Shoppers rush to buy celebrity-loved d'Alba spray serum now 42 per cent off on Amazon Australia
Right now, the d'Alba Italian White Truffle First Spray Serum is an incredible 42 per cent off, selling for just $22, down from $38, and shoppers are not wasting any time.
With over four thousand bottles snapped up in the past month, it's clear this is more than just another skincare trend.
The spray is infused with premium white truffles carefully extracted from Piedmont, Italy, blended with tocopherol (vitamin E) to create d'Alba's signature ingredient, Trufferol.
Rich in antioxidants, it promises to deliver a glow so fresh you might just skip the filter.
It's also certified vegan by the Italian V-label, dermatologically tested, hypoallergenic and completely surfactant-free, so you get luxury without compromise.
With over 30 million bottles sold globally and more than 100,000 glowing reviews on the official d'Alba website, this product has earned its cult status.
The secret lies in its clever double-layer formula: the serum layer is packed with Italian white truffle extract, niacinamide and chia seed extract to boost elasticity and calm the skin, while the oil layer delivers hydration and locks it in.
All you need to do is give it a good shake before spritzing.
Why makeup artists love it
Notable names in the beauty world, from Patrick Star and Manny Gutierrez to Carli Bybel, Christen Dominique and James Charles, have sung its praises.
Patrick Star says they use it to prep the skin and bring back glow after applying powder, calling it 'skin-like' even over a full face of makeup.
Carli Bybel describes it as her 'staple, go-to heavenly product'. She uses before, during and after makeup.
The many ways to use it
This isn't just a setting spray.
You can use it as the first step in your skincare routine after cleansing to lock in moisture, during makeup to smooth out cakey foundation, or post-makeup for a radiant finish.
It also works as an all-over body and hair mist for a head-to-toe glow.
For an instant cooling effect, stash it in your beauty fridge and apply as needed throughout the day.
Shake it for a nourishing, dewy finish or leave it unshaken for a lighter touch; either way, the results are instant.
Shoppers on Amazon Australia rave about its fine mist, refreshing feel and glow-boosting power.
One reviewer wrote, ' Absolutely love this serum! It's lightweight, super hydrating, and gives an instant glow.
Given that this limited-time deal is already generating serious buzz, there's a good chance it won't be around for long.
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Herald Sun
12 hours ago
- Herald Sun
Dimboola is the tiny town that's become Australia's capital of quirk
Don't miss out on the headlines from Lifestyle. Followed categories will be added to My News. Riding to the Never Never is a song from the soundtrack of the 1979 film Dimboola and also an accurate description of my four-hour drive from Melbourne to its namesake town. A place I've never never been despite almost a lifetime living in Victoria. The reason I'm finally visiting Dimboola is because I keep hearing that this wheatbelt town, population 1600, is defying the rural decline and having something of a revival. I also keep hearing about The Imaginarium. Housed in the former National Bank of Australasia (built – appropriately given our theme – in the Renaissance style), The Imaginarium is an extraordinary curiosity shop filled with unique gifts and a giant giraffe whose head almost brushes the 4.5m pressed-tin ceilings. Upstairs there are five guest bedrooms decorated in distinct styles; I'm staying in the Italian room with its jewel-coloured Venetian-glass chandelier and assortment of busts, cherubs and crucifixes. If that sounds a bit quirky, well … welcome to Dimboola. Chan Uoy in Dimboola's Imaginarium. Picture: Visit Victoria The creative forces behind the Imaginarium are Chan and Jamie Uoy (pronounced Oi, as in 'Aussie Aussie Aussie'), Melbourne restaurateurs who made the tree change in 2019. 'The first time I came to Dimboola I felt like I'd entered the twilight zone,' says Cambodian-born Chan, who arrived in Australia as a child refugee in the late 1970s and, last November, was elected deputy mayor of Hindmarsh Shire Council. 'There was no one around!' So the couple decided to create something to boost tourism and lure folks off the Melbourne-Adelaide highway. Enter The Imaginarium. 