroics that took place on October 7, which they gathered from piecing together 19 months' worth of eyewitness reports from those who had attended the festival. Opher called Matan 'Matana,' but I called him 'Tarzan.' His friends called him 'Matan Yanoush Korczak' for always putting others before himself [after the renowned educator who, as a principal of an orphanage in Warsaw, refused to abandon the children to the Nazis]. He had an extraordinary gift to give of himself, and he knew everyone. I didn't realize just how many people knew him until later. Matan wore two hats. He loved music and loved feeling it physically. But he also did very interesting research at Ariel University on the brain and music. On weekdays, he would put his hair in a bun and work and study with professors. But then he would let his hair down, and his life became music. He loved action He would place his speakers – special ones he brought in from Sweden and London – up high in trees. He could talk about sound for hours. He told me that the special speakers created other-worldly sounds – like gusts of wind. I never understood what he was talking about, but I could see how passionate he was about it. The night after Yom Kippur, he visited us in our home [in Sde Hemed] and said, 'You guys are getting old; I'll put up your sukkah.' I told him that he had to come during Sukkot, but he said he was so busy because he had to get ready for the Nova. But he surprised us and showed up exhausted. He came, and we put on trance music in the sukkah, and he danced with his niece. I don't know how we got on the subject, but we started talking about the sukkah and the transience of life and death. Our daughter said that if she died suddenly, she would want us to mourn and cry, cry, cry. I said that when I die, you can do what you want, just don't put on trance music. But Matan said, 'I don't want you to mourn my death, I want you to celebrate my life.' Matan left our sukkah to set up the festival sound at the Nova. After having been at the site for five days, on October 7, at 6:27 a.m., Matan was standing on top of his Range Rover and surveying the scene at the Nova. He had just spent the last hour photographing his speakers, his workers, the sunrise. At 6:29 a.m., he suddenly saw rockets overhead – not just one or two, but an enormous amount. He understood immediately that something extraordinary was happening – it wasn't a 'normal' terror attack. Matan stopped the music and ran onto the stage and began to yell into the microphone for everyone to leave immediately. 'Everyone, please leave at the emergency gates,' he kept shouting. He yelled until he lost his voice. At first, not many people understood or took action, but so many people knew Matan from past events because of his hair and personality, they began to understand that something was wrong, and because of him they started to run. He directed dozens of people to head across Road 232 toward Nahal Grar, which leads to the community of Patish. All of those who got there were saved. He forced his girlfriend into a car, and she begged him to come with her, but he said, 'No, I have things to do here.' Then the pickup trucks with the terrorists began to arrive at the entrance. After the missiles, we were in the area for about an hour. And then the massive gunfire began. Matan yelled my name, and he grabbed me by the hand and started running – and he could run fast. I had no idea where we were going. We headed toward the road. e pushed me into a car and said, 'Zohar, I love you.' It was like a Hollywood film in which you realize the gates of hell had opened. We knew that Matan was at Re'im, and when we began hearing about the attack there, we kept calling him and trying to get in touch with him. He began organizing as many people as he could because so many were freezing from fear due to the bullets and the rockets. It was chaos. He was putting people in cars, and he ran groups of people to Nahal Grar and ran back a number of times. Then Matan got shot in the back. He was down for a few minutes, then got up and got his bearings. He was a stubborn sort. Someone put a towel over his wound. He continued what he was doing, herding people into cars, leading people to Nahal Grar, all of this under fire. Saving, saving , saving – that's what he did. Back and forth. Bringing people to cars, taking people from cars. Moshe was a social worker who, together with a group of other health professionals, was part of Anashim Tovim. They go to all the festivals and help attendees who have bad trips or need psychological assistance. Matan has known him for 15 years. Moshe was driving his car, and Matan stopped him and said, 'Moshe, we have to fit 15 people in you car,' and he began loading them in, even as Moshe said it was impossible. At the last second, Matan squeezed into the trunk, and Moshe took off. The terrorists began to shoot at the car, and Moshe yelled for everyone to get out and run; otherwise, he knew that everyone would be killed. Everyone ran in different directions, and the terrorists were shooting at them like sitting ducks. On the morning of October 7, as we were home, glued to the news, a group of Matan's friends – all from elite combat units – came to our house. They said, 'We want to go with you to Re'im and bring Matan home.' I was a career [lieutenant-colonel] officer, responsible for security in all of the communities. I had retired 12 years before, but