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I moved between New York and the Dominican Republic as a kid. I was made fun of because of my accent.

I moved between New York and the Dominican Republic as a kid. I was made fun of because of my accent.

I was born in the Dominican Republic. My parents divorced when I was a year old, and they both came to the United States independently of each other. I was left in the care of my maternal grandparents.
When I was 6, my mother came back to get me after completing my paperwork and establishing herself in the Bronx, New York. In my hyperthymesia mind, I remember her exactly as I saw her for the first time: wearing a blue, azure suit, a white shirt, black heels, and dark brown mid-length hair curled with a bold red lip. She also had a son with her, my new brother, and a few days later, I met my first stepfather.
didn't want to live in the US.
I felt like I was in the movies
I don't remember my first plane ride. Before we left for the airport, I ran out of the house and tried to climb the avocado tree in the backyard with no success. I then hid under my bed, but the neighbors lifted it, so I rushed into my grandmother's arms. My mother tore me from her arms, and we got into a car, where I watched her fade away.
The following day, I woke up in my new city to the sounds of "Super Cacu, DESPIERTA!" — the morning radio program my new family listened to. The weather was cold, and I gasped when I saw shaved ice falling from the sky. I had only seen that in the movie "La Blanca Navidad." I thought I was in a movie, too; after all, if it happened on the screen and around me, they were extensions of each other.
I didn't understand people
Everything felt strange to me. I couldn't understand what the people around me were saying. When I asked my mother what it was, she told me, "It's In-glishhh." It sounded like crumpling paper to my child's ears. On my first day of public school, I was greeted by a lovely Black woman with short, light brown hair and hazel eyes, wearing a beige pantsuit and black ballerina flats. "Welcome to your first day in America," she said with a bright smile.
I was placed in an ESL (English as a Second Language) class. When my stepfather heard about it, he was angry because he felt I'd never learn how to speak the language properly. I was then transferred to an English class, where all my classmates laughed at me for not talking and for always sitting in the back.
A year later, I spoke fluently and even won the spelling bee.
I was bullied at school
During this time, my mother divorced, remarried, and I became obsessed with watching black-and-white TV shows on the Disney Channel. My favorites included "Ozzie and Harriet," "Father Knows Best," "Leave It to Beaver," and especially "The Patty Duke Show"—that's when I first heard the British pronunciation of the word "literary," which I still use to this day.
Their everyday, wholesome, predictable family lives fascinated me, and I began to practice phrases like "Dare I say," "Heavens no," and "I fancy that." When my neighbors heard me say these things, they would ask what I was saying. I always told them it was "American British." It wasn't until high school that I learned it was called the Transatlantic Accent.
My classmates' daily routine of laughing at me escalated to pushing and shoving because I "talked like a white boy." I always fought back, but it didn't stop until I was enrolled in Catholic School, Saint Peter and Paul, in the Bronx, just one block away from my mother's and stepfather's business, a garment factory.
It happened again when we moved to the Dominican Republic
My life took another turn at the age of 11 when my parents decided to move to the Dominican Republic to expand their garment manufacturing business. There, I experienced the Spanish version of my English experience, but at an older age. In my new school, I was made fun of because I spoke the native language like a "gringo." Once again, things changed for me when my mother placed me in a private bilingual school.
At 16, we moved back to New York City, and I selected the High School of Fashion Industries in Manhattan. I developed a love for reading when I had to do a book report about "The Crucible," by Arthur Miller. Books became my best friends for life.
My college experience at FIT was a breeze. It focused not on race, color, or geography, but on skills and determination. It boiled down to education and who you wanted to be, adjusting according to your environment.
To this day, I can speak in every kind of vernacular, whether I'm in the South Bronx, California, the South, or Europe. I am who I am. However, every time I speak, even though it started as an affectation, it is genuinely me, an immigrant.
We assimilate without denying or eliminating our roots, creating a hybrid persona that represents us all as one.
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They grew up Disney. Meg Donnelly and Kylie Cantrall are ready to take it from here.
They grew up Disney. Meg Donnelly and Kylie Cantrall are ready to take it from here.

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They grew up Disney. Meg Donnelly and Kylie Cantrall are ready to take it from here.