'We wanted a place that stimulates your mind and your imagination,' Chan says. I could write an entire article about the Imaginarium and the energy and ideas of this dynamic duo – Chan is also the founder of the Wimmera Steampunk Festival, the region's biennial 'carnival of peculiarities', – but there's so much else happening in Dimboola. I want to give credit where it's due. Owners Chan and Jamie Uoy at the Dimboola Imaginarium. Picture: Alex Coppel. New arrivals to the main street of Dimboola include The Forbidden Forest, a showroom of fairytale-inspired spaces conceived by Melbourne transplants Shane and Kylie Harman. Wander through Hansel & Gretel's Candy Haus, Jack & His Beanstalk Farm, The Witches' Lair and more. Each an elaborate stage set where everything, from games and toys, lollies and giftware, is for sale. 'The one big thing we find here is all the businesses work together,' says Shane. 'And because we own our shops, we're the people you see and talk to,' says Kylie. Across the road, Deb Howlett and Mark Gebhardt have opened That Little Vintage Shop with curated sections for men's and women's wear, haberdashery, millinery and kitchenware. Think of it as 'David Jones but with old stuff', says Deb. 'My shop is pretty quirky and not everyone accepts that, but here quirky is the norm.' She assures me that if the rain wasn't tipping down this late-July weekend, 'the street would be chockers'. Potter George Khut in his studio with works by his students. Picture: Kendall Hill Sydney expat George Khut opened Dimboola Pottery this winter in the old CFA shed and now operates a busy roster of four classes a week for the 'clay-curious' and plans to open a gallery showcasing his ceramic creations. He says he knew straight away Dimboola was the right place for him. 'It's affordable here and the community of shopkeepers have been really inviting.' Pop in also to Dimboola Vintage, a trove of gadgets and mechanical wonders, and grab a coffee at Dimboola Store, but try to avoid the Sunday brunch queues. Elsewhere in town, chef Cat Clarke has pimped out the kitchen at the Dimboola Golf Club to run a Thursday-to-Sunday restaurant on the banks of the Wimmera River. I loved the time-warped interiors of burnt orange and brown and her roasted duck with karkalla and muntries jus. 'I just cook with fresh produce ... and bush foods, the oldest ingredients around,' she says. Chef Cat Clarke at Dimboola Golf Club. Picture: Kendall Hill Meanwhile, at the Victoria Hotel, I have a juicy Angus scotch fillet with garlic mash and gravy in The Elbow Room, the one-time ladies lounge now a low-lit den strewn with Chesterfields, upright pianos and artworks. Owners Stoph and Meran Pilmore took over the century-old institution 10 years ago when the pub was mint green with laminate tables. Stoph says Dimboola has 'bucked the trend' of dying country towns and points to initiatives such as Wimmera's Silo Art Trail, said to be Australia's largest outdoor gallery, as driving the tourism boom. Opening soon, a main-street microbrewery called Frank Fox, and the Wimmera River Discovery Trail linking Little Desert and Wyperfeld national parks. Stage one, a walking and cycling path between Dimboola and Jeparit, will launch next month. Just one of many reasons to ride to the Never Never. The Wimmera River, Dimboola. Picture: Visit Victoria The writer travelled courtesy of Visit Victoria. Don't miss this Down the road from Dimboola I spent a wonderful wet morning with volunteers at the Wimmera Mallee Pioneer Museum, a collection of historic buildings crammed with displays of everything bygone, from agricultural machinery to domestic paraphernalia. A must-see. Originally published as Dimboola is the tiny town that's become Australia's capital of quirk
Courier-Mail
a day ago
- Courier-Mail
‘Gucci mansion' seller drops $17m on luxe waterfront home
Video Player is loading. Play Video Play Next playlist item Mute Current Time 0:00 / Duration 0:00 Loaded : 0% 0:00 Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 Fullscreen This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. This is a modal window. This modal can be closed by pressing the Escape key or activating the close button. Close Modal Dialog This is a modal window. This modal can be closed by pressing the Escape key or activating the close button. Play Mute Current Time 0:00 / Duration 0:00 Loaded : 0% Stream Type LIVE Seek to live, currently playing live LIVE Remaining Time - 0:00 Picture-in-Picture Fullscreen AREC: Third Home founder Wade Shealy on reimagining the holiday home market 02:55 A Victorian number cruncher selling one of Brisbane's flashiest homes has paid almost $17 million for a waterfront Noosa pad. Mark Seery of MDS Accounting & Financial Services and his wife, Lisette, are understood to be the buyers of the luxurious property at 78 Noosa Parade in Noosa Heads. The property had previously been owned by Russell Jones, the former boss of packaging giant Amcor, who paid just $1.725m for the prize site back in 1999. RELATED: Qld's 20 biggest home sales of the year revealed Three bidders vied for the Noosa Heads home at the Tom Offermann Real Estate auction, before it sold under-the-hammer for $16.95m. Featuring five bedrooms