I knew the area like the back of my hand. I told them, 'Listen, the whole region is a closed military area; there's no chance we could get in. The area is full of terrorists, and the last thing I want to do is bring one of you home in a casket.' Then they said two things to me that convinced me. They said, 'Matan would have been the first one to come rescue us if we were there. He would already be there.' Then they said, 'We're going to go, with or without you.' I asked myself, from a moral point of view, how could I let them risk their lives for my son, and I stay home in safety? I agreed to go, and we got organized, got out our army uniforms and boots. My one condition was that everyone going with us had to have a handgun in his possession. I have to admit that I didn't understand the scope of what had happened until we started getting closer to the site. We drove south and we began seeing the shot-up cars, the bodies in the road, and all of us began to understand the magnitude of what had happened and was still taking place. We passed army checkpoints easily – and when we got to Re'im, the army was in staging areas. My only fear since we were not there officially was that we would be caught in friendly fire or be mistaken for terrorists masquerading in IDF uniforms. I saw unspeakable sights, with bodies and blood everywhere, but we focused on the task at hand. We huddled and went over general guidelines of why we were there and what our mission was. We tried to put ourselves in Matan's mind, what he would have done, where he might be hiding. Matan was in Sayeret Golani, he was experienced, and I really believed that he was alive and we were going to find him. One of the first things I did was to take a photo of Matan and show it to the ZAKA people who were already there and collecting bodies and body parts. 'Is there any chance you collected this person?' They answered no, that they recognized everyone that they had picked up, and he wasn't familiar. I took that as a positive sign that he must be alive. I got a message that there were some unidentified bodies at Soroka Hospital, so I left half of our makeshift unit at the site and went with the others to Soroka. There, too, I saw sights nobody should ever see, but no Matan. We returned to the Nova and continued searching. We were there for five days. We brought in dogs from Oketz that had been retired from the service, along with their handlers. We brought in drones. We were more efficient than the army – bringing both of those in before they did. Moshe ran to a field and hid behind a tree. After an hour and a half, he decided to try to return to his abandoned car. On the way, he saw the bodies of three social workers he had been with, naked and hanging from a tree. Then he got to the car and saw Matan – lifeless – in the open trunk. He cried, 'Matan, I love you,' and he started running. On Thursday afternoon, more than five days after the attack, we received a message from someone who said he had been with Matan in a car. 'Listen, my boss forbade me to say anything because I'm not an official source, but Matan was with me in the car, and I'm sorry but he's not alive.' I sent two of Matan's friends, whom I trusted, to question him and make sure he was reliable. They returned, and pne said, 'Opher, he knew Matan, and he was telling the truth. I asked him a simple question: 'Did you signs of blood?' He said, 'I don't remember.'' So, from my perspective, if there were no signs of blood, then it left the window open that Matan was still alive. So I kept searching. That night, a representative from the local council told me that the medical staff had found DNA that matched Matan's DNA. He was gone. This is what happened that day, and nobody can ever say that this isn't what happened. Opher and I are still, to this day, fitting the pieces together about what happened, as more survivors come forward to tell us what they saw. It's very difficult for some of them - they're not capable of talking about what happened and what they saw. But so many survivors have gotten in touch with us and told us similar stories – how Matan saved their lives. I was here while terrorists were still here…. For five days, looking for Matan. The earth here is sacred. There's not a centimeter of land that wasn't drenched with blood. Nearly 400 people who came to dance to music were murdered, and Matan was one of them. We're very proud of Matan's decisions and how he helped people. But I'd be very happy if he was here today with us. We lost the most precious thing to us, but as a people we can't be broken. We can't let these monsters break us. Our answer is to rebuild. We drove past Kibbutz Be'eri and saw a new section being built. That's our victory. We're staying here, building our country. Today, a friend of Matan's sent me a photo of him dancing and happy. He was a happy person and lived a good life. What's left is for us to tell his story and the story of what happened at the Nova. We're telling that story around the world. We're going to Toronto, we've been in New York and Washington talking before audiences who want to know what happened. It strengthens us to talk about Matan, and it strengthens people to hear his story. Because of what Matan said that night in the sukkah less than a week before his death, Opher and I have chosen life. Zohar Ma'aravi's and Michal Margolin's testimonies were taken from a film on Matan Lior's life ■

