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1000lb Sisters star Tammy Slaton reveals she's ENGAGED just two months after going public with girlfriend Andrea Dalton

1000lb Sisters star Tammy Slaton reveals she's ENGAGED just two months after going public with girlfriend Andrea Dalton

Daily Mail​4 hours ago

1000lb Sisters star Tammy Slaton has revealed she's engaged to Andrea Dalton just two months after the couple went public.
Tammy, 38 - whose sister Amy, 37, announced she was engaged only last month - let the news slip during an appearance the Creative Chaos podcast on Tuesday.
Speaking about how her and Andrea like to spend time together, Tammy explained: 'Me and my fiancée, we just kind of chill at home.'
The revelation prompted a shocked response from host Hunter Ezell: 'Hold on, you said fiancée?', before the television star showed off her shiny new engagement ring.
Tammy was also proudly sporting an 'Andrea' necklace, later revealing that her and her love interest have been together for 'around three years'.
It comes just a couple of months after Tammy - who has lost a staggering 500 pounds - made public her relationship with a woman.
Admitting that she hadn't broken the news to her family because 'they'd have something to say about it', the 38-year-old revealed: 'Amy's not the only one that's seeing somebody new. So have I....
'I have been seeing someone for the past couple months and it's going pretty well.'
She added: 'The person I'm dating is a woman. So I haven't told my family because my family's gonna have something to say about it.'
'I think my family probably has more opinions than the world has a**holes because they be farting so much.'
After hearing the news during an episode of 1000-Lb Sisters however, Tammy's mother voiced her support for her daughter, saying: 'If Andrea genuinely cares for Tammy and makes her happy, then I'll be happy with her.'
Tammy and Andrea, who both live in Kentucky, met on a dating app and have 'talked every day since'.
2025 has indeed proved to have been a happy year for the Slaton family thus far, after Tammy's sister Amy announced her engagement to Brian Lovvorn just a couple of months ago.
Amy spoke about her fiancée's proposal during a recent episode of their show, saying: 'Originally, he slipped a green apple Ring Pop on my finger while I was asleep, about two weeks into our relationship.
'I was shocked at first, and I said yes but only if the real proposal was in a haunted house on Halloween.'
Just five months after they began dating, Brian made that proposal a reality as he got down on one knee with a gothic ring.
Amy recalled the proposal: 'He said something about, "my love for you is crazy, it's scary how compatible we are".
'Just like our matching tattoos say, "scary love".'
News of her sister Tammy's engagement comes two years after her husband Caleb Willingham died of an unknown cause at the age of 40.
Tammy revealed in an interview following his passing that she no longer had an interest in dating men.
'A few years ago I came out as pansexual but after Caleb passing,' she explained,' I just don't want to be with men anymore.
'I don't know how my family's going to react when I tell them I'm seeing a woman.'
Last year Tammy opened up about the moment she found out that Caleb had passed away.
During an interview with People, Tammy revealed a friend of Caleb's told her over text message that her husband wasn't doing well - before he informed her just 20 minutes later that he had died.
At the time, Tammy was at her home in Kentucky and Caleb was at the Ohio rehab facility she had previously been at with him.
'I was sitting in the fetal position,' she told the publication.
'I got a text message from his friend up there and the text said, 'Caleb's not doing good. They're in there working on him.' 20 minutes later he texted me back and said he was gone.
The TLC star also said she had been 'doing fairly well' getting through the tragedy, and had even made a ring and musical note-shaped necklace with the ashes of her late husband.
She had grown attached to the jewelry and finds comfort knowing a piece of him remains with her.
'He's going to live on now forever because his memory is encapsulated,' Tammy said.
'Knowing that he's with me, it's helping me pass the day. I find myself grabbing my necklace and holding it a lot. When I take off my jewelry, I feel like it's weird, separation anxiety. I start panicking.'
Watching Caleb on their show has also provided her with some joy: 'Every time I miss him, I can always look back at the show and watch it and see what made me happy again.'

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Did The Simpsons really just kill off a major character?
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The Guardian

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  • The Guardian

Did The Simpsons really just kill off a major character?