and three bathrooms, 78 Noosa Parade was recently refurbished and features organic materials including aged timbers, Italian limestone, cedar, as well as a jetty with a pontoon, and a horizon-edge heated pool. Noosa continues to be a popular spot for those with deep pockets. MORE: Housing crisis horror: One bedroom for $1m Down the street, a jawdropping, waterfront home in Wyuna Drive is about to hit the market with a similar price tag. The property, which was designed by Paul Clout and built by Poyzer Sawyer, will hit the market soon with Adrian Reed of Reed & Co. Billionaire Gina Rinehart has also been spotted looking at homes in the area recently, accompanied by her security motorcade. MORE PROPERTY NEWS She owns a number of properties in Mossman Court and still holds the record for the biggest sale in Noosa for her $34m purchase in Webb Rd, Sunshine Beach. Meanwhile, the Seerys have listed their iconic riverfront home at 29 Laidlaw Pde, East Brisbane, which was regarded as so decadent it became known as the 'Gucci mansion'. With a bold, black European-inspired facade and colourful interiors, the property sold in less than three months during the height of the property boom in 2022. They paid $12.5 million for the glamorous property three years ago and it is now for sale with Matt Lancashire of Ray White The Collective via an expressions of interest campaign. The bold and dramatic interiors of the home were designed by renowned interior designer Greg Natale, while the standout black build was crafted by CHS Building.
The Age
a day ago
- The Age
‘A risk to society': The next-gen stars tapping into the dark heart of The Talented Mr Ripley
For 70 years, the fictional character of Tom Ripley – a misanthropic, morally ambiguous and shape-shifting antihero – has gripped readers and film-lovers. The creation of American writer Patricia Highsmith, he first appeared in her 1955 novel The Talented Mr Ripley, beginning as a near-destitute IRS stockroom clerk and con-artist living in New York City but evolving into a serial killer who murders and then takes over the identity of Dickie Greenleaf, a wealthy, not-so-talented painter living in the fictional Italian coastal town of Mongibello with a lovely house, a boat and an American admirer called Marge Sherwood. Ripley's evolution is enthralling and mind-boggling. His plan to murder emerges as suddenly as his coveting of Greenleaf's privileged life. Now, Highsmith's most famous character comes to the stage in playwright Joanna Murray-Smith's adaptation of The Talented Mr Ripley. Loading Directed by Sarah Goodes (Julia, Who's Afraid of Virginia Woolf?), with Will McDonald (Heartbreak High) as Ripley, Raj Labade (The Office) as Dickie Greenleaf and Claude Scott-Mitchell (The Dry, The Last Anniversary) as Sherwood, the play is a pin-sharp study of a complex man and a nail-biting psychological thriller. 'Oh, absolutely, the whole story is about suspense,' Goodes says: 'That gap between something happening and what your response is to it. In rehearsals, we've kept talking about the actual definition of suspense. You're suspended between two things. In a way, the whole story of The Talented Mr Ripley is about that. 'Joanna's written a piece that swings between being a noir film, like The Third Man, to being like a Wes Anderson work, to being a classic Strangers on a Train -style Hitchcock. And there's also direct address. He's got a relationship with the audience. You find out who that is later but really Ripley's telling us the story.' But who is Ripley? A relative nobody, he is sent on an all-expenses paid trip by Dickie's father to convince his son to come home to New York. Dickie's mother has leukemia and his father wants him to take over the family's shipbuilding business. But when Ripley encounters Dickie – magnetically carefree and living a life of luxury and culture on the Italian coast – he cannot follow through with his mission. His ardour for Greenleaf's identity, and desire to escape his own dismal existence, propels him to kill. And then, through extraordinary sleight of hand, he becomes Dickie Greenleaf. 'At the core of Tom is a void,' McDonald says. 'Emptiness. He's this black hole that kind of swallows up Dickie and Marge and Dickie's parents. That, and the deep-seated shame of who he is, really drives the whole piece.' Goodes agrees. 'It's a moral tale in a way,' she says. 'If you don't know who you are, if you don't anchor yourself or have a moral attachment to the world, then you are a risk to society. That's the story of the outsider. 