Renée Victor, 'Coco' and 'Weeds' star, dies at 86
Renée Victor, 'Coco' and 'Weeds' star, dies at 86

USA Today

time2 hours ago

  • USA Today

Renée Victor, 'Coco' and 'Weeds' star, dies at 86

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Meet the new Karate Kids of 'Legends': Ben Wang and Aramis Knight
Meet the new Karate Kids of 'Legends': Ben Wang and Aramis Knight

USA Today

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Meet the new Karate Kids of 'Legends': Ben Wang and Aramis Knight

Meet the new Karate Kids of 'Legends': Ben Wang and Aramis Knight Show Caption Hide Caption 'Karate Kid: Legends' trailer: Ralph Macchio teams with Jackie Chan Ralph Macchio's karate sensei and Jackie Chan's kung fu shifu work together to train a martial arts prodigy in "Karate Kid: Legends." In every 'Karate Kid' movie, there's a teen hero and an absolute jerk of a bully. The original 1984 movie featured Ralph Macchio getting pummeled mercilessly until he finally beat William Zabka, though their rival characters became friends in 'Cobra Kai.' Then there's 1994's 'The Next Karate Kid,' which gave us Hilary Swank vs. young Walton Goggins. A couple of new enemies, both 25, enter the fray in 'Karate Kid: Legends' (in theaters now). Ben Wang plays Li Fong, a kung fu-trained youngster recently moved to New York City, and Aramis Knight is Conor Day, a karate-champ classmate who seethes after the newcomer befriends Conor's ex (Sadie Stanley). Trash talk and beatdowns commence, all leading to a faceoff in the championship of a local karate tournament. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox Director Jonathan Entwistle says Wang has a 'Marty McFly quality' to him, playing a Chinese Peter Parker-type character, and he told Knight he was 'playing something actually quite iconic: the bad guy in a cool outfit.' Time will tell if their characters hug it out 30 years from now, 'Cobra Kai' style, for a Netflix show. In the meantime, here's what fans of these new karate kids need to know about Wang and Knight: Ben Wang shares a similar origin story to new 'Karate Kid' In 'Legends,' Li Fong relocates from his native undefined with his mother (Ming-Na Wen). Wang finds a parallel to his own life story, but with a twist: He moved from Shanghai to small-town Northfield, Minnesota, with his mom when he was 6, and ended up at drama school in the Big Apple. 'I didn't have to dig very deep for a lot of the stuff. Mostly the hardest part was the squats,' says Wang, who starred in the Disney+ series 'American Born Chinese' and also appeared in the movies 'Mean Girls' and 'Chang Can Dunk.' His next film is the Stephen King dystopian horror adaptation 'The Long Walk' (undefined) and Wang has also been cast in next year's 'Hunger Games' prequel 'Sunrise on the Reaping." Like his 'Karate Kid' character, Wang trained in martial arts early, doing after-school taekwondo, and has studied other Chinese forms like Wing Chun kung fu. The acting aspect, however, came when he realized, 'I wasn't any good at sports, and I wanted friends.' Wang's first play at age 10 was 'A Midsummer Night's Dream,' he says, 'but it wasn't Shakespeare's 'Midsummer Night's Dream.' ' Still, "I was like, oh, I've never actually had that kind of fun before in my life. I mean, I had no plan to do it professionally, but it ended up working out for the best." Aramis Knight earned his martial arts stripes in the 'Badlands' Knight might seem like a Hollywood newcomer, but he's already built an extremely varied 20-year career, on shows including 'Lost,' 'Dexter' and 'NCIS,' plus movie roles in 'The Dark Knight Rises' and 'Ender's Game.' Most noteworthy, however, is his action-packed TV work: Knight starred in the post-apocalyptic drama 'Into the Badlands' as well as Marvel's 'Ms. Marvel.' 'Badlands' was 'the perfect crash course' in martial arts, and co-star Daniel Wu became his mentor in wushu. The night he heard he got the role, "I remember me and my mom just thinking like, 'Damn, how am I going to do this?' " While he was "fairly athletic" and played a lot of basketball when he was younger, "I was not flexible at all," he says. "undefined' After training and doing the show for three seasons, 'I'm pretty sure I tore and rebuilt every muscle imaginable just to get to the point where I'm at now,' Knight says. 'I'm by no means an expert but I'm no slouch. I can definitely look like I'm very good at it.' Knight wants to play 'bigger-than-life, almost unrecognizable' characters, yet "it's harder when you're young to play those like Gary Oldman-esque parts,' he says. Being a karate villain is a step in that character actor direction. 'You kind of get the free pass to do things that you wouldn't normally do in your real life. Just be a little more disrespectful than Aramis would personally ever be,' Knight says. 'I'm an integral part in Li Fong becoming this triumphant hero. There's got to be sort of a fall from grace, and that's really what Conor is for Li. 'I wanted to fill those shoes and be this iconic but also traditional 'Karate Kid' bad guy. I felt like I was carrying the torch a bit.'

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