The stars of "Zombies" and "Descendants" talk to Yahoo about what Disney stardom looks like in 2025. Disney Channel has long been a pop culture springboard, minting stars like Miley Cyrus, Selena Gomez, Zendaya and the Jonas Brothers. But being a Disney star in 2025 looks different from the Hannah Montana and Camp Rock days. Back then, the formula was clear: Land a hit show or movie, make crossover appearances in other Disney projects, release music through the Disney machine and maintain a carefully curated, wholesome image. Global stardom came with perks, but being a young person navigating that world without a roadmap made for a high-stakes balancing act, especially in a culture quick to pick apart Disney stars. The lucky few, often backed by strong support systems, broke out beyond their early success. Today's Disney stars benefit from the legacy but face new hurdles. Thanks to social media, they're always on the clock — expected to perform, share and present perfection 24/7. They're brands within brands before they're old enough to drive. Kylie Cantrall, 20, and Meg Donnelly, 25 — who lead the network's biggest ongoing properties, Descendants and Zombies, both musical fantasy films — represent the modern blueprint for Disney stardom. They talk to Yahoo about growing up Disney, from dreaming about mouse-eared stardom as girls to movie- and music-making. But they're also pushing back against labels, steering their careers and trying to avoid the inevitable 'Disney star gone wild' headlines. 'Nobody really knows what I can do' Disney Channel was Donnelly's 'everything' growing up. A theater kid from New Jersey, she started auditioning for roles on the network at age 8. Being cast in the ABC sitcom American Housewife in 2016 opened the door to Disney. A year later, at age 15, she landed Zombies, after many auditions. The movie was an instant hit when it premiered in 2018, catapulting Donnelly to Disney stardom, powered by an army of tween fans. Zombies' hit soundtracks, with punchy pop anthems, have gone hand-in-hand with their success. 'Someday,' which Donnelly sang in the original film, has 109 million streams on Spotify. Fans who search for that may discover her original songs too. That includes her 2019 album Trust. 'When I was a kid, it was really hard for me to stand up for myself,' she tells Yahoo. 'A lot of the music I put out — even though it's still special to me, and I know a lot of people listen to it and they like it, so I'm not trying to discredit that at all — definitely wasn't 100% me.' Looking back, it felt like a bit of a runaway train. 'I definitely was doing what I thought I had to do, or listening to the people I thought I had to, because I was scared to speak up,' she says. 'I'm still learning how to do that. I'm not 100% good at that.' Feeling more in control, Donnelly released her new EP, Dying Art, in June, on the heels of showcasing her talent as the youngest finalist on The Masked Singer. 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They don't see the behind-the-scenes of all the [audition] tapes I'm sending in and the acting work I'm doing. No one's ever seen me act outside of kids' television or [the] sitcom world.' That gets in my head a lot. I think: 'Nobody really knows what I can do.'' She's working to show her broader range. Outside of Disney fare, Donnelly played the lead in the CW Supernatural spin-off The Winchesters, from 2022 to 2023. More recently, she was very close to landing the lead in the upcoming live-action Supergirl film, a part that went to Milly Alcock. Donnelly also struggles with the expectation of having to be on social media all the time. She calls it 'a really hard thing to navigate' and says 'it can be very isolating.' With 3.1 million TikTok followers and 2 million on Instagram, she's deeply aware of the role model label she carries, responsible to young fans still in single digits as well as adult women her own age. 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We're all gonna make mistakes… We're not going to be children forever.' Riding the Disney wave to pop stardom Cantrall started making YouTube videos of herself reviewing Disney shows at age 8 and, before long, she was appearing in the shows, including Gabby Duran & the Unsittables and High School Musical: The Musical: The Series. 'I was always a Disney girl, practicing the wand ID in my room in front of my mirror at 5 years old,' she tells Yahoo. 'I looked up to Zendaya and Selena Gomez and Miley Cyrus. I wanted to be that.' When Descendants stars Sofia Carson and Dove Cameron moved on in 2019 after successfully launching post-Disney careers, making movies and music, Cantrall was part of the new generation taking over. To land the lead in Descendants: The Rise of Red, she auditioned over Zoom for more than 40 Disney executives. When the film came out in July 2024, it drew a record-breaking 6.7 million views in three days on Disney+. For comparison, Taylor Swift: The Eras Tour concert movie had 4.6 million views over the same period when it streamed that year. With a fifth film, Descendants: Wicked Wonderland, recently wrapped, Disney banked on Cantrall to headline the Descendants/Zombies: Worlds Collide tour this summer across 43 cities at venues like Madison Square Garden. Onstage, she performs not just Disney hits — like the title track 'Red,' which has drawn 58 million Spotify streams in one year — but also original songs from her debut EP, B.O.Y., which dropped in May. It's all a lead-up to her first full-length album, due next year — timed to maximize exposure around the next Descendants release. While Cantrall knows her Disney fan base is young, her ambition extends beyond that. 'Of course, a lot of little kids know me as Red,' she says, 'but it's cool seeing [the] siblings of those kids who are a bit older discovering me and my own personal music.' Cantrall is clearly aiming beyond the Disney bubble. While she embraces her role in Descendants — 'as long as they want to keep hiring me, I'll make I'll make myself available,' she says — she's focused on building a music career that also appeals to older teens and young adults. That's an audience she's steadily growing through her more mature songs and pop aesthetic — and she's not shy about where she wants that to go. 'Hopefully I'll go on the Kylie tour next,' she says, referring to her goal of headlining like fellow Disney alumnae Olivia Rodrigo and Sabrina Carpenter, who went from small screen to pop stardom. Unlike Donnelly, Cantrall's all in on social media. She has 8.2 million TikTok followers and 1.4 million Instagram followers and feels that showing them her day-to-day is a key way of connecting with her fans. 'The biggest difference between being a Disney star now vs. then is that we have social media, and [fans] can get to know us on such a deeper level,' says Cantrall, whose fandom even has a nickname: the QTs. 'I'm able to connect with so many people, [and] I think people … have gotten to know me.' Cantrall says she often thinks about that younger version of herself — the girl pretending to be onstage, now that she's performing for thousands. 'I get so emotional thinking about the little version of me,' she says. 'All I did was perform — dance and sing around my house — and that's all I've ever wanted to do. [Sometimes I imagine her sitting] in the crowd watching … me on stage. I think she would be so proud.'

Quiz: Guess The Disney "Zombies" Movie From One Frame
Quiz: Guess The Disney "Zombies" Movie From One Frame

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Quiz: Guess The Disney "Zombies" Movie From One Frame

Zombies is, without a doubt, one of the best Disney Channel movie franchises of the decade. Catchy songs, a cute love story, killer performances by Milo Manheim and Meg more could an undead fan ask for? Now that Zombies 4: Dawn of the Vampires (2025) is out, it's the perfect time to put your knowledge to the test. So, here's the sitch: below are a mix of images from Zombies (2018), Zombies 2 (2020), Zombies 3 (2022), and Zombies 4: Dawn of the Vampires (2025). Your job is to correctly select *which* Zombies movie each frame is from. Cool? Cool! Stream the Zombies movies on Disney+.

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