'If you feel like you owe the world nothing, then you can be like Ripley. You have no remorse or regret. You can move through it with this real sense of surgical precision and determination.' Ripley is often labelled a psychopath, and Highsmith, who wrote 22 novels including The Price of Salt (later republished as Carol) and Strangers on a Train, another tale of murder and emotional blackmail, clearly had a thing for psychopaths. She even wondered if she was one herself, writing a diary entry in 1943, 'Am I a psychopath?' She also referred to Ripley as her alter ego, sometimes signing letters 'Love from Tom'. What stands out with Tom Ripley – a person whose exploits would necessitate punishment if exposed – is that he is a character that many fans of the book, film and TV adaptations (Andrew Scott played him in the 2024 Netflix series Ripley) root for. This is despite his identity theft, financial crimes, emotional manipulations and murdering. It's a duality McDonald relishes. 'There was an interview that Andrew Scott gave about playing the character where he said Tom's not inherently bloodthirsty, he's not this horrendous, evil person who just loves murdering people,' McDonald says. 'He's doing it to survive. He thinks it's something that he has to do to just stay alive.' He says Scott-Mitchell is sometimes rattled by his character's duality. 'She says there are times she is looking at me and going, 'Oh, I feel sorry for you',' he says. 'And then other times she is going, 'Oh my god, he's horrible. I hate him'. I love that sense of confusion about him.' Whether you love or hate him, Ripley is a stayer. Anyone wondering if he evades capture need only clock the four subsequent Ripley novels Highsmith wrote, with the last, Ripley Under Water, published in 1991. But is he happy when he gets what he wants? In the 1999 film adaptation directed by Anthony Minghella, Matt Damon as Ripley reflects mournfully towards the final scenes: 'I always thought it would be better to be a fake somebody than a real nobody'. Scott-Mitchell points to strong connections in style and character between Ripley and The Picture of Dorian Gray. 'When you think about it, Dorian and Tom are both characters who are completely consumed by objects and beauty,' she says. 'And they both end up in a very similar place.' McDonald agrees. 'With Dorian, he's beautiful and he's gorgeous, but he is known throughout London as a scoundrel. He's been corrupted,' he says. 'His soul has been destroyed by what he's done and he's alone forever. A similar thing happens to Tom. 'There's this wonderful moment in the book where he realises that, in the process of becoming Dickie Greenleaf and gaining all his things, by murdering him he can never let anyone be close to him ever again. 'He'll have all these beautiful things and live this beautiful life, but what he really wanted and prayed for – love and closeness – he'll never get it. In that sense, he fails in his objective.' He does, however, hold up a mirror to people's secret thoughts. Loading 'Joanna has written the play in a way that talks to the inner demons in all of us,' Scott-Mitchell says. 'We all have something sinister in our minds, whether we want to admit it, or even that we're conscious of it. You have these moments where you're listening to him and you're like, 'Oh, yeah, I see where he's coming from.' Then you step back and go, 'Well, that feels a bit uncomfortable.'' Most of The Talented Mr Ripley's creative team have connections to work about Highsmith. Murray-Smith wrote the play Switzerland, a fictional look at the last years of Highsmith's life, now being turned into a movie starring Helen Mirren. The co-premiere of the production at STC in 2014 was directed by Goodes and designed by Scott-Mitchell's father, Michael Scott-Mitchell. Goodes says one of the reasons Kip Williams commissioned Murray-Smith to adapt the work when he was STC's artistic director was to continue such connections, primarily by giving new roles to the next generation of Australian actors. 'The thing about this piece is that it's about people who are not fully formed yet,' Goodes says. 'They're in their 20s. This is the first time Ripley commits murder. In the other books, he's an established murderer. So the emphasis was to find a group of young, amazing, next-generation actors to play it – to find the next big names on stage and screen. That was a real starting point. 'Theatre companies are under pressure to sell tickets, so they put known people on stage. But you need to be finding the next people that are going to be those known faces in the future.' In that vein, too, The Talented Mr Ripley explores issues confronting the next generation, particularly with social media, surveillance, AI and identity theft. 'There's this whole mirror world of our identity online,' Scott-Mitchell says. 'We might have a social media profile that's a particular way we present ourselves, but then there's us in the flesh. Stripping that whole concept back to theatre is a really wonderful way of looking at it. Who are we? Which one is us? What makes you, you?'