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There will never be another Anna Wintour at Vogue. She's made sure of it
There will never be another Anna Wintour at Vogue. She's made sure of it

Telegraph

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  • Telegraph

There will never be another Anna Wintour at Vogue. She's made sure of it

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The people who always made Vogue count – not the readers silly, but the players in the fashion, film, theatre and other industries who would have killed to be in its pages, can now go directly to their followers on social media. Vogue's most active presence is on Instagram, where its tone veers between preachy 'activism' and crude popularism. Meanwhile Condé Nast itself appears to be suffering from one long existential crisis. Is it even still a publishing house (the one that brought us Vanity Fair, Glamour, GQ, World of Interiors, House & Garden, Tatler and numerous international editions of Vogue), or, as it lately suggests, an events company that makes money from rubber-neck red carpet products such as Vogue World? In the midst of Condé Nast's descent into the banal, the most frequently asked question asked about Wintour's embattled tenure has been 'why is she still bothering?' One theory is that she wanted to surpass Edna Woolly Chase's 37 year tenure as US editor-in-chief. In the event she has only equalled it. Or perhaps she felt she had some 'reputational' issues to finesse. In 2020, at the height of the Black Lives Matter protests, demonstrators with placards massed outside Wintour's picturesque red brick downtown townhouse to protest against what they saw as Condé Nast's (and her) long history of elitism and racism. The case for the prosecution against Wintour has been going on since she was first appointed editor of the then genteel and cosy British Vogue in 1988. Her brusque manner, Stakhanovite work ethic and immunity to the cold (she wore micro minis throughout her two pregnancies there) inspired the moniker 'Nuclear Wintour'. Many of the ideals, values and people she has championed in her magazine – fur, P Diddy, Mike Tyson, more fur, Kanye West, Harvey Weinstein, John Galliano and Asma al-Assad – seem tone deaf, especially viewed with hindsight. There are numerous witnesses to her rudeness. You don't inspire a culture defining book and a film (The Devil Wears Prada) by being bland. Equally there are plenty who testify to her kindness, whilst her ability to fundraise – delicately arm twisting the rich to hand over $300,000 a table for her Met Ball whilst elegantly kneeing them in the accounts department for a donation to the Democratic party – is spectacular. She's an operator of the highest order, drawn, since she was a London teenager, sniffing out the most expensive labels and most beautiful folk, to power. The late André Leon Talley, once an editor at large at US Vogue and her personal dresser and advisor until they fell out, wrote 'Anna has mercilessly made her best friends people who are the highest in their chosen fields'. Wintour publicly apologised for her alleged sins after the BLM debacle, vowing to right the wrongs. Condé Nast is now more inclusive of skin colour and (a little more) inclusive of body type. On an unforgivable downside, in its general confusion about what it's meant to be (you'd have thought the clue was in the name), Vogue, particularly online and on social media, has become a fetid hotbed of blatantly uninformed, anti-Israel propaganda, identity politics and keffiyehs. I know of at least one Jewish digital content editor who left a job she initially loved under Wintour because the perceived attitude of her team, which she felt powerless to challenge, became unbearable. Other Jewish editors still in the company are deeply unhappy – feeling unheard and unsupported by the powers that be. What does this have to do with Wintour? It's happening under her watch. For the past decade, she has been ever more promoted within the company until her purview reaches just about every nook and cranny. 'Anna knows what's on every page,' one European director of editorial content told me. She authorises every editor's foreign trips and keeps an eye on their public exposure, which perhaps explains why, unlike in the days of Roitfeld or Alt, no one in that company has anywhere near the profile she does. Her successor at American Vogue is unlikely ever to be another Wintour – the new structure there simply won't allow it. Names in the running include Chioma Nnandi, the charming, self-effacing British journalist and long time Wintour protege, currently editorial content director of British Vogue. Sarah Moonves, who edits W Magazine, to industry acclaim (and who, in 2019, helped organise its buyout from Condé Nast where it was floundering) is another. Laura Brown, the popular, ebullient Australian former editor of US In Style, now a social media personality, or Eva Chen, another Wintour mentee, who has a huge job at Instagram, would both be quite the catch too, in the unlikely event Condé Nast could match their current earnings. But will any of them want it? 'Après moi, le deluge,' is one description of Wintour's legacy strategy that keeps repeating itself over the past decade. In 'stepping back' from her editorship, yet simultaneously maintaining a vice-like grip on all the others, it seems one prophecy about her that may come true.

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